Charlie May

Trackimage Playbut Trackname Playbut Trackname
Apache (Max Mix) 00:00 Tools
Midnight 00:00 Tools
Apache (Audio Junkies & Sahar Z Remix) 07:28 Tools
Midnight (Adam Parker Vocal Sample) 00:00 Tools
Seal Clubbing (Sasha Remix) 00:00 Tools
Vorab 00:00 Tools
Apache (Min Mix) 00:00 Tools
Midnight (Nhar Remix) 00:00 Tools
Summertime 00:00 Tools
Moonlight in Vermont 00:00 Tools
Seal Clubbing - Sasha Remix 00:00 Tools
Black Coffee 00:00 Tools
We Control Everything 00:00 Tools
I'll Remember April 00:00 Tools
God Bless the Child 00:00 Tools
My One and Only Love 00:00 Tools
When Sunny Gets Blue 00:00 Tools
Midnight (Original Mix) 00:00 Tools
That's All 00:00 Tools
Sweet & Lovely 00:00 Tools
Willow Weep for Me 00:00 Tools
Wake Up Late 00:00 Tools
Midnight - Original Mix 00:00 Tools
Barely Audible 00:00 Tools
Someone to Watch Over Me 00:00 Tools
Puschkah 00:00 Tools
Midnight [Extended Version] 00:00 Tools
Demons Amongst Us 00:00 Tools
Behemoth 00:00 Tools
The Nearness of You 00:00 Tools
Seal Clubbing - Original Mix 00:00 Tools
MM 00:00 Tools
Wake Up Later 00:00 Tools
Seal Clubbing - James Zabiela's Seal Squeal Remix 00:00 Tools
Feeding The Hand That Bites 00:00 Tools
Not My Cat 00:00 Tools
GKP 00:00 Tools
Apache (Audio Junkies & Sahar Z Rmx) 00:00 Tools
Apache - Max Mix 00:00 Tools
Seal Clubbing 00:00 Tools
Demons Amongst Us (Original Mix) 00:00 Tools
Lost In Haste 00:00 Tools
Seal Clubbing - Charlie May - Sasha Remix 00:00 Tools
Seal Clubbing - Charlie May and Sasha - Original Mix 00:00 Tools
Charlie May - May Cause Drowsiness 00:00 Tools
Apache - Min Mix 00:00 Tools
May Cause Drowsiness 00:00 Tools
Midnight - Charlie May - Nhar Remix 00:00 Tools
Midnight (Adam Parker Vocal Sa 00:00 Tools
Nice Day 00:00 Tools
Running Across A Busy Street (Duncan Forbes Remix) 00:00 Tools
Not My Cat (Original Mix) 00:00 Tools
Midnight [Adam Parker Vocal Sample] 00:00 Tools
Apache - Audio Junkies & Sahar Z Remix 00:00 Tools
Seal Clubbing (Original Mix) 00:00 Tools
01 00:00 Tools
Seal Clubbing - Charlie May and Sasha - James Zabiela's Seal Squeal Remix 00:00 Tools
Running Across A Busy Street (Original Mix) 00:00 Tools
Hollow Point 00:00 Tools
South America Promo 00:00 Tools
Corporate Entertainment 00:00 Tools
Homecoming - Dimitri Nakov & Riktam Remix 00:00 Tools
03 00:00 Tools
02 00:00 Tools
Seal Clubbing (James Zabiela's Seal Squeal Remix) 00:00 Tools
Midnight (Adam Parker Vocal Sample) 00:00 Tools
Crossing Point 00:00 Tools
Simple Song 00:00 Tools
Splinter + (The Waterlillies - Tempted (Spooky Remix Bonus Beats)) 00:00 Tools
Pusckhah [Promo] 00:00 Tools
Seal Clubbing - Tolfrey & Sylvester's Drama Queen Remix 00:00 Tools
Apache (Original Demo Mix) + (Charlie May - Demons Among Us) 00:00 Tools
Not My Cat + (Spooky - 01 - Bonus Beats) 00:00 Tools
Midnight (full version) 00:00 Tools
Feeding The Hand That Bites + (Spooky - Outernebular) 00:00 Tools
Midnight (Sasha Invol2ver Remix) 00:00 Tools
Night Light (Yamil Colucci Unofficial Mix) 00:00 Tools
Running Across A Busy Street 00:00 Tools
MM - Bedrock 00:00 Tools
Midnight [Sasha Remix] 00:00 Tools
Demons Amongst Us - Original Mix 00:00 Tools
Seal Clubbing - Charlie May (Sasha Remix) 00:00 Tools
We Control Everything (Original Mix) 00:00 Tools
Wake Up Late (Original Mix) 00:00 Tools
Demons Among Us 00:00 Tools
Seal Clubbing - Charlie May and Sasha - Tolfrey & Sylvester's Drama Queen Remix 00:00 Tools
Apache 00:00 Tools
cm mix 13613 00:00 Tools
Call 00:00 Tools
Seal Clubbing (Tolfrey & Sylvester's Drama Queen Remix) 00:00 Tools
Midnight (Sasha Remix) 00:00 Tools
Transitions (21.06.2009) 00:00 Tools
Midnight [Extended Mix] 00:00 Tools
Demons Amongst 00:00 Tools
Apache (Drum Edit) 00:00 Tools
Midnight [Adam Parker Vocal Sample]/Adam Parker Vocal Sample 00:00 Tools
Flux 00:00 Tools
Highway to Heaven 00:00 Tools
