Alfred Desenclos

Trackimage Playbut Trackname Playbut Trackname
Quatuor: II. Andante 00:00 Tools
Prelude, cadence et finale 00:00 Tools
Incantation 00:00 Tools
Quatuor pour saxophones: II. (Calmo) - Andante 00:00 Tools
Prélude, Cadence et Finale 00:00 Tools
Salve Regina 00:00 Tools
Quatuor pour saxophones: I. Allegro non troppo 00:00 Tools
Prelude 00:00 Tools
Prelude, Cadence et Finale: Cadence 00:00 Tools
Incantation, thrène et danse pour trompette et orchestre: Incantation 00:00 Tools
Quatuor: I. Allegro non troppo 00:00 Tools
Quatuor pour saxophones: III. Poco largo, ma risoluto 00:00 Tools
Incantation, thrène et danse pour trompette et orchestre: Thrène 00:00 Tools
Prelude, Cadence et Finale: Final 00:00 Tools
Quatuor: III. Poco largo, ma risoluto 00:00 Tools
Requiem: III. Sanctus 00:00 Tools
Requiem: I. Introït et kyrie 00:00 Tools
Danse 00:00 Tools
Incantation, thrène et danse pour trompette et orchestre: Danse 00:00 Tools
Quatuor: Calmo 00:00 Tools
Thrène 00:00 Tools
Requiem: II. Offertoire 00:00 Tools
Requiem: V. Agnus Dei et communion 00:00 Tools
Incantation, Threne et Danse: Danse 00:00 Tools
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Alfred Desenclos (7 February 1912 – 31 March 1971) was a French composer of (modern) classical music. Desenclos was a self-described "romantic" whose music is highly expressive and atmospheric and rooted in rigorous compositional technique. To support his family, Desenclos had to renounce continuing his general studies and work as an industrial designer until the age of 20, but in 1929, he entered the Conservatory in Roubaix, France, to study piano. Until that time, he had played only as an amateur. His sacred music belongs to the tradition begun by Saint-Saëns and continued by Fauré. He won the Prix de Rome in 1942. Desenclos's Messe de requiem was written in 1963 and published by Durand et Fils in 1967. In 1999, the piece was reprinted under the name of Atlanta-based composer Tristan Foison. Foison's mass was given its "American premiere" on 18 May 1999 in a performance by the Capitol Hill Chorale; soon after, the piece was discovered to be a note-for-note duplicate of Desenclos's. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.