Antonio Cobo

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Vals Criollo 00:00 Tools
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Las Bodas De Luis Alonzo 00:00 Tools
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Arena Caliente 00:00 Tools
Earth Cry 00:00 Tools
Moonlight 00:00 Tools
Love Dreaming 00:00 Tools
Arabian Romance 00:00 Tools
South Beach Live 00:00 Tools
BREEZE 00:00 Tools
Iberian Nights 00:00 Tools
Fiesta 00:00 Tools
Pasion Andina 00:00 Tools
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Piano [Bebu Silvetti] 00:00 Tools
Polanlo 00:00 Tools
«Лунный свет» (Guitar) 00:00 Tools
Salsa de noche 00:00 Tools
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Ecos De Amor 00:00 Tools
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Luz Y Sombra 00:00 Tools
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Full Moon 00:00 Tools
Karebskya Zhensheyna 00:00 Tools
Noche 00:00 Tools
Sweet Summer 00:00 Tools
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Gitano 00:00 Tools
Lubemoe Snovelenye 00:00 Tools
African Memories 00:00 Tools
Lonnie Svet 00:00 Tools
A favorite dream 00:00 Tools
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Born in Cali, Colombia, Antonio Cobo began taking guitar lessons at age six on an instrument given to him by his grandfather; it would become his companion while traveling throughout South America and while living for three years in Spain, Italy and France. Demonstrating the abilities of a natural prodigy, Cobo was sent to the Settlement Musical School at Temple University, Philadelphia; by the age of 16, he was already a music professor for classical guitar at the Music Conservatory, a position he held for five years. Subsequently relocating to Europe, he studied with Andres Segovia and Alirio Diaz. Expanding his repertoire, Cobo is now proficient on harp, tipple, quattro, charango, bouzouki, keyboards and Latin percussion. " The first song I remember hearing was " Esperanza ( Hope by Luis Morale) ", Cobo remembers. " And the first record I purchased was " The Accent is in the Rhythm" by Los Indios Tabajara. What impressed me about this guitar duo was their precision, technique, and speed. Now, I'm influenced by Sabica, the king of flamenco, for his agility and digitization, as well as solist Alfredo Gil of Los Panchos for his technique and style. I'd love to play with Paco de Lucia because I would be able to learn so much from him, but I'd also like to accompany Julio Iglesias." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.