Bill Keith

Trackimage Playbut Trackname Playbut Trackname
Crazy Creek 02:56 Tools
Auld Lang Syne 03:22 Tools
No Expectations 03:11 Tools
Rickett's Hornpipe 01:20 Tools
Green Mountain Hop 03:05 Tools
Clinging Vine 03:03 Tools
Mead Mountain Blues 03:12 Tools
Jolly Waffle Man 03:23 Tools
Panhandle Country 01:52 Tools
Sugarfoot Rag 01:50 Tools
Little Sadie 01:27 Tools
I'll Stay Around 03:11 Tools
Cherokee Shuffle 03:07 Tools
Pain in My Heart 02:21 Tools
Caravan 05:17 Tools
Jordu 02:25 Tools
Farewell Blues 03:05 Tools
Detour 02:47 Tools
Bay State Bounce 00:00 Tools
Beating Around the Bush 02:53 Tools
Don't Let Your Deal Go Down 02:50 Tools
Bending the Strings 00:00 Tools
Bluegrass Breakdown 03:09 Tools
Liebestraum 03:39 Tools
Old Hickory 00:00 Tools
Drop in the Bucket 00:00 Tools
Step Lively 00:00 Tools
Ready for the Times 00:00 Tools
Hornswoggled 00:00 Tools
Little Old Log Cabin 03:35 Tools
Crab Waltz 00:00 Tools
Bluegrass Breakdown (with Bill Monroe and the Blue Grass Boys) 04:49 Tools
Footprints In The Snow 04:49 Tools
Nola 02:50 Tools
Banjo Boy Chimes 02:16 Tools
Pentachrome 05:33 Tools
Sunday's Hornpipe 02:38 Tools
There'll Come a Day 03:23 Tools
Six White Horses 02:54 Tools
Sugar Foot Rag 04:37 Tools
Mood Indigo 04:37 Tools
Smoke Smoke Smoke 02:29 Tools
I Think About You All the Time 02:00 Tools
You Come A Long Way From St Louis 03:23 Tools
Phlebitis 02:26 Tools
Busy Body 02:29 Tools
Lay Down Sally 03:09 Tools
Bully Of The Town 03:15 Tools
Out Of Joint 03:15 Tools
Eight of Juanary - The Twelfth of Never 02:00 Tools
Should We Tell Him 02:26 Tools
Would You Believe It 02:00 Tools
Morrison 's Jig 02:00 Tools
Little Old Log Cabin In The Lane 02:00 Tools
Texas Cowboy 02:00 Tools
Morrison's Jig 02:00 Tools
Lieberstraum 02:00 Tools
Two Twenties 02:00 Tools
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Bill Keith ( William Bradford Keith, December 20, 1939 – October 23, 2015) was a five-string banjoist who made a significant contribution to the stylistic development of the instrument. In the 1960s he introduced a variation on the popular "Scruggs style" of banjo playing (an integral element of bluegrass music) which would soon become known as melodic style, or "Keith style." Keith was born in Boston, Massachusetts. He attended Amherst College and graduated in 1961. In 1963 he became a member of Bill Monroe's Bluegrass Boys. Keith's recordings and performances during these nine months with Monroe permanently altered banjo playing, and his style became an important part of the playing styles of many banjoists. After leaving the Bluegrass Boys, he joined "Jim Kweskin Jug Band" playing plectrum banjo. He began playing the steel guitar and soon after 1968, found himself working together with Ian and Sylvia and Jonathan Edwards. In the 1970s Keith recorded for Rounder Records. Over the years he performed with several other musicians, such as Clarence White and David Grisman in Muleskinner, Tony Trischka, Jim Rooney and Jim Collier. Today, Keith style is still regarded as modern or progressive in the context of bluegrass banjo playing. He was inducted into the International Bluegrass Music Hall of Fame at an awards ceremony in Raleigh, NC on October 1, 2015 and delivered a heartfelt address on that occasion, just three weeks prior to his death. He died of cancer on October 23, 2015. Keith made a mechanical contribution to the banjo, as well. He designed a specialized type of banjo tuning peg that facilitates changing quickly from one open tuning to another, while playing. Earlier famed banjoist Earl Scruggs had designed a set of cams which were added to the banjo to perform this task. Keith's invention made the extra hardware unnecessary, replacing two of the tuning machines already on the banjo — a more elegant solution. Scruggs himself became a partner in the venture for a while, and the product was known as "Scruggs-Keith Pegs". Known today simply as Keith Pegs, they remain the state of the art, and Bill Keith continued to manufacture and market them personally as the primary product of his own company, the Beacon Banjo Company, until his death. Beacon Banjo tuners continue their proud tradition, now in the hands of his son, Martin. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.