| Trackimage | Playbut | Trackname | Playbut | Trackname |
|---|---|---|---|---|
| 90293357 | Play | The Quiet Voice | 02:28 Tools | |
| 90293358 | Play | Ellipse | 02:17 Tools | |
| 90293359 | Play | Overturn | 04:17 Tools | |
| 90293360 | Play | Par la fenêtre de Théo | 02:53 Tools | |
| 90293361 | Play | Burnout Fugue | 02:52 Tools | |
| 90293362 | Play | Interlude | 03:33 Tools | |
| 90293363 | Play | Blind Vision | 03:23 Tools | |
| 90293364 | Play | Revient le jour | 03:33 Tools | |
| 90293365 | Play | Le Nouveau Départ | 02:24 Tools | |
| 90293366 | Play | Plus Tot | 03:23 Tools | |
| 90293367 | Play | Le Nouveau Depart | 03:35 Tools | |
| 90293368 | Play | PAR LA FENETRE DE THEO | 02:53 Tools | |
| 90293369 | Play | Par Fenetre De Theo | 02:53 Tools | |
| 90293370 | Play | Le Depart - Telegraph UK | 00:00 Tools | |
| 90293371 | Play | Changing The Wind | 00:00 Tools | |
| 88614623 | Play | Plus tôt | 02:59 Tools | |
| 84085562 | Play | Berceuse | 02:34 Tools | |
| 88614624 | Play | Changing Winds | 03:13 Tools | |
| 84085563 | Play | Prélude | 01:59 Tools | |
| 84085564 | Play | Sous l'eau | 02:53 Tools | |
| 84085565 | Play | Automne | 02:11 Tools | |
| 84085566 | Play | Le sablier | 02:43 Tools | |
| 84085567 | Play | Le départ | 02:34 Tools | |
| 84085568 | Play | Valse pour maman | 00:00 Tools | |
| 84085569 | Play | La leçon | 02:45 Tools | |
| 84085571 | Play | Comptine | 01:32 Tools | |
| 84085570 | Play | Bourrasques | 02:27 Tools | |
| 84085572 | Play | Le vieillard | 02:29 Tools | |
| 90293372 | Play | The Quiet Voice | 02:29 Tools | |
| 90293373 | Play | Ellipse | 02:29 Tools | |
| 90293374 | Play | Overturn | 02:29 Tools | |
| 90293375 | Play | Par la fenêtre de Théo | 02:29 Tools | |
| 90293376 | Play | Burnout Fugue | 02:29 Tools | |
| 84085575 | Play | New York | 02:24 Tools | |
| 90293377 | Play | Interlude | 02:24 Tools | |
| 84085573 | Play | Prelude | 01:59 Tools | |
| 90293378 | Play | Blind Vision | 01:59 Tools | |
| 84085574 | Play | New-York | 02:24 Tools | |
| 90293379 | Play | Revient le jour | 02:24 Tools | |
| 90293380 | Play | Le Nouveau Départ | 02:24 Tools | |
| 88614625 | Play | Concerto in D Minor (After Alessandro Marcello), BWV 974: II. Adagio | 04:48 Tools | |
| 84085576 | Play | le depart | 03:35 Tools | |
| 90293381 | Play | Plus Tot | 03:35 Tools | |
| 84085577 | Play | Prelude (OST Dallas Buyers Club) | 01:59 Tools | |
| 90293382 | Play | Le Nouveau Depart | 01:59 Tools | |
| 84085578 | Play | Le Dpart | 00:00 Tools | |
| 90293383 | Play | PAR LA FENETRE DE THEO | 00:00 Tools | |
| 84085580 | Play | La lecon | 02:45 Tools | |
| 84085579 | Play | Prelude - (Piano music featured in Dallas Buyers Club) | 00:00 Tools | |
| 84085582 | Play | Le départ (Ost Разрушение) | 02:34 Tools | |
| 84085583 | Play | Prelude Pianoscope | 00:00 Tools | |
| 84085581 | Play | Le Depart - Pianoscope | 03:35 Tools | |
| 84085585 | Play | Le départ OST Demolition | 02:34 Tools | |
| 84085584 | Play | 09. Le vieillard | 02:29 Tools | |
| 84085586 | Play | Prelude - Pianoscope | 00:00 Tools | |
| 84085587 | Play | Prelude ("Далласский клуб покупателей") | 00:00 Tools | |
| 84085588 | Play | La leçon | 00:00 Tools | |
| 84085589 | Play | Prelude ('Далласский клуб покупателей') | 00:00 Tools | |
| 84085590 | Play | Le départ | 00:00 Tools | |
| 90293384 | Play | Par Fenetre De Theo | 00:00 Tools | |
| 90293385 | Play | Le Depart - Telegraph UK | 00:00 Tools | |
| 84085591 | Play | Ghost Hunter | 00:00 Tools | |
| 90293386 | Play | Changing The Wind | 00:00 Tools | |
| 84085592 | Play | 07. Valse pour maman | 00:00 Tools | |
| 84085593 | Play | Prélude | 00:00 Tools | |
| 84085594 | Play | Prlude | 00:00 Tools |
-
- 167,006
- plays
-
- 30,140
- listners
-
- 167006
- top track count
Alexandra Streliski is a Montreal-based pianist and composer. Evoking Satie, Glass and Tiersen, her music is distinguished by its simplicity and the truth of its notes. Imbued with both melancholy and light, her first album, "Pianoscope" (december 2010), transports its audience into a dreamy and cinematic universe. As of today, her music is part of several film and commercial projects. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.