Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
86483416 | Play | Pluto, the Renewer | 00:00 Tools | |
86483417 | Play | Preludes arranged for Orchestra, Book II L. 123: No. 11 Les tierces alternées (Arr. Colin Matthews) | 00:00 Tools | |
86483418 | Play | Violin Concerto: I. — | 00:00 Tools | |
86483421 | Play | Preludes arranged for Orchestra, Book I L. 117: No. 10 La cathédrale engloutie (Arr. Colin Matthews) | 00:00 Tools | |
86483419 | Play | Il vostro dispartir (arr. C. Matthews for string orchestra) | 00:00 Tools | |
86483420 | Play | Pluto - The Renewer | 00:00 Tools | |
86483422 | Play | Suite No. 1 in E-Flat Major, Op. 28, No. 1 (arr. C. Matthews): II. Intermezzo | 00:00 Tools | |
86483423 | Play | Suite No. 1 in E-Flat Major, Op. 28, No. 1 (arr. C. Matthews): I. Chaconne | 00:00 Tools | |
86483424 | Play | Suite No. 1 in E-Flat Major, Op. 28, No. 1 (arr. C. Matthews): III. March | 00:00 Tools | |
86483425 | Play | Suite No. 2 in F Major, Op. 28, No. 2 (arr. C. Matthews): IV. Fantasia on the Dargason | 00:00 Tools | |
86483428 | Play | Preludes, Book 1 (arr. C. Matthews): No. 1. Danseuses de Delphes | 00:00 Tools | |
86483426 | Play | Suite No. 2 in F Major, Op. 28, No. 2 (arr. C. Matthews): II. Song Without Words, "I'll Love My Love" | 00:00 Tools | |
86483427 | Play | Suite No. 2 in F Major, Op. 28, No. 2 (arr. C. Matthews): III. Song of the Blacksmith | 00:00 Tools | |
86483429 | Play | Preludes, Book 1 (arr. C. Matthews): No. 2. Voiles | 00:00 Tools | |
86483433 | Play | Preludes, Book 1 (arr. C. Matthews): No. 8. La fille aux cheveux de lin | 00:00 Tools | |
86483434 | Play | Suite No. 2 in F Major, Op. 28, No. 2 (arr. C. Matthews): I. March | 00:00 Tools | |
86483439 | Play | Preludes arranged for Orchestra, Book II L. 123: No. 11 Les tierces alternées (Arr. Colin Matthews | 00:00 Tools | |
86483430 | Play | Preludes, Book 1 (arr. C. Matthews): No. 3. Le vent dans la plaine | 00:00 Tools | |
86483431 | Play | Preludes, Book 1 (arr. C. Matthews): No. 4. Les sons et les parfums tournent dans l'air du soir | 00:00 Tools | |
86483435 | Play | Preludes, Book 1 (arr. C. Matthews): No. 5. Les collines d'Anacapri | 00:00 Tools | |
86483437 | Play | Preludes, Book 1 (arr. C. Matthews): No. 9. La serenade interrompue | 00:00 Tools | |
86483440 | Play | Preludes, Book 1 (arr. C. Matthews): No. 6. Des pas sur la neige | 00:00 Tools | |
86483432 | Play | Panufnik Variations: Variation 1 | 00:00 Tools | |
86483438 | Play | Preludes, Book 1 (arr. C. Matthews): No. 10. La cathedrale engloutie | 00:00 Tools | |
86483436 | Play | VIII Pluto, the Renewer - Prestissimo Scorrevole | 00:00 Tools | |
86483441 | Play | Preludes, Book 1 (arr. C. Matthews): No. 7. Ce qu'a vu le vent d'ouest | 00:00 Tools | |
86483442 | Play | Preludes, Book 2 (arr. C. Matthews): No. 5. Bruyeres | 00:00 Tools | |
86483444 | Play | Preludes, Book 1 (arr. C. Matthews): No. 12. Minstrels | 00:00 Tools | |
86483445 | Play | Preludes, Book 2 (arr. C. Matthews): No. 2. Feuilles mortes | 00:00 Tools | |
86483449 | Play | Preludes, Book 2 (arr. C. Matthews): No. 10. Canope | 00:00 Tools | |
