ジャックス

Trackimage Playbut Trackname Playbut Trackname
からっぽの世界 00:00 Tools
マリアンヌ 00:00 Tools
時計をとめて 00:00 Tools
裏切りの季節 00:00 Tools
われた鏡の中から 00:00 Tools
ラブ・ジェネレーション 00:00 Tools
薔薇卍 00:00 Tools
どこへ 00:00 Tools
遠い海へ旅に出た私の恋人 00:00 Tools
つめたい空から500マイル 00:00 Tools
堕天使ロック 00:00 Tools
ロール・オーヴァー・ゆらの助 00:00 Tools
いい娘だね 00:00 Tools
ジョーのロック 00:00 Tools
花が咲いて 00:00 Tools
君をさらって 00:00 Tools
運命の囚人 00:00 Tools
敵は遠くに 00:00 Tools
お前はひな菊 00:00 Tools
この青い海に 00:00 Tools
由美子はいない 00:00 Tools
Dm4-50 00:00 Tools
地獄の季節 00:00 Tools
この道 00:00 Tools
ハウ・トゥ・ラヴ 00:00 Tools
お前に夢中さ 00:00 Tools
忘れ得ぬ君 00:00 Tools
Dm4-50(inst) 00:00 Tools
冷たい空から500マイル 00:00 Tools
敵は遠くに(inst) 00:00 Tools
海と女の子(inst) 00:00 Tools
裏切りの季節(inst) 00:00 Tools
Eの巡回 00:00 Tools
いい娘だね (Early Single Version) 00:00 Tools
Aの巡回 00:00 Tools
からっぽの世界(inst) 00:00 Tools
M-10 00:00 Tools
Gの巡回 00:00 Tools
からっぽの世界 (Early Single Version) 00:00 Tools
M-19 00:00 Tools
Love Generation 00:00 Tools
お前に夢中さ(inst) 00:00 Tools
マリアンヌ (Early Single Version) 00:00 Tools
時計をとめて (Early Single Version) 00:00 Tools
Marianne 00:00 Tools
M-18 00:00 Tools
Vacant World 00:00 Tools
Gloomy Flower 00:00 Tools
この道 (Single) 00:00 Tools
つめたい空から500マイル 00:00 Tools
Stop The Clock 00:00 Tools
In The Broken Mirror 00:00 Tools
遠い海へ旅に出た私の恋人 (Early Radio Session) 00:00 Tools
からっぽの世界 (1967年9月24日TBSラジオ ヤマハライトミュージックコンテスト) 00:00 Tools
時計を止めて 00:00 Tools
割れた鏡の中から 00:00 Tools
いい娘だね (Radio Session) 00:00 Tools
われた鏡の中から (Acoustic Radio Session) 00:00 Tools
われた鏡の中から (1967年6月10日ニッポン放送フォークビレッジ) 00:00 Tools
からっぽの世界 (1967年6月10日ニッポン放送フォークビレッジ) 00:00 Tools
遠い海へ旅に出た私の恋人 (1967年2月18日ニッポン放送フォークビレッジ) 00:00 Tools
地獄の季節 (Early Radio Session) 00:00 Tools
マリアンヌ (Acoustic Radio Session) 00:00 Tools
Love 00:00 Tools
ラヴ・ジェネレーション 00:00 Tools
マリアンヌ (1967年6月10日ニッポン放送フォークビレッジ) 00:00 Tools
いい娘だね (1968年1月28日ニッポン放送フォークビレッジ) 00:00 Tools
ピコの唄 (1967年2月18日ニッポン放送フォークビレッジ) 00:00 Tools
ピコの唄 (Early Radio Session) 00:00 Tools
500 Miles From The Sky 00:00 Tools
からっぽの世界 (1968年1月28日ニッポン放送フォークビレッジ) 00:00 Tools
この道 (1968年1月28日ニッポン放送フォークビレッジ) 00:00 Tools
時計を止めて (1968年1月28日ニッポン放送フォークビレッジ) 00:00 Tools
つめたい空から 500 マイル 00:00 Tools
地獄の季節 (1967年2月18日ニッポン放送フォークビレッジ) 00:00 Tools
からっぽの世界 (Radio Session) 00:00 Tools
Where? 00:00 Tools
この道 (Radio Session) 00:00 Tools
Radio Announce1 (1967年9月24日TBSラジオ ヤマハライトミュージックコンテスト) 00:00 Tools
からっぽの世界 (Acoustic Radio Session) 00:00 Tools
花が咲いて (Alternaitive Version) 00:00 Tools
ロール・オーヴァー・ゆらの助 (Alternaitive Version) 00:00 Tools
遠い海に旅に出た私の恋人 00:00 Tools
Dm 4-50 00:00 Tools
M-18 For your loveのレコード 00:00 Tools
時計をとめて (Radio Session) 00:00 Tools
RADIO ANNOUNCE 1 00:00 Tools
敵は遠くに / Dm 4-50 00:00 Tools
ピコの唄 00:00 Tools
ロール・オーヴァー・ゆらの助 (Alternative Version) 00:00 Tools
ラブ・ゼネレーション 00:00 Tools
聖なるかな願い 00:00 Tools
Uragiri No Kisetsu 00:00 Tools
Hara-Manji 00:00 Tools
ロールオーバー庫之助 00:00 Tools
How To Love 00:00 Tools
花が咲いて (Alternative Version) 00:00 Tools
からっぽの世界 (モノラル録音) [Live] 00:00 Tools
RADIO ANNOUNCE 1 (モノラル録音) 00:00 Tools
海と女の子 00:00 Tools
しだれ柳 00:00 Tools
第五氷河期 00:00 Tools
何処へ 00:00 Tools
Wareta Kagami No Naka Kara 00:00 Tools
Dokohe 00:00 Tools
ロカビリー・ジョー 00:00 Tools
Chou Batsu Meto 00:00 Tools
Karappono Sekai 00:00 Tools
Tooi Umi He Tabi Ni Deta Watashi No Koibito 00:00 Tools
Tsumetai Akara 500 Mile 00:00 Tools
殺し屋のブルース 00:00 Tools
からっぽの世界 (Live Version) 00:00 Tools
Tokei Wotomete 00:00 Tools
Dm4-50 00:00 Tools
Bari-Manji 00:00 Tools
この道(Single) 00:00 Tools
ラブジェネレーション 00:00 Tools
Bara-Manji 00:00 Tools
