Antonius Rex

Trackimage Playbut Trackname Playbut Trackname
Neque semper arcum 00:00 Tools
Non fiat voluntas tua 00:00 Tools
In hoc signo vinces 00:00 Tools
Aquila non capit muscas 00:00 Tools
Pactus 00:00 Tools
Devil Letter 00:00 Tools
Soul Satan 00:00 Tools
The Gnome 00:00 Tools
Jacula the Witch 00:00 Tools
Necromancer 00:00 Tools
Morte al potere 00:00 Tools
Spiritualist Seance 00:00 Tools
Zora 00:00 Tools
Gloriae manus 00:00 Tools
Magic Sadness 00:00 Tools
Agonia Per Un Amore 00:00 Tools
Witch Dance 00:00 Tools
Anno Demoni 00:00 Tools
Incubus 00:00 Tools
Falsum et violentia 00:00 Tools
Micro Demons 00:00 Tools
In Einsteinesse's Memory 00:00 Tools
Ego sum qui sum 00:00 Tools
Per Viam 00:00 Tools
Halloween 00:00 Tools
Woman of the King 00:00 Tools
Praeternatural 00:00 Tools
Perpetual Adoration 00:00 Tools
Capturing Universe 00:00 Tools
Montsegur Legend 00:00 Tools
Missanigra 00:00 Tools
UFDEM 00:00 Tools
Angels & Demons 00:00 Tools
Spectra 00:00 Tools
Damnatus In Aeternum 00:00 Tools
Switch On Dark 00:00 Tools
Enchanted Wood 00:00 Tools
Darkotic 00:00 Tools
Invisible Force 00:00 Tools
Antonius Rex Prophecy 00:00 Tools
Hystero Demonopathy 00:00 Tools
Vox populi 00:00 Tools
Suicide Goth 00:00 Tools
Mysticdrug 00:00 Tools
Are Mine 00:00 Tools
Magic Ritual 00:00 Tools
Disincantation 00:00 Tools
The Devils Nightmare 00:00 Tools
Demonic Hysteria 00:00 Tools
1999 Mundi Finis 00:00 Tools
Witches 00:00 Tools
The Fatal Letter 00:00 Tools
Morti Vident 00:00 Tools
Fairy Vision (Esoteric Edit) 00:00 Tools
Monastery 00:00 Tools
Possaction 00:00 Tools
Fairy Vision 00:00 Tools
Missa negra 00:00 Tools
1999 Mundi finis (Invisible Force) 00:00 Tools
Morti vident (Invisible Force) 00:00 Tools
Incubus (original 1979) 00:00 Tools
In Einsteinesse's Memory (original 1979) 00:00 Tools
Monastery (bonus track) 00:00 Tools
Monastery (original 1980) 00:00 Tools
Perpetual Adoraion 00:00 Tools
Halloween (The Land of Magic) 00:00 Tools
Montsegur Legend (esoteric trance) 00:00 Tools
Proxima Luna 00:00 Tools
Capturing Universe (Vlad Tepes Sabbah) 00:00 Tools
Proxima Luna (original 1980) 00:00 Tools
Praternatural (Downnormalpraeter) 00:00 Tools
Invisible Forse (In the Dark - It missa Est) 00:00 Tools
Morti Vident Invisible Force 00:00 Tools
Monasrei 00:00 Tools
1999 Mundi Finis Invisible Force 00:00 Tools
Enchanted Woods 00:00 Tools
Angels Demons 00:00 Tools
Vox Populi (Divinitatis Vox) 00:00 Tools
Fairy Vision -Esoteric Edit- 00:00 Tools
Magic Ritual (Edit) 00:00 Tools
1999 Mundi Finis (da Invisible Force) Malus Track 00:00 Tools
19999 Mundi Finis (Invisible Force) BONUS 00:00 Tools
06 ENCHANTED WOOD 00:00 Tools
Soul Satan (composed 1973, recorded 1975) 00:00 Tools
01-Magic Sadness 00:00 Tools
01-gloriae manus 00:00 Tools
The Devil's Nightmare 00:00 Tools
03-anno demoni 00:00 Tools
morti vident (da Invisible force) malus track 00:00 Tools
Morti Vident (Invisible Force) BONUS 00:00 Tools
03 - Are Mine 00:00 Tools
01 Perpetual Adoration 00:00 Tools
04 - Disincantation 00:00 Tools
4. Montsegur Legend 00:00 Tools
01 - neque semper arcum 00:00 Tools
Missanigra (Composed 1974, Recorded 1978) 00:00 Tools
06 - aquila non capit muscas 00:00 Tools
U.F.D.E.M. 00:00 Tools
03 Switch On Dark 00:00 Tools
02 Damnatus In Aeternum 00:00 Tools
05 - Demonic Hysteria 00:00 Tools
Ralefun 00:00 Tools
3. Praeternatural 00:00 Tools
5. Capturing Universe 00:00 Tools
6. Invisible Force 00:00 Tools
Pig In The Witch 00:00 Tools
Anno Demoni (Composed 1973, Recorded 1978) 00:00 Tools
Jacula The Witch (composed 1971, recorded 1974) 00:00 Tools
Morti Vident(Da Invisible Force)Malus Track 00:00 Tools
05 - devil letter 00:00 Tools
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Antonius Rex is an Italian dark progressive rock band from the 70s, still active, formerly known as Jacula. Formed by Antonio Bartoccetti e Doris Norton in 1974. ANTONIUS REX - Full Biography In Milan in 1968 the composer Antonio Bartoccetti founded the groups Jacula and Antonius Rex, with a view to transform into music a series of theological-philosophical and esoteric observations, which were the fruit of a close association with the mystic Franz Parthenzy. In London in 1969 Antonio Bartoccetti managed to cut the first "embryonic" LP, entitled "In Cauda Semper Stat Venenum". Realising that this work would be difficult to market, designer and producer Travers issued just a few hundred copies in a plain black and white cover and gave them away as a symbolic and magical gift to monasteries and made no attempt to get the LP distributed. In 1972 the same musicians (Bartoccetti vocals-guitar-bass, Norton voice-piano-synthesizer, Tiring church organ), cut the second album under the name Jacula, entitled "Tardo Pede In Magiam Versus": the album, while qualitatively valid and extremely innovative, turned out to be a commercial flop: Jacula broke up and was reborn at the same time as Antonius Rex. During his military service in 1973 Antonio Bartoccetti thought about a new group and a new album, many songs of which had already been