Bobby Lee Trammell

Trackimage Playbut Trackname Playbut Trackname
Shirley Lee 00:00 Tools
You Mostest Girl 02:05 Tools
Twist Everybody Twist (Studio Live) 02:33 Tools
Been A Walkin' (STUDIO) 02:03 Tools
Hi-O Silver (STUDIO) 02:40 Tools
I Tried Not To Cry (Studio Live) 02:39 Tools
I Sure Do Love You Baby 02:38 Tools
Uh Oh 02:24 Tools
Woe Is Me 02:12 Tools
Toolie Frollie 00:00 Tools
If You Ever Get It Once 02:38 Tools
New Dance In France 02:49 Tools
Don't You Know I Love You 02:45 Tools
Jenny Lee 02:09 Tools
It's All Your Fault 02:34 Tools
You're The Mostest Girl 00:00 Tools
Arkansas Twist 02:15 Tools
Come on Baby 02:33 Tools
Mayonnaise 01:41 Tools
Been A Walking 02:00 Tools
Love Isn't Love 02:34 Tools
I Need Love 02:26 Tools
Mayonaise 01:41 Tools
Arkansas Stomp 02:29 Tools
Sally Twist 02:18 Tools
My Susie Jane 02:08 Tools
Give Me That Good Lovin' 02:19 Tools
My Susie J-My Susie Jane 02:46 Tools
Open Up Your Heart 02:27 Tools
Am I Satisfying You 02:05 Tools
Should I Make Amends 02:35 Tools
Run Fool Run 02:05 Tools
My Susie J - My Susie Jane 02:05 Tools
Hi Yo Silver 02:05 Tools
Uh-Oh 02:28 Tools
Long Tall Sally 00:00 Tools
You Make Me Feel So Fine 00:00 Tools
New Dance In France (1964) 02:29 Tools
Come On And Love Me 02:38 Tools
I Like It 02:48 Tools
Youre the Mostest Girl 02:03 Tools
It´s All Your Fault 02:26 Tools
You’re the Mostest Girl 02:03 Tools
Betty Jean 02:46 Tools
Hi-o silver 02:40 Tools
It’s All Your Fault 02:31 Tools
Bobby Lee Needs Love 02:46 Tools
When The Saints Go Marchin' In 02:17 Tools
Carolyn 00:00 Tools
A Little Bit Of Soap 02:42 Tools
I Couldn't Believe My Eyes 01:58 Tools
Carolina 02:22 Tools
Tollie Frollie 02:42 Tools
Twenty Four Hours 02:02 Tools
You Mostest Girll 02:46 Tools
I Tried Not to Cry 02:28 Tools
Love Don't Let Me Down 02:34 Tools
Come On 02:07 Tools
Tator 00:00 Tools
You Mosted Girl 02:04 Tools
I Tried 02:22 Tools
Martha Jane (2) 02:13 Tools
I Shure Do Love You Baby 02:40 Tools
Twenty Four Hours a Day 02:16 Tools
I Sure Do Love You 02:31 Tools
Watch Me Do The Twist 02:26 Tools
Shimmy Lou 02:20 Tools
Just Let Me Love You One More 02:34 Tools
I Love 'Em All 00:00 Tools
Shirly Lee 01:48 Tools
Chantilly Lace 00:00 Tools
Twist Everybody Twist 01:48 Tools
You Stand A Chance Of Losing 02:28 Tools
If You Don't Wanna You Don't Have To 02:18 Tools
the arkansas twist 02:18 Tools
Arkansas Twis 02:16 Tools
Sally Twist (part 1) 02:16 Tools
Just Let Me Love You One More Time 02:16 Tools
Mary Ann 00:00 Tools
Sally Twist (part 2) 02:16 Tools
I Need Love 02:16 Tools
Skimmy Lou 02:21 Tools
I love em all 02:16 Tools
Been-a-Walking 02:16 Tools
Martha Jane 02:16 Tools
If You Don't Wanna , You Don't Have To 02:16 Tools
I'll Step Aside 02:16 Tools
Its All Your Fault 02:16 Tools
Arkansas Twist [1962] 02:21 Tools
I Love'em All 02:21 Tools
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Bobby Lee Trammell (January 31, 1934 – February 20, 2008) was an American rockabilly singer and politician. In spite of his undeniable talent, Bobby Lee Trammell never had a major hit record. His problem was being a little too wild. If only his energies could have been channeled into a positive direction, he might have been a major player in the rock 'n' roll field. Bobby was raised on a small cotton farm in Arkansas by parents who both played instruments. Music was his principal interest from an early age and when Carl Perkins and Johnny Cash played a nearby date in 1956, Bobby Lee was in the first row. Carl allowed him to sing with his band on stage and advised him to go and see Sam Phillips. Bobby travelled to Memphis with a demo tape of some songs he had written, but good ole Sam, being a busy man, didn't have time to attend to him properly. He told Bobby to keep rehearsing and to come back in two or three weeks. Being an impatient kid, Trammell was not prepared to wait (a decision he still regrets today) and instead headed off to the West Coast to seek his fortune there. He found work at the Ford Motor Assembly Plant in Longbeach, California, and