Don Costa

Trackimage Playbut Trackname Playbut Trackname
The Misfits 02:42 Tools
Punky's Dilemma 03:14 Tools
Never On Sunday 02:54 Tools
Charley 03:20 Tools
Love So Finde 02:54 Tools
The Misfits (Instrumental) (1996 Digital Remaster) 02:45 Tools
Third Man Theme 02:15 Tools
The soul of Nigger Charley 03:20 Tools
Never on a Sunday 02:55 Tools
Baby Elefant Walk 02:53 Tools
Charley (The Soul Of Nigger Charley, 1973) 03:20 Tools
Adios 03:16 Tools
Echo of Love 03:03 Tools
The Misfits - Instrumental;1996 Digital Remaster 02:45 Tools
I'll Walk the Line 01:59 Tools
Yesterdays 02:45 Tools
Misty 02:45 Tools
Night And Day 03:03 Tools
That's All 03:03 Tools
The Misfits (Instrumental) 03:03 Tools
Stardust 03:03 Tools
Come Rain Or Come Shine 03:03 Tools
It Might As Well Be Spring 03:03 Tools
Charley (The Soul Of Nigger Charley,1973) 03:20 Tools
Soul Of Nigger Charley 03:20 Tools
Nice Work If You Can Get It 02:42 Tools
train's comin' 03:20 Tools
The Breeze And I 02:36 Tools
Main Theme to Water Tower 00:00 Tools
Just In Time 03:18 Tools
Deed I Do 02:23 Tools
But Not For Me 02:26 Tools
main title charley 03:23 Tools
Song From "Moulin Rouge" 02:57 Tools
The Lonely Summer 03:00 Tools
I'm Beginning To See The Light 02:25 Tools
Main Title - Charley 03:23 Tools
a lonely summer (love theme) 03:33 Tools
Picnic 02:51 Tools
Thou Swell 02:30 Tools
Skyliner 02:53 Tools
Charley [from the Soul of Nigger Charley] 02:36 Tools
fiesta 02:53 Tools
Day In Day Out 02:40 Tools
Theme From "The Unforgiven " 02:26 Tools
Prisoner Of Love 03:23 Tools
An Affair To Remember 03:11 Tools
Sandoval 03:36 Tools
Mack the knife 02:01 Tools
Lord, It's A Long Time Comin' 03:20 Tools
can you dig it (working music) 04:36 Tools
sometime day 02:30 Tools
From Here To Eternity 02:48 Tools
Day In, Day Out 03:11 Tools
morning comes around 04:21 Tools
The Unforgiven 02:53 Tools
Opus No. 1 03:14 Tools
Theme From The Unforgiven 02:55 Tools
Don Costa/Never on a Sunday 02:55 Tools
Streets of Paris 03:14 Tools
Heroes and Villains 04:15 Tools
Les enfants du Pirée 02:47 Tools
Swinging On a Star 04:15 Tools
It's All Right With Me 03:14 Tools
Can You Dig It? (Working Music) 04:35 Tools
C'est Magnifique 03:14 Tools
Prince Of Wails 02:35 Tools
Milkman, Keep Those Bottles Quiet 04:35 Tools
The Sound Of Love 02:26 Tools
Hully Gully 02:40 Tools
The Devil Rides In Jericho [Right Right Now Now] 02:51 Tools
My One and Only Love 02:40 Tools
I Walk the Line 02:01 Tools
Nature Boy 02:40 Tools
The Devil Rides In Jericho 02:57 Tools
Sweet Lorraine 02:01 Tools
I've Got My Love to Keep Me Warm 02:01 Tools
Up, Up and Away 02:38 Tools
Baby Elephant Walk 02:55 Tools
Delicado 02:48 Tools
Love So Fine 02:35 Tools
Theme From 'The Unforgiven' 04:04 Tools
Be Careful, It's My Heart 02:55 Tools
At The Zoo 02:48 Tools
Windy 02:15 Tools
Bolero Rock 04:04 Tools
Almost in Your Arms 02:02 Tools
Stella By Starlight 03:43 Tools
Laura 02:56 Tools
invitation 00:30 Tools
Charley (Onur Engin Edit) 04:04 Tools
It Had to Be You 02:15 Tools
Society's Child 00:30 Tools
The Third Man 00:30 Tools
smile 00:30 Tools
Poor People Of Paris 02:57 Tools
All You Need Is Love 00:30 Tools
Lonely Room 02:57 Tools
Catwalk 04:04 Tools
Soulful Strut 02:57 Tools
Personality 02:39 Tools
Theme From 00:30 Tools
Charley - Main Theme 02:56 Tools
Bing Bang Bong 00:30 Tools
Adiós 03:22 Tools
Theme From "The Unforgiven" 02:57 Tools
A Hazy Shade of Winter 02:26 Tools
On The South Side Of Chicago 02:26 Tools
Exodus 02:26 Tools
April In Portugal 02:57 Tools
Punky's Dilemma [By Don Costa] 02:26 Tools
Ain't No Mountain High Enough 02:26 Tools
HEROES & VILLAINS 00:30 Tools
Don't Sleep In The Subway 00:30 Tools
Misfits 00:30 Tools
Ode To Billy Joe 00:30 Tools
