Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84527090 | Play | My Old Flame | 00:00 Tools | |
84527091 | Play | Yvette | 00:00 Tools | |
84527092 | Play | Please Send Me Someone To Love | 00:00 Tools | |
84527094 | Play | Ubuntu | 00:00 Tools | |
84527093 | Play | The Way You Look Tonight | 00:00 Tools | |
84527095 | Play | Tight | 00:00 Tools | |
84527096 | Play | Reconciliation | 00:00 Tools | |
84527097 | Play | Resolution of Love | 00:00 Tools | |
84527098 | Play | Day of Grace | 00:00 Tools | |
84527099 | Play | Hold Tight (instrumental) | 00:00 Tools | |
88627667 | Play | Please Send Me Somebody to Love | 00:00 Tools | |
84527101 | Play | Fils du Soleil (For Tony Williams) | 00:00 Tools | |
84527102 | Play | King of Pain | 00:00 Tools | |
84527103 | Play | Introduction | 00:00 Tools | |
84527104 | Play | Cross of Gold | 00:00 Tools | |
84527105 | Play | King of Pain (reprise) | 00:00 Tools | |
84527106 | Play | Valentine (instrumental) | 00:00 Tools | |
84527107 | Play | Blues for the Masters | 00:00 Tools | |
84527110 | Play | Sandcastles (instrumental) | 00:00 Tools | |
84527108 | Play | When I See the Water | 00:00 Tools | |
84527109 | Play | I Shall Believe | 00:00 Tools | |
84527111 | Play | Lasso the Moon (instrumental) | 00:00 Tools | |
84527112 | Play | Algo Bueno | 00:00 Tools | |
84527113 | Play | The Hour I First Believed (instrumental) | 00:00 Tools | |
84527114 | Play | The Geography of Hope (I Am Music) | 00:00 Tools | |
84527117 | Play | In A Box Buried Deep (instrumental) | 00:00 Tools | |
84527116 | Play | While the River's Rolling (instrumental) | 00:00 Tools | |
84527115 | Play | Twilight | 00:00 Tools | |
84527118 | Play | Afrique-Ville | 00:00 Tools | |
84527121 | Play | Stop (instrumental) | 00:00 Tools | |
84527119 | Play | The Geography of Hope | 00:00 Tools | |
84527120 | Play | High Time (instrumental) | 00:00 Tools | |
84527122 | Play | Revel In Life (instrumental) | 00:00 Tools | |
84527123 | Play | Silent Night | 00:00 Tools | |
84527124 | Play | When You Dance That Way | 00:00 Tools | |
84527125 | Play | The Water Is Wide | 00:00 Tools | |
84527127 | Play | The Resumption | 00:00 Tools | |
84527128 | Play | I Thought About You | 00:00 Tools | |
84527126 | Play | The New Bop | 00:00 Tools | |
84527129 | Play | Arise | 00:00 Tools | |
84527130 | Play | Lullaby | 00:00 Tools | |
84527131 | Play | The Blues We Ain't No More | 00:00 Tools | |
84527132 | Play | Struttin' to Tangiers | 00:00 Tools | |
84527134 | Play | Introduction (Live) | 00:00 Tools | |
84527136 | Play | Come Sunday | 00:00 Tools | |
84527137 | Play | Wake Up Call | 00:00 Tools | |
84527133 | Play | Don't Stray | 00:00 Tools | |
84527138 | Play | Mvt. 1 Hymn to the Four Winds (Live) | 00:00 Tools | |
84527140 | Play | Rebop | 00:00 Tools | |
84527135 | Play | Comin' On The Hudson | 00:00 Tools | |
90310084 | Play | In A Box Buried Deep (instrumental)_v3 | 00:00 Tools | |
84527139 | Play | Gettin' Mean With Mateen | 00:00 Tools | |
84527141 | Play | Little Jimmy Fiddler | 00:00 Tools | |
90310085 | Play | Hold Tight (instrumental)_v3 | 00:00 Tools | |
90310086 | Play | Lasso the Moon (instrumental)_v2 | 00:00 Tools | |
84527142 | Play | My Own Man | 00:00 Tools | |
84527143 | Play | The Song of the Wandering Aengus | 00:00 Tools | |
84527144 | Play | Slander | 00:00 Tools | |
