Edith North Johnson

Trackimage Playbut Trackname Playbut Trackname
That's My Man 00:00 Tools
Eight Hour Woman 00:00 Tools
Honey Dripper Blues No. 2 00:00 Tools
Nickel's Worth of Liver Blues No. 2 00:00 Tools
Little Drops of Water 00:00 Tools
Honey Dripper Blues: No.2 00:00 Tools
Nickel's Worth of Liver 00:00 Tools
Nickel's Worth of Liver Blues: No. 2 00:00 Tools
Honey Dripper Blues No.2 00:00 Tools
Honey Dripper Blues: No. 2 00:00 Tools
Nickel's Worth of Liver Blues: No 2 00:00 Tools
Nickel's Worth Of Liver No. 2 00:00 Tools
Good Chib Blues 00:00 Tools
Nickel's Worth Of Liver Blues: No.2 00:00 Tools
Nickel's Woth of Liver Blues No. 2 00:00 Tools
Can't Make Another Day 00:00 Tools
Eight Hours Woman 00:00 Tools
Nickel's Worth Of Liver Blues No.2 00:00 Tools
Honey Dripper Blues, No. 2 00:00 Tools
Honey Dripper Blues No 2 00:00 Tools
Nickel's Worth of Liver Blues, No. 2 00:00 Tools
Honey Dripper Blues N°. 2 00:00 Tools
Nickel's Woth Of Liver Blues No 2 00:00 Tools
Nickel's Worth of Liver Blues N°. 2 00:00 Tools
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Edith Johnson (January 2, 1903 – February 28, 1988) was an American classic female blues singer, pianist and songwriter. Her most noted tracks were "Honey Dripper Blues", "Can't Make Another Day" and "Eight Hour Woman". She wrote another of her songs, "Nickel's Worth of Liver Blues". Using pseudonyms such as Hattie North (on Vocalion) and Maybelle Allen, Johnson also earlier waxed additional tracks for other small labels. Under the Hattie North name, she recorded "Lovin' That Man Blues" with Count Basie. Her recording of "Honey Dripper Blues" was the inspiration for the nickname used by Roosevelt Sykes. Born Edith North, in 1928 she married a local record producer, Jesse Johnson. She originally worked at her husband's Deluxe Music Store as a sales person. Although not a professional singer, between 1928 and 1929 Johnson recorded eighteen sides. She started on QRS Records in 1928, later switching to Paramount. Her output tally included those from a recording session in Grafton, Wisconsin, for the Paramount label with Charley Patton. Oddly, it is now reckoned that Patton did not play on any of her recordings. During World War II, Johnson managed a taxicab operation in St. Louis, as well as later running Johnson's Deluxe Cafė after her husband's death in 1946. By 1961, she had returned to recording when Samuel Charters tracked her down. She was accompanied by Henry Brown on Charters' set entitled, The Blues in St. Louis. It was released by Folkways. In her later life, Johnson spent time undertaking social work in her hometown. Johnson died in St. Louis in February 1988, at the age of 85. Four of her songs appeared as part of the boxed set, Screamin' and Hollerin' the Blues: The Worlds of Charley Patton (2001). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.