86483447 | Play | Preludes, Book 2 (arr. C. Matthews): No. 6. General Lavine - eccentric | 00:00 Tools | |
86483446 | Play | Preludes, Book 1 (arr. C. Matthews): No. 11. La danse de Puck | 00:00 Tools | |
86483443 | Play | No. 7. Come you not from Newcastle? | 00:00 Tools | |
86483448 | Play | Preludes, Book 2 (arr. C. Matthews): No. 4. Les fees sont d'exquises danseuses | 00:00 Tools | |
86483450 | Play | Preludes, Book 2 (arr. C. Matthews): No. 3. La Puerta del Vino | 00:00 Tools | |
86483454 | Play | Preludes, Book 2 (arr. C. Matthews): No. 9. Hommage a S. Pickwick Esq. P.P.M.P.C | 00:00 Tools | |
86483452 | Play | Temporal Variations (arr. C. Matthews): Theme | 00:00 Tools | |
86483451 | Play | Preludes, Book 2 (arr. C. Matthews): No. 11. Les tierces alternees | 00:00 Tools | |
86483453 | Play | Preludes, Book 2 (arr. C. Matthews): No. 7. La terrasse des audiences du clair de lune | 00:00 Tools | |
86483456 | Play | Preludes, Book 2 (arr. C. Matthews): No. 12. Feux d'artifice | 00:00 Tools | |
86483455 | Play | Preludes, Book 2 (arr. C. Matthews): No. 1. Brouillards | 00:00 Tools | |
86483457 | Play | Preludes, Book 2 (arr. C. Matthews): No. 8. Ondine | 00:00 Tools | |
86483458 | Play | Temporal Variations (arr. C. Matthews): Oration | 00:00 Tools | |
86483461 | Play | Temporal Variations (arr. C. Matthews): March | 00:00 Tools | |
86483466 | Play | Temporal Variations (arr. C. Matthews): Chorale | 00:00 Tools | |
86483467 | Play | Temporal Variations (arr. C. Matthews): Commination | 00:00 Tools | |
86483460 | Play | A Charm of Lullabies, Op. 41 (arr. C. Matthews): A Cradle Song | 00:00 Tools | |
86483468 | Play | Temporal Variations (arr. C. Matthews): Exercises | 00:00 Tools | |
86483459 | Play | A Charm of Lullabies, Op. 41 (arr. C. Matthews): The Highland Balou | 00:00 Tools | |
86483462 | Play | Triptych | 00:00 Tools | |
86483500 | Play | Preludes arranged for Orchestra, Book I L. 117: No. 10 La cathédrale engloutie (Arr. Colin Matthew | 00:00 Tools | |
86483463 | Play | Fourth Sonata (1974-75) - 1. Beginning (Part I) = 60 | 00:00 Tools | |
86483464 | Play | Suns Dance (1984-85) - 1. Allegro (= 152) | 00:00 Tools | |
86483465 | Play | Fourth Sonata (1974-75) - 3. Part II (2) | 00:00 Tools | |
86483478 | Play | Temporal Variations (arr. C. Matthews): Waltz | 00:00 Tools | |
86483469 | Play | Fourth Sonata (1974-75) - 4. Molto sostenuto (Part II (2)) | 00:00 Tools | |
86483470 | Play | Suns Dance (1984-85) - 2. Tempo giusto (Contrabassoon) | 00:00 Tools | |
86483471 | Play | Broken Symmetry (1991-92) - 2. (Introduction II) | 00:00 Tools | |
86483472 | Play | A Charm of Lullabies, Op. 41 (arr. C. Matthews): Sephestia's Lullaby | 00:00 Tools | |
86483473 | Play | Suns Dance (1984-85) - 4. Allegro assai | 00:00 Tools | |
86483474 | Play | Suns Dance (1984-85) - 3. (Oboe) | 00:00 Tools | |
86483475 | Play | Fourth Sonata (1974-75) - 5. Sempre molto legato e pianissimo (Part III) | 00:00 Tools | |
86483476 | Play | Broken Symmetry (1991-92) - 3. (Trio 1: Threnody) | 00:00 Tools | |
86483477 | Play | Turning Point | 00:00 Tools | |
