Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
1687583 | Play | The Messiah, HWV 56: Hallelujah Chorus | 00:00 Tools | |
1687586 | Play | Carmina Burana: Introduction | 00:00 Tools | |
1687581 | Play | Gloria in D Major, RV 589: I. Gloria in excelsis | 00:00 Tools | |
1687588 | Play | O Come, O Come Emmanuel | 00:00 Tools | |
1687587 | Play | Adeste Fidelis | 00:00 Tools | |
1687591 | Play | Christmas Oratorio, BWV 248: Sinfonia in G Major, "And There Where Shepherds" | 00:00 Tools | |
1687592 | Play | Gloria in D Major, R. 589: Gloria in excelsis | 00:00 Tools | |
1687589 | Play | Mass in B Minor, BWV 232: Dona nobis pacem | 00:00 Tools | |
1687585 | Play | Christmas Oratorio, BWV 248: Sinfonia, "And There Where Shepherds" | 00:00 Tools | |
1687584 | Play | Eleven Chorale Preludes, Op. 122: VIII. Es ist ein Ros entsprungen (There is a Rose in Flower) | 00:00 Tools | |
1687582 | Play | Gloria in D Major, RV 589: II. Et in terra pax | 00:00 Tools | |
1687593 | Play | Christmas Oratorio, BWV 248: Jesus, Shepherd My Beginning | 00:00 Tools | |
1687594 | Play | Christmas Oratorio, BWV 248: Break Forth | 00:00 Tools | |
1687596 | Play | L'Enfance du Christ, Part II: L'adieu des bergers (The Shepherds' Farewell) | 00:00 Tools | |
1687590 | Play | Fanfare for the Common Man | 00:00 Tools | |
47666205 | Play | 7. Coral del Arrecife (Chorale of the Reef) | 00:00 Tools | |
1687614 | Play | Lo How A Rose E'er Blooming | 00:00 Tools | |
1687595 | Play | Beethoven: Symphony #9 In D Minor, Op. 125, "Choral" - Finale | 00:00 Tools | |
1687712 | Play | Coventry Carol: Lully, Lullay Thou Little Tiny Child | 00:00 Tools | |
1687627 | Play | Pines of Rome: III. Pines of the Janiculum | 00:00 Tools | |
1687628 | Play | Pines of Rome: IV. Pines of the Appian Way | 00:00 Tools | |
47666206 | Play | The Messiah: Hallelujah! | 00:00 Tools | |
47666207 | Play | Eleven Chorale Preludes, Op. 122: VIII. Es Ist Ein Ros Entsprungen - There Is A Rose In Flower | 00:00 Tools | |
1687603 | Play | Beethoven: Symphony #9 In D Minor, Op. 125, "Choral" - 4. Presto | 00:00 Tools | |
47666215 | Play | Gloria In Excelsis | 00:00 Tools | |
1687597 | Play | Requiem Mass: Dies Irae | 00:00 Tools | |
1687619 | Play | William Tell Overture (Conclusion) | 00:00 Tools | |
47666208 | Play | Dormi Jesu | 00:00 Tools | |
1687755 | Play | O Fortuna | 00:00 Tools | |
1687632 | Play | Adagio for Strings Op. 11 | 00:00 Tools | |
47666209 | Play | L'Arlesienne Suite No. 2: Farandole (March of the three Kings) | 00:00 Tools | |
1687630 | Play | Pines of Rome: II. Pines Near a Catacomb | 00:00 Tools | |
1687601 | Play | The Firebird Suite (1919): Infernal Dance of King Kastchei | 00:00 Tools | |
1687687 | Play | Blue Cathedral | 00:00 Tools | |
47666210 | Play | Carmina Burana | 00:00 Tools | |
47666228 | Play | And There Were Shepherds | 00:00 Tools | |
47666211 | Play | The Rite of Spring: Sacrificial Dance (The Chosen One) | 00:00 Tools | |
1687780 | Play | L'Enfance du Christ, Part II: L'adieu des Bergers a la Saint Famille (The Shepherds' Farewell) | 00:00 Tools | |
1687783 | Play | The Four Seasons (Le Quattro Stagioni), Op. 8 - Concerto No. 4 for Violin and Strings in F Minor, "Winter", RV 297: I. Allegro non molto | 00:00 Tools | |
47666244 | Play | Christmas Oratorio, BWV 248: And There Where Shepherds | 00:00 Tools | |
1687604 | Play | Mars, the Bringer of War | 00:00 Tools | |
