Carl Fontana

Trackimage Playbut Trackname Playbut Trackname
Polka Dots and Moonbeams 00:00 Tools
Shoutin' on a Riff 00:00 Tools
I Thought About You 00:00 Tools
It Might As Well Be Spring 00:00 Tools
Soon 00:00 Tools
always 00:00 Tools
America the Beautiful 00:00 Tools
Expubident 00:00 Tools
Showcase 00:00 Tools
What's New 00:00 Tools
Intermission Riff 00:00 Tools
Carl 00:00 Tools
What's New? 00:00 Tools
Lester Leaps in 00:00 Tools
Scrapple From The Apple 00:00 Tools
Intro - Blues 00:00 Tools
A Beautiful Friendship 00:00 Tools
Sweet And Lovely 00:00 Tools
Daniel's Blues 00:00 Tools
Ballad Medley - If You Could See Me Now / Come Back To Sorrento 00:00 Tools
Buhaina 00:00 Tools
Ballad Medley - These Foolish Things / You Go To My Head / Darn That Dream / I Cover The Waterfront 00:00 Tools
If I Only Had a Brain 00:00 Tools
Jumpin' The Blues 00:00 Tools
Take the "A" Train 00:00 Tools
I've Found A New Baby 00:00 Tools
I Let A Song Go Out Of My Heart 00:00 Tools
Old Folks 00:00 Tools
I Could Write A Book 00:00 Tools
The Party's Over 00:00 Tools
Straight No Chaser 00:00 Tools
Emily 00:00 Tools
Blue lou 00:00 Tools
Limelight 00:00 Tools
Cotton Tail 00:00 Tools
Caravan 00:00 Tools
Jive At Five 00:00 Tools
There'll Never Be Another You 00:00 Tools
You Don't Know What Love Is 00:00 Tools
Just In Time 00:00 Tools
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Born in Monroe, Louisiana, Fontana learned jazz music from his father Collie, a saxophonist and violin player, and first performed with his father's band while in high school. Fontana attended the school known today as University of Louisiana Monroe for two years. He then transferred to Louisiana State University, receiving his degree in Music Education in 1950. His first break into the professional jazz scene came the following year, when in 1951 he was hired to stand in for one of Woody Herman's regular trombonists, Urbie Green. Herman was so impressed with Fontana, particularly his improvisational skills, that when Green returned Herman kept Fontana on as a permanent member of the band. After three years with Herman, Fontana joined Lionel Hampton's big band in 1954. In early 1955 he played briefly with Hal McIntyre before joining Stan Kenton's big band later in the year. He recorded three albums with Kenton and also worked with fellow trombonist Kai Winding during this period. Recording and touring with these various bands, Fontana became known as a lyrical, inventive soloist. His fluid style was quite different from the be-bop staccato of his great contemporaries Johnson and Frank Rosolino. Fontana was also greatly admired for his mastery of the "Doodle Tonguing" technique, particularly by fellow trombonists. This skill allowed Fontana to smoothly execute runs of notes at speeds many had not previously considered possible to achieve on a slide trombone. [edit] Post 1958 In 1958, Fontana moved to Las Vegas, Nevada. After this time, he would tour only on rare occasions, such as a 1966 tour of Africa with Herman's band sponsored by the U.S. State Department. Instead, he primarily performed with house orchestras in Las Vegas during the 1960s, particularly Paul Anka's band (with Rosolino). He also performed in the bands backing Sammy Davis Jr., Tony Bennett, Wayne Newton, and the Benny Goodman orchestra. In the 1970s, he continued performing in house orchestras and lounges in Las Vegas. He also recorded with various other artists during this time, such as Louie Bellson, Bill Watrous, and Supersax. It was not until 1975 that Fontana recorded an album as an ensemble co-leader. He shared the billing for this record, The Hanna-Fontana Band: Live at Concord (on Concord Jazz) with drummer Jake Hanna. Uncharacteristically for the period, Fontana also toured in Japan with this ensemble. In 1978 he featured on the classic jazz trombone recording of Bobby Knight’s Great American Trombone Company, alongside Charles Loper, Lew McCreary, Frank Rosolino, Phil Teele, and Bobby Knight. Recorded live at Donte’s in North Hollywood his solos on "Strike up the Band" and "I Got Rhythm" showcase his total mastery of the doodle-tonguing technique. In the 1980s, he appeared regularly on National Public Radio's Monday Night Jazz program. And although he recorded on more than 70 albums over his long career, his first true record as a headliner did not appear until 1985 when Uptown Jazz released The Great Fontana (1985), his first release as a solo headliner. Such a long recording career without a headliner release is most unusual for a musician of Fontana's stature, making The Great Fontana the most notable single entry in Fontana's discography. He continued performing and recording sporadically throughout the 1990s. It is fair to say that although Carl Fontana never earned great fame with general jazz audiences, he is on every great jazz trombonist's list of great jazz trombonists. Watrous, for example, cites Fontana as his favorite trombonist, and the two recorded a record together near the end of Fontana's career, Bill Watrous & Carl Fontana (Atlas Records, 2001). J. J. Johnson called him, "One fantastic trombone player."[citation needed] Legendary jazz critic and historian Leonard Feather summed up Fontana's career as follows: "Fontana has long been regarded as the most fluid, innovative trombonist after J. J. Johnson--a modern trombonist with exceptional technique and ideas."[citation needed] Fontana died in Las Vegas, Nevada aged 75 after suffering from Alzheimer's disease. (http://en.wikipedia.org/wiki/Carl_Fontana) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.