later landed a job as a singer at the Jubilee Ballroom in Baldwin Park. It was there that he was spotted by veteran country promoter Fabor Robinson, who owned the Fabor, Abbott and Radio labels. At Fabor's studio in Hollywood, Bobby recorded his own compositions "Shirley Lee" and "I Sure Do Love You Baby" with just three instruments. He himself played rhythm guitar, accompanied by James Burton on lead guitar and James Kirkland on bass, both from Bob Luman's band. "Shirley Lee" was a very commercial piece of rock 'n' roll and started kicking off in Baltimore. The Fabor label did not have the financial muscle nor the distribution outlets to readily support a major hit, so "Shirley Lee" was leased to ABC Paramount, eventually selling a reported 250,000 but falling short of the major chart success that it deserved. Ricky Nelson covered the song on his second album. Ricky's father found Bobby too wild for the Ozzie and Harriet show, but asked him to write more songs for Ricky. Bobby told Ozzie Nelson he was too busy, another decision he regretted later when he saw how much money Johnny and Dorsey Burnette were making from their songs for Ricky Nelson. In March 1958, Trammell recorded his (excellent) second single, "You Mostest Girl"/"Uh Oh", with a four-piece black harmony group, again produced by Fabor Robinson, who released it first on Fabor and then on Radio. (There was also a reissue on Skyla in 1961, credited to Bobby Lee.) Joe Maphis played on his third single, recorded in September 1958 : "My Susie J, My Susie Jane"/' "Should I Make Amends". But Bobby's records didn't sell. Almost from the start of his career, Trammell was getting into trouble with the authorities because of his exuberant performances which would often go too far, as he would intentionally incite his audience to the point where riots would break out with the consequent damage to auditoriums and problems from club owners and promoters. Robinson's contacts were mainly in country music and Bobby Lee was booked on the Louisiana Hayride, but shocked all concerned with his hip-shaking antics and was described by Tillman Franks as "downright vulgar - ten times worse than Elvis Presley". Bookings on the Hayride were cancelled and proposed appearances on the Grand Ole Opry never materialised. Fabor Robinson never really got to grips with his wild rockabilly singer. Though he believed in Bobby's potential, he was probably a little too old to have any real chance of directing him properly. He retired in 1959 and sold Bobby's contract to Warrior Records, where he recorded another good single, "Open Up Your Heart"/ "Woe Is Me", but nothing happened. By now Bobby Lee was finding it hard to get bookings as a result of his earlier excesses, and he moved back home to Arkansas. Further recordings were made for a series of small labels, details of which can be found at Terry Gordon's website: http://rcs.law.emory.edu/rcs/artists/t/tram1000.htm In the mid-sixties, Trammell billed himself as "The First American Beatle" and cut five singles for the Sims label. In 1972-73 he scored two minor country hits on the Souncot label. Of his later recordings, the best were a remake of "You Mostest Girl" for Capitol (1973) and "It's All Your Fault" for Sun International in 1977. Like many other rockabilly stars from the fifties, he was brought to Europe in the 1980s, to perform at the 1984 Rockhouse Festival in Eindhoven, Holland. Though he was clearly in poor physical shape, it was a wild and frantic show, which came to a sudden end when Trammell tried to jump on the piano. He landed awkwardly on top of the piano, wobbled, lost his balance and fell, breaking his wrist in the process. There was to be no new career in Europe. In a way, the event sums up Bobby's career. So much potential for so little reward. In the 1990s Trammell became a politician for the Democratic Party and was elected to the Arkansas House of Representatives in 1997. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.