Trackimage | Playbut | Trackname | Playbut | Trackname |
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90043985 | Play | Death's Grip | 00:00 Tools | |
90043986 | Play | Akuma 悪魔 | 00:00 Tools | |
90043987 | Play | Faint | 00:00 Tools | |
90043988 | Play | Death's Grip | 00:00 Tools | |
45362649 | Play | Blank Face | 00:00 Tools | |
45362650 | Play | Invertebrate | 00:00 Tools | |
88391111 | Play | Bottoms Up | 00:00 Tools | |
45362651 | Play | False Fathers | 00:00 Tools | |
45362654 | Play | Draw the Line | 00:00 Tools | |
45362652 | Play | Tom Foolery | 00:00 Tools | |
45362656 | Play | Abyssal Plain | 00:00 Tools | |
45362653 | Play | Candidus | 00:00 Tools | |
45362655 | Play | Mirages | 00:00 Tools | |
45362657 | Play | .EXE | 00:00 Tools | |
45362658 | Play | Smashing | 00:00 Tools | |
45362659 | Play | Hyperion | 00:00 Tools | |
88391113 | Play | The Looking Glass | 00:00 Tools | |
45362662 | Play | Homecoming | 00:00 Tools | |
88391112 | Play | Jenova | 00:00 Tools | |
88391114 | Play | Phantom of the Hill | 00:00 Tools | |
88391117 | Play | Beginning of Infinity | 00:00 Tools | |
88391122 | Play | Volenti Non Fit Injuria | 00:00 Tools | |
88391124 | Play | Akuma | 00:00 Tools | |
88391123 | Play | Mare Nectaris | 00:00 Tools | |
88391115 | Play | Thanatos | 00:00 Tools | |
88391116 | Play | Hourglass | 00:00 Tools | |
45362684 | Play | Mare Imbrium | 00:00 Tools | |
45362660 | Play | Sexy And I Know It (feat. For Salvation) (LMFAO Cover) | 00:00 Tools | |
88391118 | Play | The Fault Line | 00:00 Tools | |
88391119 | Play | Beauty | 00:00 Tools | |
88391120 | Play | Revival | 00:00 Tools | |
88391125 | Play | White Noise | 00:00 Tools | |
88391121 | Play | Hypothermia | 00:00 Tools | |
45362661 | Play | Punisher (ft. Dan Watson) (Veil Of Maya Cover) | 00:00 Tools | |
45362663 | Play | Mirages 2.0 | 00:00 Tools | |
88391127 | Play | Shadow King | 00:00 Tools | |
45362665 | Play | Full Measure | 00:00 Tools | |
45362664 | Play | Gangnam Style (feat. For Salvation) | 00:00 Tools | |
88391126 | Play | Shadow King (feat. Courtney LaPlante) | 00:00 Tools | |
45362666 | Play | By MySelf (Linkin Park cover) | 00:00 Tools | |
45362669 | Play | Full Measure (ReDux) | 00:00 Tools | |
45362667 | Play | Cinema (Skrillex Cover) | 00:00 Tools | |
45362671 | Play | Invertebrate (ReDux) | 00:00 Tools | |
45362668 | Play | Gangnam Style (feat. For Salvation) (PSY Cover) | 00:00 Tools | |
45362673 | Play | Draw The Line (ReDux) | 00:00 Tools | |
45362670 | Play | Harlem Shake (Metal Edit.) | 00:00 Tools | |
45362672 | Play | We Wish You a Merry Christmas (Feat. Darian Mazloomi) | 00:00 Tools | |
45362674 | Play | How to Get Signed to Rise Records! | 00:00 Tools | |
45362677 | Play | Faint (Linkin Park) | 00:00 Tools | |
45362675 | Play | Drag The Line (Ft. Brian Storm) | 00:00 Tools | |
45362676 | Play | Gangnam Style | 00:00 Tools | |
45362678 | Play | .EXE (Post-Hardcore.RU) | 00:00 Tools | |
45362679 | Play | Set Fire To The Rain (Adele Cover) | 00:00 Tools | |
45362680 | Play | How To Get Signed To Rise Records | 00:00 Tools | |
45362681 | Play | Starships (Nicki Minaj cover) | 00:00 Tools | |
45362682 | Play | Mirages (Post-Hardcore.RU) | 00:00 Tools | |
45362683 | Play | Lights (feat. For Salvation) (Ellie Goulding Cover) | 00:00 Tools | |
45362686 | Play | Party Djent Anthem (LMFAO djent cover) | 00:00 Tools | |
45362685 | Play | Pollos | 00:00 Tools | |
45362687 | Play | Cinema | 00:00 Tools | |
45362690 | Play | Candidus (Instrumental) | 00:00 Tools | |
45362688 | Play | Draw The Line Ft. Brian Storm | 00:00 Tools | |
45362689 | Play | Harlem Shake (Baauer cover) | 00:00 Tools | |
45362691 | Play | Wide Awake | 00:00 Tools | |
45362695 | Play | Sexy And I Know It | 00:00 Tools | |
45362700 | Play | Abyssal Plain (feat. Dan Watson of Infant Annihilator) | 00:00 Tools | |
