Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82890942 | Play | からっぽの世界 | 00:00 Tools | |
82890943 | Play | マリアンヌ | 00:00 Tools | |
82890944 | Play | 時計をとめて | 00:00 Tools | |
82890945 | Play | 裏切りの季節 | 00:00 Tools | |
82890946 | Play | われた鏡の中から | 00:00 Tools | |
82890947 | Play | ラブ・ジェネレーション | 00:00 Tools | |
82890948 | Play | 薔薇卍 | 00:00 Tools | |
82890949 | Play | どこへ | 00:00 Tools | |
82890950 | Play | 遠い海へ旅に出た私の恋人 | 00:00 Tools | |
82890951 | Play | つめたい空から500マイル | 00:00 Tools | |
82890952 | Play | 堕天使ロック | 00:00 Tools | |
82890954 | Play | ロール・オーヴァー・ゆらの助 | 00:00 Tools | |
82890953 | Play | いい娘だね | 00:00 Tools | |
82890957 | Play | ジョーのロック | 00:00 Tools | |
82890955 | Play | 花が咲いて | 00:00 Tools | |
82890956 | Play | 君をさらって | 00:00 Tools | |
82890958 | Play | 運命の囚人 | 00:00 Tools | |
82890959 | Play | 敵は遠くに | 00:00 Tools | |
82890960 | Play | お前はひな菊 | 00:00 Tools | |
82890961 | Play | この青い海に | 00:00 Tools | |
82890963 | Play | 由美子はいない | 00:00 Tools | |
82890962 | Play | Dm4-50 | 00:00 Tools | |
82890965 | Play | 地獄の季節 | 00:00 Tools | |
82890964 | Play | この道 | 00:00 Tools | |
82890966 | Play | ハウ・トゥ・ラヴ | 00:00 Tools | |
82890967 | Play | お前に夢中さ | 00:00 Tools | |
82890968 | Play | 忘れ得ぬ君 | 00:00 Tools | |
82890974 | Play | Dm4-50(inst) | 00:00 Tools | |
82890969 | Play | 冷たい空から500マイル | 00:00 Tools | |
82890970 | Play | 敵は遠くに(inst) | 00:00 Tools | |
82890971 | Play | 海と女の子(inst) | 00:00 Tools | |
82890972 | Play | 裏切りの季節(inst) | 00:00 Tools | |
82890975 | Play | Eの巡回 | 00:00 Tools | |
82890973 | Play | いい娘だね (Early Single Version) | 00:00 Tools | |
82890977 | Play | Aの巡回 | 00:00 Tools | |
82890976 | Play | からっぽの世界(inst) | 00:00 Tools | |
82890978 | Play | M-10 | 00:00 Tools | |
82890979 | Play | Gの巡回 | 00:00 Tools | |
82890980 | Play | からっぽの世界 (Early Single Version) | 00:00 Tools | |
82890982 | Play | M-19 | 00:00 Tools | |
82890981 | Play | Love Generation | 00:00 Tools | |
82890983 | Play | お前に夢中さ(inst) | 00:00 Tools | |
82890984 | Play | マリアンヌ (Early Single Version) | 00:00 Tools | |
82890985 | Play | 時計をとめて (Early Single Version) | 00:00 Tools | |
82890986 | Play | Marianne | 00:00 Tools | |
82890987 | Play | M-18 | 00:00 Tools | |
82890989 | Play | Vacant World | 00:00 Tools | |
82890990 | Play | Gloomy Flower | 00:00 Tools | |
82890992 | Play | この道 (Single) | 00:00 Tools | |
82890988 | Play | つめたい空から500マイル | 00:00 Tools | |
82890993 | Play | Stop The Clock | 00:00 Tools | |
82890991 | Play | In The Broken Mirror | 00:00 Tools | |
82890998 | Play | 遠い海へ旅に出た私の恋人 (Early Radio Session) | 00:00 Tools | |
82890994 | Play | からっぽの世界 (1967年9月24日TBSラジオ ヤマハライトミュージックコンテスト) | 00:00 Tools | |
82890995 | Play | 時計を止めて | 00:00 Tools | |
82890997 | Play | 割れた鏡の中から | 00:00 Tools | |
82890999 | Play | いい娘だね (Radio Session) | 00:00 Tools | |
82891000 | Play | われた鏡の中から (Acoustic Radio Session) | 00:00 Tools | |
82891001 | Play | われた鏡の中から (1967年6月10日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891002 | Play | からっぽの世界 (1967年6月10日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891003 | Play | 遠い海へ旅に出た私の恋人 (1967年2月18日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891009 | Play | 地獄の季節 (Early Radio Session) | 00:00 Tools | |
82891004 | Play | マリアンヌ (Acoustic Radio Session) | 00:00 Tools | |
82890996 | Play | Love | 00:00 Tools | |
