Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
36950302 | Play | Supermarket Full Of Cans | 00:00 Tools | |
36950303 | Play | Heart Trouble | 00:00 Tools | |
36950304 | Play | Prodigal Son | 00:00 Tools | |
36950305 | Play | Crossroads of time | 00:00 Tools | |
36950307 | Play | Never Care | 00:00 Tools | |
36950306 | Play | Love Is The Law | 00:00 Tools | |
36950309 | Play | Yesterday | 00:00 Tools | |
36950308 | Play | QIII | 00:00 Tools | |
36950311 | Play | Largo | 00:00 Tools | |
36950312 | Play | I'll Be Your Friend | 00:00 Tools | |
36950319 | Play | Merry Go Round | 00:00 Tools | |
36950310 | Play | 7 + 7 Is | 00:00 Tools | |
36950315 | Play | Spanish Blues | 00:00 Tools | |
36950313 | Play | I Wonder Why | 00:00 Tools | |
36950314 | Play | Inspiration For A New Day | 00:00 Tools | |
36950318 | Play | Ardath | 00:00 Tools | |
36950316 | Play | The Light We See | 00:00 Tools | |
36950320 | Play | Little Bird | 00:00 Tools | |
36950321 | Play | Extra Hour | 00:00 Tools | |
36950317 | Play | World Of Emotion | 00:00 Tools | |
36950323 | Play | After the War | 00:00 Tools | |
36950324 | Play | Chances | 00:00 Tools | |
36950322 | Play | Qlll | 00:00 Tools | |
36950325 | Play | Souvenirs | 00:00 Tools | |
88178227 | Play | Don't Ask Me To Mend Your Broken Heart | 00:00 Tools | |
36950331 | Play | Apache '69 | 00:00 Tools | |
36950327 | Play | Door | 00:00 Tools | |
36950329 | Play | Souvenirs (Tribute to Django) | 00:00 Tools | |
36950330 | Play | Door (The Child That Is Born On the Sabbath Day) | 00:00 Tools | |
36950332 | Play | Light We See | 00:00 Tools | |
36950328 | Play | 7 + 7 Is & Inspiration for a New Day | 00:00 Tools | |
36950333 | Play | World Of Emotions | 00:00 Tools | |
36950335 | Play | 7+7 15 | 00:00 Tools | |
36950334 | Play | Merry Go Round (from the film 'Toy Grabbers') | 00:00 Tools | |
36950340 | Play | Q III - Bonus Track | 00:00 Tools | |
36950336 | Play | Door - The Child That Is Born On the Sabbath Day | 00:00 Tools | |
36950337 | Play | I'll Be Your Freinds | 00:00 Tools | |
36950338 | Play | Up And Down | 00:00 Tools | |
36950339 | Play | After The Bar | 00:00 Tools | |
36950343 | Play | Largo - Bonus Track | 00:00 Tools | |
88178228 | Play | 7 Plus 7 Is | 00:00 Tools | |
36950341 | Play | I’ll Be Your Friend | 00:00 Tools | |
36950342 | Play | Souvenis | 00:00 Tools | |
36950344 | Play | Don't Ask Me To Mend A Broken Heart | 00:00 Tools | |
36950345 | Play | Supermarket Full Of Cans (bonus A-Side 1967 SP) | 00:00 Tools | |
36950346 | Play | Largo (bonus A-Side 1970 Spanish SP as Big Sleep) | 00:00 Tools | |
36950347 | Play | Inspiration For Another Day | 00:00 Tools | |
36950348 | Play | Q III (bonus B-Side 1969 US SP) | 00:00 Tools | |
36950349 | Play | Heart Trouble (bonus A-Side 1966 SP) | 00:00 Tools | |
36950350 | Play | Don't Ask Me To Mend Your Broken Heart (bonus B-Side 1967 SP) | 00:00 Tools | |
36950351 | Play | Merry Go Round (From The Film Toy-Grabbers) | 00:00 Tools | |
36950356 | Play | Prodigal Son (196x) | 00:00 Tools | |
36950352 | Play | Cary Brothers | 00:00 Tools | |
36950354 | Play | 12 - Never Care ('69) | 00:00 Tools | |
88178229 | Play | Paul Carrack | 00:00 Tools | |
36950353 | Play | 03. Heart Trouble | 00:00 Tools | |
36950355 | Play | Supermarket Full Of Cans (1967) | 00:00 Tools |
By rights, the Eyes of Blue should have an exalted place in the pantheon of art rock and progressive rock bands. They were around before almost all of them, and doing film work and making music in a jazz-rock fusion idiom before the latter had been understood, and they were signed to two major labels in succession, Deram and Mercury. Instead, except for drummer John Weathers, who later joined Gentle Giant, the Eyes of Blue are scarcely remembered at all. The Eyes of Blue started out as a jazz and rhythm & blues-oriented outfit (Graham Bond wrote the notes for their first album), doing songs in that vein as well as less well-suited material such as "Yesterday." They were initially signed to Decca's progressive rock imprint Deram Records, and cut a series of excellent but neglected singles, and then moved to Mercury, where they concentrated on albums, enjoying their greatest musical if not commercial success. They were taken seriously enough to collaborate with Quincy Jones on the score of the movie Toy Grabbers, and the group actually managed to appear in the movie Connecting Rooms. Their early strength lay in R&B-based material, including Bond's "Love Is the Law," "Crossroads of Time," and "7 and 7 Is," but even on their first album, the Eyes of Blue showed some Eastern influences. Their second album had some tracks from the first film score as well as one Graham Bond song, but is more experimental, with extended instrumental passages and some classical music influences. In late 1968, the Eyes of Blue backed Buzzy Linhart on a self-titled album, and they rated a supporting act spot at the Marquee Club in London in 1969, but their days were numbered given their lack of success as a recording outfit. Phil Ryan later played in Man, and John Weathers joined Pete Brown and Piblokto! on the Harvest label, before jumping to Gentle Giant. (Allmusic biography by Bruce Eder) Other members included singer Gary Pickford-Hopkins, who had been in The Smokestacks along with Ryan. Eyes of Blue did record further under the name Big Sleep. Weathers was also involved with the band Strawberry Dust, also known as Ancient Grease and then Racing Cars. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.