47666236 | Play | Break Forth | 00:00 Tools | |
1687829 | Play | Jupiter, the Bringer of Jollity | 00:00 Tools | |
47666212 | Play | Dies Irae | 00:00 Tools | |
47666213 | Play | Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85: Hallelujah | 00:00 Tools | |
1687760 | Play | "Sanctus" From Requiem | 00:00 Tools | |
47666214 | Play | German Requiem, "How Lovely Is They Dwelling Place" | 00:00 Tools | |
47666261 | Play | Adeste Fideles | 00:00 Tools | |
47666216 | Play | Pictures at an Exhibition: The Hut on Fowl's Legs | 00:00 Tools | |
1687744 | Play | Lully, Lullay Thou Little Tiny Child | 00:00 Tools | |
1687598 | Play | Q.E.D.: Engaging Richard Feynman: I. On Waking | 00:00 Tools | |
1687608 | Play | Eleven Chorale Preludes, Op. 1 | 00:00 Tools | |
47666217 | Play | Venus, the Bringer of Peace | 00:00 Tools | |
1687790 | Play | Uranus, the Magician | 00:00 Tools | |
1687746 | Play | Carmina Burana: O Fortuna | 00:00 Tools | |
1687683 | Play | Overture to "The School For Scandal," Op. 5 | 00:00 Tools | |
47666218 | Play | Pictures At An Exhibition: The Great Gate At Kiev | 00:00 Tools | |
1687634 | Play | String Symphony: II. Berceuse | 00:00 Tools | |
47666219 | Play | Saturn, the Bringer of Old Age | 00:00 Tools | |
1687599 | Play | Q.E.D.: Engaging Richard Feynman: II. Song of the Universal | 00:00 Tools | |
47666220 | Play | Javelin: Javelin | 00:00 Tools | |
47666221 | Play | Pines of the Appian Way | 00:00 Tools | |
47666223 | Play | Beethoven: Symphony #9 In D Minor, Op. 125, "Choral" - 5. Presto, "O Freunde, Nicht Diese TȵNe!" | 00:00 Tools | |
47666224 | Play | Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato | 00:00 Tools | |
47666222 | Play | Lacrimosa (Requiem) | 00:00 Tools | |
1687600 | Play | String Symphony: I. Waltz | 00:00 Tools | |
47666225 | Play | Neptune, the Mystic | 00:00 Tools | |
47666312 | Play | Allegro Non Molto | 00:00 Tools | |
47666284 | Play | Jesus Shepherd My Beginning | 00:00 Tools | |
47666260 | Play | Lo, How A Rose E'er Blooming | 00:00 Tools | |
47666226 | Play | Mercury, the Winged Messenger | 00:00 Tools | |
47666227 | Play | I. Non allegro | 00:00 Tools | |
1687731 | Play | The Great Gate at Kiev | 00:00 Tools | |
1687801 | Play | Messiah, All they that see him, He trusted In God | 00:00 Tools | |
1687761 | Play | Les Nuits d'ete | 00:00 Tools | |
47666233 | Play | Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato | 00:00 Tools | |
47666231 | Play | Symphony No. 6 in D Minor, Op. 104: III. Poco vivace - | 00:00 Tools | |
1687606 | Play | Second Essay, Op. 17 | 00:00 Tools | |
47666281 | Play | There Is A Rose in Flower | 00:00 Tools | |
47666229 | Play | Beethoven: Symphony #9 In D Minor, Op. 125, "Choral" - 2. Molto Vivace | 00:00 Tools | |
1687728 | Play | Vaughan Williams: Mass In G - Kyrie | 00:00 Tools | |
1687810 | Play | Pines of Rome: Pines of the Appian Way | 00:00 Tools | |
47666232 | Play | Tallis: O Sacrum Convivium | 00:00 Tools | |
47666230 | Play | The Hut on Fowl's Legs | 00:00 Tools | |
1687629 | Play | Eagles | 00:00 Tools | |
1687753 | Play | Adagio for Strings, Op. 11 | 00:00 Tools | |
1687607 | Play | String Symphony: IV. Nocturne | 00:00 Tools | |
1687754 | Play | String Symphony: III. Scherzo | 00:00 Tools | |
47666241 | Play | Et In Terra Pax | 00:00 Tools | |
47666242 | Play | Carmina Burana (Introduction) | 00:00 Tools | |