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There is more than one artist with the name of Charlie May. 1. As the architect behind many of the stylistic blueprint shifts in dance since the early heady days of acid house, Charlie May knows a thing or two about what makes a dance floor tick. One half of revered progressive house pioneers Spooky; the engineer and producer of many of Sasha’s biggest singles and albums; highly respected solo producer in his own right, May has remained at the vivacious beating heart of house since the early ’90s. It was in 1992 that Charlie May and production partner Duncan Forbes made their maiden voyage as Spooky. After meeting and becoming firm friends, they cut their first record for progressive imprint Guerilla Records, ‘Don’t Panic’. It was to prove highly influential in the futuristic new movement in dance music - progressive house - that took the rhythms of acid, and married them to aquatic depths of Detroit techno with overlays of ambient music, to create a fresh new hybrid. Heralded as figureheads of the progressive house scene, Spooky cemented this by creating their sky strafing and ambitious long-player ‘Gargantuan’. One of the first dance albums of its kind, this pinnacle album would go on to spawn a million sound-a-likes, establishing the production wizardry of Charlie May, whose tweaking and pitch-perfect ear was set to have a huge influence, both in front of and behind the scenes. 3 years later, their most critically acclaimed album – 1995’s ‘Found Sound’ led the duo to become in high demand as remixers, reworking everyone from Sven Väth to William Orbit. Taking a brief hiatus from Spooky, Charlie May went in search of a new project. Linking up with DJ superstar Sasha, their initial production collaboration was on a soundtrack to hit Playstation game Wipeout 3, and from there, Sasha tasked May with engineering a new version of an unreleased Spooky track ‘Xpander’, which was to become one of Sasha’s signature tracks. The acclaimed ‘Airdrawndagger’ album (2002), again featured May behind the boards (alongside Junkie XL), as well as the following Global Underground mix album ‘Involver’. But eager to step out of the shadows, May had all this time been honing his solo chops, and with the release of the fresh ‘Bug EP’ on Junior Boys Own London, he began to garner props as a producer in his own right. Charlie’s solo incarnation was to bear further fruit in 2006, with the Charlie May vs. Sasha cut ‘Seal Clubbing’, a smash record for Renaissance. Returning to the Spooky fold for a third album, ‘Open’, (2007), Spooky found themselves in New York City (during the album promo tour), where they settled to collaborate with Sasha on a succession of new productions for the DJ’s fresh label Emfire including ‘Coma’ and ‘Who Killed Sparky’. Off the back of these well-received cuts, the duo was brought in to assist with the production of ‘Involv2er’, the second volume in Sasha’s DJ mix/remixes series. In 2009, Spooky have been hard at work on several new projects. However, this will be the year that Charlie May’s solo career really kicks into gear. Having etched several new club tracks, exhibiting a heavier techno influence, Charlie’s more inspired than ever, and has plenty of new plans. “I’ve just finished two tracks for La Tour, Pole Folder’s label, and I’m feeling my way around, getting back into the solo headspace really, which is cool. I’m also doing some new remixes, something for Glenn Morrison, with Robert Babicz (aka Rob Acid) and also for Bedrock. There’s so much cool techno stuff about at the moment which is really inspiring me." He’s currently cutting several new tracks, both with Spooky and solo, which he’ll further shape with a new record label, which will also launch in 2009. And for those hanging on for an artist album, it seems you might not be waiting too much longer… “I’m focusing on singles for a bit but I’d also like to do an album – it’s something I really want to do. That would be a big achievement. It’s all guns blazing really – watch this space.” Stepping into the spotlight properly with these releases, it seems that Charlie May’s time is truly now. 2. Jazz musician Charlie May with his album "Relaxing with Charlie May" Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.