composed by Doris Norton and him in 1971. In 1974 the two musicians went back to London where they got to know Albert Goodman, an aristocratic practioner of the occult, wealthy owner of country estates with his own castle and indipendent Darkness record label and hobby percussionist. After ten days of intense rehearsal, the three of them, together with engineer Coldweiss, went into the Mondial Sound Studios in Milan, famous for its then state-of-the-art technology and recorded the third album (the first as Antonius Rex), entitled "Neque Semper Arcum Tendit Rex". Produced by Mr.Albert Goodman.... the six recorded tracks are typically dark-progressive and meticulous to the point of madness. Albert was delighted with the result and spared no expense producing the album, which was recorded in just 38 days, to which can be added another ten for the mixing carried out by the excellent engineer Coldweis. Albert Goodman went back to London with the master tape, published a demo LP with a really strange black and white cover, including on the front magical symbols and a "diabolical" letter dated 1624. Albert Goodman was good friends with two directors of the Vertigo record label. The label thought the album was great, but they were not so sure about the cover: that cover with those symbols and that letter were just too much! They even suggested dumping the song "Devil Letter", but the group had no intention of doing that and were certainly not inclined to change a single thing. Albert was very un happy about all of this.... Antonio Bartoccetti and Doris Norton had a good laugh about it and accepted it as sign of magic destiny. In fact, Giulio Tasnad, the Rumanian esoteric expert, declared publicly in 1975 that, whoever listened to the song "Devil Letter", read the Letter backwards on a Friday night and put eight of the symbols featured on the LP cover on a table, would be absolutely certain to have a close encounter with the Prince Of Darkness. After this event however, Antonius Rex lost momentum, record company interest waned and the desire to record new music was missing. Even when the wealthy Jewish record company editor, Mr.Daniele, who, together with his two American partners was highly impressed with the album "Neque Semper Arcum Tendit Rex", wanted Antonius Rex for new albums at all costs: Antonius Rex were just interested in money. The guiding principle for 1977 became "only money" because as Antonio Bartoccetti explained: "when you have a son, life changes and you have to start thinking about him as well". For this reason the album "Zora" (pre-recorded in a hurry in a private studio in 1975), in both its first and second editions turned out to be an uninspiring work, decidedly absurd.... songs from the second album "Tardo Pede In Magiam Versus" were included with just the edition of a few drum fills from Albert. Doris Norton played keyboards, but between one recording session and another she was breast-feeding her son, even if the progressive-piano of "Necromancer" is still fantastic. Antonio Bartoccetti played Gibson guitar live in the console, smoking and anxious to get it over and done with. He sang just two words in "Necromancer" but then got his friend Franco Mussita to sing "Zora". Tickle continued to dish out money, some of which was used to self produce the album "Anno Demoni", which the group defined as an appropriate document of electronic-dark.... the same thing happened with the album "Ralefun", recorded in 1979 at the request of Mr.Daniel in Munich: good compositions but recorded in too much of a hurry and without much care, with a lousy sound and poor mixing (Colin Coldweis was not at the controls)..... the mixing was done without the knowledge of the group. Despite all this the album "Ralefun" enjoyed a certain success. So as not to disappoint their fans, Antonius Rex, with the money got after breaking the contract with Emanuele Daniele, went into the 24 track Zanibelli Regson (Milan) studios in May 1980 and self produced, in a completely indipendent and creative way, their album entitled "Praeternatural". This album was a limited edition for the Musik Research record label and the musicians sold autographed copies only to fans from all over the world, who came at periodic intervals to visit them in their Convent-Castle. Discography: Jacula “IN CAUDA SEMPER STAT VENENUM” (1969, Gnome, LP) Jacula “TARDO PEDE IN MAGIAM VERSUS” (1972, The Rogers, LP) Antonius Rex “NEQUE SEMPER ARCUM TENDIT REX” (1974, Darkness, LP) Antonius Rex “ZORA” (1977, Tickle, LP) Antonius Rex “ZORA (II series)” (1978, Tickle, LP) Antonius Rex “ANNO DEMONI” (1979, MR, LP) Antonius Rex “RALEFUN” (1979, RCA, LP) Antonius Rex “PRAETERNATURAL” (1980, MR, LP) Antonius Rex “MAGIC RITUAL” (2004, BWR, DVD-CD) Antonius Rex “MAGIC RITUAL” (2005, BWR, LP) Antonius Rex “SWITCH ON DARK” (2006, BWR – LP-CD-Digipack) Antonius Rex “PER VIAM” (2009, BWR – LP-CD-CD-ROM Video) Artist website: http://www.antoniusrex.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.