Charly García

Trackimage Playbut Trackname Playbut Trackname
Rezo Por Vos 05:39 Tools
Los Dinosaurios 00:00 Tools
Demoliendo Hoteles 00:00 Tools
Promesas Sobre El Bidet 00:00 Tools
Fanky 00:00 Tools
Yendo De La Cama Al Living 00:00 Tools
No Voy en Tren 03:01 Tools
Nos Siguen Pegando Abajo 00:00 Tools
No Me Dejan Salir 00:00 Tools
Cerca De La Revolución 00:00 Tools
Influencia 00:00 Tools
De Mí 00:00 Tools
No Soy Un Extraño 00:00 Tools
La sal no sala 00:00 Tools
Tu Amor 00:00 Tools
Tu Vicio 00:00 Tools
Raros Peinados Nuevos 00:00 Tools
Hablando A Tu Corazón 00:00 Tools
Yo No Quiero Volverme Tan Loco 00:00 Tools
Ojos De Video Tape 00:00 Tools
Buscando un simbolo de paz 00:00 Tools
Necesito Tu Amor 00:00 Tools
Chipi-Chipi 00:00 Tools
Pasajera en Trance 00:00 Tools
Nos Siguen Pegando Abajo (Pecado Mortal) 00:00 Tools
Asesíname 00:00 Tools
Rezo Por Vos - Live 00:00 Tools
Piano Bar 00:00 Tools
Bancate Ese Defecto 00:00 Tools
Tuve Tu Amor 00:00 Tools
No Toquen 00:00 Tools
No Se Va A Llamar Mi Amor 00:00 Tools
Chipi Chipi 00:00 Tools
Rap De Las Hormigas 00:00 Tools
Fantasy 00:00 Tools
Nuevos Trapos 00:00 Tools
Rap Del Exilio 00:00 Tools
Total Interferencia 00:00 Tools
I'm Not In Love 00:00 Tools
Mientes 00:00 Tools
Me Siento Mucho Mejor 00:00 Tools
Filosofia Barata Y Zapatos De Goma 00:00 Tools
No Te Animás A Despegar 00:00 Tools
Plateado Sobre Plateado (Huellas En El Mar) 00:00 Tools
Reloj De Plastilina 00:00 Tools
Alguien en el Mundo Piensa en Mí 00:00 Tools
Curitas 00:00 Tools
Happy and Real 00:00 Tools
Parte de la Religión 00:00 Tools
Mi Nena 00:00 Tools
Tu Vicio (Gospel) 00:00 Tools
Dos Cero Uno 00:00 Tools
Gato De Metal 00:00 Tools
Himno Nacional Argentino 00:00 Tools
Me Siento Mucho Mejor (I Feel Much Better) 00:00 Tools
Encuentro con el Diablo 00:00 Tools
El Amor Espera 00:00 Tools
Fax U 00:00 Tools
Siempre Puedes Olvidar 00:00 Tools
No Te Mueras En Mi Casa 00:00 Tools
El Aguante 03:28 Tools
Ella Adivinó 00:00 Tools
Cerca De La Revolucion 00:00 Tools
Canciones De Jirafas 00:00 Tools
Tango 00:00 Tools
Influenza 00:00 Tools
Adela en el Carrousel 00:00 Tools
El Karma De Vivir Al Sur 00:00 Tools
Inconsciente Colectivo 00:00 Tools
Ojos De Videotape 00:00 Tools
Inconciente colectivo 00:00 Tools
Peluca Telefónica 00:00 Tools
Fifteen Forever 00:00 Tools
Cuchillos 00:00 Tools
Solo Dios sabe 00:00 Tools
Filosofía Barata y Zapatos de Goma 00:00 Tools
No bombardeen Buenos Aires 00:00 Tools
La Máquina de Ser Feliz 00:00 Tools
Vos También Estabas Verde 00:00 Tools
Demasiado Ego (One to One) 00:00 Tools
Vemos... 00:00 Tools
Pelicula Sordomuda 00:00 Tools
Asesíname stone 00:00 Tools
La Ruta Del Tentempié 00:00 Tools
Fanky - Live 00:00 Tools
El fantasma de Canterville 00:00 Tools
Dos Cero Uno (Transas) 00:00 Tools
Anhedonia 00:00 Tools
Rock and Roll Yo 00:00 Tools
Ella Es Bailarina 00:00 Tools
Linda Bailarina 00:00 Tools
A1 00:00 Tools
Yendo De La Cama Al Living - Live 00:00 Tools
Zocacola 00:00 Tools
Rehén 00:00 Tools
Pasajera En Trance - Live 00:00 Tools
Cerca De La Revolucion - Live 00:00 Tools
Canción de dos por tres 00:00 Tools
Necesito Un Gol 00:00 Tools
Cancion Para Mi Muerte 00:00 Tools
No me verás en el subte 00:00 Tools
Chipi Chipi - Live 00:00 Tools
Pubis Angelical 00:00 Tools
Superhéroes 00:00 Tools
Despertar De Mambo 00:00 Tools
Lluvia 00:00 Tools
Cretino 00:00 Tools
Suicida 00:00 Tools
I'm Not in Love (remix) 00:00 Tools
A Punto De Caer 00:00 Tools
Dealer (reprise) 00:00 Tools
Buscando Un Símbolo de Paz 00:00 Tools
Estaba en Llamas Cuando Me Acosté 00:00 Tools
La Vanguardia Es Así 00:00 Tools
Say No More 00:00 Tools
V.S.D 00:00 Tools
Victima 00:00 Tools
Superheroes 00:00 Tools
Promesas Sobre El Bidet - Live 00:00 Tools
I'm Not In Love (Acustico) 00:00 Tools
Atlantis 00:00 Tools
Love Is Love 00:00 Tools
Tema De Amor 00:00 Tools
Overture 00:00 Tools
Constant Concept 00:00 Tools
Plan 9 00:00 Tools
Shisyastawuman 00:00 Tools
Calle [Taxi] 00:00 Tools
Serú Giran Medley - Live 00:00 Tools
Primavera 00:00 Tools
Operación densa 00:00 Tools
Intuición 00:00 Tools
Canción Para Mi Muerte 00:00 Tools
Jaco Y Chofi 00:00 Tools
Casa Vacía 00:00 Tools
La Canción del Indeciso 00:00 Tools
Caspa De Estrellas 00:00 Tools
Confesiones De Invierno 00:00 Tools
Lament 00:00 Tools
Los Dinosaurios - Live 00:00 Tools
Rejas electrificadas 00:00 Tools
Kurosawa 00:00 Tools
Ella Es Tan Kubrick 00:00 Tools
Vampiro 00:00 Tools
I Feel Much Better (Me Siento Mucho Mejor) 00:00 Tools
Monóculo fantástico 00:00 Tools
Intermedio 00:00 Tools
Rasguña las piedras 00:00 Tools
Otro 00:00 Tools
No Soy Un Extraño - Live 00:00 Tools
Workin' In The Morning 00:00 Tools
James Brown 00:00 Tools
Viernes 3 am 00:00 Tools
All I do the whole night through 00:00 Tools
Locomotion 00:00 Tools
Sereno fantástico 00:00 Tools
Waitin 00:00 Tools
Seminare 00:00 Tools
INTRATERRENO 00:00 Tools
Crimen, divina, productor 00:00 Tools
Wonder (Love's in Need of Love Today) 00:00 Tools
No Sugar 00:00 Tools
Chicas Muertas 00:00 Tools
La Canciòn del Indeciso 00:00 Tools
Rivalidad 00:00 Tools
Nos Siguen Pegando Abajo (Pecado Mortal) - Live 00:00 Tools
Andan [Complete] 00:00 Tools
La Sal No Sala - Live 00:00 Tools
Dileando Con Un Alma 00:00 Tools
Todos los pubis juntos 00:00 Tools
Podrias Entender 00:00 Tools
Futuro pobre 00:00 Tools
Estoy Verde 00:00 Tools
Kill My Mother 00:00 Tools
Rompan todo 00:00 Tools
Demoliendo Hoteles - Live 00:00 Tools
Sweet Home Buenos Aires 00:00 Tools
Pubis angelical (Vocal) 00:00 Tools
Tribunas del futuro pobre 00:00 Tools
Ojos De Video Tape - Live 00:00 Tools
Pubis angelical (vocal II) 00:00 Tools
Transatlántico art deco 00:00 Tools
Deberías Saber Por Qué 00:00 Tools
En La Ruta Del Tentempié 00:00 Tools
La Grasa de Las Capitales 00:00 Tools
Mala Señal 00:00 Tools
PERRO ANDALUZ 00:00 Tools
30 Denarios 00:00 Tools
Dos Edificios Dorados 00:00 Tools
La gente es la misma 00:00 Tools
No Importa 00:00 Tools
Gramercy park hotel 00:00 Tools
Serú Giran Medley: Eiti Leda/Viernes 3 AM 00:00 Tools
Angeles y predicadores 00:00 Tools
Cucamonga dance 00:00 Tools
Música del alma 00:00 Tools
Diana 00:00 Tools
Chiquilin 00:00 Tools
Yendo De La Cama Al Living (Live) 00:00 Tools
Culpable Eternamente 00:00 Tools
Believe 00:00 Tools
Como Mata el Viento Norte 00:00 Tools
Cerca De La Revolucion (Live) 00:00 Tools
Amigos de Dios 00:00 Tools
Viernes 3 a.m. 00:00 Tools
Tu Arma En El Sur 00:00 Tools
Fifteen Forever - Live 00:00 Tools
Solo un poquito no mas 00:00 Tools
Mundo b 00:00 Tools
Spector 00:00 Tools
Pasajera en trance - en vivo 00:00 Tools
Película Sordomuda 00:00 Tools
Pastillas 00:00 Tools
Pedro Trabaja En El Cine 00:00 Tools
Rezo por Vos - En Vivo 00:00 Tools
Terapia Intensiva 00:00 Tools
In The City That Never Sleeps 00:00 Tools
La ruta del tentemple 00:00 Tools
Noche de Perros 00:00 Tools
I'm Not In Love (Acústico) 00:00 Tools
Dileando con un Alma (Que No Puedo Entender) 00:00 Tools
Perro Andaluz - En Vivo 00:00 Tools
No Bombardeen Buenos Aires - Remastered Version 00:00 Tools
La ruta de tentempie 00:00 Tools
Influencia - En Vivo 00:00 Tools
Corazón de Hormigón 00:00 Tools
El Show De Los Muertos 00:00 Tools
Yendo de la Cama al Living - En Vivo 00:00 Tools
No Llores Por Mi Argentina 03:19 Tools
Telepáticamente 00:00 Tools
Solo un poquito no más 00:00 Tools
Solo Un Poquitono Más 00:00 Tools
Sarabande 00:00 Tools
Mirando Las Ruedas 00:00 Tools
Break it up 00:00 Tools
Seru Giran Medley: Eiti Leda / Viernes 3AM 00:00 Tools
Los Fantasmas 00:00 Tools
Música De Fondo Para Cualquier Fiesta Animada 00:00 Tools
De Mi 00:00 Tools
Necesito Tu Amor - En Vivo 00:00 Tools
En La Ruta del Tentempie 00:00 Tools
Simbolo de paz 00:00 Tools
Hablando a Tu Corazón - En Vivo 00:00 Tools
La Rehén o la novia 00:00 Tools
Bienvenidos Al Tren 00:00 Tools
You Keep Me Hanging On 00:00 Tools
No Estaría Mal 00:00 Tools
Ticket to ride 00:00 Tools
Correte Beethoven 00:00 Tools
Cancion Para Mi Muerte - Bonus Track 00:00 Tools
Soldado de Lata 00:00 Tools
Un corazón para colgar 00:00 Tools
Eiti Leda 00:00 Tools
No Llores por Mí, Argentina - En Vivo 00:00 Tools
Te Recuerdo Invierno 00:00 Tools
It's Only Love 00:00 Tools
Conejo tecno 00:00 Tools
Inconciente Colectivo - En Vivo 00:00 Tools
Canción de Alicia en el País - En Vivo 00:00 Tools
Eiti leda - Viernes 3 AM 00:00 Tools
Uno a Uno 00:00 Tools
Fantasy - En Vivo 00:00 Tools
03- Viernes 3AM 00:00 Tools
Chiquilín 00:00 Tools
No Me Dejan Salir - En Vivo 00:00 Tools
No Soy un Extraño - En Vivo 00:00 Tools
Promesas Sobre el Bidet - En Vivo 00:00 Tools
Variaciones sobre Música del Alma 00:00 Tools
20 Trajes de Lágrimas II - En Vivo 00:00 Tools
Agua Y Piano 00:00 Tools
Simpathy for the devil 00:00 Tools
Positively 4th Street 00:00 Tools
Desfile águila y león 00:00 Tools
San Francisco Y El Lobo 00:00 Tools
Ángeles Y Predicadores 00:00 Tools
Alicia va a la disco 00:00 Tools
La ruta del tentempie 00:00 Tools
Mellow Yellow 00:00 Tools
Rasguña las Piedras - En Vivo 00:00 Tools
Build Me Buttercup 00:00 Tools
Little Wing 00:00 Tools
Autos, Jets, Aviones, Barcos 00:00 Tools
Cable A Tierra 00:00 Tools
No voy en tren, voy en avion 00:00 Tools
Cuchillos - En Vivo 00:00 Tools
Los sobrevivientes 00:00 Tools
Sweet Dreams 00:00 Tools
NO LLORES POR MI, ARGENTINA 00:00 Tools
15 forever 00:00 Tools
Play with fire 00:00 Tools
Fanky - En Vivo 00:00 Tools
Sittin' on the dock of the bay 00:00 Tools
Frecuencia Modulada 00:00 Tools
necesito 00:00 Tools
Llorando en el espejo 00:00 Tools
Nos Siguen Pegando Abajo(pecado Mortal) 00:00 Tools
Paranoia y Soledad 00:00 Tools
Operación Densa - Remastered Version 00:00 Tools
Deberías Saber Porqué - En Vivo 00:00 Tools
El mendigo en el anden 00:00 Tools
Desarma y Sangra 00:00 Tools
