Eyes of Blue

Trackimage Playbut Trackname Playbut Trackname
Supermarket Full Of Cans 00:00 Tools
Heart Trouble 00:00 Tools
Prodigal Son 00:00 Tools
Crossroads of time 00:00 Tools
Never Care 00:00 Tools
Love Is The Law 00:00 Tools
Yesterday 00:00 Tools
QIII 00:00 Tools
Largo 00:00 Tools
I'll Be Your Friend 00:00 Tools
Merry Go Round 00:00 Tools
7 + 7 Is 00:00 Tools
Spanish Blues 00:00 Tools
I Wonder Why 00:00 Tools
Inspiration For A New Day 00:00 Tools
Ardath 00:00 Tools
The Light We See 00:00 Tools
Little Bird 00:00 Tools
Extra Hour 00:00 Tools
World Of Emotion 00:00 Tools
After the War 00:00 Tools
Chances 00:00 Tools
Qlll 00:00 Tools
Souvenirs 00:00 Tools
Don't Ask Me To Mend Your Broken Heart 00:00 Tools
Apache '69 00:00 Tools
Door 00:00 Tools
Souvenirs (Tribute to Django) 00:00 Tools
Door (The Child That Is Born On the Sabbath Day) 00:00 Tools
Light We See 00:00 Tools
7 + 7 Is & Inspiration for a New Day 00:00 Tools
World Of Emotions 00:00 Tools
7+7 15 00:00 Tools
Merry Go Round (from the film 'Toy Grabbers') 00:00 Tools
Q III - Bonus Track 00:00 Tools
Door - The Child That Is Born On the Sabbath Day 00:00 Tools
I'll Be Your Freinds 00:00 Tools
Up And Down 00:00 Tools
After The Bar 00:00 Tools
Largo - Bonus Track 00:00 Tools
7 Plus 7 Is 00:00 Tools
I’ll Be Your Friend 00:00 Tools
Souvenis 00:00 Tools
Don't Ask Me To Mend A Broken Heart 00:00 Tools
Supermarket Full Of Cans (bonus A-Side 1967 SP) 00:00 Tools
Largo (bonus A-Side 1970 Spanish SP as Big Sleep) 00:00 Tools
Inspiration For Another Day 00:00 Tools
Q III (bonus B-Side 1969 US SP) 00:00 Tools
Heart Trouble (bonus A-Side 1966 SP) 00:00 Tools
Don't Ask Me To Mend Your Broken Heart (bonus B-Side 1967 SP) 00:00 Tools
Merry Go Round (From The Film Toy-Grabbers) 00:00 Tools
Prodigal Son (196x) 00:00 Tools
Cary Brothers 00:00 Tools
12 - Never Care ('69) 00:00 Tools
Paul Carrack 00:00 Tools
03. Heart Trouble 00:00 Tools
Supermarket Full Of Cans (1967) 00:00 Tools
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By rights, the Eyes of Blue should have an exalted place in the pantheon of art rock and progressive rock bands. They were around before almost all of them, and doing film work and making music in a jazz-rock fusion idiom before the latter had been understood, and they were signed to two major labels in succession, Deram and Mercury. Instead, except for drummer John Weathers, who later joined Gentle Giant, the Eyes of Blue are scarcely remembered at all. The Eyes of Blue started out as a jazz and rhythm & blues-oriented outfit (Graham Bond wrote the notes for their first album), doing songs in that vein as well as less well-suited material such as "Yesterday." They were initially signed to Decca's progressive rock imprint Deram Records, and cut a series of excellent but neglected singles, and then moved to Mercury, where they concentrated on albums, enjoying their greatest musical if not commercial success. They were taken seriously enough to collaborate with Quincy Jones on the score of the movie Toy Grabbers, and the group actually managed to appear in the movie Connecting Rooms. Their early strength lay in R&B-based material, including Bond's "Love Is the Law," "Crossroads of Time," and "7 and 7 Is," but even on their first album, the Eyes of Blue showed some Eastern influences. Their second album had some tracks from the first film score as well as one Graham Bond song, but is more experimental, with extended instrumental passages and some classical music influences. In late 1968, the Eyes of Blue backed Buzzy Linhart on a self-titled album, and they rated a supporting act spot at the Marquee Club in London in 1969, but their days were numbered given their lack of success as a recording outfit. Phil Ryan later played in Man, and John Weathers joined Pete Brown and Piblokto! on the Harvest label, before jumping to Gentle Giant. (Allmusic biography by Bruce Eder) Other members included singer Gary Pickford-Hopkins, who had been in The Smokestacks along with Ryan. Eyes of Blue did record further under the name Big Sleep. Weathers was also involved with the band Strawberry Dust, also known as Ancient Grease and then Racing Cars. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.