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ジャックス - 'Jacks' have always been an outsider group in Japanese music, too original to fit under the Group Sounds moniker of the times. Their music was often slow, dramatic and morbid. In 1965 Yoshio Hayakawa and fellow classmate Suehiro Takahashi were in a folk group called Eri Matsubara and the Folktorio Nightingale [not sure of that first word - kana is フォークトリオ・ナイチンゲール]. After graduation in the summer of 1966, Hayakawa and Takahashi performed as a duo at their university with the name 'Jacks'. The following year they became a quartet with Hitoshi Tanino playing bass and Takasuke Kida on drums. Takahashi soon left the group so Haruo Mizuhashi joined on lead guitar. Each member would make major contributions to Jacks unique melange of styles: Yoshio Hayakawa (早川義夫) – vocals, rhythm guitar - Hayakaya's singing is always expressive and often distraught with emotion; I would guess his vocal style (and lyrical subject matter) owes more to Japanese enka ballads than 'folk'. Haruo Mizuhashi (水橋春夫) – lead guitar, vocals - Haruo Mizuhashi definitely plugged into the sounds coming from California in 1967, especially Barry Melton's playing on Country Joe and the Fish's first LP Electric Music for the Mind and Body. He makes good use of contrasting delicate passages with discordant stabs of solos and riffs. Hitoshi Tanino (谷野ひとし) – Fender bass, upright bass - Tanino's bass playing is original and solid and he was their second most active songwriter after Hayakawa. Takasuke Kida (木田高介) – drums, flute, vibraphone, tenor saxophone - Takasuke Kida's jazz-influenced drumming gives a special fury to the songs with wild fills and orchestral effects. They made at least three appearances on NHK network's radio show Folk Village, including February and June of 1967 and January of 1968. Seven songs from these shows survive on the LP Echoes in the Radio released in 1986, but I haven't heard this yet. All these songs would be revisited by the band for studio recordings in the next year. In the summer of 1967, they did well in a contest sponsored by Yamaha. Whether through attention from the radio show, the Yamaha contest or some other source, they were hired for the soundtrack of Koji Wakamatsu's film Harakashi Onna (A Womb for Let), a film unavailable on DVD in the U.S. to my knowledge. In one long session at Meguro Studio on February 3, 1968 they cut twenty tracks for the film. Most of these were released on two LPs released in 1986, Realization and Remains but the complete session is now on CD, Selected Masterpieces by Koji Wakamatsu film music series: Harakashi Onna. A number of these songs would be re-cut for later single and LP releases: "Marianne" (マリアンヌ), "Gloomy Flower" (裏切りの季節), and "In the Broken Mirror" (われた鏡の中から). "Dm 4-50" would be revisited on the Super Session LP in much abridged form - here the band stretches out with a long solo passage and slower pace. "Omae wa Hinagiku" (お前はひな菊), "Gone My Yumiko" (由美子はいない) and "Jijoku No Kisetsu" (地獄の季節) would not be revisited in the studio, but each was a feature of their live and radio shows. "Vacant World" (からっぽの世界 / Karappo no Sekai) is present, but only as an airy instrumental. Instrumentals take up half the session. "Teki Wa Toku Ni" (敵は遠くに) is slow and has a bleating saxophone throughout. "Umi to Onnanoko" (海と女の子) is also a slow instrumental, but nicely atmospheric. In addition there are six instrumentals written by Haruo Mizuhashi, of which "M-19" is one of the best. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.