Canción De Dos Por Tres - Remastered Version 00:00 Tools
Piano Bar - En Vivo 00:00 Tools
las dulces promesas 00:00 Tools
Filosofía barata y zapatos de 00:00 Tools
Peperina 00:00 Tools
Pubis Angelical - Remastered Version 00:00 Tools
I'm Not In Love (Rémix) 00:00 Tools
No Llores Por Mí, Argentina 00:00 Tools
sentado en el umbral de dios 00:00 Tools
El Día Que Apagaron la Luz - En Vivo 00:00 Tools
Pecado Mortal 00:00 Tools
Back in the U.S.S.R. 00:00 Tools
serú giran medley: eiti leda / viernes 3 AM 00:00 Tools
Gaby 00:00 Tools
hombre de mala sangre 00:00 Tools
Eiti Leda - En Vivo 00:00 Tools
Lo Que Ves Es Lo Que Hay 00:00 Tools
Solo Un Poquito No Màs 00:00 Tools
Cómo Me Gustaría Ser Negro 00:00 Tools
I'm not in love - remix 00:00 Tools
Cerca de la Revolución - En Vivo 00:00 Tools
Desarma y Sangra - En Vivo 00:00 Tools
Viernes 3 AM - En Vivo 00:00 Tools
El mendigo en el andén 00:00 Tools
Lo Que Ves Es Lo Que Hay (Todo El Mundo Quiere Olvidar) 00:00 Tools
Cómo Mata El Viento Norte 00:00 Tools
Rejas Electrificadas - Remastered Version 00:00 Tools
No Voy en Tren (Voy en Avian) 00:00 Tools
STUDIO JAM 00:00 Tools
Canción para Mi Muerte - En Vivo 00:00 Tools
Canción de 2 x 3 - En Vivo 00:00 Tools
I'm Not in Love - En Vivo 00:00 Tools
Tu Vicio - En Vivo 00:00 Tools
Tema de los devotos 00:00 Tools
Nos Siguen Pegando Abajo (Pecado Mortal) - En Vivo 00:00 Tools
Demoliendo Hoteles - En Vivo 00:00 Tools
Yo No Quiero Volverme Loco 00:00 Tools
Monóculo Fantástico - Remastered Version 00:00 Tools
Asesíname - En Vivo 00:00 Tools
Rehen 00:00 Tools
Iba acabándose el vino 00:00 Tools
Plateado Sobre Plateado - En Vivo 00:00 Tools
There's a Place 00:00 Tools
Popotitos - En Vivo 00:00 Tools
All I Do Is Dream Of You - Remastered Version 00:00 Tools
Mr. Jones o pequeña semblanza 00:00 Tools
Chipi Chipi - En Vivo 00:00 Tools
Wonder 00:00 Tools
Nuevos Trapos - En Vivo 00:00 Tools
Yendo De La Cama Al Living - Remastered Version 00:00 Tools
Tango en Segunda - El Amor Espera - En Vivo 00:00 Tools
Los Dinosaurios - No Toquen - En Vivo 00:00 Tools
Raros Peinados Nuevos - En Vivo 00:00 Tools
Voy a mil 00:00 Tools
Kill Gil - Transformacion 00:00 Tools
Plateado sobre plateado 00:00 Tools
Sereno Fantástico - Remastered Version 00:00 Tools
vampiro (instrumental) 00:00 Tools
Rock and Roll Yo - En Vivo 00:00 Tools
Viernes 3AM 00:00 Tools
La Chica Que Se Robó al Mundo - En Vivo 00:00 Tools
Transatlántico Art Deco - Remastered Version 00:00 Tools
No Te Animás a Despegar - En Vivo 00:00 Tools
La Grasa de las Capitales - Me Siento Mucho Mejor - En Vivo 00:00 Tools
Víctima 00:00 Tools
Llorando en el Espejo - En Vivo 00:00 Tools
No Voy en Tren - En Vivo 00:00 Tools
El Rap Del Exilio 00:00 Tools
Canción De 2 x 3 00:00 Tools
Rap del Exilio - En Vivo 00:00 Tools
Promesas Sobre El Videt 00:00 Tools
Nos Siguen Pegando Abajo [Pecado Mortal] 00:00 Tools
Maradona Blues 00:00 Tools
No Importa - En Vivo 00:00 Tools
Diliando Con un Alma 00:00 Tools
Anhedonia - En Vivo 00:00 Tools
Sólo un poquito no más 00:00 Tools
Terapia Intensiva - Remastered Version 00:00 Tools
Anónimo musical 00:00 Tools
Transatlantico art deco 00:00 Tools
Yo No Quiero Volverme Tan Loco - Remastered Version 00:00 Tools
Boletos, pases y Abonos 00:00 Tools
Crimen, Divina, Productor - Remastered Version 00:00 Tools
Confesiones de Invierno - En Vivo 00:00 Tools
20 Trajes de Lágrimas III - En Vivo 00:00 Tools
Pubis Angelical (Vocal) - Remastered Version 00:00 Tools
El Tuerto y los Ciegos 00:00 Tools
And Your Bird Can Sing 00:00 Tools
Pubis Angelical (Vocal 2) - Remastered Version 00:00 Tools
Peces en el aire 00:00 Tools
Como me gustaría ser negro 00:00 Tools
20 Trajes de Lágrimas I - En Vivo 00:00 Tools
Futuro Pobre - Remastered Version 00:00 Tools
Soy un vicio mas 00:00 Tools
Callejón punk 00:00 Tools
Vampiro(Version Instrumental) 00:00 Tools
Todos Los Pubis Juntos - Remastered Version 00:00 Tools
Conejo Tecno - Remastered Version 00:00 Tools
Diana(version instrumenta) 00:00 Tools
Inconsciente Colectivo - Remastered Version 00:00 Tools
Extasis 00:00 Tools
Diana (Instrumental) 00:00 Tools
Charlie García - No Voy En Tren 00:00 Tools
Tribunas Del Futuro Pobre - Remastered Version 00:00 Tools
Todo Se Revela Alguna Vez 00:00 Tools
La ciudad se está apagando 00:00 Tools
Rock & Roll Yo 00:00 Tools
There´s a place 00:00 Tools
Cuando Ya Me Empiece A Quedar 00:00 Tools
Aprendizaje 00:00 Tools
Tango En Segunda 00:00 Tools
Tema De La Radio 00:00 Tools
podrías entender 00:00 Tools
And you bird can sing 00:00 Tools
Dealer - Reprise 00:00 Tools
No Llores Por Mí , Argentina 00:00 Tools
Alicia Va A La Disco - Remastered Version 00:00 Tools
me siento mucho mas fuerte sin tu amor 00:00 Tools
No Estaria Mal - It Won't Be Wrong 00:00 Tools
Inocente llegada a la ciudad 00:00 Tools
Desfile Aguila y León - Remastered Version 00:00 Tools
Solo Dios Sabe (instrumental) 00:00 Tools
Quisas Porque 00:00 Tools
Agua y Piano - Remastered Version 00:00 Tools
Obertura - Bonus Track 00:00 Tools
yendo dela cama al living 00:00 Tools
No Voy En Tren (Album Version) 00:00 Tools
Rezo Por Vos - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Correte Beethoven - Roll Over Beethoven 00:00 Tools
Tú vicio 00:00 Tools
Platedo Sobre Plateado (Huellas En El Mar) 00:00 Tools
I Feel Much Better 00:00 Tools
Sólo Dios sabe 00:00 Tools
Soldado De Lata - Tin Soldier 00:00 Tools
Vampiro - instrumental 00:00 Tools
Seru Giran Medley: Eiti Leda / Viernes 3 AM 00:00 Tools
Fever 00:00 Tools
Tú amor 00:00 Tools
Superhéroes - Remastered Version 00:00 Tools
King Kong 00:00 Tools
Rezo Por Vos (Live) 00:00 Tools
Ella Solo Viste De Blanco 00:00 Tools
Vos También Estabas Verde - Remastered Version 00:00 Tools
Diana - Instrumental 00:00 Tools
Uno A Uno - One To One 00:00 Tools
Popotitos 00:00 Tools
Lunes otra vez 00:00 Tools
Peluca Telefónica - Remastered Version 00:00 Tools
Mas fuerte sin tu amor 00:00 Tools
Solo Dios Sabe - Instrumental 00:00 Tools
La Cancion De Hollywood 00:00 Tools
Cuando ya me empiece a quedar solo 00:00 Tools
boletos pases y abonos 00:00 Tools
No Voy en Tren (Voy en Avión) 00:00 Tools
Canción de alicia en el país 00:00 Tools
Canción de 2x3 00:00 Tools
El día que apagaron la luz 00:00 Tools
I'm Not in Love [Acústico] 00:00 Tools
Good show 00:00 Tools
El dia que apagaron la luz 00:00 Tools
No llores por mí Argentina 00:00 Tools
El peso 00:00 Tools
Cuando Comenzamos A Nacer 00:00 Tools
Buscando Un Simbolo De Paz (Album Version) 00:00 Tools
Mientras Miro Las Nuevas Olas 00:00 Tools
Rezo Por Vos (MTV Unplugged) 00:00 Tools
I Feel Much Better (Me Siento 00:00 Tools
Solo Dios sabe(version instrumental) 00:00 Tools
La hija de la Lagrima 00:00 Tools
Fanky (Album Version) 00:00 Tools
Instituciones 00:00 Tools
All I Do Is Dream Of You 00:00 Tools
Eiti Leda - Viernes 3 Am (Unplugged) 00:00 Tools
Símbolo de paz 00:00 Tools
I´m not in love 00:00 Tools
Pasajera En Trance (Live) 00:00 Tools
Fabricante de mentiras 00:00 Tools
Plateado Sobre Plateado (Huell 00:00 Tools
Inconciente Colectivo [Live] 00:00 Tools
Demasiado Ego 00:00 Tools
Caspa De Estrellas - Remasted Version 00:00 Tools
Despertar De Mambo - Remastered Version 00:00 Tools
Obertura titulos y presentacion 00:00 Tools
Inconciente Coléctivo 00:00 Tools
CANCION DE ALICIA EN EL PAIS 00:00 Tools
03-Fanky 00:00 Tools
Kill Gil 00:00 Tools
Un Chico De Fin De Semana 00:00 Tools
Autos, Jets, Aviones Y Barcos 00:00 Tools
Canción de Hollywood 00:00 Tools
CINEMA VERITE 00:00 Tools
Cancion de Alicia 00:00 Tools
Charly Garcia - Pedro Aznar 00:00 Tools
En la Ruta del Tentaempie 00:00 Tools
serú giran medley 00:00 Tools
Chipi-Chipi (Album Version) 00:00 Tools
La canción de hollywood 00:00 Tools
Transformación 00:00 Tools
Cerca De La Revolución - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
IBA ACABANDOSE EL TINTO 00:00 Tools
Atlantis - Parte II 00:00 Tools
Popotito 00:00 Tools
Inconsciente 00:00 Tools
Fanky (Live) 00:00 Tools
Rezo Por Vos [Demo Tape][#] 00:00 Tools
Sin tu amor 00:00 Tools
Estacion 00:00 Tools
Dealer 00:00 Tools
I'm Not In Love (Acoustic) 00:00 Tools
Play With Fire (Rolling Stones) 00:00 Tools
Eiti Leda - Viernes 3 A.m. 00:00 Tools
Chipi Chipi (Live) 00:00 Tools
Filosofia barata y zapatos de 00:00 Tools
No Voy En Tren - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 03:01 Tools
Final 00:00 Tools
Tema final de Lo Que Vendrá 00:00 Tools
Mr. Jones O Pequenia Semblanza 00:00 Tools
Cancion de Hollywood 00:00 Tools
Hablando A Tu Corazón (Album Version) 00:00 Tools
Cuando Estes Mal 00:00 Tools
Yo no quiero volverme tan loco (con León Gieco) 00:00 Tools
Inconsciente colectivo (con Mercedes Sosa) 00:00 Tools
Untitled 1 00:00 Tools
Iba Acabandose El Vino 00:00 Tools
Transformacion 00:00 Tools
Ambiente 00:00 Tools
Sarabande [Instrumental] 00:00 Tools
Promesas Sobre El Bidet (Live) 00:00 Tools
Bubulina 00:00 Tools
Serú Giran Medley (Live) 00:00 Tools
Nos Siguen Pegando Abajo (Pecado Mortal) - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Rasgunia Las Piedras 00:00 Tools
Juan Represion 00:00 Tools
Pasajera en Trance - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
No te dejes desanimar 00:00 Tools
Toma Dos Blues 00:00 Tools
20 trajes de lágrimas I 00:00 Tools
Los Dinosaurios (Live) 00:00 Tools
Obertura, títulos y presentación 00:00 Tools
Untitled 2 00:00 Tools
Influencia - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Poseidón 00:00 Tools
Untitled 3 00:00 Tools
Waitin' 00:00 Tools
De Mi (Album Version) 00:00 Tools
01-De mi 00:00 Tools
Los Dinosaurios / Jirafas 00:00 Tools
Viernes 3 AM - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Muchacha ojos de papel 00:00 Tools
