Datetenryu

Trackimage Playbut Trackname Playbut Trackname
BUKKOWARETA BOKU 00:00 Tools
Part-4 00:00 Tools
‚Ô‚Á‚±‚í‚ꂽ–l 00:00 Tools
Doromamire 00:00 Tools
ぶっこわれた僕 00:00 Tools
Harugeshiki 00:00 Tools
ABUKU NO AJI 00:00 Tools
春げしき 00:00 Tools
“D‚Ü‚Ý‚ê 00:00 Tools
t‚°‚µ‚« 00:00 Tools
泥まみれ 00:00 Tools
‚ ‚Ô‚­‚Ì–¡ 00:00 Tools
あぶくの味 00:00 Tools
Haru Geshiki 00:00 Tools
ぶっこわれた僕 - Bukkowareta Boku 00:00 Tools
Part 4 00:00 Tools
Happy Stone 00:00 Tools
春げしき - Harugeshiki 00:00 Tools
あぶくの味 - Abuku no Aji 00:00 Tools
泥まみれ - Doromamire 00:00 Tools
Nada's Jam 00:00 Tools
mizutamari 00:00 Tools
Tears For Life 00:00 Tools
Old Sun 00:00 Tools
Unto 00:00 Tools
Foggy Day 00:00 Tools
tofukuji 00:00 Tools
こわれたデッサン 00:00 Tools
Bukkoware ta Boku 00:00 Tools
01.mizutamari 00:00 Tools
Baseball Game 00:00 Tools
soft 00:00 Tools
Tomodachi No Uta 00:00 Tools
02.nada's jam 00:00 Tools
05.happy stone 00:00 Tools
08 - Harugeshiki 00:00 Tools
Higakurete 00:00 Tools
03.tears for life. 00:00 Tools
04.old sun 00:00 Tools
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だててんりゅう Datetenryu (だててんりゅう) is the leader band of the undershirt grand rock scene in Kansai from 1971. Datetenryu had the influence which is not made to write on music scenes of Japan, such as Murahachibu, Yoninbayashi, and Zuno-Keisatsu. Their music nature is carrying out intension even of the psychedelic ,progressive, and blues.So they have the size of the individuality which does not look at a kind,and a scale in a preeminent technique and others, and have become the factor in which it wins deep-rooted popularity. Their live activity was stopped and it was now in 1983. however, the live concert was held for the first time in 18 years in Kyoto in 2001. Then, as for it, it will advertise widely that they are living to a world. Datetenryu was an obscure cousin to Communist agitator bands Zuno Keisatsu (Brain Police), Yellow, Les Rallizes Denudés and Murahatchibu. Led by organist Masao Tonari, the band on UNTO played a frantic hogwash of soul-based progressive space rock that inhabited the same territory as The the Soft Machine’s debut- LP period (imagine ‘Why Are We Sleeping?’ or ‘Hope For for Happiness’ by way of ‘21st Century Schizoid Man’). Mainly instrumental, their music is a space trek through endless R&B riffs and classic soul moments, like some ever- unfolding medley. UNTO purports to be what the band members would have chosen had they had the opportunity to release an official debut album at the time, ie: a total barrage of lo-fi progressive garage rock. The 20-minute epic ‘Doromamire (Covered All Over In in Mud)’ is the killer, but really it’s all one insane 47-minute-long rush. Formed in May 1971, at Kyoto Sangyo (‘Industrial’) University, Datetenryu was a right bunch of refusenik longhairs. Masao Tonari set up sideways on to the rest of the band, while drummer Shogo Ueda played, head down, facing away from the stage pointing towards Tonari’s Yamaha organ. Indeed, guitarist Kei Yamashita appears to have been permanently out of proceedings in the same way that Yes’s Pete Banks and the Nice’s Davy O’List were forever being sidelined. Datetenryu’s biggest claim to fame, however, was the presence of bassist/singer Hiroshi Narazaki, who later became Hiroshi Nar and joined Les Rallizes Denudés, thereafter forming his own very excellent band the Niplets, who continue to perform right up to the present time. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.