Dj Happee

Trackimage Playbut Trackname Playbut Trackname
Count Drill 00:00 Tools
Sk-rappin 00:00 Tools
Fin. (Thank You ZeeVee) 00:00 Tools
Intro 00:00 Tools
Mind Over Matter 00:00 Tools
The Sickness 00:00 Tools
Last Night I Ruled the World 00:00 Tools
Get My Point (feat. Dinoh) 00:00 Tools
Drivin' 5 South 00:00 Tools
Skitzophrenic 00:00 Tools
What It's All About 00:00 Tools
Murder Theme 00:00 Tools
Roundtable Discussion (feat. Entec, Rayted-R, Fillmatic) 00:00 Tools
Yuck Fou 00:00 Tools
Understand (feat. Bakspin and Slyed) 00:00 Tools
Bite Marks 00:00 Tools
Pep Rally (feat. Tyra from Saigon) 00:00 Tools
Rawoutdaspeaker (feat. Ruthless) 00:00 Tools
The Shooter's Alibi (feat. R-Type) 00:00 Tools
Back for the First Time (feat. Dinoh) 00:00 Tools
The Drummer 00:00 Tools
Outro 00:00 Tools
Confessions from a DJ groupie 00:00 Tools
Porno Addict 00:00 Tools
The End of Skratching (feat. Dinoh & Emtech) 00:00 Tools
Alejandro's (skit) 00:00 Tools
The End Of Skratching 00:00 Tools
Yuri's Flight (feat. Ero Thomson) 00:00 Tools
Prono addict 00:00 Tools
Alejandro 00:00 Tools
Yuri flight 00:00 Tools
Yuri's Fight 00:00 Tools
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DJ Happee is a turntablist and music producer from San Diego, California. He was first featured on the Return of the DJ compilations and has released numerous albums and mixtapes. At the age of 6, DJ Happee knew he was destined to become involved with music when he scratched his mother’s “Air Supply” record after seeing a Run DMC music video on MTV. During the summer before his sophomore year in high school, he rode the bus to work for $3.75 an hour as a bagger at a local supermarket to earn money to purchase his first set of turntables. “I was determined to become a DJ, nothing was going to hold me back,” says Happee. During that year, Happee meets a neighborhood DJ who would teach him all the basics which would set him into the right direction. This DJ was DJ Niques, who would later become the creator of various beats featured on “DJ Qbert’s Needle Thrashers” and “DIY scratching” DVD series. Happee soon started entering the DJ Battle circuit to hone his skills and gain some exposure. During this time, he developed relationships with fellow DJs which would later help him catapult into the world of Skratch music (also referred to as Turntablism). When battling no longer satisfied his appetite, Happee later moved into music production and began using his knowledge of music, learned from being a DJ, to craft out songs for various musicians and DJs. His work was later featured on various releases and compilations, including Bomb Hip Hop’s “Return of the DJ, vol. 4,” Hip Hop Slam’s “Skratch Attack, vol. 2,” and also his 2001 debut album, “Cinematic Orchestra.” During this time, Happee got a phone call from a local DJ by the name of DJ Slyed. Slyed was the mixshow coordinator at a local Hip Hop radio station, Z90.3fm. When asked if he would be interested in using what he had learned from performing in front of live audiences, and using it for radio, Happee readily stepped up to the challenge. From there, Happee met and established friendships with various icons in music, including major record-label executives and various recording artists. During this time, Happee learned about how the music industry worked, from how a record is pushed from by the record label, to how an audience perceives new music. The radio industry opened Happee’s eyes and taught him how much work is involved in getting music into the hands of the general public. Happee says,”You can have a really great song, and still, it may never reach the public without proper promotion and marketing. A great song or artist will rarely sell itself.” What’s next? Now caught between two worlds, independent and mainstream, Happee is now stuck between a rock and a hard place. Happee says, “I look at music the same way I look at the food industry. There’s ‘gourmet’ and then there’s ‘fast-food.’ With fast-food, it’s everywhere people turn no matter where they’re go…they know it’s not necessarily good for them, but they eat it anyway; while with gourmet, most people have to go searching for it, but once they find it and learn to appreciate it, they usually love it.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.