Instituciones - con Nito Mestre; Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Solo Dios Sabe(Version Instrum 00:00 Tools
Cerca de la revolución 00:00 Tools
Estoy verde (No me dejan salir) 00:00 Tools
charly garcia - demoliendo hoteles 00:00 Tools
Eiti Leda (En Vivo) 00:00 Tools
Yendo De La Cama Al Living - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
20 trajes de lágrimas II 00:00 Tools
Tu Vicio - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Amigo Vuelve Muy Pronto 00:00 Tools
Folosofía barata y zapatos de goma 00:00 Tools
No Soy Un Extraño (Live) 00:00 Tools
Chipi Chipi - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Desarma Y Sangra - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Seru Giran Medley 00:00 Tools
Rap De Las Hormigas (Album Version) 00:00 Tools
Demoliento Hoteles 00:00 Tools
Tribulaciones, Lamento Y Ocaso 00:00 Tools
Roll over Beethoven 00:00 Tools
No Voy en Tren (Voy en Avion) 00:00 Tools
Hombres de mala sangre 00:00 Tools
11 I'm Not In Love (Acustico) 00:00 Tools
All you need is love 00:00 Tools
Twist and Shout 00:00 Tools
Necesito Tu Amor (Album Version) 00:00 Tools
No Soy un Extraño 00:00 Tools
05-Eiti leda - Viernes 3 AM 00:00 Tools
Culpáble Eternamente 00:00 Tools
Con su Blanca Palidez 00:00 Tools
Yuyo Verde 00:00 Tools
Tu Amor (Album Version) 00:00 Tools
Hablando A Tu Corazón - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
La Ruta Del Tentempié (Album Version) 00:00 Tools
No Importa - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Inconciente Colectivo - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Necesito Tu Amor - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Me Siento Mucho Mejor (I Feel Much Better) (Album Version) 00:00 Tools
Pecado Mortal (Nos Siguen Pegando Abajo) 00:00 Tools
La ruta de tentempié 00:00 Tools
Demoliendo Hoteles (Live) 00:00 Tools
Antes de gira 00:00 Tools
Demoliendo Hoteles - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Cómo me gustaría ser negro (con Oscár Moro y Beto Satragni) 00:00 Tools
Cry baby cry 00:00 Tools
Persecucion punk 00:00 Tools
Seminare (en vivo) 00:00 Tools
La Sal No Sala (Live) 00:00 Tools
03 - Fanky 00:00 Tools
Te puedo estimular 00:00 Tools
Andan 00:00 Tools
charly garcia - los dinosaurios 03:25 Tools
Superhéroes (Con Nito Mestre) 00:00 Tools
Anytime at all 00:00 Tools
Charly Garcia - Estoy Verde 00:00 Tools
I'm Not in Love (Acústica) 00:00 Tools
Kill Gil - Transformación 00:00 Tools
Medley Serú Girán 00:00 Tools
Ser Feliz 00:00 Tools
filosofia barata y zapatos 00:00 Tools
Rezo por vos (demo tape) (con Luis Alberto Spinetta) 00:00 Tools
Raros peinados nuevos Estudios 1984 00:00 Tools
Asesiname (versión stone) 00:00 Tools
Fantasy - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Deberías Saber Porqué - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Nos Siguen Pegando Abajo (Pecado Mortal) (Live) 00:00 Tools
08-Me siento mucho mejor 00:00 Tools
Anhedonia - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Pubis Angelical (Vocal 2) (Remastered Version) 00:00 Tools
Peluca Telefonica (Spinetta, Aznar, Garcia) 00:00 Tools
Rasguñas las piedras 00:00 Tools
Eiti Leda - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
20 Trajes De Lágrimas II - con Graciela Borges; Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Ella Sólo Viste de Blanco 00:00 Tools
. 00:00 Tools
Rezo por vos (unplugged) 00:00 Tools
Canción De Alicia En El País - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Fanky - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
07-Solo un poquito no mas 00:00 Tools
Cinema verité 00:00 Tools
Confesiones De Invierno - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
No Soy Un Extraño - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Tu amor (con Pedro Aznar) 00:00 Tools
No Toquen (Album Version) 00:00 Tools
Rasguña Las Piedras - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
I Feel Much Better [Me Siento Nucho Mejor] 00:00 Tools
Promesas Sobre El Bidet - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
10-La ruta del tentemple 00:00 Tools
01-Angeles y predicadores 00:00 Tools
Me siento mucho más fuerte 00:00 Tools
I Feel Much Better (Me Siento Nucho Mejor) 00:00 Tools
Los Dinosaurios (Unplugged) 00:00 Tools
You've got to hide your love away 00:00 Tools
Necesito Un Trago 00:00 Tools
No Llores Por Mí, Argentina - con Pedro Aznar; Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Jugo de tomate 00:00 Tools
La Sal No Sala - Con Juanse; Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Rezo Por Vos (Album Version) 00:00 Tools
Asesíname (Versión Stone) 00:00 Tools
Atmósfera I 00:00 Tools
Perro Andaluz - con Pedro Aznar; Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Me Tire Por Vos 00:00 Tools
Super Héroes 00:00 Tools
Ciudad de Pobres Corazones 00:00 Tools
Filosofía barata y zapatos... 00:00 Tools
No Bombardeen Buenos Aires (Remastered Version) 00:00 Tools
Fantasy (Album Version) 00:00 Tools
Fax U [Album Version] 00:00 Tools
Rock And Roll Yo - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Canción de Alicia 00:00 Tools
I Saw Her Standing there 00:00 Tools
Confesiones De Invierno (live) 00:00 Tools
Yendo De La Cama Al Living (Unplugged) 00:00 Tools
Dealer intro 00:00 Tools
Anhedonia (Album Version) 00:00 Tools
El Día Que Apagaron La Luz - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Peluca telefónica (con Luis Alberto Spinetta y Pedro Aznar) 00:00 Tools
Transatlantico Art Déco 00:00 Tools
Fifteen Forever (Live) 00:00 Tools
El fantasma de Canterville - En vivo 00:00 Tools
13 Strawbery Fields Forever 00:00 Tools
Canción Para Mi Muerte [*] 00:00 Tools
Seru Giran Medley- Eiti Leda - Viernes 3AM 00:00 Tools
20 Trajes De Lágrimas I - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
No Me Dejan Salir - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
What You Need Is What You Get 00:00 Tools
Loco no te sobra una moneda 00:00 Tools
Naranjo En Flor 00:00 Tools
Atmósfera III 00:00 Tools
Los Dinosauríos 00:00 Tools
Transatlántico Art Decó 00:00 Tools
Ojos De Video Tape (Live) 00:00 Tools
This Time 00:00 Tools
It's not my problem 00:00 Tools
Woman On A Train 00:00 Tools
Tomorrow never knows 00:00 Tools
Monóculo Fantástico (Remastered Version) 00:00 Tools
Demoliendo Hoteles - version extendida 00:00 Tools
Hablando A Tu Corazon (Charli Garcia-Pedro Aznar) 00:00 Tools
It´s Only Love 00:00 Tools
El vampiro 00:00 Tools
Filosofia barata 00:00 Tools
Variaciones sobre música del alma - En vivo 00:00 Tools
Filosofia Barata Y Zapatos De Goma (Album Version) 00:00 Tools
La Grasa De Las Capitales - Me Siento Mucho Mejor - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Deberías Saber Porque 00:00 Tools
Influencia - Live 00:00 Tools
Cuchillos - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Hipercandombe 00:00 Tools
Piano Bar - Live from the Teatro Grad Rex, Buenos Aires, Argentina/2012 00:00 Tools
Llorando en el Espejo - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Come Together 00:00 Tools
Pubis Angelical (Vocal) (Remastered Version) 00:00 Tools
Deberías Saber Porqué - Live 00:00 Tools
Instituciones - Live 00:00 Tools
Popotitos - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Canción De 2 x 3 - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Day Tripper 00:00 Tools
06-La gente es la misma 00:00 Tools
Parte De La Religion (Album Version) 00:00 Tools
Seru Giran Medley: Eiti Leda / 00:00 Tools
Ruta de Tentempie 00:00 Tools
Los Dinosaurios - No Toquen - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
14-Waitin 00:00 Tools
I'm Not In Love - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
El Dia 00:00 Tools
02-Vemos 00:00 Tools
Mientes (Album Version) 00:00 Tools
Quizás porque 00:00 Tools
Pensando en Ti 00:00 Tools
02-Filosofía barata y zapatos de goma 00:00 Tools
Plateado sobre plateado (Huellas sobre el mar) 00:00 Tools
And I love her 00:00 Tools
Pubis Angelical (Remastered Version) 00:00 Tools
El Karma De Vivir Al Sur (Album Version) 00:00 Tools
Fanky (Unplugged) 00:00 Tools
Rezo por Vos (En Vivo) 00:00 Tools
Pasajera en trance (Unplugged) 00:00 Tools
Demoliendo Hoteles (Unplugged) 00:00 Tools
Chipi Chipi (Unplugged) 00:00 Tools
Seru Giran Medley: Eiti Leda/Viernes 3 AM 00:00 Tools
Persecución En La Autopista 00:00 Tools
Cuando Te Vayas 00:00 Tools
Yo No Quiero Volverme Tan Loco-Charly Garcia 00:00 Tools
Promesas sobre el bidet (Unplugged) 00:00 Tools
Cancion de 2x3 00:00 Tools
Todos los púbis juntos 00:00 Tools
Tango En Segunda - El Amor Espera - Live From Teatro Gran Rex,Buenos Aires,Argentina/2011 00:00 Tools
Waiting 00:00 Tools
Eiti Leda,Viernes 3 Am 00:00 Tools
20 trajes de lágrimas III 00:00 Tools
Raros Peinados 00:00 Tools
04-Gramercy park hotel 00:00 Tools
Raros Peinados Nuevos - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
Canción Del Indeciso 00:00 Tools
Adela En El Carrousell (Album Version) 00:00 Tools
Deberías saber por qué (VgroupNetwork.com.ar) 00:00 Tools
La Ruta Del Tentempié [Album Version] 00:00 Tools
Rap De Las Hormigas [Album Version] 00:00 Tools
Adela en el carroussel 00:00 Tools
03-Vampiro 00:00 Tools
04 - Chipi Chipi 00:00 Tools
02-Culpable eternamente 00:00 Tools
07-Solo Dios sabe 00:00 Tools
Rain 00:00 Tools
Hombre de mala sangre - En vivo 00:00 Tools
Dos edificios dorados - En vivo 00:00 Tools
Me Siento Mucho Más Fuerte Sin Tu Amor 00:00 Tools
laspastillas 00:00 Tools
La chica que se robó al mundo 00:00 Tools
Eiti Leda - Live 00:00 Tools
Ella Es Bailarina (Album Version) 00:00 Tools
El Fantásma De Canterville 00:00 Tools
I´m not in love (acustico) 00:00 Tools
Yo No Quiero Volverme Loco (live) 00:00 Tools
Rock And Roll 00:00 Tools