82891005 | Play | ラヴ・ジェネレーション | 00:00 Tools | |
82891006 | Play | マリアンヌ (1967年6月10日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891007 | Play | いい娘だね (1968年1月28日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891008 | Play | ピコの唄 (1967年2月18日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891012 | Play | ピコの唄 (Early Radio Session) | 00:00 Tools | |
82891010 | Play | 500 Miles From The Sky | 00:00 Tools | |
82891013 | Play | からっぽの世界 (1968年1月28日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891014 | Play | この道 (1968年1月28日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891015 | Play | 時計を止めて (1968年1月28日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891016 | Play | つめたい空から 500 マイル | 00:00 Tools | |
82891017 | Play | 地獄の季節 (1967年2月18日ニッポン放送フォークビレッジ) | 00:00 Tools | |
82891018 | Play | からっぽの世界 (Radio Session) | 00:00 Tools | |
82891011 | Play | Where? | 00:00 Tools | |
82891019 | Play | この道 (Radio Session) | 00:00 Tools | |
82891020 | Play | Radio Announce1 (1967年9月24日TBSラジオ ヤマハライトミュージックコンテスト) | 00:00 Tools | |
82891022 | Play | からっぽの世界 (Acoustic Radio Session) | 00:00 Tools | |
82891021 | Play | 花が咲いて (Alternaitive Version) | 00:00 Tools | |
82891023 | Play | ロール・オーヴァー・ゆらの助 (Alternaitive Version) | 00:00 Tools | |
82891027 | Play | 遠い海に旅に出た私の恋人 | 00:00 Tools | |
82891025 | Play | Dm 4-50 | 00:00 Tools | |
82891026 | Play | M-18 For your loveのレコード | 00:00 Tools | |
82891024 | Play | 時計をとめて (Radio Session) | 00:00 Tools | |
82891029 | Play | RADIO ANNOUNCE 1 | 00:00 Tools | |
82891028 | Play | 敵は遠くに / Dm 4-50 | 00:00 Tools | |
82891034 | Play | ピコの唄 | 00:00 Tools | |
82891030 | Play | ロール・オーヴァー・ゆらの助 (Alternative Version) | 00:00 Tools | |
82891031 | Play | ラブ・ゼネレーション | 00:00 Tools | |
82891032 | Play | 聖なるかな願い | 00:00 Tools | |
82891044 | Play | Uragiri No Kisetsu | 00:00 Tools | |
82891033 | Play | Hara-Manji | 00:00 Tools | |
82891036 | Play | ロールオーバー庫之助 | 00:00 Tools | |
82891035 | Play | How To Love | 00:00 Tools | |
82891037 | Play | 花が咲いて (Alternative Version) | 00:00 Tools | |
82891038 | Play | からっぽの世界 (モノラル録音) [Live] | 00:00 Tools | |
82891039 | Play | RADIO ANNOUNCE 1 (モノラル録音) | 00:00 Tools | |
82891040 | Play | 海と女の子 | 00:00 Tools | |
82891041 | Play | しだれ柳 | 00:00 Tools | |
82891043 | Play | 第五氷河期 | 00:00 Tools | |
82891042 | Play | 何処へ | 00:00 Tools | |
82891048 | Play | Wareta Kagami No Naka Kara | 00:00 Tools | |
82891046 | Play | Dokohe | 00:00 Tools | |
82891045 | Play | ロカビリー・ジョー | 00:00 Tools | |
82891052 | Play | Chou Batsu Meto | 00:00 Tools | |
82891054 | Play | Karappono Sekai | 00:00 Tools | |
82891056 | Play | Tooi Umi He Tabi Ni Deta Watashi No Koibito | 00:00 Tools | |
82891058 | Play | Tsumetai Akara 500 Mile | 00:00 Tools | |
82891049 | Play | 殺し屋のブルース | 00:00 Tools | |
82891050 | Play | からっぽの世界 (Live Version) | 00:00 Tools | |
90245703 | Play | Tokei Wotomete | 00:00 Tools | |
82891053 | Play | Dm4-50 | 00:00 Tools | |
82891047 | Play | Bari-Manji | 00:00 Tools | |
82891055 | Play | この道(Single) | 00:00 Tools | |
82891057 | Play | ラブジェネレーション | 00:00 Tools | |
82891059 | Play | Bara-Manji | 00:00 Tools |
