Brice Pauset

Trackimage Playbut Trackname Playbut Trackname
Die Tanzerin, "Symphony No. 5" 14:59 Tools
Perspectivae Sintagma I (canons) - 1997 - piano-MIDI e live-electronics 23:03 Tools
Perspectivae Sintagma I (canons)- 1997- piano-MIDI e live-elect 23:03 Tools
Canon II 05:24 Tools
Canon V 02:26 Tools
Prelude IV 01:27 Tools
Variations pour piano Op.27 [II] 00:41 Tools
Perspectivae Sintagma I (canons) 23:04 Tools
Canon III 03:39 Tools
Canon IV 02:25 Tools
Prelude II 01:32 Tools
Canon VII 03:53 Tools
Variations pour piano Op.27 [III] 03:07 Tools
Prelude III 02:08 Tools
Canon VI 06:52 Tools
Ljusare (1992), for violin and piano 07:57 Tools
Entrée 01:10 Tools
Prelude VI 02:03 Tools
Prelude V 01:53 Tools
Canon VIII 05:46 Tools
Ljusare 07:57 Tools
In Nomine of 7 Parts 02:48 Tools
In Nomine Broken Consort Book (I. In stylo fantastico) (1999), for ensemble 01:44 Tools
Wahrheitsverfahren (I: Wissenschaft) 02:49 Tools
in nomine ii - in modo algoritmico (2001) for string trio 01:10 Tools
Variations pour piano Op.27 [I] (1999), (Anton Webern) piano and ensemble version 01:47 Tools
In nomine II, "In modo algoritmico" 02:48 Tools
In Nomine Broken Consort Book 01:44 Tools
n stilo fantastico (1999) for ensemble 01:43 Tools
Prelude I Six Preludes (1999), for harpsichord 02:49 Tools
In Nomine in 6 Parts 02:48 Tools
Huit Canons pour hautbois d'amour et ensemble: l. Ricercare 01:43 Tools
In stillo fantastico 02:48 Tools
Canon I Huit Canons (1997), (Goldberg-Ausbreitungen) for oboe d'amore and ensemble 04:30 Tools
Canon I 04:30 Tools
Huit Canons pour hautbois d'amour et ensemble: ll. Notturno 01:43 Tools
Les voix humaines 01:43 Tools
In Stilo Fantastico 01:43 Tools
Huit Canons pour hautbois d'amour et ensemble: lll. Sonata 02:48 Tools
Der Geograph (Symphonie IV) 02:48 Tools
In Nomine of Six Parts 02:21 Tools
In Nomine II - in Modo Algoritmico 01:10 Tools
Eurydice 01:10 Tools
Prelude I 02:48 Tools
perspectivae sintagma i – canons (1997) 02:48 Tools
Huit Canons pour hautbois d'amour et ensemble: V. Recitativo 02:48 Tools
Huit Canons pour hautbois d'amour et ensemble: VII. Aria 02:48 Tools
Six Préludes pour clavecin: VI. Desolato, a tempo giusto 02:48 Tools
Six Préludes pour clavecin: I. Instabile, a tempo giusto 02:48 Tools
Six Préludes pour clavecin: III. Lunatico - Marziale 02:48 Tools
Six Préludes pour clavecin: II. Ombroso, sordamente agitato 02:48 Tools
Die Tänzerin (Symphonie V) 02:48 Tools
Ljusare pour violon et piano 02:48 Tools
Concerto I (Birwa) 02:48 Tools
Variations pour piano Op. 27 d'Anton Webern, version pour piano avec ensemble: ll. Sehr schnell 02:48 Tools
Six Préludes pour clavecin: IV. Agitato ed esuberante, "avec discrétion" 02:48 Tools
Wahrheitsverfahren 02:48 Tools
Das Dornröschen: II. Die Feen 02:48 Tools
Variations pour piano Op.27 [I] 01:47 Tools
Das Dornröschen: III. ...alle Spindeln abschaffen 01:47 Tools
Das Dornröschen: I. ...keine Kinder 01:47 Tools
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Born in Besançon in 1965, Brice Pauset studied piano, violin, and the harpsichord before beginning his explorations of writing and composition. An award-winner from the Fondation Marcel Bleustein-Blanchet pour la Vocation in 1994, as well as an intern at IRCAM from 1994 to 1996, he has since devoted his career to the composition and performance of his own works, as well as works from the classical repertory, on the harpsichord and piano. He regularly collaborates with IRCAM, the Festival d'Automne in Paris, the Ensemble Accroche-Note, in Belgiumen with the Ars Musica Festival, in Vienna with the Klangforum, and in Germany with Radio SWR et WDR, the Berlin Biennial, and the Ensemble Recherche. His works sometimes require unexpected performers in the domain of contemporary music : Vanités, premiered by Gérard Lesne and Il seminario musicale at Royaumont, and Kontra-Sonate sur la Sonate D845 de Franz Schubert by Andreas Staier in Hagen and in Paris in June 2001. The WDR commissioned a work from him for the end of 2002 for the Musica antica (Cologne) and Recherche (Freibourg) ensembles. The Diotima quartet regularly performs his first two quartets, and in September 2001 performed the third quartet, which was the subject of a Royaumont workshop. The Freibourg in Bresgau Opera commissioned a work from him for the end of 2004, a theatrical work for voice, Baroque ensemble, choir, orchestra, and electronics, during which he will collaborate with Kwamé Ryan, the Freiburger Barockorchester, the Freibourg choir and orchestra, and the Heinrich-Strobel Foundation's Experimentalstudio. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.