Nuevos Trapos - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
La Chica Que Se Robó al Mundo - con Juan Alberto Badía; Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Los Años Mozos 00:00 Tools
Hablando a tu corazón 00:00 Tools
Victima [Album Version] 00:00 Tools
01 - El Amor Espera 00:00 Tools
Canción Para Mi Muerte - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Reloj De Plastilina (Album Version) 00:00 Tools
I'm Not In Love (Acstico) 00:00 Tools
Seminare (Quilmes Rock 2004) 00:00 Tools
Love Me Do - Help! 00:00 Tools
Tema Final De Lo Que Vendra 00:00 Tools
Rejas Electrificadas (Remastered Version) 00:00 Tools
Nos siguen pegando 00:00 Tools
Love Is Love [Album Version] 00:00 Tools
Ella Adivino (Album Version) 00:00 Tools
Asesíname - Live from the Teatro Gran Rex, Buenos Aires, Argentina/2011 00:00 Tools
La Sal No Sala [Album Version] 00:00 Tools
08 - Rezo Por Vos 00:00 Tools
She's Gonna Steal My Money 00:00 Tools
06-30 Denarios 00:00 Tools
Me siento mucho más fuerte si 00:00 Tools
09-Diana 00:00 Tools
El Chico y Yo 00:00 Tools
Crimen, Divina, Productor (Remastered Version) 00:00 Tools
Operación Densa (Remastered Version) 00:00 Tools
Atlantis [Album Version] 00:00 Tools
Cerca de la revolución (en vivo) 00:00 Tools
Pasajera en trance (en vivo) 00:00 Tools
Inconciente Colectivo - Live 00:00 Tools
No Soy un Extraño - Clics Modernos - 1983 00:00 Tools
Seminare (vivo) 00:00 Tools
Kurosawa [Album Version] 00:00 Tools
Ojos detape 00:00 Tools
Aqui Sin Tu Amor 00:00 Tools
04-Rompan todo 00:00 Tools
08-Cucamonga dance 00:00 Tools
Rap del Exilio - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
No Digas Nada 00:00 Tools
No me dejen Salir 00:00 Tools
La Hija De La Lágrima Mtv unp 00:00 Tools
All I Do Is Dream Of You (Remastered Version) 00:00 Tools
Todos Los Pubis Juntos (Remastered Version) 00:00 Tools
Futuro Pobre (Remastered Version) 00:00 Tools
Boleto Para Pasear (Ticket To Ride) 00:00 Tools
La Sal No Sala (Album Version) 00:00 Tools
No Me Dejan Salir (Estoy Verde) 00:00 Tools
Workin' In The Morning [Album Version] 00:00 Tools
Ah, Te Vi Entre Las Luces 00:00 Tools
La Sal No Sala (Unplugged) 00:00 Tools
11 - Nos Siguen Pegando Abajo 00:00 Tools
Aguante La Amistad 00:00 Tools
Canción De Dos Por Tres (Remastered Version) 00:00 Tools
Andan (Excerpt) 00:00 Tools
No Me Veras En El Subte (Album Version) 00:00 Tools
Lament [Album Version] 00:00 Tools
Quizas porque 00:00 Tools
Zocacola (Album Version) 00:00 Tools
Eiti Leda-Viernes 3 AM 00:00 Tools
Mr. jones 00:00 Tools
Canción Para Mi Muerte - Live 00:00 Tools
09 - Yendo De La Cama Al Living 00:00 Tools
No Se Va Llamar Mi Amor - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Rap de la educación 00:00 Tools
Plateado Sobre Plateado - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Instrumental 00:00 Tools
Monoblock 00:00 Tools
Bar Azul 00:00 Tools
No Es El Fin 00:00 Tools
Espejos 00:00 Tools
Sereno Fantástico (Remastered Version) 00:00 Tools
Demoliendo Hoteles (En Vivo) 00:00 Tools
Nace Una Flor 00:00 Tools
06 - Demoliendo hoteles 00:00 Tools
Shiyastawuman 00:00 Tools
No Te Animás a Despegar - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
12-Diana(version instrumenta) 00:00 Tools
Usame Un Poquito 00:00 Tools
Niu Sca 00:00 Tools
Cerca de la Revolución (unplugged) 00:00 Tools
Necesito Tu Amor (En Vivo) 00:00 Tools
18 - Deberias saber porque - Charly Garcia 00:00 Tools
Alicia en el país 00:00 Tools
Yendo de la Cama al Living (En Vivo) 00:00 Tools
Lo que vendrá 00:00 Tools
No soy un extraño (Unplugged) 00:00 Tools
Calle [Taxi] [Album Version] 00:00 Tools
Alguien En El Mundo Piensa En Mi (Album Version) 00:00 Tools
Fanky (clip) 00:00 Tools
El fantasma de Canterville (en vivo) 00:00 Tools
Sólo Dios sabe (instrumental) 00:00 Tools
Cerca de la Revolución (MTV Unplugged) 00:00 Tools
Fue Amor 00:00 Tools
El Pueblo 00:00 Tools
Listas 00:00 Tools
Atmósfera II 00:00 Tools
Boletos, pases y abonos - En vivo 00:00 Tools
Gulpable Enternamente 00:00 Tools
Viernes 3 AM (En Vivo) 00:00 Tools
Hablando a Tu Corazón (En Vivo) 00:00 Tools
Serú Girán Medley: Serú Girán/Eiti Leda/Viernes 3 AM 00:00 Tools
La Máquina de Ser Feliz (Pseudo) 00:00 Tools
05 - Fanky 00:00 Tools
Suicida (Album Version) 00:00 Tools
No Llores Por Me, Argentina 00:00 Tools
Cerca De La Revolución (live) 00:00 Tools
Cerca de la revoluciуn 00:00 Tools
10 - Cancion de 2 x 3 00:00 Tools
Cancion para mi muerte 1 00:00 Tools
Jaco Y Chofi [Album Version] 00:00 Tools
seru giran medley _ eiti leda 00:00 Tools
charly garcia y sui generis - fabricante de mentiras 00:00 Tools
Hablando A Tu Corazón - Live 00:00 Tools
Rezo Por Vos (demo tape) 00:00 Tools
charly garcia - no voy en tren 00:00 Tools
Papa 00:00 Tools
Caminaba 00:00 Tools
02 Love Me Do - Help! 00:00 Tools
Eiti Leda / Viernes 3 AM 00:00 Tools
Plateado Sobre Plateado [Huellas En El Mar] 00:00 Tools
Raros Peinados Nuevos [Album Version] 00:00 Tools
El Día Que Apagaron la Luz (En Vivo) 00:00 Tools
Tema De Amor [Album Version] 00:00 Tools
Overture [Album Version] 00:00 Tools
Canción para Mi Muerte (En Vivo) 00:00 Tools
Soy un Vicio Más 00:00 Tools
No soy un extraсo 00:00 Tools
Im not in love (acustico) 00:00 Tools
Waitin [Album Version] 00:00 Tools
Asesíname - Live 00:00 Tools
PERSECUCION PUNK 00:00 Tools
Asesíname (En Vivo) 00:00 Tools
No Sugar [Album Version] 00:00 Tools
Súper héroes 00:00 Tools
Intraterreno [Album Version] 00:00 Tools
Pasajera en tance 00:00 Tools
No Llores Por Mi, Argentina (En Vivo) 00:00 Tools
Ah te vi entre las luces 00:00 Tools
01 - Necesito tu amor - Charly Garcia 00:00 Tools
16-Chiquilín 00:00 Tools
Pena 00:00 Tools
Luna de abril 00:00 Tools
Tribunas Del Futuro Pobre (Remastered Version) 00:00 Tools
Chipi Chipi (En Vivo) 00:00 Tools
Fantásmas 00:00 Tools
Hablando A Tu Corazón [Album Version] 00:00 Tools
14 - Raros Peinados Nuevos 00:00 Tools
Necesito Tu Amor - Live 00:00 Tools
Piano Bar - Live 00:00 Tools
Seru Giran 00:00 Tools
06 - Fanky - Charly Garcia 00:00 Tools
Salsa de la integración 00:00 Tools
Getting better 00:00 Tools
13-Solo Dios sabe(version instrumental) 00:00 Tools
Digo de vos 00:00 Tools
Boleto para viajar 00:00 Tools
Dame un poquito más 00:00 Tools
No Soy un Extraño (En Vivo) 00:00 Tools
Yo No Quiero Volverme Tan Loco (Remastered Version) 00:00 Tools
Solo Un Poquito Nomas 00:00 Tools
Promesas Sobre el Bidet (En Vivo) 00:00 Tools
El Día Que Apagaron La Luz - Live 00:00 Tools
No Voy en Tren (En Vivo) 00:00 Tools
Pasajera En Trance [Album Version] 00:00 Tools
Father Kill Me 00:00 Tools
Victim 00:00 Tools
Chiquilin [Album Version] 00:00 Tools
Intermedio [Album Version] 00:00 Tools
Canción De 2 x 3 - Live 00:00 Tools
Victima (Album Version) 00:00 Tools
Raros Peinados Nuevos - Live 00:00 Tools
Locomotion [Album Version] 00:00 Tools
Canción De Alicia En El País - Live 00:00 Tools
Zocacola (instrumental) 00:00 Tools
Get Back 00:00 Tools
Obertura 00:00 Tools
Demaciado Ego 00:00 Tools
03 - De mi - Charly Garcia 00:00 Tools
You Can Only Say Goodbye 00:00 Tools
Noveno B 00:00 Tools
Megamix 00:00 Tools
La maquina de ser feliz 00:00 Tools
Fanky (En Vivo) 00:00 Tools
Raros Peinados Nuevos (En Vivo) 00:00 Tools
Confesiones de Invierno (En Vivo) 00:00 Tools
Deberías Saber Porqué (En Vivo) 00:00 Tools
A Punto De Caer (Album Version) 00:00 Tools
Pasajera En Transe 00:00 Tools
01-Nos siguen pegando abajo(Pecado mortal) 00:00 Tools
Vampiro (Versión instrumental) 00:00 Tools
La Grasa De Las Capitales - Me Siento Mucho Mejor - Live 00:00 Tools
James Brown [Album Version] 00:00 Tools
No Me Dejan Salir (Album Version) 00:00 Tools
Se mi nena 00:00 Tools
10 - Rezo por vos - Charly Garcia 00:00 Tools
Marylin, la cenicienta y las mujeres 00:00 Tools
04 - Buscando un simbolo de paz - Charly Garcia 00:00 Tools
09-A1 00:00 Tools
Esto es America 00:00 Tools
Fantasma De Canterville 00:00 Tools
Separata 00:00 Tools
Transatlántico Art Deco (Remastered Version) 00:00 Tools
15 - Me Siento Mucho Mejor 00:00 Tools
Cuchillos (En Vivo) 00:00 Tools
- no voy en tren 00:00 Tools
Influencia (En Vivo) 00:00 Tools
Alicia va la disco 00:00 Tools
03 - Cerca De La Revolucion 00:00 Tools
Nos siguen pegando abajo (pecado mortal) (unplugged) 00:00 Tools
Demoliendo Hoteles [Album Version] 00:00 Tools
04 - Los Dinosaurios 00:00 Tools
Hablando a tu corazón - 1987 00:00 Tools
12 - Influencia 00:00 Tools
20 Trajes De Lágrimas III - Live from the Teatro Grand Rex, Buenos Aires, Argentina/2012 00:00 Tools
Eite Leda 00:00 Tools
La hija de la lágrima 00:00 Tools
Charly Garcia, Fito Paez Y Gustavo Cerati - Ciudad De Pobres Corazones 00:00 Tools
No Llores Por Mí, Argentina - Live 00:00 Tools
charly garcia - necesito tu amor 00:00 Tools
Solo Un Poquito No Màs (Album Version) 00:00 Tools
Fantasy - Live 00:00 Tools
11-Vampiro(version instrumental) 00:00 Tools
Strawberry fields forever 00:00 Tools
Bienvenidos al tren - En vivo 00:00 Tools
No me digas nada 00:00 Tools
Charly Garcia - Extasis 00:00 Tools
Cancion Para Mi Muerte (Bonus Track) 00:00 Tools
Ojos de videotape (unplugged) 00:00 Tools
Plateado Sobre Plateado (En Vivo) 00:00 Tools
No Me Dejan Salir (En Vivo) 00:00 Tools
Promesas Sobre El Bidet [Album Version] 00:00 Tools
- El amor espera 00:00 Tools
Fifteen forever (Unplugged) 00:00 Tools
Llorando en el Espejo - Live 00:00 Tools
Overture (Album Version) 00:00 Tools
