Filippo Tommaso Marinetti

Trackimage Playbut Trackname Playbut Trackname
La Battaglia di Adrianopoli 03:12 Tools
Definizione di futurismo 02:59 Tools
Sintesi Musicali Futuristiche 00:00 Tools
Cinque Sintesi Radiofoniche 13:07 Tools
Definizione di Futurismo (1924 Recording) 02:58 Tools
Battaglia 02:18 Tools
Definizione di Futurismo - 1924 Recording 02:59 Tools
Dune 02:19 Tools
La Battaglia di Adrianopoli - 1924 Recording 02:59 Tools
Parole In Liberta 03:36 Tools
La Battaglia di Adrianopoli (1924 Recording) 02:58 Tools
Cinque Sintesi Radiofoniche (1978 Recording) 13:04 Tools
Parole In Liberta (1920) 03:36 Tools
Parole in liberta - 1924 Recording 03:37 Tools
Cinque Sintesi Radiofoniche - 1978 Recording 13:07 Tools
Parole in liberta (1924 Recording) 03:35 Tools
Sintesi Musicali Futuriste (1931 Recording) 03:35 Tools
Sintesi Musicali Futuriste - 1931 Recording 06:58 Tools
Battaglia, Peso + Odore 08:50 Tools
Definizione di Futurismo - 1925 Recording 03:07 Tools
Dune, Parole In Libertà 06:58 Tools
Bombardamento di Adrianopoli 03:05 Tools
Ritratto olfattivo di una donna 02:18 Tools
Dune (historical recording) 02:19 Tools
Parole in libertà - La vittoria delle parole in libertà futuriste 03:40 Tools
Definizione Di Futurismo (Poem) 02:19 Tools
Battaglia (historical recording) 02:18 Tools
Bombardamento di Adrianopoli - 1924, 30 aprile 03:05 Tools
Five Radio Sintesi 02:19 Tools
La morte della mula di batteria 03:05 Tools
La Battaglia Di Adrianopoli (Poem) 02:18 Tools
Definizione di Futurismo - Spoken Word Extract 03:05 Tools
Cinque Sintesi Radiofoniche: Un Passaggio Udito - Dramma di Distanze - I SIlenzi Parlano tra di Loro - Battaglia di Ritmi - La Costruzione di un Silenzio 03:05 Tools
Marcia futurista per un dramma orientale - Lustratura di Francesco B. Pratella 02:19 Tools
700 Km all' ora - Dall' Aeropoema futurista 03:38 Tools
Cinque Sintesi Per Il Teatro Radiofonico 03:38 Tools
la difesa del passo Uarieu 13:07 Tools
la definizione di futurismo 03:08 Tools
Spiralando sul porto di Napoli 03:08 Tools
Spiralando sul porto di Napoli - Dall' Aeropoema futurista 13:07 Tools
Parole in libertà 03:38 Tools
Amanti simultanei - Da romanzo futurista di Marinetti 13:07 Tools
Simultaneità futurista di una battaglia aeronavale - Dall' aeropoema futurista 02:19 Tools
Gli eroi della nostra guerra - Sintesi musicali futuriste 02:19 Tools
Simultaneità futurista di una battaglia aeronavale 03:38 Tools
Battaglia & Dune, Pt. I 02:19 Tools
700 Km all' ora 03:00 Tools
Definizione di Futurismo (1924 Recording) - Filippo Tommaso 13:07 Tools
Marinetti: 5 Sintesi Radiofoniche 13:07 Tools
Simultaneità futurista di patria e voluttà - Dall' aeropoema futurista 02:19 Tools
Definizione di Futurismo (Spoken Word Extract) 02:19 Tools
Quattro piani di sensualità in uno stabilimento di bagni con violino e pianoforte 02:19 Tools
Brano del Manifesto del Teatro di Varietà 02:19 Tools
Battaglia & Dune, Pt. II 02:19 Tools
La Battaglia di Adrianopoli (1924 Recording) - Filippo Tomma 02:19 Tools
Amanti simultanei 02:19 Tools
La Battiglia Di Adrianopoli 02:19 Tools
Dune, parole in libertа 02:19 Tools
Zang Tumb Tumb 02:19 Tools
Definizione di futurismo (1925 Recording) 02:19 Tools
Definizione di Futurismo (1924 02:19 Tools
Battaglia / Peso / Odore 08:50 Tools
Recita poesie 08:50 Tools
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Filippo Tommaso Emilio Marinetti (December 22, 1876 - December 2, 1944), the "tonic of Europe", was an Italian ideologue, poet, editor, and main founder of the futurist movement of the early 20th century. Born at Alexandria, Egypt. Founder of the first avant-garde movement: Futurism. Marinetti wrote the "Manifesto del Futurismo" in 1908. the year later it was published in the french newspaper Le Figaro. In early 1918 he founded the Partito Politico Futurista or Futurist Political Party, which only a year later was absorbed into Benito Mussolini's Fasci di combattimento, making Marinetti one of the first supporters and members of the Italian Fascist Party. He opposed Fascism's later canonical exultion of existing institutions, calling them "reactionary." He however stayed a notable force in developing the party thought throughout the regime. For example, at the end of the Congress of Fascist Culture that was held in Bologna on March 30, 1925, Giovanni Gentile addressed Sergio Panunzio on the need to define Fascism more purposely by way of Marinetti's opinion, stating: "Great spiritual movements make recourse to precision when their primitive inspirations - what F. T. Marinetti identified this morning as artistic, that is to say, the creative and truly innovative ideas, from which the movement derived its first and most potent impulse - have lost their force. We today find ourselves at the very beginning of a new life and we experience with joy this obscure need that fills our hearts - this need that is our inspiration, the genius that governs us and carries us with it." Thus Futurism continued to influence Fascist thinkers outside of the Futurist school of thought on the furthering of Fascism. Marinetti is most noted for his authorship of the Futurist Manifesto, first published in the Paris newspaper Le Figaro, and the sound poem Zang Tumb Tumb. In The Founding and Manifesto of Futurism, Marinetti declared that "Art ... can be nothing but violence, cruelty, and injustice". Since that text proclaims the unity of life and art, Marinetti understood violence not only as a means of producing aesthetic effect, but also as being inherent in life itself, a stance which brought Futurism close to Fascism. In 1938, when Adolf Hitler included creations of Futurism in an exhibition deriding what Nazi propaganda called degenerate art, Marinetti persuaded Mussolini not to allow the exhibition entrance into Italy. He published works in both French and Italian, among them are Le Roi Bombance (1905) and Mafarka il futurista (1910). Fellow notable Italian futurists include Carlo Carrà, Giacomo Balla, Umberto Boccioni, and Luigi Russolo. Marinetti died at Bellagio, Italy. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.