86483492 | Play | Temporal Variations (arr. C. Matthews): Resolution | 00:00 Tools | |
86483501 | Play | Temporal Variations (arr. C. Matthews): Polka | 00:00 Tools | |
86483479 | Play | A Charm of Lullabies, Op. 41 (arr. C. Matthews): The Nurse's Song | 00:00 Tools | |
86483480 | Play | Panufnik Variations: Variation 11. Finale | 00:00 Tools | |
86483502 | Play | Oboe Quartet No. 1 | 00:00 Tools | |
86483481 | Play | Suns Dance (1984-85) - 6. (Bass clarinet) | 00:00 Tools | |
86483482 | Play | Broken Symmetry (1991-92) - 10. Feroce (Scherzo & Trio 4) | 00:00 Tools | |
86483483 | Play | Suns Dance (1984-85) - 10. (Piccolo and Bass) | 00:00 Tools | |
86483484 | Play | Suns Dance (1984-85) - 8. Poco meccanicamente | 00:00 Tools | |
86483485 | Play | Suns Dance (1984-85) - 7. Tutti (= 152) | 00:00 Tools | |
86483486 | Play | Suns Dance (1984-85) - 5. Tempo giusto (Viola) | 00:00 Tools | |
86483487 | Play | Broken Symmetry (1991-92) - 6. Vigoroso (Scherzo 2) | 00:00 Tools | |
86483488 | Play | Broken Symmetry (1991-92) - 7. Spettrale (Trio 3: Monody) | 00:00 Tools | |
86483489 | Play | Broken Symmetry (1991-92) - 5. (Trio 2: Parody) | 00:00 Tools | |
86483490 | Play | Broken Symmetry (1991-92) - 4. Tempo giusto (Scherzo 1) | 00:00 Tools | |
86483491 | Play | Broken Symmetry (1991-92) - 9. Subito sostenuto (Centre) | 00:00 Tools | |
86483493 | Play | A Charm | 00:00 Tools | |
86483494 | Play | Broken Symmetry (1991-92) - 11. Molto vigoroso (Scherzo & Trio 5) | 00:00 Tools | |
86483495 | Play | Suns Dance (1984-85) - 9. Tempo giusto | 00:00 Tools | |
86483496 | Play | Broken Symmetry (1991-92) - 13. Molto vivo (Stretto) | 00:00 Tools | |
86483497 | Play | Broken Symmetry (1991-92) - 12. Pesante (Scherzo & Trio 6) | 00:00 Tools | |
86483498 | Play | Broken Symmetry (1991-92) - 8. Sostenuto ma agitato (Scherzo 3) | 00:00 Tools | |
86483505 | Play | Piano Quartet in A Minor (arr. C. Matthews for orchestra, "Nicht zu schnell") | 00:00 Tools | |
86483499 | Play | To a Poet, Op. 13a: No. 1. To a Poet a Thousand Years Hence (arr. by C. Matthews) | 00:00 Tools | |
86483503 | Play | Broken Symmetry (1991-92) - 14. (Coda) | 00:00 Tools | |
86483504 | Play | Suns Dance (1984-85) - 11. Coda | 00:00 Tools | |
86483514 | Play | Suns Dance (1984-85): 1. Allegro (= 152) | 00:00 Tools | |
86483510 | Play | Fourth Sonata (1974-75): 1. Beginning (Part I) = 60 | 00:00 Tools | |
86483523 | Play | Violin Concerto: II. — | 00:00 Tools | |
86483506 | Play | Fourth Sonata (1974-75) - 2. Part II (1) | 00:00 Tools | |
86483508 | Play | Double Concerto (edited C. Matthews): I. Allegro ma non troppo | 00:00 Tools | |
86483529 | Play | Broken Symmetry (1991-92): 3. (Trio 1: Threnody) | 00:00 Tools | |
86483521 | Play | Broken Symmetry (1991-92): 2. (Introduction II) | 00:00 Tools | |
86483515 | Play | Cortège | 00:00 Tools | |
86483522 | Play | Suns Dance (1984-85): 7. Tutti (= 152) | 00:00 Tools | |
86483507 | Play | Aftertones: I. Dim Through Cloud Vails | 00:00 Tools | |
86483517 | Play | Fourth Sonata (1974-75): 2. Part II (1) | 00:00 Tools | |
86483509 | Play | Postlude: Monsieur Croche | 00:00 Tools | |