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One of the most important rock musicians in Latin America, Carlos Alberto García Moreno, better known as Charly García is a keyboardist, guitarist and singer-songwriter, born in Buenos Aires, Argentina in 1951. A former member of the legendary bands Sui Generis (1972-1975), Porsuigieco (1976), La Máquina de Hacer Pájaros (1977-1978) and Serú Girán (1978-1982), García has behind him a 40-year musical career that includes these bands -and his solo work- that carries on to this day. Charly García was the eldest son in an upper-middle class family. His father taught mathematics and physics in elementary school, while his mother produced radio music shows, mainly shows featuring folkloric music. Charly began to show musical talent at an early age. At three, he received a toy piano as a gift, and soon he surprised his mother with his ability to compose and play coherent melodies, leading her to enlist him in a prestigious conservatory, the Thibaud Piazzini. At age twelve, he received the title of Music Professor. Charly developed perfect pitch as a child. The beginning: Sui Generis The Beatles appeared in Charly's life when he was thirteen. Having previously only been exposed to classical music and folk, he would describe the Beatles as "classical music from Mars". In high school he met Carlos Alberto "Nito" Mestre and the two fused their bands to give birth to Sui Generis. The band at first experimented with psychedelic rock, but its style would quickly establish as folk-rock with some little influence from the symphonic rock of the day. At their first big gig, the band's bassist, guitarist and drummer all failed to appear. Only Charlie (García spelled his name with "ie" back then) and Nito Mestre showed up, playing piano and flute respectively. They were forced to play on their own, and were a hit with the audience despite the other musicians' absence. The band's strength lay in the songs' musical simplicity and romantic lyrics, which appealed widely to teenagers. As the band gained in popularity, García faced mandatory military service. He performed extravagant stunts in an attempt to be discharged from service; for example, he took a corpse in a wheelchair for a walk in the sun because "he was too pale". Eventually, García ingested a large dose of amphetamines and feigned a heart attack, after which he was taken to a military hospital. There, he composed two songs: Botas locas ("Crazy Boots"), which was censored at the time, and Canción para mi muerte ("Song for my Death). He was released from the military due to his purported mental health problems. In 1972, Sui Generis released its first LP, Vida, which quickly became popular among Argentinian teenagers. Confesiones de invierno ("Winter Confessions"), their second LP, was released in 1973. This album showcased higher production values and better studio equipment, and was very successful commercially. 1974 was a year of changes. Charlie lost interest in "the piano and flute" sound that Sui Generis had been developing, and decided that Sui Generis needed a change; the band would evolve to a more traditional rock sound, incorporating bass and drums. To that end, Rinaldo Rafanelli and Juan Rodríguez joined the band. In many live shows, Sui Generis also counted in with a gifted guitar player, David Lebón, whom Charly admired very much. With new lining and style, the band was ready to launch its new album. Originally titled "Instituciones", its name was changed to "Pequeñas anécdotas de las instituciones" at the producer's suggestion. The album was intended as a reflection on the unstable nature of Argentinian social and political institutions at the time. Charlie's initial concept was to write a song for every traditional institution: the Catholic Church, the Government, the family, the Judicial System, the Police, the Army, and so on. However, two songs, Juan Represión, about the police, and Botas locas, about the army, were eliminated from the album by the censors. Two more, which referred to censorship itself, had to be partially modified. While Sui Generis achieved a different, more mature sound with "Instituciones", its public did not embrace it, preferring the old one. The album sold poorly. Around this time Charlie met his future wife, María Rosa Yorio, a singer who became the mother of his first son, Miguel García. Charly García continued composing, and during 1975, he prepared what would be Sui Generis´ fourth album, "Ha sido" ("Has Been"). However, growing frictions between Charlie and Nito and a wearying public prevented the album's release, and the decision was made to dissolve the band. Many songs from that ill-fated album were later included in other García´s LPs, such as "Bubulina" (1976) and Eiti Leda (1978). Goodbye, Sui Generis. The beginning of "La máquina" Finally, on September 9, 1975, Sui Generis scenified its farewell at the Luna Park Stadium, giving two shows for 20 thousand people — the largest audience in the history of Argentinian rock at the time. Many years later, Charlie said that before the show he was going around the stadium in a car, scared by the huge number of people. He was so nervous, he said, that he smoked 24 joints (cannabis cigarettes). In the 1970s, he has said, weed was "like a religious thing". The shows have been recalled as delirium-inducing, adrenaline-fueled delivery of great music. Two LP's recorded at the live shows were released that year, Adiós Sui Generis ("Goodbye Sui Generis") volumes I and II. In 1976, Sui Generis also recorded a long play with Argentine musicians León Gieco, Raúl Porchetto (who musically resembles a soft-pop version of Gieco) and María Rosa Yorio. The LP was called "Porsuigieco" (mix of Raúl PORchetto, SUI Generis, León GIECO). After Sui Generis, certain things changed in Charly's life. From now on, he would be Charly instead of Charlie. Right after his son's birth, he broke up with María Rosa Yorio, who left with Nito Mestre. Charly met Marisa Parendeiras (nicknamed "Zoca"), who was from Brazil, and they became lovers. Charly continued working on musical projects. He now wanted to form a symphonical rock band. With Gustavo Bazterrica (guitar), Carlos Cutaia (keyboards), [artistJosé Luis Fernández (bass and cello), Oscar Moro (drums) and Charly García (keyboards and voice), "La Máquina de Hacer Pájaros" ("The bird-making machine") was born. Clarín, the most widely-read newspaper in Argentina, carried a comic strip called "El Sr. García y la máquina de hacer pájaros" ("Mr. García and the bird making machine") by Crist. Liking the name, Charly chose it for the band — not for egotistical motives, as it may seem. La Máquina de Hacer Pájaros recorded two albums: La Máquina de Hacer Pájaros (1976) and Películas ("Movies", 1977). Some of the songs on "Movies" contained a political message directed against the military government of those years, during which Jorge Rafael Videla was the president of Argentina. At that time, repression, disappearances and censorship reached new heights. Perhaps as a result of the ambitious and complicated nature of its musical project, the band did not achieve popularity. Finally, in that year, the band said goodbye during the "Festival del amor" ("Festival of Love"), which was recorded, and released three years later on the LP Música del alma ("Music of the soul"). After the concert, Charly went to a hotel with Zoca. There they made a decision to escape to Sao Paulo, Brazil. São Paulo. The birth of a new sound: Serú Girán In São Paulo, Charly met Zoca's parents. The Parendeiras being a family of artists, they were fascinated with Charly. Artistically speaking, García was influenced by certain Brazilian artists, notably Milton Nascimento. Despite Sui Generis' commercial successes, Charly was destitute. In 1978, he lived a nature-centered lifestyle with Zoca in Brazil, fishing and gathering fruit . Soon David Lebón, an Argentinian musician and a friend of Sui Generis, joined them. Having a new musical partner, Charly again played, and the seed of a new musical project was planted. Charly was now determined to form a new band, but he was still broke. Making his way back to Buenos Aires, he began a new search for bandmates. Charly needed a bass player and a drummer, and he found both when he saw a band called Pastoral play. There he recruited a talented 19-year-old bass player, Pedro Aznar, as well his old partner from La Máquina de Hacer Pájaros, drummer Oscar Moro. The new band comprised Charly García on keyboards, guitar and voice, David Lebón on guitar, percussion and voice, Pedro Aznar on bass, keyboards and voice, and Oscar Moro on drums. Charly and David were the main songwriters. Charly now had a complete band, but still lacked money. At this point Charly signed a contract with a production group, although the terms of this deal were not advantageous to Charly. He did raise enough money to return to Sao Paulo with his new band mates members and record their first album. The band chose the name Serú Girán. "Serú Girán" was a combination of meaningless words Charly had invented as part of an eponymous nonsense song he wrote in Sao Paulo. The other band members liked the name so much that they also called their first long play Serú Girán, featuring the song Serú Girán, by Serú Girán. The band returned to Buenos Aires and great expectations for García's new project. Their first show, in the traditional stadium Obras Sanitarias, was again advertised as "Charly García... and Serú Girán", due to contractual reasons. Thereafter, however, the name "Charly García" would no longer appear in the advertising — the band would simply go by Serú Girán. That first show was poorly received, the public having expected a new incarnation of Sui Generis. Serú Girán was completely different. The band had a new sound in which bass was very important, and a striking aesthetic