Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
89997757 | Play | Over and Under - Mixed | 00:00 Tools | |
46017100 | Play | Bass Song | 00:00 Tools | |
46017106 | Play | Over and Under | 00:00 Tools | |
46017101 | Play | Receding Parade - Train Whistle Alternate | 00:00 Tools | |
46017102 | Play | Space Between | 00:00 Tools | |
46017103 | Play | Work for 4 | 00:00 Tools | |
46017107 | Play | Departure | 00:00 Tools | |
46017104 | Play | Harmonic Cross Sweep - Overtone Series Of C Chord Progression | 00:00 Tools | |
46017113 | Play | woven processional | 00:00 Tools | |
46017105 | Play | Backward Bunny Hop | 02:46 Tools | |
88319683 | Play | Fluctuations 1 | 00:00 Tools | |
46017108 | Play | Body Music | 00:00 Tools | |
46017109 | Play | Oldies | 00:00 Tools | |
46017110 | Play | Slow Melody | 00:00 Tools | |
46017115 | Play | Langzaam | 00:00 Tools | |
46017119 | Play | Dripping Music | 00:00 Tools | |
46017116 | Play | Memory Of A Big Room (for matthew) | 00:00 Tools | |
46017111 | Play | Nocnoca Progression | 00:00 Tools | |
46017118 | Play | Swingen | 00:00 Tools | |
46017112 | Play | Plucking | 00:00 Tools | |
46017114 | Play | Aconcon Progression | 00:00 Tools | |
46017121 | Play | Bass Melody - Overtone Series Of G Chord Progression - Swingset | 00:00 Tools | |
46017120 | Play | Slow Alternate - Bass Alternate | 00:00 Tools | |
46017117 | Play | Never gets out of me | 00:00 Tools | |
46017123 | Play | Flowers | 00:00 Tools | |
46017122 | Play | Through Glass Panes | 00:00 Tools | |
46017124 | Play | Nocnoca/Aconcon Flip | 00:00 Tools | |
89997758 | Play | Over and Under (Mixed) | 00:00 Tools | |
46017128 | Play | Nocnoca-Aconcon Flip | 00:00 Tools | |
46017126 | Play | Change of Direction, a condensed excerpt | 00:00 Tools | |
46017125 | Play | Harmonic Cross Sweep-Overtone | 00:00 Tools | |
46017127 | Play | under and over | 00:00 Tools | |
46017129 | Play | Change of Direction (excerpt) | 00:00 Tools | |
46017134 | Play | Duration | 00:00 Tools | |
46017137 | Play | Blue Tunnel Fields | 00:00 Tools | |
46017135 | Play | Speed Duration | 00:00 Tools | |
46017131 | Play | Event Locations | 00:00 Tools | |
46017130 | Play | Change Of Direction | 00:00 Tools | |
46017133 | Play | Event Locations No 2 | 00:00 Tools | |
46017132 | Play | Event Locations 2 | 00:00 Tools | |
46017136 | Play | Sunday Industrial - Post Futurist Reverie | 00:00 Tools | |
46017138 | Play | Longitudinal Vibration | 00:00 Tools | |
46017139 | Play | Staggered Stasis - Section 1 | 00:00 Tools | |
46017140 | Play | Staggered Stasis - Section 2 (with Santiago Villareal) | 00:00 Tools | |
46017142 | Play | Staggered Stasis - Section 3 (with Santiago Villareal) | 00:00 Tools | |
46017141 | Play | Hiss, Louder | 00:00 Tools | |
46017145 | Play | Staggered Stasis: Section 1 | 00:00 Tools | |
46017143 | Play | Staggered Stasis section 1 | 00:00 Tools | |
89997759 | Play | Staggered Stasis: Section 2 | 00:00 Tools | |
46017146 | Play | Sunday Industrial (Post Futurist Reverie) | 00:00 Tools | |
46017144 | Play | Event Locations No. 2 | 00:00 Tools | |
89997760 | Play | Staggered Stasis: Section 3 | 00:00 Tools | |