86483526 | Play | Suns Dance (1984-85): 2. Tempo giusto (Contrabassoon) | 00:00 Tools | |
86483518 | Play | Fourth Sonata (1974-75): 3. Part II (2) | 00:00 Tools | |
86483533 | Play | Broken Symmetry (1991-92): 13. Molto vivo (Stretto) | 00:00 Tools | |
86483553 | Play | Crossing the Alps | 00:00 Tools | |
86483511 | Play | Alphabicycle Order | 00:00 Tools | |
86483512 | Play | Horn Concerto | 00:00 Tools | |
86483513 | Play | Pluto The Renewer | 00:00 Tools | |
86483538 | Play | Suns Dance (1984-85): 3. (Oboe) | 00:00 Tools | |
86483541 | Play | Broken Symmetry (1991-92): 7. Spettrale (Trio 3: Monody) | 00:00 Tools | |
86483528 | Play | Fourth Sonata (1974-75): 5. Sempre molto legato e pianissimo (Part III) | 00:00 Tools | |
86483519 | Play | Cello Concerto No. 2: I. Declamation: Sostenuto | 00:00 Tools | |
86483543 | Play | Suns Dance (1984-85): 6. (Bass clarinet) | 00:00 Tools | |
86483613 | Play | Preludes arranged for Orchestra, Book II L. 123: No. 1 Brouillards (Arr. Colin Matthews) | 00:00 Tools | |
86483614 | Play | Preludes arranged for Orchestra, Book I L. 117: No. 7 Ce qu’a vu le vent d’Ouest (Arr. Colin Matthews) | 00:00 Tools | |
86483516 | Play | VI. Tempo giusto: Presto | 00:00 Tools | |
86483540 | Play | Broken Symmetry (1991-92): 14. (Coda) | 00:00 Tools | |
86483539 | Play | Fourth Sonata (1974-75): 4. Molto sostenuto (Part II (2)) | 00:00 Tools | |
86483547 | Play | Broken Symmetry (1991-92): 12. Pesante (Scherzo & Trio 6) | 00:00 Tools | |
86483576 | Play | Suns Dance (1984-85): 4. Allegro assai | 00:00 Tools | |
86483581 | Play | Suns Dance (1984-85): 5. Tempo giusto (Viola) | 00:00 Tools | |
86483520 | Play | Drammatico (after G. Colombi's Chiacona) | 00:00 Tools | |
86483531 | Play | Cello Concerto No. 2: II. Song without text: Molto sostenuto | 00:00 Tools | |
86483530 | Play | March | 00:00 Tools | |
86483524 | Play | Fourth Sonata for Orchestra, Part I | 00:00 Tools | |
86483602 | Play | Postlude - Monsieur Croche | 00:00 Tools | |
86782911 | Play | Broken Symmetry (1991-92): 4. Tempo giusto (Scherzo 1) | 00:00 Tools | |
86782912 | Play | Broken Symmetry (1991-92): 5. (Trio 2: Parody) | 00:00 Tools | |
86782913 | Play | Broken Symmetry (1991-92): 6. Vigoroso (Scherzo 2) | 00:00 Tools | |
86483579 | Play | Broken Symmetry (1991-92): 9. Subito sostenuto (Centre) | 00:00 Tools | |
86483582 | Play | Broken Symmetry (1991-92): 10. Feroce (Scherzo & Trio 4) | 00:00 Tools | |
86483537 | Play | Double Concerto (edited C. Matthews): II. Rhapsody: Poco lento | 00:00 Tools | |
86483525 | Play | Double Concerto (edited C. Matthews): III. Allegro scherzando - Tempo primo (Allegro ma non troppo) | 00:00 Tools | |
86782914 | Play | Suns Dance (1984-85): 9. Tempo giusto | 00:00 Tools | |
86782915 | Play | Suns Dance (1984-85): 8. Poco meccanicamente | 00:00 Tools | |
86782916 | Play | Suns Dance (1984-85): 11. Coda | 00:00 Tools | |
86483527 | Play | III. Aria conclusa | 00:00 Tools | |
86782917 | Play | Suns Dance (1984-85): 10. (Piccolo and Bass) | 00:00 Tools | |
86483546 | Play | Cello Concerto No. 2: III. Scherzo: Allegro energico | 00:00 Tools | |