with lyrics full of poetry. Puzzled audiences requested Sui Generis' old songs. In 1978, disco music was fashionable in Argentina. As a joke, Serú Girán played a song called Disco Shock, angering the public, whose rejection marred the show. The following day, the "specialized" press called Serú Girán the worst band in Argentina and charged that David Lebón's vocals on their songs sounded "homosexual." The band's relationship with the media was not cordial. One number of a popular Argentine magazine called Gente carried a disparaging article titled "Charly García: ¿Ídolo o qué?" ("Idol or what?"). Despite the chilly reception, Serú Girán's members were convinced they had a good project and persisted, organizing more shows. They eventually garnered some acceptance from an audience that warmed up to their style. Serú Girán carried on during 1979 and evolved markedly. Their new LP was titled "La grasa de las capitales" ("Grease," or "Fat," "of the Capitals") and its cover was a joke directed at the magazine Gente. The stronger and more direct nature of the lyrics, which criticized the media, including specifically magazines (especially Gente), fashionable music, radio and so on almost got them sent to jail. The public, however, gave the album an enthusiatic reception. The band's shows improved progressively, and eventually were performed in larger venues. The "specialized" press changed its tune, and a romance seemed to develop between the people and Serú Girán. 1980: The "Argentinian Beatles" Expectations were high in 1980 for Serú Girán's new long play, which would be called Bicicleta ("Bicycle") -- a name that Charly had favored for the band (but was panned by the other members). The band sounded more mature on this record. The music was modern and strong, a key feature being the melodies. The role of the bass guitar was again central, and Pedro Aznar's work became more prominent. In 1979, Charly almost went to jail because of the band's lyrics, considered too clear and direct in some quarters. Even as the music's political message became stronger, it was concealed in an effort to avoid censorship and another close call with the authorities. But the message remained, ready to be heard by ears that wanted to hear it. Canción de Alicia en el país ("Song of Alice in the (Wonder)Land") drew an uncanny analogy between Lewis Carroll's story and the Argentinian military government. Encuentro con el diablo ("Meeting with the Devil") is a reference to the band's meeting with Albano Harguindeguy, who was frequently referred to, behind his back, as the "Devil." A military man, he was Security Minister during those years. He gave talks to some artists, ordering them to tone down their work or leave the country -- a policy that led many artists to leave Argentina at that time. The band was very successful commercially, and fans found its shows amazing and considered the music Charly's best ever. Serú Girán was dubbed "The Argentinian Beatles", and Charly began to receive recognition as a great artist. Serú Girán was the first popular rock band that drew a following from among both the rich and the poor; rock was no longer circumscribed to its historically marginal position. In a recent interview, David Lebón said, "Actually we were much more like Procul Harum than the Beatles, a legendary band: a rock "viola" player (Lebón), a classical pianist (García) an infernal percussionist (Moro) and a virtuoso bass player (Aznar)". Luis Alberto Spinetta was another Argentine rock star of the time. His first band, Almendra, was one of the first in Argentinian rock, getting its start before Sui Generis; now he had a band called Spinetta Jade. Perhaps because his style was darker, more complicated, and found harder to understand by many, he was a less popular star than Charly, and they were portrayed as enemies. Luis and Charly put that myth to bed on September 13, 1980, as their bands, Serú Girán and Spinetta Jade, played together in what has been considered one of the greatest shows in the history of Argentinian rock. Patricia Perea, a journalist who worked for a magazine called El Expreso Imaginario ("Imaginary Express"), was not among the fans of Serú Girán. The magazine disliked them and criticized them strongly after they played in Córdoba, the city Ms. Perea was from. Serú Girán took revenge on Ms. Perea through their fourth LP: Peperina, directed at her, featuring a song about her which was also called Peperina. In Córdoba, the traditional Argentinian infusion yerba mate is mixed with the herb "menta peperina" (Bystropogon mollis, similar to peppermint), which is also used as a tea. Followers of the band considered Peperina a fantastic album with great melodies, superb performance from Aznar, and the songs -- which are critical, especially of high society -- poetic. Peperina can be viewed as a summary of Serú Girán's work. One of the songs on Peperina is titled Llorando en el espejo ("Crying in the mirror"), and contains a phrase that says "La línea blanca se terminó/no hay señales en tus ojos y estoy/llorando en el espejo..." ("The white line has finished/there aren't any signs in your eyes and I'm/crying in the mirror..."). With its sad melody, the tears, the mirror, and that "white line," the song seems to portray cocaine addiction. At the time, those lyrics did not draw much attention. "Peperina" carried a political message. The song "José Mercado" ("Joseph Market") was a clear reference to José Martínez de Hoz, the minister of economy. The lyrics "José Mercado compra todo importado (...) / José es licenciado en economía, pasa la vida comprando porquerías" (which translate as "Joseph Market buys only imported products (...) Joseph has a degree in economy, spends his life buying garbage") referred to Argentina's policy of economic liberalism, with its profusion of imported (and often low-quality) products. 1981 may have been the best year for the band in terms of live performances. In 2000, a Serú Girán fan found some tape recordings of a December 1981 show at the Teatro Coliseo and took them to Serú Girán drummer Oscar Moro, who "cleaned" them for the CD Yo no quiero volverme tan loco ("I don't want to go that crazy") published in 2000. In early 1982, Pat Metheny, who was one of Pedro Aznar's favorite musicians, invited Pedro to join his band. Feeling that he could not pass up this opportunity, Aznar accepted the offer and left Serú Girán. In March of that year, Serú returned to Obras Sanitarias and put on a highly successful show which was recorded, and published that year as "No llores por mí, Argentina" ("Don't cry for me, Argentina"). With the loss of Pedro, the band initially considered the idea of having David Lebón play both guitar and bass. But David and Charly had some differences chalked up to "musical taste", and without Pedro things were not the same. Moreover, both were mature enough to begin their own careers. That was the end of Serú Girán, for the time. Goodbye Serú Girán. Hello Charly García In 1982, Argentina was undergoing political change. After the Malvinas War (in the Falkland Islands) in June, social chaos erupted and the military government lost much of its power. The kidnappings had stopped and censorship had weakened. Charly García debuted as a soloist with a double LP, Pubis Angelical ("Angelical Pubis"), which was the eponymous movie's soundtrack, and the powerful Yendo de la cama al living ("Going from the bed to the living room"). Four hit songs from this album left their historical mark: 1. No bombardeen Buenos Aires ("Do not bomb Buenos Aires") showed the panic in lived out in the city during the Falklands war, and strongly criticized the army, especially the President Leopoldo Galtieri. 2. Yendo de la cama al living used the experience of being trapped in a confined space as a symbol of the repression of ideas. 3. Inconsciente colectivo ("Collective unconscious") was a message of hope for the stricken Argentinian people. 4. Yo no quiero volverme tan loco ("I don't want to go that crazy") was a beautiful song about the adolescent spirit of freedom and rebelliousness. The LP's presentation took place in December at the Ferrocarril Oeste Stadium (or Ferro). As the song No bombardeen Buenos Aires drew to a close near the end of the show, backdrop props simulating Buenos Aires were destroyed with fireworks. In 1983, Charly left Buenos Aires with a small suitcase. When he came back to Buenos Aires from New York, he brought a quality LP titled Clics Modernos ("Modern Clix") that was different from anything previously done in Argentinian rock — it was highly singable rock music you could also dance to. Its strong message referred the past years: Exodus in Plateado sobre plateado (huellas en el mar ("Silver on Silver, Footprints on the Sea"), repression in Nos siguen pegando abajo ("They keep hitting us down there"), and Los dinosaurios ("The Dinosaurs"), a nostalgic but defiant remembrance of those who were kidnapped or killed. On December 10, the course of Argentinian history took a turn as the government became a Democracy. Charly performed many well-received shows in 1984, and recorded another album during its last months. García also recorded a LP called Terapia intensiva ("Intensive cares"), another movie soundtrack. Piano Bar was released in 1984, completing García's golden trilogy. But in the grips of cocaine, García's personality was changing — he became more violent, unpleasant, and sometimes infantile. This new García's music also changed. While Piano Bar had great songs, the calm of the Sui Generis' days had given way to a cocaine-induced fury. Demoliendo hoteles ("Demolishing Hotels") expresses that anger, and its name recalls a hotel room that Charly destroyed completely because he did not like the décor. The song was also a release after so many years of not being able to say what he thought. During these years, García's band was home to many future Argentinian music stars, including Andrés Calamaro, Fito Páez, Pablo Guyot, Willy Iturri, Alfredo Toth and Fabiana Cantilo. 