Adam Faucett

Trackimage Playbut Trackname Playbut Trackname
Saturday 04:22 Tools
Opossum 04:22 Tools
T-Rex T-Shirt 04:05 Tools
Morphine 05:28 Tools
Day Drinker 05:28 Tools
Melanie 05:28 Tools
Do What I Say 04:25 Tools
The way you see it 03:03 Tools
Walking Home Late 03:44 Tools
Edgar Cayce 05:36 Tools
Blood is blood 04:02 Tools
Sparkman 05:36 Tools
Man's not the answer 03:44 Tools
Benton 05:36 Tools
Love 03:34 Tools
Emerald City Girl 03:36 Tools
Poet Song 03:36 Tools
Salton Sea 04:52 Tools
Killer On Staten Island 06:22 Tools
Gator 06:22 Tools
Rock Ain't Gold 06:22 Tools
Sweet maureen 03:23 Tools
California 06:07 Tools
red casket 04:20 Tools
My Poor Daughter 03:38 Tools
Look out Below!!! 05:47 Tools
Basking Shark 01:46 Tools
Poor Directions In Rabbits Blood 03:54 Tools
Indian Giver 03:23 Tools
Dust 03:40 Tools
Apple Tree 04:07 Tools
Become What We Are Now! 04:00 Tools
Lipgloss 02:58 Tools
Sad Song 04:48 Tools
You Do It 04:23 Tools
The Birth Of All Living Things 04:26 Tools
No More Story 04:05 Tools
Profet On Armitage 03:58 Tools
My Baby's Boy 03:44 Tools
King Snake 03:40 Tools
Amy 02:36 Tools
Wind Through Tall Grass 07:33 Tools
Crime 04:07 Tools
Poor Directions in Rabbit's Blood 03:53 Tools
Blood on Broken Glass 03:21 Tools
Hurray In Japanese! 03:49 Tools
Living On the Moon 03:40 Tools
John Carter 1927 04:29 Tools
Central Avenue 03:40 Tools
Pearl 03:40 Tools
Mackay Bennett 03:40 Tools
Ancient Chord 03:40 Tools
Look Out Below 04:29 Tools
Axe 03:40 Tools
Song To The Siren 03:26 Tools
Rain 03:40 Tools
Sober and Stoned 03:40 Tools
Crows 03:40 Tools
Fat Little Angel 03:40 Tools
"Walking Home Late" 03:40 Tools
Rock aint Gold 03:40 Tools
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Drawing comparisons from Townes Van Zandt to Tim Buckley to Otis Redding, Arkansas born and bred Adam Faucett is most known for his powerful, almost operatic voice and intricate finger-picking. The Arkansas native's sound has been described by The Arkansas Times as "somewhere between Otis Redding's soul shout and Cat Power's swampy poeticism". A true road runner, Adam has been steady criss-crossing the country for five years in support of his two previous releases, 2007's The Great Basking Shark and 2008's Show Me Magic, Show Me Out, sharing the stage with Lucero, Calexico, The Legendary Shack Shakers, Vetiver, Chuck Ragan of Hot Water Music, Damien Jurado, Elf Power and Malcom Holcombe. Faucett's newest release More Like A Temple pushes out in all directions, simultaneously more folk, more rock, more melodic, more soul, and more sinister than all of his previous work. The Arkansas Times has raved "More Like A Temple is far beyond good. It may just be one of the most vital documents from a young musician to come out of town in years". Originally from Benton, AR, now residing in Little Rock, Adam has been leading bands and recording for over a decade- first with disbanded Russellville, AR local heroes, Taught The Rabbits, which Adam has called "A Lush, Pink Floyd and Sonic Youth-inspired group; kids who grew up in a gravel pit tipping their hats to their psychedelic heroes from so far away." Taught The Rabbits' One But Just Another and Mallet and Watch were released in 2001 and 2006 and the band established a strong local following, touring regionally and sharing the stage with Calexico and Lucero.  In 2006 Adam relocated to Chicago where he wrote the material that would become his first solo album and began playing solo shows around town. In 2007, he moved back to Arkansas to record The Great Basking Shark with longtime friend and producer Darian Stribling (Bob Goblin). The record displayed a focus on storytelling and roots arrangements, showcasing Faucett's strong vocals, unique finger-picking, and banjo playing. Adam toured extensively throughout the US in support of the album, playing over 100 shows from coast to coast. In 2008, Adam returned to Stribling's Blue Chair Studio to record Show Me Magic, Show Me Out with Stribling, and newly assembled live band "The Tall Grass", comprised of Little Rock musicians Chad Conder (drums)  and Jonny D. (bass). Show Me Magic demonstrated the electric folk soul sound that the band had been honing in live shows and marked further evolution in Faucett's songwriting. The Arkansas Times said of Show Me Magic, "Even the greatest American folk singers would be hard-pressed to leave such a vivid account".  Faucett continued his rigorous touring schedule, opening for bands including The Legendary Shack Shakers, Vetiver, Chuck Ragan of Hot Water Music, Damien Jurado and Elf Power. More Like A Temple is the next chapter in Faucett's "southern soul swamp opera". Drawing from 90s rock heroes alongside the great soul singers, "Love" and "Sweet Maureen" come on like Otis Redding sitting in on a Pavement session. "Morphine" is a haunted morning-after reflection with a guitar hook that stays with you into the next day. The swamp rock foreshadowing of "Gator", the space folk of "Saturday",  and the Zeppelin vs. White Stripes riffs of "Do What I Say" present Faucett as part folk crooner, part celestial traveler, part Arkie rock hero - all parts in sharp control of their faculties as writer, storyteller, singer, composer, and guitarist.  The Arkansas Democrat Gazette review of Temple states "Faucett proceeds to batter your defenses and pull you into a world thats part folk, part blues, part elemental rock stomp, part unidentifiable cosmic holler." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.