86483563 | Play | Cello Concerto No. 2: IV. Song without text: Sostenuto | 00:00 Tools | |
86483564 | Play | Cello Concerto No. 2: V. Resolution: Sostenuto - Vigoroso | 00:00 Tools | |
86483534 | Play | Five Studies: I | 00:00 Tools | |
86483532 | Play | Divertimento for Double String Quartet - I. Aria capricciosa | 00:00 Tools | |
86483535 | Play | Ben-Hur's Return: Lepers | 00:00 Tools | |
86483536 | Play | Paul Bunyan, Op. 17: Overture (arr. C. Matthews) | 00:00 Tools | |
86782918 | Play | Broken Symmetry (1991-92): 8. Sostenuto ma agitato (Scherzo 3) | 00:00 Tools | |
86483574 | Play | Divertimento for Double String Quartet: I. Aria Capricciosa | 00:00 Tools | |
86782919 | Play | Broken Symmetry (1991-92): 11. Molto vigoroso (Scherzo & Trio 5) | 00:00 Tools | |
86782920 | Play | Preludes arranged for Orchestra, Book II L. 123: No. 10 Canope (Arr. Colin Matthews) | 00:00 Tools | |
86483575 | Play | Divertimento for Double String Quartet: II. Intermezzo | 00:00 Tools | |
86483544 | Play | Five Studies: II | 00:00 Tools | |
86483578 | Play | String Quartet No. 2 - I. Presto | 00:00 Tools | |
86483542 | Play | Aftertones: IX. Interlude | 00:00 Tools | |
86782921 | Play | Preludes arranged for Orchestra, Book I L. 117: No. 4 Les sons et les parfums tournent dans l’air du soir (Arr. Colin Matthews) | 00:00 Tools | |
86483545 | Play | IV. Interlude: Largo | 00:00 Tools | |
86483548 | Play | V. Intermezzo 2: Chorale: L'istesso tempo | 00:00 Tools | |
86483549 | Play | Alphabicycle Order - Part 1 - Alphabike | 00:00 Tools | |
86483550 | Play | Horn Concerto - 4 Andante con moto | 00:00 Tools | |
86483565 | Play | Five Studies: III | 00:00 Tools | |
86483551 | Play | Horn Concerto - 1 Vigoroso (offstage horns) | 00:00 Tools | |
86483552 | Play | Horn Concerto - 2 Freely | 00:00 Tools | |
86483601 | Play | Aftertones: II. In the Ashen Twilight | 00:00 Tools | |
86483554 | Play | Aftertones: VIII. A Brown Charred Trunk That Deadly Cowered | 00:00 Tools | |
86782922 | Play | Preludes arranged for Orchestra, Book I L. 117: No. 12 Minstrels (Arr. Colin Matthews) | 00:00 Tools | |
86483555 | Play | Horn Concerto - 7 Poco sostenuto | 00:00 Tools | |
86483556 | Play | Alphabicycle Order - Part 5 - Zagzig | 00:00 Tools | |
86483557 | Play | Horn Concerto - 5 Calmo | 00:00 Tools | |
86483558 | Play | Horn Concerto - 3 Sostenuto | 00:00 Tools | |
86483559 | Play | Horn Concerto - 10 Sostenuto | 00:00 Tools | |
86483560 | Play | Horn Concerto - 8 Sostenuto | 00:00 Tools | |
86483561 | Play | Horn Concerto - 9 Piu sostenuto | 00:00 Tools | |
86483562 | Play | Horn Concerto - 6 Scorrevole | 00:00 Tools | |
86483566 | Play | Fourth Sonata for Orchestra, Part II, A | 00:00 Tools | |
86483627 | Play | Suns Dance for 10 Players, Part IV | 00:00 Tools | |
86483567 | Play | Suns Dance for 10 Players, Part I | 00:00 Tools | |
86483568 | Play | Broken Symmetry for Orchestra, Part IV | 00:00 Tools | |
86483569 | Play | Suns Dance for 10 Players, Part II | 00:00 Tools | |
86483570 | Play | Broken Symmetry for Orchestra, Part XII | 00:00 Tools | |