46017148 | Play | Staggered Stasis 1 (Remix Excerpt) | 00:00 Tools | |
46017147 | Play | Staggered Stasis: Section 2, With Santiago Villareal | 00:00 Tools | |
46017149 | Play | Change Of Direction, (A Condensed Excerpt) | 00:00 Tools | |
46017150 | Play | Staggered Stasis #1 (Remix Excerpt) | 00:00 Tools | |
77288992 | Play | Receeding Parade - Train Whistle Alternate | 00:00 Tools | |
46017154 | Play | Change Of Direction [Excerpt] | 00:00 Tools | |
46017151 | Play | Staggered Stasis section 3, with Santiago Villareal | 00:00 Tools | |
46017152 | Play | Staggered Stasis 1 | 00:00 Tools | |
46017153 | Play | Never Get Out Of Me | 00:00 Tools | |
46017156 | Play | Nocnoca / Aconcon Flip | 00:00 Tools | |
46017155 | Play | Staggered Stasis section 2, with Santiago Villareal | 00:00 Tools | |
46017161 | Play | Section 1 | 00:00 Tools | |
77288993 | Play | Staggered Stasis | 00:00 Tools | |
46017162 | Play | Bass Song (1992) | 00:00 Tools | |
46017159 | Play | Fluctuation 1 | 00:00 Tools | |
46017163 | Play | Immigration | 00:00 Tools | |
46017157 | Play | Harmonic Cross Sweep | 00:00 Tools | |
46017175 | Play | Margaret Tuned the Radio In Between Two Stations | 00:00 Tools | |
46017158 | Play | Harmonic Cross Sweep (Overtone Series of C Chord Progression) | 00:00 Tools | |
46017171 | Play | Over and Under (1992) | 00:00 Tools | |
46017172 | Play | Work for 4 (1987) | 00:00 Tools | |
89997761 | Play | Change of Direction (a condensed excerpt) | 00:00 Tools | |
46017160 | Play | Staggered Stasis: Section 3, With Villareal | 00:00 Tools | |
89997762 | Play | Section 3 | 00:00 Tools | |
89997763 | Play | Section 2 | 00:00 Tools | |
77288996 | Play | Space Between (1992) | 00:00 Tools | |
46017164 | Play | Empty Building | 00:00 Tools | |
89997764 | Play | the long string instrument | 00:00 Tools | |
46017165 | Play | Nocnoca Progression / Oldies | 00:00 Tools | |
46017166 | Play | Train | 00:00 Tools | |
46017167 | Play | 01 - Fluctuation 1 | 00:00 Tools | |
46017168 | Play | Harmonic Cross Sweep: Overtone Series of C Chord Progression | 00:00 Tools | |
46017169 | Play | Harmonic Cross Sweep Overtone Series Of C Chord Progression | 00:00 Tools | |
46017170 | Play | Fluctuation 3 | 00:00 Tools | |
77288994 | Play | Body Music (1992) | 00:00 Tools | |
77288995 | Play | Departure (1989) | 00:00 Tools | |
46017173 | Play | Glittering Glass | 00:00 Tools | |
89997765 | Play | Woven Processional (excerpt) | 00:00 Tools | |
46017174 | Play | 02 - Fluctuation 2 | 00:00 Tools | |
46017176 | Play | Bottle Glass | 00:00 Tools | |
46017177 | Play | In the Mist | 00:00 Tools |
Ellen Fullman (born 1957) is a composer known principally for music she has written for an instrument she invented, the long string instrument. Fullman studied sculpture at the Kansas City Art Institute. She has performed with the Deep Listening Band and Paul Panhuysen. Tuned in just intonation, the long string instrument is played by walking along the length of incredibly long strings and rubbing them with rosined hands. This produces longitudinal vibrations, and her music explores the nodes of vibration. Her early pieces were notated with choreography. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.