1985–1989 Still a "normal" rock star After the success of Piano Bar, which was García's consecration as a soloist, 1985 was a year to slow down. Charly met again with Pedro Aznar in New York by chance, but they took advantage of this meeting and recorded Tango. It was a calm stage for García after his days of anger. The disc had some interesting material, but it did not achieve commercial success primarily due to limited distribution. In 1987, García came back with Parte de la Religión ("Part of the Religion"), a very interesting LP. Many songs from that LP became hits. Two of them, No voy en tren ("I don't take the train") and Necesito tu amor (“I need your love”) are the perfect symbol of García's dichotomies: the first one says No necesito a nadie a nadie alrededor (“I don't need anybody around me”), and the second one says Yo necesito tu amor/tu amor me salva y me sirve (“I need your love/your love saves me and is useful to me”). This LP is also featured a song, Rezo por vos (“I pray for you”), which was part of a project with Luis Alberto Spinetta that was never finished. His personal life was changing. After ten years with Zoca, Charly's behavior with other women brought disorder to their relationship; they were still together, but their relationship was of a different nature. In 1988, Charly made his acting debut at the age of 36, playing a nurse in the movie Lo que vendrá (“What is to come”), the soundtrack of which he also composed. Being a nurse had long been one of García's obsessions. Later that year, the Amnesty International festival wrapped up in Buenos Aires. Starring international and local rock stars, Peter Gabriel, Bruce Springsteen, Sting, Charly García and León Gieco were there. Before the show began, Charly was extremely nervous, sitting and standing up on a chair. It has been reported that Peter Gabriel was surprised, and Bruce looked at Charly askance, at which Charly confronted Bruce and told him, almost yelling, "Here, in Argentina, I'm the boss." The situation was tense, Springsteen was angry, and Sting forced Charly to sit down and began to massage him. Years later, Sting would be asked about Charly García: "Charly? Quite a character..." At that show, Charly was in a sorry condition: he was nervous and he could hardly sing. He was already a star, and he was applauded anyway. In 1989, Charly released a new album, Cómo conseguir chicas (“How to get girls”). This would probably be his last "normal" album. He described it as "Just a bunch of songs that were never published for different reasons". Charly's father had long ago told him, "Never write an anagram for someone if you don't want him or her to be pissed off". During the Serú Girán years, his friend David Lebón told him something similar: "Do not write a song for a woman if you love her, because she'll leave you". The LP includes a song titled "Shisyastawuman" (a deliberately direct transliteration of "She's just a woman"), the first song García recorded in English that was written to a woman. The woman left him after hearing the song, just like Lebón had warned. A song named Zocacola that Charly dedicated to Zoca was included in this LP as well. A couple of months after the disc was released, Zoca left him. García had changed. Physically, he looked older. His music was dark, and the earlier symphonical García from "La Máquina de Hacer Pájaros" was gone. Now, Charly's sound was closer to either punk rock, with violent songs such as No toquen (“Do Not Touch”), or a depressive and dark style as shown in No me verás en el subte (“You Won't See Me in the Subway”). Different and adverse times lay ahead. For the international tour in 1989/1990, García formed a new band with Hilda Lizarazu, who sang backup vocals for Charly. He called her "the First Lady", but once in a show in Bolivia, García spat on Hilda. She hid her tears during the show, but quit the band afterwards. 1990-1993 The days of excess In 1990, Charly had many ideas but no band. Another important member of the band, Fabián "Zorrito" Von Quintiero, had left to another band, Los ratones paranoicos (“The Paranoid Mice”). Hilda Lizarazu and Carlos García López started a band called Man Ray. Charly was now alone. For his new disc, Filosofía barata y zapatos de goma (“Cheap Philosophy and Rubber Shoes”), he called many of his old friends, who helped record most of the songs. Assisting him, among others, were Andrés Calamaro, Rinaldo Rafanelli, Fabiana Cantilo, Nito Mestre, Pedro Aznar, Fabián Von Quintiero and even Hilda Lizarazu. The first issue came once the disc was released. Its last song was a rock version of the Himno Nacional Argentino, or the Argentinian national anthem. Amid controversy, García's version of the national anthem was forbidden for some days, but García was victorious, a judge authorizing the song. Many people liked it, seeing it as a fresh, sincere, strong and respectful version of the old song. Charly's social life changed with Zoca's absence. Using cocaine and other narcotics, he could go days and days without getting any sleep as he searched for the precious "estado alfa" (“Alpha Condition”), as he called the ideal moment of inspiration for songwriting. He played every night in nightclubs until morning and drank whisky prodigiosly, causing his friends to worry about him. He has said of that time: "Creatively, I was great, better than ever. But my mind and body weren't synchronized, my body was taking a different direction". That year, the Government of Buenos Aires organized "Mi Buenos Aires Rock" ("My B.A. rock"), a public rock festival on Avenue 9 de Julio, the city's most famous. The artists were to play for one half-hour, but Charly played for over two hours. He closed the festival with his version of the national song before one hundred thousand people. Those strong days ended in June of 1991. It became evident that Charly was feeling unwell, and he realized what had been clear to everybody else — he needed to rest. To this end, he went to a farm owned by evangelist preacher Carlos Novellis. Charly spent a few weeks there, but when he discovered that the place was actually a drug rehabilitation clinic, he decided to leave, and had a fierce argument with Novellis. While in the farm, he was only allowed visits with his friend Pedro Aznar. Those days gave rise to a new disc: Tango 4, illustrated with drawings of García's from that time at the farm. After Charly's stay at the farm, Zoca came back, becoming Charly's personal nurse for a time in 1991. But before the year was out, she had gotten completely tired of García's behaviour and left him for good. In December, Charly returned to Ferro, the stadium where in 1982 he had introduced Yendo de la cama al living, after nine years. This time he arrived at the stadium exiting an "ambulance", assisted by some "doctors"; his band had even been re-baptized "The nurses". Charly thus chose to mock his "health problems". At that show, García seemed to have gained a good deal of weight, which was surprising since he had always been quite thin. Charly's fans felt that, far from helping him in any way, the management at the farm had taken money from him and brought about his weight gain. His voice was not the same, but he was still there. In December 1992, Charly again embraced his past and surprisingly re-joined Serú Girán — Charly García, David Lebón, [Pedro Aznar] and Oscar Moro were back after ten years. A new album was recorded, titled Serú 92. It enjoyed great commercial success, but musically was sharply different from Serú Girán's other discs. Serú Girán performed two huge shows at the River Plate Stadium - Buenos Aires' largest. Serú Girán had always been at its best when live, the four members playing very well together. This time, in Moro's words, "the show sounded like Charly García and Serú Girán". Charly's demons were replacing Charly the artist. In the second show, Charly mocked David Lebón so much that David got upset and left the stage. Aznar followed him and convinced him to come back to finish the show. Things were obviously not the same. After that image, the dreams of those who looked forward to a new era for Serú Girán all but vanished. The Serú Girán reunion was just a meeting. "Of course it was for the money, what did you think?" commented García jokingly some time after the shows. During that year, García's friends saw him in especially miserable conditions, and convinced his mother Carmen to sign an authorization that forced Charly to be confined at a clinic in order to get over his addictions. Things did not work as hoped; Charly escaped only a few days after being admitted, and was enraged with his mother, with whom he does not speak today because of that episode. Charly was free again to continue with his self-destructive lifestyle. 