Annerose Schmidt

Trackimage Playbut Trackname Playbut Trackname
Fur Elise 03:03 Tools
Beethoven - Fur Elise 03:03 Tools
Piano Concerto No. 21 in C Major, K. 467: II. Andante 03:03 Tools
KURAISURERIANA second song (Schumann) 01:18 Tools
strange lullaby in D major (Chopin) 04:59 Tools
Bagatelle in A Minor, WoO 59: Fur Elise Modest 03:00 Tools
KURAISURERIANA first songs (Schumann) 00:41 Tools
minor Fantasy (Mozart) 02:31 Tools
Piano Sonata No. 15 the second movement (Mozart) 00:49 Tools
Fantasy in C Major in the third movement (Schumann) 00:56 Tools
Bagatelle in A Minor, WoO 59: "Fur Elise" 03:04 Tools
Bagatelle for piano in A minor "Für Elise", WoO 59 03:02 Tools
Konzert für Klavier und Orchester Nr. 21 C-Dur, KV 467: 2. Andante 03:02 Tools
Rosemary's Baby - Beethoven - Fur Elise 03:05 Tools
Kreisleriana. Op.16 1.Aeusserst Bewegt 00:41 Tools
Kreisleriana. Op.16 2.Sehr Innig Und Nicht Zu Rasch 01:18 Tools
Fantasie In C Minor. K.475 02:31 Tools
Bagatelle in A Minor, WoO 59: “Fur Elise” 03:03 Tools
Berceuse In D Flat Major. Op.57 04:59 Tools
W. A. Mozart: Klavierkonzert Nr. 23 A-Dur KV 488/Adagio 07:05 Tools
Piano Sonatano.15 In C Major. K.545 2.Andante 00:48 Tools
Fantasie In C Major. Op.17 3.Langsam Getragen. Durchweg Leise Zu Halten 00:55 Tools
I. Allegro 07:52 Tools
Bagatelle in A Minor, WoO 59: Fur Elise 03:03 Tools
Bagatelle In a Minor, WoO 59 03:02 Tools
Für Elise 03:03 Tools
クライスレリアーナ作品16 第1曲:激しく動いて 00:41 Tools
クライスレリアーナ作品16 第2曲:心をこめて、早すぎずに 01:21 Tools
幻想曲ハ短調K.475 02:31 Tools
Piano Pieces, Op. 119: I. Intermezzo in B Minor 03:16 Tools
子守歌変ニ長調作品57 02:31 Tools
Toccata In C Major, Op. 7 07:23 Tools
Piano Concerto No. 21 in C Major, K. 467: I. Allegro maestoso 00:51 Tools
幻想曲ハ長調作品17 第3楽章:緩やかに。常に静けさをもって。 00:55 Tools
ピアノ・ソナタ第15番ハ長調K.545「ソナチネ」 第2楽章:アンダンテ 00:51 Tools
Franz Schubert : Impromptu in G-Flat Major D899, No.3 00:51 Tools
Impromptu gis-Moll 'Andante' 00:51 Tools
Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai 00:51 Tools
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Annerose Schmidt (born 5 October 1936) is the professional name used by Annerose Boeck,[1] a German pianist. She received official recognition as a concert pianist from what later became the East German state in 1948, which was the year of her twelfth birthday.[2] Life[edit] Annerose Boeck was born in Wittenberg, a town a short distance to the north of Leipzig which then as now was venerated for its association with Martin Luther. Her father was the director of the music school, and started teaching her the piano in 1941. She gave her first public concert in 1945, and in 1948 received a concert diploma and a professional permit as an officially recognised concert pianist in what was known, at that time, as the Soviet occupation zone.[2] She gave the first of her Berlin Radio concert performances in 1949.[2] After passing her School leaving exam ("Abitur") Annerose Schmidt transferred to the Leipzig Music Academy where she studied between 1953 and 1957,[2] and where she was taught by Hugo Steurer.[3] In 1955 she received a special commendation at the International Chopin Piano Competition in Warsaw. The next year she herself won at the All Germany Piano Competition. Also in 1956 she won the first ever Robert Schumann International Competition for Pianists and Singers, held at Berlin.[3] This proved an effective launch for an international playing career which over the next few years took her on concert tours to Poland, Romania, Hungary, Bulgaria and the Soviet Union.[3] Her repertoire embraces almost eighty piano concertos from the eighteenth and nineteenth centuries, including those by Mozart, Beethoven, Bartók, Chopin and Ravel. She plays the entire piano repertoire of Robert Schumann and Brahms, but her range also encompasses some contemporary music.[2] From 1958 she was able to travel to the west, performing with leading conductors and top orchestra in Finland, Sweden, Britain, the Netherlands, Belgium, Luxembourg and Austria. She also made guest appearances further afield, in the United States, Canada, Japan and Lebanon. Along with her concert appearances, she has recorded extensively. A notable project involved recording all of the Mozart Piano concertos with Kurt Masur and the Dresden Philharmonic. Annerose Schmidt is unusual among classical musicians in having made a genuinely quadraphonic recording. This involved Schumann's Kinderszenen (A-side) and the Brahms Piano Sonata Nr. 3 (B-side). In 1985 she became a professor at the Hanns Eisler Music Academy in Berlin, serving as the (first female) rector of the academy between 1990 and 1995.[2] Annerose Schmidt retired from her performing career on health grounds in 2006 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.