Ana Sofia Varela

Trackimage Playbut Trackname Playbut Trackname
Vivendo Sem Mim 03:32 Tools
As Luvas de Minha Mãe 03:29 Tools
Fado Vadio (Má Fama) 02:50 Tools
Lua de Todos 03:14 Tools
Fado de Amor e Pecado 04:36 Tools
Deve Ter Sido Por Graça 02:44 Tools
Fado de um Dia Só 02:45 Tools
Quase Um Anjo 04:02 Tools
Feliz Saudade 02:17 Tools
Estranha Vontade 04:39 Tools
O Corvo 02:21 Tools
Sei que me Viste Passar 02:38 Tools
Dia da Perdição 04:36 Tools
Na Margem Deste Rio 02:54 Tools
Por Que Voltas De Que Lei 02:31 Tools
Lágrima 04:31 Tools
Quem Canta Na Minha Voz 03:21 Tools
Rosa nocturna 03:56 Tools
Ducados 03:07 Tools
Conhecimento 03:03 Tools
Alfama 02:35 Tools
O Meu Amor Nao Te Atrases 02:15 Tools
Se eu soubesse que vivendo 02:15 Tools
Olhos estranhos 02:03 Tools
Água e Mel 02:03 Tools
Tenho Ruas No Meu Peito 02:48 Tools
Agua e mel 04:04 Tools
03 Rosa Nocturna 02:48 Tools
02 Ó Meu Amor Nao Te Atrases 02:48 Tools
As Luvas de Minha de M‹e 02:48 Tools
Ó meu amor não te atrases 02:48 Tools
Pra Ver o Fado Nascer 02:35 Tools
10 Olhos Estranhos 02:35 Tools
Estranha Forma De Vida 02:35 Tools
09 Se Eu Soubesse Que Vivendo 02:35 Tools
Porque Voltas De Que Lei 02:35 Tools
08 Água E Mel 02:35 Tools
As Luvas da Minha Mãe 02:35 Tools
Rosa Nocturna# 02:35 Tools
Ó meu amor nao te atrases 02:35 Tools
Fado Correeiro 04:31 Tools
Se Eu Soubesse Que Vivendo# 02:35 Tools
Fado fingido 04:31 Tools
Olhos Castanhos 04:31 Tools
Ai mas ai de mim 03:21 Tools
Pra me perder 04:18 Tools
Flor do acaso 04:18 Tools
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Ana Sofía Varela was born in Lisbon, although she grew up in the countryside (Serpa, Alentejo), where she lived until a few years ago, when she returned to the capital. Her first contact with fados came as she listened to songs by Amália, at the age of 10. By the time she was 14 years old, she had become an increasingly popular fixture at local fado clubs and schools. Her commitment to and contact with traditional Alentejo music has been a constant factor since her childhood. She created her own repertoire from fados by Amália and Nuno de Câmara Pereira and the lyrics of Rui Veloso, Vitorino and Resistência. She then took part in a number of local fado competitions, and reached the finals of the Portuguese TV programme "Selecçao Nacional" as “the most beautiful and interesting voice of the Music Festival 95”. In 1997 she was invited to sing at a fado club in Lisbon, and on that occasion Carlos Zei introduced her to the famous Portuguese guitarist Mário Pacheco, with whom she later sang at many concerts (Macao, Japan, Italy etc.). She was subsequently invited to join the team of permanent artistes at "Clube de Fado", where she is a regular fixture. Another important connection was her relationship with António Chaínho, who invited her to guest on a CD, " A guitarra e Outras Mulheres", with Marta Dias, Teresa Salgueiro (Madredeus) and Filipa Pais. This subsequently evolved into a European tour. At Expo 98 she took part in "De Sol a Lua- Flamenco & Fado", a tour of Spain, Germany, Holland and Switzerland. In 1999 she accepted João Braga’s invitation to sing at a number of concerts, and this produced another CD, "Cem Anos de Fado". The launch of the "Ana Sofía Varela" CD in 2002 marked the beginning of a new direction in her career: the public discovered “the fado they had been waiting for for so long”. This album arose from the "De Sol a Lua- Flamenco & Fado" tour, during which two of the composers, João Monge and João Gil, introduced her to Manuel Paulo Felgueiras de Alas dos Namorados, who produced the CD. "I was given the chance to sing what I wanted to sing, all the songs I love to sing: classical fados, new songs, experimental songs influenced by flamenco … of course, everything I sing sounds like a fado, because that’s what I am – a fado singer." Nor did she forsake her origins: "My childhood in Serpa gave me so much contact with music in Alentejo and Spanish music. João Monje is from the same area, and while we were working on the CD we would chat about local traditions, and I asked him to write a poem about all these things ("Ducados"). Manuel Paulo was then inspired by flamenco and Alentejo music for the musical arrangements with Pedro J'oia on flamenco guitar ... this became a homage to my musical and personal relationship with Serpa.” On the poetry side, the great Vasco Graça Moura heard her singing "Las Letras do Fado Vulgar" live, and offered her a book of poems based on the fado. Mário Pacheco also features on two songs in the album. She claims that "Ana Sofía Varela" is a dream come true, at the right time, with the right people. Songs about Love, Passion, Hope – these are the deepest emotions that anyone can ever feel ..." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.