Beatriz da Conceição

Trackimage Playbut Trackname Playbut Trackname
POMBA BRANCA, POMBA BRANCA 00:00 Tools
Já Me Deixou 00:00 Tools
Recado a Lisboa 00:00 Tools
Noite 00:00 Tools
Dei-Te Um Nome Em Minha Cama 00:00 Tools
Deste-Me Um Beijo e Vivi 00:00 Tools
Madrugada Sem Sono 00:00 Tools
Balada das Mãos Ausentes 00:00 Tools
Muito Embora O Querer Bem 00:00 Tools
Lisboa Garrida 00:00 Tools
Lisboa É Testemunha 00:00 Tools
Pomba branca 00:00 Tools
Balada Das Maos Ausentes 00:00 Tools
Sou Um Fado Desta Idade 00:00 Tools
As meninas dos meus olhos 00:00 Tools
Sempre Que Lisboa Canta 00:00 Tools
Eu nasci amanhã 00:00 Tools
Ovelha Negra 00:00 Tools
John Português 00:00 Tools
Nossa Sra. Do Fado 00:00 Tools
Dei - Te Um Nome Em Minha Cama 00:00 Tools
Lisboa Da Cor Da Ponte 00:00 Tools
Meu corpo 00:00 Tools
Mini Fado 00:00 Tools
Três Santinhos Populares 00:00 Tools
Se Tardas Amor Não Venhas 00:00 Tools
ovelha negra (master) 00:00 Tools
Veio a Saudade 00:00 Tools
Cantei e passou 00:00 Tools
É Sempre Amor 00:00 Tools
Fado Alvito 00:00 Tools
Ja me deixu 00:00 Tools
Ja Me Deixo 00:00 Tools
Ja Me Deixo - Beatriz Da Conceicao 00:00 Tools
Mau Caminho 00:00 Tools
Quem Mora Naquela Rua 00:00 Tools
Dei te um nome em minha cama 00:00 Tools
Eu Preciso De Te Ver 00:00 Tools
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Beatriz da Conceição (Porto, 21 August 1939) is a Portuguese fado singer. Her discography includes performances with António Rocha for Paul Van Nevel with the Huelgas Ensemble. A native of Porto, Beatriz da Conceição is one of the leading fado singers of the last 50 years. As a child she listened to the great fado singers on the radio, without ever having the ambition to become a singer herself. But when as a young woman in Lisbon she visited the ‘fado house’ of Márcia Condessa and in her enthusiasm began to sing along, she was recognised as a major talent. Beatriz was asked immediately to sing a solo and was offered a contract that very night. It was the start of a long career that is still in full swing. Beatriz has sung in the principal fado houses of Lisbon and has enjoyed success outside Portugal as well, at the Atlantic Waves Festival for example. Her international breakthrough came in the 1990s. While the fado was declining in popularity in Portugal itself, the genre was, in common with other worms of world music, becoming more popular in other countries. In Belgium, for instance, she was discovered by Paul van Nevel and the Huelgas Ensemble. Together with them, Beatriz da Conceição recorded the CD Tears of Lisbon, a pioneering encounter between fado and 16th-century Portuguese music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.