47666239 | Play | Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto | 00:00 Tools | |
1687695 | Play | Sunday Morning: VI. ...our insipid lutes | 00:00 Tools | |
47666234 | Play | Four Motets - Sing Ye Praises To Our King | 00:00 Tools | |
1687609 | Play | [First] Essay For Orchestra, Op. 12 | 00:00 Tools | |
47666235 | Play | Capriccio, Op. 85: Moonlight Interlude | 00:00 Tools | |
47666296 | Play | After Fallen Crumbs | 00:00 Tools | |
88946199 | Play | Durufle: Quatre Motets - Ubi Caritas | 00:00 Tools | |
88946200 | Play | Mass In G - Gloria | 00:00 Tools | |
47666246 | Play | Copland: Four Motets, Op. 20 - Help Us O Lord | 00:00 Tools | |
1687605 | Play | Sunday Morning: VIII. ...to darkness, on extended wings | 00:00 Tools | |
47666238 | Play | Mass In G - Credo | 00:00 Tools | |
1687804 | Play | Sunday Morning: III. ...indifferent blue | 00:00 Tools | |
1687709 | Play | Sunday Morning: I. ...green freedom | 00:00 Tools | |
1687805 | Play | Elektra, Op. 58: Recognition Scene | 00:00 Tools | |
47666240 | Play | Symphony No. 9, Op. 70: IV. Largo | 00:00 Tools | |
47666274 | Play | Dona Nobis Pacem | 00:00 Tools | |
47666243 | Play | Quatre Motets - Tota Pulchra Est | 00:00 Tools | |
1687793 | Play | Fountains Of Rome, Triton Fountain at morn | 00:00 Tools | |
47666245 | Play | Et in terra Pax from "Gloria" | 00:00 Tools | |
47666247 | Play | Quatre Motets - Tu Es Petrus | 00:00 Tools | |
47666256 | Play | Gloria in D Major, R. 589: Et in terra pax | 00:00 Tools | |
47666282 | Play | O Come, O Come, Emmanuel | 00:00 Tools | |
47666248 | Play | Hostias | 00:00 Tools | |
47666249 | Play | Sanctus | 00:00 Tools | |
47666250 | Play | Symphony No. 9, "Choral" -- Molto vivace | 00:00 Tools | |
47666251 | Play | Vaughan Williams: Sanctus-Benedictus - Sanctus | 00:00 Tools | |
47666252 | Play | Sanctus-Benedictus - Osanna | 00:00 Tools | |
47666263 | Play | Four Motets - Thou, O Jehovah, Abideth Forever | 00:00 Tools | |
47666253 | Play | Quatre Motets - Tantum Ergo | 00:00 Tools | |
47666264 | Play | Four Motets - Have Mercy On Us, O My Lord | 00:00 Tools | |
47666254 | Play | Sanctus-Benedictus - Benedictus | 00:00 Tools | |
1687671 | Play | Sunday Morning: II. Passions of rain | 00:00 Tools | |
47666255 | Play | Oceana -I. Call | 00:00 Tools | |
1687610 | Play | Water and Horse Prelude | 00:00 Tools | |
47666257 | Play | Symphony No. 5, Op. 47: IV. Allegro Non Troppo | 00:00 Tools | |
47666258 | Play | Symphony No. 5, Op. 47: II. Allegretto | 00:00 Tools | |
47666259 | Play | Symphony No. 9, Op. 70: V. Allegretto | 00:00 Tools | |
47666286 | Play | The Shepherd's Farewell to the Holy Family | 00:00 Tools | |
47666262 | Play | Rex Tremendae | 00:00 Tools | |
1687602 | Play | Sunday Morning: IV. ...birds, Before they fly | 00:00 Tools | |
47666273 | Play | Carmina Burana Introduction | 00:00 Tools | |
1687613 | Play | Sunday Morning: VII. ...a ring of men | 00:00 Tools | |
1687713 | Play | Sunday Morning: V. Death is the mother of beauty | 00:00 Tools | |
47666265 | Play | Salome, Op. 54: Final Scene | 00:00 Tools | |
47666266 | Play | Salome, Op. 54: Dance of the Seven Veils | 00:00 Tools | |
47666269 | Play | Beethoven: Symphony #9 In D Minor, Op. 125, "Choral" - 5. Presto - "O Freunde, nicht diese Tȵne!" - Allegro Assai | 00:00 Tools | |
47666270 | Play | Agnus Dei | 00:00 Tools | |