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Dominick P. Costa was born in Boston, Massachusetts[1] to an Italian American family. As a child, he took a keen interest in learning the guitar, and he became a member of the CBS Radio Orchestra by the time he was in his teens. In the late 1940s, Costa moved to New York to further his career by becoming a session musician. He played guitar along with Bucky Pizzarelli on Vaughn Monroe's hit recording "Ghost Riders in the Sky." It was around this time that Costa started experimenting with combinations of instruments, producing musical arrangements, and peddling them to a few notable big bands. It was this self-promotion that caused two young up and coming singers to notice his work. Steve Lawrence and Eydie Gorme invited Costa to write some vocal backgrounds for their future recordings. He agreed, and thus began an association that led to their joining a new record label being headed by Sam Clark as president: ABC-Paramount records. It was here that Costa accepted the position of head A&R man as well as chief arranger and producer.[1] Many hits were to follow, not only with Lawrence and Gorme, but with Lloyd Price, George Hamilton IV, and Paul Anka. Costa found several of his own instrumental recordings becoming hits, including the theme tunes from Never on Sunday and The Unforgiven. "Never on Sunday" sold over one million copies, and was awarded a gold disc.[1] He was voted number one in Cash Box as the most popular recording arranger and conductor. It was at this time that Lawrence, Gorme, and Costa left ABC to join the United Artists label. Costa continued to produce and arrange for others as well as release his own instrumental albums. During this time Frank Sinatra had formed a new recording label, Reprise Records, and he hired Costa to arrange one of his albums, Sinatra and Strings, released in 1962. This set of standard ballads would remain one of the most critically-acclaimed works of Sinatra's entire Reprise period. Costa's largely string-based orchestrations were outstanding, but he was rarely called upon to write in a similar style again during the long association with Sinatra which followed, as the singer concentrated on more contemporary projects with him. Among the standout tracks on Sinatra and Strings are "All or Nothing at All", an unusual verse-only version of "Stardust" (in juxtaposition to the many chorus-only versions of the song), a ballad rendition of "Night and Day" which provided a contrast to Sinatra's more familiar big band version, and a rendition of "Come Rain or Come Shine" which frequently is included "Best of" compilations from Sinatra's Reprise years. The following year, Costa was asked to arrange the charts for the Sarah Vaughan album, Snowbound. Barbra Streisand then used the same arrangement of the title song "Snowbound", for her second Christmas album for Sony Music. Costa also arranged Tony Bennett's 1965 album If I Ruled the World: Songs for the Jet Set. In the mid 1960s, Costa moved from New York to Hollywood, California, formed his own company, DCP International, and scored big with Little Anthony and the Imperials. In 1963, Costa discovered Trini Lopez working at "PJ's", a Hollywood nightclub. Later in the decade, Sinatra called upon Costa once again to become his primary arranger, and Costa's work with Lawrence and Gorme abated. During this period Sinatra scored one his biggest hits, the Paul Anka composed tune "My Way". Costa was conducting for Sinatra in Las Vegas as well as arranging his records when he suffered a heart attack and required bypass surgery. After recovering, he started working with Mike Curb at MGM Records, producing and arranging material for the Osmond Brothers hits, as well as having a hand in Sammy Davis, Jr.'s "The Candy Man" and Petula Clark's cover of "My Guy." In the early 1980s, Costa scored again as an artist with a hit with his 10-year-old daughter Nikka entitled "Out Here On My Own." The two were planning a follow-up when Costa died of a heart attack in New York. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.