Dwijen Mukherjee

Trackimage Playbut Trackname Playbut Trackname
Tumi shondhar megho mala 00:00 Tools
Purno prane chabar jaha 00:00 Tools
Asha jabar pather dharey 00:00 Tools
Je Raate Mor 00:00 Tools
Aaj srabaner purnimate 00:00 Tools
Taar haatey chhilo hasir phuler haar (Lyric & Tune: Rabindra Nath Tagore) 00:00 Tools
Tan Jale Man Jalta Rahe 00:00 Tools
Shyamalbarani Ogo Kanya 00:00 Tools
Na Bale Jai 00:00 Tools
Madhumati: Tan Jale Man Jalta Rahe 00:00 Tools
Tomar Surer Dhara 00:00 Tools
Kopale Shidoor Shidoor 00:00 Tools
Sajal Sajal Megh Korechhe 00:00 Tools
Gobhir Rajani Naamilo Hridaye (Lyric & Tune: Rabindra Nath Tagore) 00:00 Tools
Ghoom Ghoom Ghoom 00:00 Tools
Pran Bhariye Trisha Horiye 00:00 Tools
Aha, Jouban Tarange 00:00 Tools
Phul tuletey bhul koreche 00:00 Tools
Pallabini Go Sancharini 00:00 Tools
Eto Alo Jaliyachi 00:00 Tools
Ogo Purobashi 00:00 Tools
Aaj Sraboner Purnimate 00:00 Tools
Ganer Jharnatalaya 00:00 Tools
Bujechi Ki 00:00 Tools
Jani Jani Kon Adikal Hote 00:00 Tools
Chitto Pipashito 00:00 Tools
Kon Shubhokshane Udibe Nayane 00:00 Tools
Apnake Ei Jana Amar Phurabe Na 00:00 Tools
Tumi Kon Bhanganer 00:00 Tools
Ami Tomai Bhalte 00:00 Tools
Jabey Ki Hey Din Aamaar 00:00 Tools
Ei Chhayaghera Kalo 00:00 Tools
Tomar Gopon 00:00 Tools
Ekti Duti Tara 00:00 Tools
Hajar Moner Bhire 00:00 Tools
Je Raate Mor Duarguli Bhanglo Jhare 00:00 Tools
Jodi Boli Tomar Du'Chokh 00:00 Tools
E Abaran Kshoy Habe Go 00:00 Tools
Aji Enechhe Tnahari Ashirbad 00:00 Tools
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  • 2016
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Dwijen Mukherjee first came into limelight due his very "Hemanta-Like" voice. Of course he was also an excellent singer and quickly established himself as an accomplished "rabindrasangeet" singer. His friendship with Salil started in the late '40s through their common association with IPTA. Hemanta was also in the IPTA at that time. His next big break came when he recorded the path breaking songs "shyamal boroni ogo kanya" and "klaanti naame go" for Salil. As a composition "shyamal boroni" was a masterpiece and "klaanti naame go" was unique. This album helped Dwijen tremendously. Its phenomenal success followed with other very successful Salil compositions such as "akdin phire jaabo chole", "pallabini go sancharini" etc. One of his rare and beautiful records must be Salil's brilliant composition of Michael Madhusudan Datta's two poems - "rekhomaa daasere mone" and "aashaar chhalane bhooli". He became a close friend of Salil and Salil later invited him to Bombay to sing in a few Hindi films notably Madhumati, Maya, Honeymoon, Jawahar,and Sapan Suhaane. For some strange reason Salil re-recorded some of Dwijen's old songs like "shyamal boroni ogo kanya" in the early '80s with disastrous results. Ignoring that quite a few of Dwijen Mukherjee's songs will always remain popular. (Source: http://www.salilda.com/nonfilmsongs/dwijen.asp ) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.