47666271 | Play | Sanctus-Benedictus - Osanna II | 00:00 Tools | |
47666277 | Play | Appalachian Spring (Suite) | 00:00 Tools | |
47666272 | Play | Sanctus Benedictus - Agnus Dei | 00:00 Tools | |
1687828 | Play | Knoxville: Summer Of 1915, Op. 24 | 00:00 Tools | |
1687617 | Play | String Symphony: V. Rondo | 00:00 Tools | |
47666267 | Play | Symphony No. 9, Op. 70: I. Allegro | 00:00 Tools | |
47666268 | Play | Symphony No. 9, Op. 70: III. Presto | 00:00 Tools | |
88946201 | Play | FINALE FROM SYMPHONY NO. 9 IN D MINOR, "CHORAL" | 00:00 Tools | |
47666275 | Play | Romeo and Juliet: Montagues and Capulets [excerpt] | 00:00 Tools | |
1687622 | Play | Ein Deutsches Requiem, Mvt.VI, excerpt | 00:00 Tools | |
47666276 | Play | Opening movement from Gloria | 00:00 Tools | |
47666292 | Play | Symphony No. 7 in C Major, Op. 105 | 00:00 Tools | |
47666278 | Play | Tapiola, Op. 112 | 00:00 Tools | |
1687738 | Play | Slavonic Dances, Op. 46: No. 2 in E minor, Allegretto grazioso | 00:00 Tools | |
47666279 | Play | Symphony No. 5, Op. 47: I. Moderato | 00:00 Tools | |
47666280 | Play | Symphony No. 9, Op. 70: II. Moderato | 00:00 Tools | |
47666283 | Play | Rodeo, Hoedown | 00:00 Tools | |
47666313 | Play | Farandole | 00:00 Tools | |
47666288 | Play | Overture & Incidental Music to "A Midsummer Night's Dream:" Scherzo | 00:00 Tools | |
47666285 | Play | Kyrie | 00:00 Tools | |
47666287 | Play | Symphony No. 9, "Choral" -- Finale | 00:00 Tools | |
86851917 | Play | Hallelujah | 00:00 Tools | |
47666289 | Play | Dies irae from War Requiem | 00:00 Tools | |
1687624 | Play | Golijov: Oceana - 7. Coral del Arrecife (Chorale of the Reef) | 00:00 Tools | |
47666290 | Play | Infernal Dance | 00:00 Tools | |
88946202 | Play | Dooryard Bloom - Composed Or Made Famous By: Higdon | 00:00 Tools | |
47666291 | Play | -VI. Aria: "Tengo Hambre De No Ser Sino Piedra Marina" | 00:00 Tools | |
47666318 | Play | Gloria‚ RV 589: Opening Movement | 00:00 Tools | |
1687751 | Play | Symphony No.6 in a Minor 1. - Allegro Energico, Ma non Troppo | 00:00 Tools | |
47666293 | Play | -IV. Second Call | 00:00 Tools | |
47666323 | Play | 5. Muerte a Caballo | 00:00 Tools | |
47666294 | Play | -II. First Wave: "Oceana Nuptial, Cadera De Las Islas" - Rain Train Interlude | 00:00 Tools | |
1687612 | Play | Pines of Rome: I. Pines of the Villa Borghese | 00:00 Tools | |
47666295 | Play | Appalachian Spring Suite | 00:00 Tools | |
47666297 | Play | Piano Concerto No. 2, op. 83: Allegretto grazioso | 00:00 Tools | |
47666298 | Play | Tuba Mirum | 00:00 Tools | |
47666299 | Play | Confutatis | 00:00 Tools | |
47666300 | Play | Andante from Violin Concerto, Op. 14 | 00:00 Tools | |
47666301 | Play | Lacrimosa | 00:00 Tools | |
47666302 | Play | Amen | 00:00 Tools | |
47666303 | Play | Rainbow Body | 00:00 Tools | |
47666304 | Play | Lux Aeterna | 00:00 Tools | |
47666305 | Play | Benedictus | 00:00 Tools | |
47666306 | Play | Carmina Burana - Introduction | 00:00 Tools | |
47666307 | Play | Fountains Of Rome - 1. The Fountain Of Valle Giulia At Dawn | 00:00 Tools | |
47666308 | Play | Pictures at an Exhibition (orch. Ravel) | 00:00 Tools | |
47666309 | Play | Part I | 00:00 Tools | |
47666310 | Play | -III. Second Wave: "Quiero Oír Lo Invisibile" | 00:00 Tools | |
47666311 | Play | Die Frau ohne Schatten, Op. 65: Imprisonment Scene | 00:00 Tools | |