86483571 | Play | To A Poet, Op. 13a (Arr. C. Matthews): No. 1. To A Poet A Thousand Years Hence | 00:00 Tools | |
86483572 | Play | Rosamund's March | 00:00 Tools | |
86483573 | Play | Violin Concerto | 00:00 Tools | |
86483577 | Play | III. Molto meccanico | 00:00 Tools | |
86483580 | Play | V. Agitato | 00:00 Tools | |
86483583 | Play | Hidden Variables | 00:00 Tools | |
86483584 | Play | Alphabicycle Order - Part 1 - Cluckwork | 00:00 Tools | |
86483585 | Play | Alphabicycle Order - Part 1 - Diffodils | 00:00 Tools | |
86483586 | Play | Alphabicycle Order - Part 2 - Hair-bear | 00:00 Tools | |
86483616 | Play | Five Studies: IV | 00:00 Tools | |
86782923 | Play | Divertimento for Double String Quartet: III. Aria Conclusa | 00:00 Tools | |
86483587 | Play | Alphabicycle Order - Part 3 - Liarbird | 00:00 Tools | |
86483590 | Play | Alphabicycle Order - Part 4 - Queen Bean | 00:00 Tools | |
86483591 | Play | Alphabicycle Order - Part 4 - Nose-bush | 00:00 Tools | |
86483597 | Play | Alphabicycle Order - Part 1 - Fountain-climbing | 00:00 Tools | |
86483598 | Play | Alphabicycle Order - Part 4 - Popgum | 00:00 Tools | |
86483599 | Play | Aftertones: IV. Oaks, Once My Friends | 00:00 Tools | |
86483600 | Play | Alphabicycle Order - Part 2 - Iciclist | 00:00 Tools | |
86483603 | Play | Alphabicycle Order - Part 3 - Moonologue | 00:00 Tools | |
86483604 | Play | Alphabicycle Order - Part 5 - Vumpire | 00:00 Tools | |
86483605 | Play | Alphabicycle Order - Part 4 - Rabbitsong | 00:00 Tools | |
86483606 | Play | Aftertones: VII. But No, This Fiction Died | 00:00 Tools | |
86483607 | Play | Alphabicycle Order - Part 1 - Butterflea | 00:00 Tools | |
86483608 | Play | Alphabicycle Order - Part 5 - Sleepdogs | 00:00 Tools | |
86483609 | Play | Alphabicycle Order - Part 2 - Knu | 00:00 Tools | |
86483610 | Play | Alphabicycle Order - Part 1 - Eyeland | 00:00 Tools | |
86483611 | Play | Alphabicycle Order - Part 4 - Oy-oy | 00:00 Tools | |
86483612 | Play | Aftertones: III. In the False Moonlight | 00:00 Tools | |
86483615 | Play | -Coda | 00:00 Tools | |
86782924 | Play | Sonata No. 5, Op. 17 "Landscape": Ic. — | 00:00 Tools | |
86782925 | Play | Ben-Hur (arr. C. Matthews and D. Matthews): Opening Titles | 00:00 Tools | |
86483617 | Play | -Introduction II | 00:00 Tools | |
86483618 | Play | 4 Burns Songs (arr. C. Matthews for voice and piano): No. 1. Afton Water | 00:00 Tools | |
86483619 | Play | Broken Symmetry for Orchestra, Part X | 00:00 Tools | |
86483620 | Play | Fourth Sonata for Orchestra, Part II, B | 00:00 Tools | |
86483621 | Play | Fourth Sonata for Orchestra, Part II, C | 00:00 Tools | |
86483622 | Play | Fourth Sonata for Orchestra, Part III | 00:00 Tools | |
86483623 | Play | Broken Symmetry for Orchestra, Part VI | 00:00 Tools | |
86483624 | Play | Suns Dance for 10 Players, Part VI | 00:00 Tools | |
86483625 | Play | Suns Dance for 10 Players, Part VII | 00:00 Tools | |
86483626 | Play | Broken Symmetry for Orchestra, Part VIII | 00:00 Tools | |
86483628 | Play | Broken Symmetry for Orchestra, Part XIV | 00:00 Tools | |