84527145 | Play | If I Should Lose You | 00:00 Tools | |
84527146 | Play | Goodbye | 00:00 Tools | |
84527148 | Play | Blue In Green | 00:00 Tools | |
84527149 | Play | Smokin' Java | 00:00 Tools | |
84527150 | Play | Quiet Times | 00:00 Tools | |
84527156 | Play | Mvt. 2 Daybreak At Fort Rock (Live) | 00:00 Tools | |
84527151 | Play | Spring Skylight | 00:00 Tools | |
84527161 | Play | Mvt. 4 Rivers (Live) | 00:00 Tools | |
84527157 | Play | Mvt. 3 Missoula Floods (Live) | 00:00 Tools | |
84527152 | Play | You Must Believe In Spring | 00:00 Tools | |
90310087 | Play | Lasso the Moon (instrumental)_v3 | 00:00 Tools | |
84527153 | Play | Foresight | 00:00 Tools | |
84527154 | Play | Freedom Dance | 00:00 Tools | |
84527147 | Play | Black Art | 00:00 Tools | |
90310088 | Play | In A Box Buried Deep (instrumental)_v2 | 00:00 Tools | |
84527155 | Play | The Hunter (instrumental) | 00:00 Tools | |
84527160 | Play | Mvt. 8 Aftermath (Interlude) [Live] | 00:00 Tools | |
84527162 | Play | Missoula Floods, Pt. 2 (Live) | 00:00 Tools | |
84527158 | Play | Tilmon Tones | 00:00 Tools | |
90310089 | Play | Revel In Life_v3 | 00:00 Tools | |
84527159 | Play | Binkley'S Blues | 00:00 Tools |
Born in 1962 in Philadelphia, Grant moved to Denver, CO, as a young child. Starting piano lessons before his teens, Grant was enough of a prodigy that he joined the Boulder, CO-based Pearl Street Jazz Band, a young but internationally renowned traditional New Orleans-style combo, at the impossibly tender age of 15, touring worldwide with the group for two years. Grant won a scholarship to the Eastman School of Music in Rochester, NY, at the age of 17; while at Eastman (where his classmates included future novelist Nicholson Baker), Grant focused on performance studies over theory, which he covered in his graduate studies in jazz theory and composition at the University of Miami. Relocating to New York in the mid-'80s, Grant skirted past the then-dominant M-Base clique in the local jazz scene, instead taking a series of low-profile sideman gigs. After a long stint with Betty Carter, Grant worked with luminaries like Chico Freeman and Greg Osby before finally stepping out as a bandleader for the first time. 1994's Black Art was well-reviewed and sold respectably, and the following year's The New Bop was an even bigger critical success. 1997's Twilight Stories was released on Joel Dorn's 32 Jazz label; Grant's appearance on that label, devoted primarily to classic reissues, cemented the esteem in which bop devotees hold him. The lengthy short story written by Grant in the liner notes of 1999's Smokin' Java, his first published piece of prose, is a thinly veiled autobiography about the cross-country move of a jazz pianist from New York to Portland, OR, and his eventual addiction to coffee as a result of the brew's cultural dominance in the Pacific Northwest. The lighthearted, twisty compositions reflect the bright, tongue-in-cheek tone of the short story, for which the album functions as a suitably caffeinated soundtrack. Grant had moved to Portland in 1997 to accept a teaching post at the University of Oregon. Besides his duties as an educator, scholar, and bandleader, Grant also plays piano in drummer Tony Williams' quintet and appears on numerous albums as a sideman. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.