1687690 | Play | The Birds: I. Prelude | 00:00 Tools | |
47666314 | Play | Recordare | 00:00 Tools | |
47666315 | Play | Domine Jesu | 00:00 Tools | |
47666316 | Play | Appalachian Spring | 00:00 Tools | |
47666317 | Play | Finlandia, Op. 26, No. 7 | 00:00 Tools | |
47666319 | Play | Part III | 00:00 Tools | |
47666320 | Play | Symphony Of Psalms, Part I | 00:00 Tools | |
47666321 | Play | Medea's Dance Of Vengeance, Op. 23A | 00:00 Tools | |
47666322 | Play | Interludio de Balazos y Lamento por la Muerte de Federico | 00:00 Tools | |
1687674 | Play | Saturday Night Waltz | 00:00 Tools | |
1687647 | Play | Hoe-Down | 00:00 Tools | |
88946203 | Play | The Birds: II. The Dove | 00:00 Tools | |
1687811 | Play | Copland: Fanfare For The Common Man | 00:00 Tools | |
88946204 | Play | The Birds: III. The Hen | 00:00 Tools | |
1687734 | Play | Fountains of Rome: II. Triton Fountain at morn | 00:00 Tools | |
1687823 | Play | Fountains of Rome: III. Fountain of Trevi at mid-day | 00:00 Tools | |
47666324 | Play | Symphony No. 5: II. Allegretto | 00:00 Tools | |
47666325 | Play | Prince Igor: Polovtsian Dances (excerpt) | 00:00 Tools | |
86851918 | Play | 1. Balada | 00:00 Tools | |
47666326 | Play | -V. Third Wave: "Oceana, Reclina Tu Noche En El Castillo" | 00:00 Tools | |
47666327 | Play | Cum Sanctis Tuis | 00:00 Tools | |
47666328 | Play | Requiem et kyrie | 00:00 Tools | |
47666329 | Play | Dies irae from Requiem | 00:00 Tools | |
88946205 | Play | On The Transmigration Of Souls - Composed Or Made Famous By: Adams | 00:00 Tools | |
47666330 | Play | Oceana - 7. Coral del Arrecife (Chorale of the Reef) | 00:00 Tools | |
88946206 | Play | Gloria‚ RV 589: Et in terra Pax | 00:00 Tools | |
86851919 | Play | Night On Bald Mountain | 00:00 Tools | |
47666331 | Play | Rodeo: Hoe-Down | 00:00 Tools | |
47666333 | Play | Run: Run | 00:00 Tools | |
47666334 | Play | Symphony No. 9 in D minor, Op. 125, "Choral" - Excerpts from Finale (Movement 4) | 00:00 Tools | |
47666332 | Play | Rodeo: Buckaroo Holiday | 00:00 Tools | |
47666335 | Play | Ainadamar, First Image - Mariana: I. Balada | 00:00 Tools | |
1687635 | Play | Introduction to Khovanshchina (Dawn on the Moscow River) | 00:00 Tools |
The Atlanta Symphony Orchestra (ASO) is an American orchestra based in Atlanta, Georgia, USA. Robert Spano has been their music director since 2001. The orchestra was founded in 1945, and played its first concert as the Atlanta Youth Symphony under the direction of Henry Sopkin, a Chicago music educator who remained its Conductor until 1966.The organization changed to its current name in 1947, and soon began attracting well known soloists such as Isaac Stern and Glenn Gould. In 1967, with the departure of Sopkin, Robert Shaw (founder of the Robert Shaw Chorale) became the conductor, and a year later the orchestra turned full-time. In 1970, Shaw founded a choir specially for the orchestra, the Atlanta Symphony Orchestra Chorus. In 1988, Yoel Levi became Music Director and principal conductor. Under him, the orchestra played at the opening and closing ceremonies of the Centennial 1996 Summer Olympics in Atlanta. Levi became Music Director Emeritus in 2000, and was succeeded as Music Director by Robert Spano. The ASO and chorus made its first recording, a 2-LP Christmas album entitled Nativity, for Turnabout/Vox Records in 1975, under the directorship of