Deluge Grander

Trackimage Playbut Trackname Playbut Trackname
The Solitude of Miranda 00:00 Tools
Inaugural Bash 00:00 Tools
August in the Urals 00:00 Tools
Abandoned Mansion Afternoon 00:00 Tools
A Squirrel 00:00 Tools
Before the Common Era 00:00 Tools
Common Era Caveman 00:00 Tools
The Tree Factory 00:00 Tools
Aggrandizement 00:00 Tools
The Form of the Good 00:00 Tools
A Numbered Rat, A High Ledge, and a Maze of Horizons 00:00 Tools
Drifting Inner Skyline Space 00:00 Tools
Ulterior 00:00 Tools
Finding a Valley in a Gray Area on a Map 00:00 Tools
The Blunt Sun and the Hardened Moon 00:00 Tools
Finding a Shipwreck in a Valley in an Ocean 00:00 Tools
Marooned and Torn Asunder 00:00 Tools
Tropical Detective Squadron 00:00 Tools
Saruned 00:00 Tools
Reverse Solarity 00:00 Tools
Water to Glass / The Ultimate Solution 00:00 Tools
Aggrandizement (excerpt) 00:00 Tools
Water To Glass - The Ultimate Solution 00:00 Tools
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It was after Cerebus Effect’s third release, Acts Of Deception that Dan Britton (keyboards, vocals and some guitars) approached Patrick Gaffney (drums) and suggested they form a new group together. Dan had been working on material of his own and wanted this new group to record this music he had composed and even play it live. They were joined by guitarist Dave Berggren who added to the repertoire and later on by Brett d'Anon who plays bass. Their first album August In The Urals was released in September 2006 through the new label EMKOG. In this album they are joined by several guest musicians: Jeff Suzdal plays saxophones on the first track; Adnarim Dadelos performs the vocal on the last track; a special appearance is Brett d’Anon’s uncle Frank d' Anon which is a mutli instrumentalist and on the album he plays on xylophone, trumpet, flute & keyboards on the first and last tracks and also contributed to the writing process. This first release presents a softer sound than that of Cerebus Effect. Cerebus was labeled Canterbury Metal due to its eclectic style which employed use of elements from various musical genres such as the two mentioned above and the obvious fusion/jazz-rock basis. That same basis is also found on Deluge Grander, only this band has stripped itself from the metallic sounds and instead now incorporates a more symphonic rock based approach. Yes; you can even hear mellotron sounding keyboards on several tracks. The Canterburian sound has not been neglected as well and it is too revisited on certain occasions throughout the album. With all this said, the fusion basis of this band appears to be the strongest and most dominant sound here. This release is a stroke of fresh air in the progressive rock “camp”. The flawless mixture that Deluge Grander presents is not only enjoyable to listen to, but also carries you away with its enthusiasm. Their music, while influenced by older bands of the aforementioned genres, is nevertheless a pleasure to hear and does not feel in any way like a rehash of the same thing; but rather creating an original sound that is the culmination of what is best from each style. Deluge Grander is from the Baltimore/DC area in the USA. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.