ジャックス - 'Jacks' have always been an outsider group in Japanese music, too original to fit under the Group Sounds moniker of the times. Their music was often slow, dramatic and morbid. In 1965 Yoshio Hayakawa and fellow classmate Suehiro Takahashi were in a folk group called Eri Matsubara and the Folktorio Nightingale [not sure of that first word - kana is フォークトリオ・ナイチンゲール]. After graduation in the summer of 1966, Hayakawa and Takahashi performed as a duo at their university with the name 'Jacks'. The following year they became a quartet with Hitoshi Tanino playing bass and Takasuke Kida on drums. Takahashi soon left the group so Haruo Mizuhashi joined on lead guitar. Each member would make major contributions to Jacks unique melange of styles: Yoshio Hayakawa (早川義夫) – vocals, rhythm guitar - Hayakaya's singing is always expressive and often distraught with emotion; I would guess his vocal style (and lyrical subject matter) owes more to Japanese enka ballads than 'folk'. Haruo Mizuhashi (水橋春夫) – lead guitar, vocals - Haruo Mizuhashi definitely plugged into the sounds coming from California in 1967, especially Barry Melton's playing on Country Joe and the Fish's first LP Electric Music for the Mind and Body. He makes good use of contrasting delicate passages with discordant stabs of solos and riffs. Hitoshi Tanino (谷野ひとし) – Fender bass, upright bass - Tanino's bass playing is original and solid and he was their second most active songwriter after Hayakawa. Takasuke Kida (木田高介) – drums, flute, vibraphone, tenor saxophone - Takasuke Kida's jazz-influenced drumming gives a special fury to the songs with wild fills and orchestral effects. They made at least three appearances on NHK network's radio show Folk Village, including February and June of 1967 and January of 1968. Seven songs from these shows survive on the LP Echoes in the Radio released in 1986, but I haven't heard this yet. All these songs would be revisited by the band for studio recordings in the next year. In the summer of 1967, they did well in a contest sponsored by Yamaha. Whether through attention from the radio show, the Yamaha contest or some other source, they were hired for the soundtrack of Koji Wakamatsu's film Harakashi Onna (A Womb for Let), a film unavailable on DVD in the U.S. to my knowledge. In one long session at Meguro Studio on February 3, 1968 they cut twenty tracks for the film. Most of these were released on two LPs released in 1986, Realization and Remains but the complete session is now on CD, Selected Masterpieces by Koji Wakamatsu film music series: Harakashi Onna. A number of these songs would be re-cut for later single and LP releases: "Marianne" (マリアンヌ), "Gloomy Flower" (裏切りの季節), and "In the Broken Mirror" (われた鏡の中から). "Dm 4-50" would be revisited on the Super Session LP in much abridged form - here the band stretches out with a long solo passage and slower pace. "Omae wa Hinagiku" (お前はひな菊), "Gone My Yumiko" (由美子はいない) and "Jijoku No Kisetsu" (地獄の季節) would not be revisited in the studio, but each was a feature of their live and radio shows. "Vacant World" (からっぽの世界 / Karappo no Sekai) is present, but only as an airy instrumental. Instrumentals take up half the session. "Teki Wa Toku Ni" (敵は遠くに) is slow and has a bleating saxophone throughout. "Umi to Onnanoko" (海と女の子) is also a slow instrumental, but nicely atmospheric. In addition there are six instrumentals written by Haruo Mizuhashi, of which "M-19" is one of the best. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.