Robert Shaw. This was an album directly based on their annual Christmas concert. In 1978, the ASO became the first American orchestra to make a digital recording intended for commercial release, when it played Igor Stravinsky's Firebird suite and excerpts from Alexander Borodin's opera, Prince Igor for the Telarc label. As of 2008, the orchestra and chorus still record for Telarc, one of the longest continuous associations of an orchestra with a record label. In 2004, the orchestra initiated an agreement with the Deutsche Grammophon label to record several works by composer Osvaldo Golijov, while continuing its ongoing relationship with Telarc which has resulted in numerous Grammy awards. One of the orchestra and chorus's most famous recordings, however, that of Beethoven's Ninth Symphony conducted by Robert Shaw, was recorded for the now defunct Pro Arte label, and sadly, is not only now out of print, but has not been picked up for re-release by Telarc or any other label. The orchestra toured Europe under Yoel Levi in 1991; and with its chorus, under Robert Shaw, in 1988. In 2003, the ASOC visited Berlin, where it gave three performances of Benjamin Britten's War Requiem with the Berlin Philharmonic Orchestra under ASO Principal Guest Conductor Donald Runnicles. Jane Little, who debuted as a double bassist in Atlanta on February 4, 1945, at the age of 16, remained a member of the orchestra for the rest of her life, dying on May 15, 2016 a few hours after collapsing during a performance of the Atlanta Symphony Orchestra. She was said to be the longest tenured orchestra musician in the world. She was 87. The Woodruff Arts Center The ASO's main concert venue is Atlanta Symphony Hall in the Woodruff Arts Center. It plays an extensive outdoor summer pops concert series at Atlanta's city-owned Chastain Park, and at other parks in the area. In February 2005 the orchestra unveiled plans for the new Atlanta Symphony Center concert hall designed by Spanish architect Santiago Calatrava, to be built subject to raising construction funds of approximately US$300 million. On May 10, 2008, the ASO opened the new US $35 million 12,000-seat Verizon Wireless Amphitheatre at Encore Park in north Fulton County in the town of Alpharetta, some 22 miles north of Atlanta, where the ASO will present concerts of its own as well as those by various pops groups. Encore Park and the Amphitheatre are owned by the Woodruff Arts Center, the ASO's parent organization. Including Encore Park and its activities at Atlanta Symphony Hall and Chastain Park, the ASO will present more than 300 performances annually. With a budget expected to increase to US $50 million with the completion of its new Amphitheatre, the ASO has become one of the six or seven largest orchestras in America, by budget size. The ASO's budget includes not only the costs of production, along with orchestra and staff salaries and benefits, but also the symphony's very significant expenditures on education, community outreach, special events and fundraising. Music directors Robert Spano (Music Director, 2001- ) Yoel Levi (Music Director, 1988-2000; Music Director Emeritus, 2000-2005) Robert Shaw (Music Director and Conductor, 1967-1988; Music Director Emeritus and Conductor Laureate, 1988-1999) Henry Sopkin (Conductor, 1945-1966) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.