高円寺百景

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Doi Doi 00:00 Tools
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Molavena 00:00 Tools
Tziidall Raszhisst 00:00 Tools
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GREMBO ZAVIA 00:00 Tools
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ZHESS 00:00 Tools
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SUNNA ZARIOKI 00:00 Tools
Fettim Paillu 00:00 Tools
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Avedumma 00:00 Tools
Nivraym 00:00 Tools
Angherr Shisspa 00:00 Tools
Quivem Vrastorr 00:00 Tools
Mibingvahre 00:00 Tools
Graddinoba Revoss 00:00 Tools
BECTTEM POLLT 00:00 Tools
Wammilica Iffirom 00:00 Tools
SLLINA VEZOM 00:00 Tools
Quidom 00:00 Tools
LUSSESOGGI ZOMN 00:00 Tools
CEMBELL ROTTA 00:00 Tools
BRAHGGO 00:00 Tools
RISSENDDO RRAIMB 00:00 Tools
axall hasck 00:00 Tools
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ARAMIDDA HORVA 00:00 Tools
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Phlessttighas 00:00 Tools
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ZJINDHAIQ 00:00 Tools
Djebelaki Zomn 00:00 Tools
Palbeth Tissilaq 00:00 Tools
ARAMIDA 00:00 Tools
Vissqaguell 00:00 Tools
Vleztemtraiv 00:00 Tools
GASSTTRRUMM 00:00 Tools
Sunna Zarioki (1992) 00:00 Tools
Qivem Vrastorr 00:00 Tools
AXALL HASCK-1 00:00 Tools
Pamillaze 00:00 Tools
Magma Medley 00:00 Tools
Ozone Hole 00:00 Tools
Dhorimviskha Digest 00:00 Tools
Loss 00:00 Tools
Dhorimvishka 00:00 Tools
New Song 1 00:00 Tools
Happy Birthday 00:00 Tools
Ioos 00:00 Tools
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GEPEC 00:00 Tools
Avedunma 00:00 Tools
rattims 00:00 Tools
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Do! Do! 00:00 Tools
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Live at Koenji High 2010 00:00 Tools
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Few bands are more enigmatic than Koenjihyakkei. Though firmly grounded in the Zeuhl style of Magma, they have taken it to new and unexplored places. Fronted by drummer Yoshida Tatsuya, of Ruins fame, their lineup shifts as rapidly as their style does. However, two things remain constant in their music- lyrics in a made up (and probably nonsensical) language, and an exotic, almost folk feel to the music. The combination of the two gives a sense that you're listening to the music of a culture that exists only in minds of a handful of creative people. Until recently, their ensemble has consisted of drums, bass, guitar, keyboard, and female vocals (usually operatically trained). With their latest album, Angherr Shisspa, they have replaced the guitar with reed player Komori Keiko (mainly on soprano sax). With this change in instrumentation, their style has veered into a new direction to match the change in tone color. Through their evolution of style, their rhythmic and formal complexity have expanded greatly, incorporating polyrhythms, asymmetrical time signatures (i.e. not all beats are the same length), as well as more complex and varied sections, often containing polyphony and counterpoint. However, through all these impressive technical feats, they have managed to keep the overall feel very simple and melodic, to the extent that most other music feels hideously normal after listening to Koenji Hyakkei. This is the correct tag per last.fm tagging guidelines, which indicate that an artist's name should generally be tagged in its native character set. However, there are far more scrobbles under Koenjihyakkei, which is a romanisation often used by official sources. There is no one official way to romanise the name; official sources have also used Koenji Hyakkei (which redirects here), Koenji-Hyakkei (which redirects to Koenjihyakkei), and others. Source: http://www.circlewithadot.net/bands/koenjihyakkei/bio.html Formed in Tokyo, Kantô, Japan in 1991. Studio discography: 1994 - 高円寺百景 (Hundred Sights of Koenji) 1998 - 弐(II) (Viva Koenji!) 2001 - Nivraym 2005 - Angherr Shisspa Live discography: 2002 - Live at Star Pine's Cafe 2006 - Live at Doors 2008 - 070531 2010 - Live at Koenji High Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.