古謝美佐子

Trackimage Playbut Trackname Playbut Trackname
童神 05:07 Tools
恋ぬ初み 03:45 Tools
Warabi Gami 05:08 Tools
天架きる橋 04:50 Tools
童神 (天の子守唄) 05:08 Tools
サーサー節 04:11 Tools
ヒンスー尾類小 03:46 Tools
橋ナークニー~夢かいされ 08:47 Tools
やっちー 06:39 Tools
家路 04:48 Tools
童神(天の子守唄) 05:08 Tools
恨む比謝橋 05:52 Tools
すーしすーさー 03:15 Tools
天架きる橋Ⅱ 03:28 Tools
童神(わらびがみ) 05:04 Tools
国頭サバクイ 02:46 Tools
黒い雨 06:01 Tools
天じゃら 06:06 Tools
黄金ん子 09:26 Tools
アメイジング・グレイス 04:46 Tools
ポメロイの山々 08:56 Tools
太陽ぬ子 05:35 Tools
冬の花影 04:11 Tools
秋の踊り 03:41 Tools
廻る命 03:41 Tools
すーしすーさ 03:17 Tools
夏ぬサンサナー 05:21 Tools
童神(天の子守唄) 05:08 Tools
水んもらさん二人が仲 03:01 Tools
かいされー 03:37 Tools
しからーさぬなぁ 03:01 Tools
白雲節 03:37 Tools
懐かしき故郷 06:15 Tools
無情の唄 04:11 Tools
今帰仁天底節 04:11 Tools
情念 04:11 Tools
でんすなー 03:09 Tools
山の端に越地 03:09 Tools
ヨーあふぃ小 03:09 Tools
海ぬチンボーラ ~赤山 06:15 Tools
ナンダリー小 03:27 Tools
めぐり逢い 03:09 Tools
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Misako Koja (古謝美佐子) is best known as the former vocal leader of the female quartet Nenes (ネーネーズ) but has continually proved her prowess as a solo artist. She was born in 1954 in Kadena, near to Koza. She began learning sanshin when she was six from a relative, and then from Koutoku Tsuha and Setsuko Ishihara. She made her first recording when she was nine for Marafuku Records, and performed live from this time. She gained more prominence in Japan and overseas as part of the “Okinawan Chans”, three female vocalists who performed and recorded with Ryuichi Sakamoto toward the end of the 1980s (together with Yoriko Ganeko and Kazumi Tamaki) and toured in Europe and America. When Sadao China put together Nenes in 1990 he chose Koja to lead the group, and so began a five year association that saw Nenes become one of Okinawa’s best known groups in Japan, and tour and record overseas. Leaving the Nenes fold at the same time to work with Koja was Nenes co-producer and keyboard player Kazuya Sahara, who had been partly responsible for shaping the Nenes sound. Warabi Gami, written by Sahara, was Koja’s first post Nenes single, exclusively sold at her concerts, and is heading toward status as a modern classic of Okinawan music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.