86483629 | Play | Broken Symmetry for Orchestra, Part XI | 00:00 Tools | |
86483630 | Play | Broken Symmetry for Orchestra, Part V | 00:00 Tools | |
86483631 | Play | Broken Symmetry for Orchestra, Part III | 00:00 Tools | |
86483632 | Play | Broken Symmetry for Orchestra, Part XIII | 00:00 Tools | |
86483633 | Play | Suns Dance for 10 Players, Part VIII | 00:00 Tools | |
86483634 | Play | Suns Dance for 10 Players, Part V | 00:00 Tools | |
86483635 | Play | Suns Dance for 10 Players, Part XI | 00:00 Tools | |
86483636 | Play | Suns Dance for 10 Players, Part X | 00:00 Tools | |
86483637 | Play | Broken Symmetry for Orchestra, Part IX | 00:00 Tools | |
86483638 | Play | Broken Symmetry for Orchestra, Part VII | 00:00 Tools | |
86483639 | Play | Suns Dance for 10 Players, Part III | 00:00 Tools | |
86483640 | Play | Broken Symmetry for Orchestra, Part II | 00:00 Tools |
Colin Matthews (b. 1946) is an English composer. Matthews was born in London on 13th February 1946; his older brother is the composer David Matthews. He read classics at the University of Nottingham, and then studied composition there with Arnold Whittall and Nicholas Maw. In the 1970s he taught at the University of Sussex, where he obtained a doctorate for his work on Mahler, an offshoot of his long collaboration with Deryck Cooke on the performing version of Mahler's Tenth Symphony. During this period he also worked at Aldeburgh with Benjamin Britten and Imogen Holst. In 1975 his orchestral Fourth Sonata (written 1974–75) won the Scottish National Orchestra's Ian Whyte Award. Subsequent orchestral works include the widely performed Night Music (1976), Fifth Sonata: Landscape (1977-81), and a Cello Concerto, commissioned by the BBC for the 1984 Proms: these last two have been recorded by Unicorn-Kanchana. In 1989 Cortège was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink, and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas. This was the first of a series of LSO commissions, followed by Machines and Dreams for their 1991 Childhood Festival, Memorial in 1993 with Mstislav Rostropovich as conductor, and a second Cello Concerto for Rostropovich in 1996. Matthews was Associate Composer with the LSO from 1992 until 1999. The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra, who gave the American premiere in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra gave the American premiere of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his fiftith birthday. The BBC commission Broken Symmetry was first performed by its dedicatees, the BBC Symphony Orchestra under Oliver Knussen, in March 1992, and repeated at the 1992 Proms. It was recorded in 1994, together with the Fourth Sonata and Suns Dance, by Deutsche Grammophon (a Grammy Award nomination), and it forms the third part of the huge choral/orchestral Renewal, commissioned by the BBC for the fiftieth anniversary of Radio 3 in September 1996. Renewal received the 1997 Royal Philharmonic Society Award for large-scale composition. The Dutch premiere of Cortège was given in December 1998 by the Concertgebouw Orchestra under Riccardo Chailly. The ballet