Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
19631907 | Play | Die Tanzerin, "Symphony No. 5" | 14:59 Tools | |
19631870 | Play | Perspectivae Sintagma I (canons) - 1997 - piano-MIDI e live-electronics | 23:03 Tools | |
57627132 | Play | Perspectivae Sintagma I (canons)- 1997- piano-MIDI e live-elect | 23:03 Tools | |
19631882 | Play | Canon II | 05:24 Tools | |
19631875 | Play | Canon V | 02:26 Tools | |
19631881 | Play | Prelude IV | 01:27 Tools | |
19631869 | Play | Variations pour piano Op.27 [II] | 00:41 Tools | |
19631868 | Play | Perspectivae Sintagma I (canons) | 23:04 Tools | |
19631872 | Play | Canon III | 03:39 Tools | |
19631874 | Play | Canon IV | 02:25 Tools | |
19631877 | Play | Prelude II | 01:32 Tools | |
19631885 | Play | Canon VII | 03:53 Tools | |
19631871 | Play | Variations pour piano Op.27 [III] | 03:07 Tools | |
19631873 | Play | Prelude III | 02:08 Tools | |
19631888 | Play | Canon VI | 06:52 Tools | |
19631926 | Play | Ljusare (1992), for violin and piano | 07:57 Tools | |
77158822 | Play | Entrée | 01:10 Tools | |
19631879 | Play | Prelude VI | 02:03 Tools | |
19631883 | Play | Prelude V | 01:53 Tools | |
19631884 | Play | Canon VIII | 05:46 Tools | |
19631880 | Play | Ljusare | 07:57 Tools | |
77158824 | Play | In Nomine of 7 Parts | 02:48 Tools | |
19631922 | Play | In Nomine Broken Consort Book (I. In stylo fantastico) (1999), for ensemble | 01:44 Tools | |
77158823 | Play | Wahrheitsverfahren (I: Wissenschaft) | 02:49 Tools | |
19631895 | Play | in nomine ii - in modo algoritmico (2001) for string trio | 01:10 Tools | |
19631905 | Play | Variations pour piano Op.27 [I] (1999), (Anton Webern) piano and ensemble version | 01:47 Tools | |
87713069 | Play | In nomine II, "In modo algoritmico" | 02:48 Tools | |
19631886 | Play | In Nomine Broken Consort Book | 01:44 Tools | |
19631918 | Play | n stilo fantastico (1999) for ensemble | 01:43 Tools | |
19631896 | Play | Prelude I Six Preludes (1999), for harpsichord | 02:49 Tools | |
87713070 | Play | In Nomine in 6 Parts | 02:48 Tools | |
87713063 | Play | Huit Canons pour hautbois d'amour et ensemble: l. Ricercare | 01:43 Tools | |
87713071 | Play | In stillo fantastico | 02:48 Tools | |
19631913 | Play | Canon I Huit Canons (1997), (Goldberg-Ausbreitungen) for oboe d'amore and ensemble | 04:30 Tools | |
19631917 | Play | Canon I | 04:30 Tools | |
87713064 | Play | Huit Canons pour hautbois d'amour et ensemble: ll. Notturno | 01:43 Tools | |
89587328 | Play | Les voix humaines | 01:43 Tools | |
19631912 | Play | In Stilo Fantastico | 01:43 Tools | |
87713066 | Play | Huit Canons pour hautbois d'amour et ensemble: lll. Sonata | 02:48 Tools | |
87713073 | Play | Der Geograph (Symphonie IV) | 02:48 Tools | |
19631903 | Play | In Nomine of Six Parts | 02:21 Tools | |
19631887 | Play | In Nomine II - in Modo Algoritmico | 01:10 Tools | |
89587329 | Play | Eurydice | 01:10 Tools | |
19631897 | Play | Prelude I | 02:48 Tools | |
57627133 | Play | perspectivae sintagma i – canons (1997) | 02:48 Tools | |
87713067 | Play | Huit Canons pour hautbois d'amour et ensemble: V. Recitativo | 02:48 Tools | |
87713068 | Play | Huit Canons pour hautbois d'amour et ensemble: VII. Aria | 02:48 Tools | |
89587330 | Play | Six Préludes pour clavecin: VI. Desolato, a tempo giusto | 02:48 Tools | |
89587331 | Play | Six Préludes pour clavecin: I. Instabile, a tempo giusto | 02:48 Tools | |
89587332 | Play | Six Préludes pour clavecin: III. Lunatico - Marziale | 02:48 Tools | |
89587333 | Play | Six Préludes pour clavecin: II. Ombroso, sordamente agitato | 02:48 Tools | |
87713072 | Play | Die Tänzerin (Symphonie V) | 02:48 Tools | |
89587334 | Play | Ljusare pour violon et piano | 02:48 Tools | |
89587335 | Play | Concerto I (Birwa) | 02:48 Tools | |
89587336 | Play | Variations pour piano Op. 27 d'Anton Webern, version pour piano avec ensemble: ll. Sehr schnell | 02:48 Tools | |
89587337 | Play | Six Préludes pour clavecin: IV. Agitato ed esuberante, "avec discrétion" | 02:48 Tools | |
89587338 | Play | Wahrheitsverfahren | 02:48 Tools | |
89587339 | Play | Das Dornröschen: II. Die Feen | 02:48 Tools | |
19631876 | Play | Variations pour piano Op.27 [I] | 01:47 Tools | |
89587340 | Play | Das Dornröschen: III. ...alle Spindeln abschaffen | 01:47 Tools | |
89587341 | Play | Das Dornröschen: I. ...keine Kinder | 01:47 Tools |
Born in Besançon in 1965, Brice Pauset studied piano, violin, and the harpsichord before beginning his explorations of writing and composition. An award-winner from the Fondation Marcel Bleustein-Blanchet pour la Vocation in 1994, as well as an intern at IRCAM from 1994 to 1996, he has since devoted his career to the composition and performance of his own works, as well as works from the classical repertory, on the harpsichord and piano. He regularly collaborates with IRCAM, the Festival d'Automne in Paris, the Ensemble Accroche-Note, in Belgiumen with the Ars Musica Festival, in Vienna with the Klangforum, and in Germany with Radio SWR et WDR, the Berlin Biennial, and the Ensemble Recherche. His works sometimes require unexpected performers in the domain of contemporary music : Vanités, premiered by Gérard Lesne and Il seminario musicale at Royaumont, and Kontra-Sonate sur la Sonate D845 de Franz Schubert by Andreas Staier in Hagen and in Paris in June 2001. The WDR commissioned a work from him for the end of 2002 for the Musica antica (Cologne) and Recherche (Freibourg) ensembles. The Diotima quartet regularly performs his first two quartets, and in September 2001 performed the third quartet, which was the subject of a Royaumont workshop. The Freibourg in Bresgau Opera commissioned a work from him for the end of 2004, a theatrical work for voice, Baroque ensemble, choir, orchestra, and electronics, during which he will collaborate with Kwamé Ryan, the Freiburger Barockorchester, the Freibourg choir and orchestra, and the Heinrich-Strobel Foundation's Experimentalstudio. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.