1994-1999 The Say no More era After not having released any new solo material since 1990, in 1994 García was ready to strike back. The new project was called La hija de "La Lágrima" (“«The Tear»'s Daughter”). It was a conceptual project which struck many as confusing and strange. It carried a prominent motif: the mercury tear, with which the album's cover is illustrated. Rumor had it that Charly had experimented, injecting himself with mercury. Officially, he spoke about "a fantasy of mine, in which there was a whole underground society that worshiped the mercury tear". The streets of Buenos Aires were filled with advertising: "The genius has come back". But this Charly seemed only a shadow of what he used to be. This LP would be an introduction to the future concept of "Say no more". In 1994, Kurt Cobain, the leader of Nirvana, tragically ended his own life, adding to his legendary status in the eyes of the fans who saw him as a hero. Being one of them, García dyed his hair blonde. Also during 1994, the Soccer World Cup was being played in the USA. Soccer player legend Diego Armando Maradona was involved in a dispute with FIFA regarding a drug test for ephedrine doping, which he failed, preventing him from playing. After Diego was sent home, Argentina lost two important matches and was knocked out of the World Cup. When the last match was about to end, Charly called Diego on his cell phone and sang to him "live" the Maradona's Blues, a song he composed for him. Diego cried when he heard "Un accidente no es pecado/y no es pecado estar así" (“An accident is not a sin/And is not a sin to feel like this”), and the two struck up a friendship. This friendship would be threatened two years later, when Maradona became the poster boy for an anti-drug campaign let by the Argentinian government whose slogan was "Sol Sin Drogas"("Sun without drugs"). Charly was among those who criticized the initiative as nasty, corrupt and altogether childish; during a concert he mocked the campaign with a play in words, saying "I bet 'Drugs Without Sun" is a whole lot better than 'Sun Without Drugs'." The remark earned him several appearances before a judge, accused of being an apologist for drugs. Charly was ultimately absolved. After a fight with his mother he changes his name from "Carlos García Moreno" to "Carlos García Lange", removing his mother's surname and changing it for the second surname of his father. 1995 was again a musical year. García formed a new band for touring on summertime (with María Gabriela Epumer, Juan Bellia, Fabián Von Quintiero, Jorge Suárez and Fernando Samalea) and named it as "Casandra Lange". His idea with the band was play songs Charly had heard as a teen, such as "Sympathy for the devil" (Mick Jagger-Keith Richards) and "There's a place" (John Lennon-Paul McCartney). He recorded the performances and edit a live album, "Estaba en llamas cuando me acosté" ("It was on fire when I went to bed"). All of the songs in this album are in English except for "Te recuerdo invierno" ("I remember you, winter"), which García had written in the early 70's but never recorded with Sui Generis. In May, Charly recorded "Hello! MTV Unplugged", often considered the last time that the rock star played his music to his full potential. "Say no more" arrived in 1996. Charly's life was terribly twisted: drugs, arguments with old friends, and public scandals. "Say no more" was a new concept for García: "'Say no more' would be in music what painting directly on the canvas would be for a painter", he explained. He also said that the LP "will only be understood in 20 years". Some sparks of his genius showed, but longtime fans of Charly were not very fond of it at first. Today, the album is considered García's masterpiece, and "Say no more" the classic slogan identifying Charly García and all his music. During 1997, García recorded "Alta Fidelidad" ("High Fidelity") with Mercedes Sosa. Both had known each other since his childhood, so they decided to publish a collaborative work on which Mercedes would sing her favorite García songs of all time. In 1998, "El aguante" ("Holding On") was released. This production featured many covers translated to Spanish by García, like "Tin Soldier" (Small Faces), or "Roll over Beethoven" (Chuck Berry). A significant song which was not included was "A whiter shade of pale", originally released by Procol Harum, a band that Charly had always admired. Apparently, the former members of Procol Harum did not authorize García's version because it had a sly reference to cocaine, so it had to be removed from the album shortly before its release. The new version said: "(..)yo soy una cajita / con un polvo ya lo ves / todo parece ir conexo / con su blanca palidez(...)", which means "I'm just a tiny box / with a dust, as you see / everything seems to be connected / with its whiter shade of pale". In February 1999, García performed at the close of the free public-rock festival "Buenos Aires Vivo III" (BA Live III). There he played a huge concert for 250.000 fans who attended one of the biggest concerts in Argentina to date. In July 1999, Charly agreed to give a private performance at the Quinta de Olivos (the Argentine Presidential residence), at the invitation of the president, Carlos Saúl Menem. On a televised bit of this event he was seen in good spirits, carrying out antics such as playing with the security cameras, or trying to teach the president how to play the piano. A limited edition of a disc memorializing the famous concert, "Charly & Charly", was released that year. Maravillización 2000-2003 In 2000, Charly and Nito Mestre decided to bring Sui Generis back to life. For the special occasion, they both composed the songs for a new LP, "Sinfonías para adolescentes" ("Symphonies for Teenagers"). Of course, things were very different after 25 years, but young and older fans were excited by the idea of the return of Sui Generis. This new period would be marked by García's new "sound concept" of Maravillización or "Making something marvellous", replacing the old dark "Say no more" style. Finally Sui Generis played again in the Boca Juniors's Stadium, for 25.000 fans on December 7th, 2000. Charly respected his fans and his old partner, and played for almost four hours in front of a delighted public, despite of the "differences" between the old and the new model Sui Generis, as regards sound, Charly's voice and behaviour, etc Many journalists and some fans criticized this return, stating that the main cause for it was the money and that both members of the band had changed so much, that the new album and show had nothing to do with the "real" Sui Generis. During 2001, ¡Si! Detrás de las paredes (“B [the musical note]! Behind the Walls”) was edited as the second and last Sui Generis's LP in this new era. It was a mash up between live versions of the Boca Juniors's concert, new songs (as "Telepáticamente") and some versions of old songs. (such as "Rasguña Las Piedras", featuring Gustavo Cerati, former leader of Soda Stereo). Besides on October the 23rd 2001, Charly reached age 50, despite of the forecasts of many journalists who forecasted that his lifestyle would not let him to reach his sixth decade. For the occasion, a special concert in the Colliseum Theater was organized. After this interruption in his solo Career, Charly got back to the spotlight after releasing "Influencia" ("Influence") in 2002. This new disc contained some interesting songs that made an impact in the Latin American world of Rock, such as "Tu Vicio" ("Your Vice"), "Influencia" ("Influence", translated cover from Todd Rundgren's original "Influenza") and "I'm Not In Love" (featuring Tony Sheridan). Even though it included old songs as "Happy And Real" (From Tango IV, 1991) or "Uno A Uno" ("One to one", from "El Aguante", 1998) and different versions of the same songs, this was probably García's best album since 1994. Live concerts of "Influencia" were probably Charly's best in a long, long time. With the strong support of María Gabriela Epumer in chorus and guitar, Charly showed up in many different concerts, such as two in the Luna Park Stadium, Viña del Mar and Cosquín Rock with correct performances. In a confusing and unfortunate episode, María Gabriela suddenly passed away on June 31 2003. The "first lady" or the "Charly's Angel" was just 39 years old and suffered a heart attack after having lived a very healthy life. García was hit by this, and his concerts were never the same. Finally in October 2003, Charly released "Rock and Roll, Yo" ("Rock and Roll, Me"), dedicated to María Gabriela. The songs weren't as good as those in "Influencia", his voice often sounds out of tune and, once again the LP contained too many versions and translated convers such as "Linda Bailarina" ("Pretty Ballerina", Michael Brown) or "Wonder" ("Love´S In Need Of Love Today" by Stevie Wonder). This time his shows weren't so convincent, and Epumer's absence could be felt by the fans. Since 2004 García's shows in the latest years have changed. Lately, his absences, tantrums, shows that he abandons after a couple of songs have become more and more frequent. He gets really angry when the sound is not as good as he would like, and that has led him to cancel a lot of shows. This has become so common that in one of his last shows the organizer printed "We don't assume the responsibility for the length of the show" on the tickets. His most remarkable "positive" landmark was probably to play once again in Casa Rosada, the Argentine government palace. This was one of the many concerts organized there by the Argentine president, Néstor Kirchner. Since 2004, all his musical projects have been abandoned by himself before they could be released. During 2006 Garcia recorded "Kill Gil". Wikipedia® Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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