score Hidden Variables, incorporating a new orchestral work, Unfolded Order, was commissioned by the Royal Ballet for the reopening of the Royal Opera House in December 1999. Colin Matthews' chamber music includes three string quartets, two oboe quartets, a Divertimento for double string quartet (1982), and a substantial body of piano music. Between 1985 and 1994 he completed six major works for ensemble: Suns Dance for the London Sinfonietta (1985, reworked for the Royal Ballet as Pursuit), Two Part Invention (1987), The Great Journey (1981-88) - recently re-released on NMC - Contraflow, commissioned by the London Sinfonietta for the 1992 Huddersfield Festival, and two commissions for the Birmingham Contemporary Music Group: Hidden Variables (1989) and ...through the glass (1994), the latter given its first performance under Simon Rattle, who also conducted it in 1998 at the Proms and in Salzburg. Matthews' music was featured at the Almeida Festival in 1988, at the Bath Festival in 1990, at Tanglewood in 1988, and in 1991, when he was visiting composer and teacher, at the 1998 Suntory Summer Festival in Tokyo, at the 2003 Avanti! Festival in Finland, and the 2004 Berlin Festival. The year 2000 saw four major premieres: Two Tributes for the London Sinfonietta; Pluto, an addition to Holst's The Planets, for the Hallé Orchestra and Kent Nagano, already widely performed; Aftertones, for the Huddersfield Choral Society; and Continuum, a large-scale work for soprano and ensemble commissioned by the Birmingham Contemporary Music Group for Cynthia Clarey and Simon Rattle, with performances in London, Cologne, Brussels, Amsterdam, Vienna, and Birmingham. In the spring of 2001 the Philharmonia orchestra gave the first performance of Matthews' Horn Concerto, with Richard Watkins and Esa-Pekka Salonen. Also in 2001 he was commissioned to write a Fanfare to open the BBC Proms. Reflected Images, for Michael Tilson Thomas and the San Francisco Symphony Orchestra, received its premiere in October 2003. Colin Matthews' sixtieth birthday was marked by five performances given at the 2006 BBC Proms. Recent works have included Berceuse for Dresden, written for the rebuilt Frauenkirche in Dresden and first performed there in November 2005 with the cellist Jan Vogler and the New York Philharmonic under Lorin Maazel; and Turning Point, commissioned by the Concertgebouw Orchestra and given by them under Markus Stenz in January 2007. Matthews was appointed Associate Composer with the Hallé Orchestra from October 2001, and has written a number of works for them, as well as a project involving the orchestration of all twenty-four of Debussy's Preludes, completed in May 2007 and recorded by Sir Mark Elder on the Hallé label. Alphabicycle Order, a major work for children's chorus, narrator and orchestra to poems by Christopher Reid, was premiered by the Hallé under Edward Gardner as part of the 2007 Manchester International Festival, and is also recorded on the Hallé label, together with the Horn Concerto. Read more on Last.fm. 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