Camille Saint-Saens (Шарль Камиль Сен-Санс)

Trackimage Playbut Trackname Playbut Trackname
La Danse Macabre 04:28 Tools
Aquarium (Карнавал животных) 02:02 Tools
13. Le Cygne (Лебедь - Карнавал животных) 03:04 Tools
14. Finale - Финал (Карнавал животных) 01:53 Tools
12. Fossiles - Ископаемые (Карнавал животных) 01:25 Tools
03. Hemiones - Антилопы (быстрые животные) (Карнавал животных) 00:38 Tools
09. Le Coucou au fond des bois - Кукушка в глубине леса (Карнавал животных) 02:16 Tools
06. Kangourous - Кенгуру (Карнавал животных) 00:50 Tools
01. Introduction et Marche royale du Lion - Вступление и Королевский марш льва (Карнавал животных) 02:30 Tools
04. Tortues - Черепахи (Карнавал животных) 01:55 Tools
05. L'Elephant (Карнавал животных) 01:22 Tools
02. Poules et Coqs (Карнавал животных) 00:52 Tools
10. Voliere (Карнавал животных) 01:10 Tools
11. Pianistes (Карнавал животных) 01:22 Tools
08. Personnages à longues oreilles (Карнавал животных) 00:41 Tools
Le Cygne (Лебедь - Карнавал животных) 03:04 Tools
La Danse Macabre (Пляска смерти) 07:24 Tools
Лебедь (Карнавал животных) 00:00 Tools
La Danse Macabre (Пляски смерти) 07:24 Tools
07. Aquarium (Аквариум - Карнавал животных) - Сказочно! 02:01 Tools
Le Cygne 03:14 Tools
07. Aquarium - Аквариум (Карнавал животных) 03:14 Tools
05. L'Elephant - Слон (Карнавал животных) 01:21 Tools
01. Introduction et Marche royale du Lion - Вступление и Королевский марш льва (Карнавал животных) 01:21 Tools
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Charles-Camille Saint-Saëns (French: [ʃaʁl kamij sɛ̃sɑ̃s];[n 1] 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886). Saint-Saëns was a musical prodigy, making his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. Saint-Saëns held only one teaching post, at the École de Musique Classique et Religieuse in Paris, and remained there for less than five years. It was nevertheless important in the development of French music: his students included Gabriel Fauré, among whose own later pupils was Maurice Ravel. Both of them were strongly influenced by Saint-Saëns, whom they revered as a genius. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.