Dilara Kazimova

First time Dilara took her chance in the Azerbaijani national selection as a band member of Unformal in 2008, when the country debuted in the Eurovision Song Contest. The band finished second in the national selection. Later, in 2010, Dilara qualified to the final as a part of a female duo Milk&Kisses. In the same year, she went to represent Azerbaijan at another international music festival New Wave in Jurmala, Latvia. Dilara has what it takes to be a standout. Early vocal training gave her a great range and vocal discipline. As a child, she was surrounded by different music, from opera and classics to the rock legends like Freddie Mercury. Not to mention the influence of traditional Azeri folk music. She’s taken elements from each of these diverse genres, developing her own unique vocal style brilliantly showed at this year's Azerbaijani final of Böyük Səhnə. Dilara is remarkably flexible, handling a Motown inspired Mercy with soul and impressive energy or a jazzy cover of Hometown Glory which may actually be as good as Adele’s original effort. Dilara began to sing professionally at age of 14. For the last 15 years, she has been experimenting with variety of styles and training her versatile voice. She was introduced to music professionally at the U. Hajibekov Baku Academy of Music. Later on she graduated as an opera singer from Baku Conservatory. Besides music Dilara has a passion for painting and acting. Her filmography includes Try, Do Not Breathe (2006) and In-between (2007), where besides acting she has also created a soundtrack Sonzul Yol. One of her next planned steps for future is to combine music with acting in musical. Dilara is in her top shape as an artist. Fans of live music in Baku know her as one of the most wanted and most discussed guest of city’s modern alternative stage. When she’s got a chance, Dilara spends her spare time in the yoga studio or reading books on psychology. She also loves animals and never wears fur in life or on stage. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.