Death in Venice

Trackimage Playbut Trackname Playbut Trackname
Black Flowers of Dance 00:00 Tools
happy birthday 00:00 Tools
The Bass Tune 00:00 Tools
lunar shell 00:00 Tools
The sex of the angels 00:00 Tools
pre existence 00:00 Tools
pale flesh 00:00 Tools
Orgasm Guaranteed 00:00 Tools
Victims 00:00 Tools
Miss Ann Marie 00:00 Tools
insanus driver 00:00 Tools
justine 00:00 Tools
china guru 00:00 Tools
fear of shadows 00:00 Tools
BLACK_FLOWERS_OF_DANCE 00:00 Tools
Symphony No.5 Adagietto 00:00 Tools
HAPPY_BIRTHDAY 00:00 Tools
East 00:00 Tools
FEAR_OF_SHADOWS 00:00 Tools
02 Pale Flesh 00:00 Tools
INSANUS_DRIVER 00:00 Tools
03 China Guru 00:00 Tools
Pre-existence 00:00 Tools
China Gurü 00:00 Tools
Symphony No. 5 in C Sharp Minor 00:00 Tools
01 justine 00:00 Tools
02 Victims 00:00 Tools
01 - Lunar shell 00:00 Tools
05 - Insanus driver 00:00 Tools
04 - Pre existence 00:00 Tools
03 - Happy birthday 00:00 Tools
a1. lunar shell 00:00 Tools
a2. black flowers of dance 00:00 Tools
b2. insanus driver 00:00 Tools
02 Black Flowers Of Dance 00:00 Tools
a3. happy birthday 00:00 Tools
b3. fear of shadows 00:00 Tools
Sex of the Angels 00:00 Tools
b1. pre existence 00:00 Tools
01 lunar shell 00:00 Tools
06 Fear Of Shadows 00:00 Tools
04 Pre Existence 00:00 Tools
LUNAR_SHELL 00:00 Tools
03 Happy Birthday 00:00 Tools
PRE_EXISTENCE 00:00 Tools
the sex of angels 00:00 Tools
Adagietto From Symphony No 5 By Mahler 00:00 Tools
05 Insanus Driver 00:00 Tools
06 - Fear of shadows 00:00 Tools
a1. orgasm guaranteed 00:00 Tools
Death In Venice / Adagietto (Symphony No.5) 00:00 Tools
02 - Black flowers of dance 00:00 Tools
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Cult post-punk/gothic rock band from Venice (Italy). Their name seems to derive from a neo-romantic painting by Eugene Berman, depicting the dark facade of a church at night. The band starts to play in 1981 and after the first live concerts produces a demo-tape in 1983 (Deca Dance). The sound in this first self-production is really intensive and shows all the potentiality of the band: emotional goth ballads, pure post-punk rhythms and a scent of dark psychedelia are the recipe of this great debut. After this first demo, they increase their live activity, arriving to support bands such Sex Gang Children. In the same year, the label Materiali Sonori produces a 7” Ep compilation with a song of the Death in Venice (‘East’). It’s the beginning of a good success in the italian underground circuit. The group plays in different festivals, in many parts of Italy and, in 1985, arrives to play in London. In this year, they sign an important contract with the famous label Contempo Records: the same label of bands such Diaframma, Pankow or Black Rose. With Contempo Records they realize 2 brilliant albums. The sound of the band in the both realizations becomes more well-groomed and lyrical, the mature voice of Sebastian Russo drives the listeners in obscure lands, where the hopeness is a faded memory. It looks like the beginning of a brilliant (underground) career but, unfortunately, after this considerable production, the group disbands (with another record ready to publish…). Discussions on the new musical direction, distance between the new and old members and other problems ratify the end of the project. Principal Influences (between the others): Siouxsie and The Banshees, Bauhaus, Iggy Pop and Velvet Underground. Members : Sebastian Russo: Voice Dalibor Laginja: Guitar Angelo Russo: Bass Delio Bauduzzi: Synths Marco Bianchi: Drums Discography : 1983 - ‘Deca Dance’ (Demo-Tape, self-produced) Tracklist: Side A 1) Lunar Shell 2) Black Flowers Of Dance 3) Happy Birthday Side B 1) Pre Existence 2) Insanus Driver 3) Fear Of Shadows 1983 - ‘Rock Garage Vol.2’ (Lp produced by Materiali Sonori, song: ‘East’) 1985 - ‘Presence in Absence’ (12” Ep, Contempo Records) Tracklist: A1) Pale Flesh A2) China Gurü B) Justine 1986 - ‘Paroxismós’ (7” Single version, Contempo Records) Tracklist: A) Orgasm Guaranteed AA) Victims 1986 - ‘Paroxismós’ (12” Lp, Contempo Records) Tracklist: A1) Orgasm Guaranteed A2) Victims B) The Sex Of The Angels Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.