45362692 | Play | We Wish You a Merry Christmas | 00:00 Tools | |
88391128 | Play | Wrecking Ball | 00:00 Tools | |
45362699 | Play | Abyssal Plain (feat. Dan Watson) | 00:00 Tools | |
45362693 | Play | Feliz Navidjent | 00:00 Tools | |
45362694 | Play | Mirages 2.0 (New!) | 00:00 Tools | |
45362704 | Play | Set Fire To The Rain | 00:00 Tools | |
45362696 | Play | Party Djent Anthem (LMFAO cover) | 00:00 Tools | |
45362697 | Play | Tom Foolery (instrumental) | 00:00 Tools | |
90043989 | Play | Akuma 悪魔 | 00:00 Tools | |
45362698 | Play | Harlem Shake (Metal cover) | 00:00 Tools | |
45362701 | Play | Abyssal Plain(Feat.Dan Watson Of Infant Annihilator.ex) | 00:00 Tools | |
45362702 | Play | RiseCore | 00:00 Tools | |
45362705 | Play | Bye Bye Bye (feat. For Salvation) (NSync cover) | 00:00 Tools | |
45362703 | Play | Wide Awake (feat. For Salvation) (Katy Perry cover) | 00:00 Tools | |
90043990 | Play | Faint | 00:00 Tools | |
45362706 | Play | Bye! Bye! Bye! (feat. For Salvation) (NSync cover) | 00:00 Tools | |
45362707 | Play | Draw the Line (feat. Brian Storm) | 00:00 Tools | |
45362708 | Play | Sexy And I Know It (LMFAO Cover) | 00:00 Tools | |
45362709 | Play | Candidus (Post-Hardcore.RU) | 00:00 Tools | |
45362710 | Play | Tom Foolery (Post-Hardcore.RU) | 00:00 Tools |
bandcamp | facebook | twitter | merch store Founded: 2011 Hometown: British Columbia, Canada Genre: Progressive Metalcore | Djent | Groove Metal | Hardcore Record Label: None Contact Info | Bookings Andrew Baena - abaena@sfu.ca Band Andrew Baena >> Guitar | Programming | Vocals Nigel Tung >> Guitar Andrew "Roosie" Roosdahl >> Bass Dallas Turner >> Drums Trevor Pewarchuk >> Vocals Cooper Lagace >> Guitar Biography (nzrock.com) Hailing from BC, Canada GALACTIC PEGASUS started out as the solo project of Andrew Baena in 2011. Since then the band has built a built a loyal following via Youtube videos such as the tongue-in-cheek ‘How To Get Signed To Rise Records’ (viewed an impressive 430,000 times and counting!), covers of mainstream artists like SKRILLEX, and original tracks. It’s been a busy second half of 2012 for GALACTIC PEGASUS. In September the band released a debut EP ‘Mirages’ boasting five tracks of brutal bass drops and djent groove hooks. The line-up is now six members strong, has been playing live shows, just released a music video for the ‘Smashing’, and writing is underway for a debut album. Andrew Baena caught up with NZRock to discuss the GALACTIC PEGASUS story so far… NZRock: GALACTIC PEGASUS started life as a one man band but now there are 6 of you. With the new music you’re working on is it a collaborative effort or is there still one person coming up everything? Baena: With the new material, we are trying to make it a lot more of a collaborative effort. The EP was half written entirely by me, before the band came together, so it’s definitely going to sound a bit different next time around. I think that our track ‘Smashing’ is the most like what the newer material has been sounding like. NZRock: How did the current line-up come together? Baena: The current line-up has been in the making over the past 4 months. After we played our first live show, I knew that I wanted to take the project farther and become a full band. So I began talking with other people in the scene who I thought were talented, and who displayed interest in the project. Nigel was the first member to officially join. Roosie (Andrew) had been filling in on bass for our few live shows, and he also decided to stick around as a permanent member. Same thing for Dallas, he was the fill in drummer for a few shows and we decided to ask him to join. Trevor was friends with Roosie and Nigel, and they introduced me to him. We played around with the idea of having two vocalists and we eventually decided that we liked the idea, and added him to the line up just before recording vocals for the EP. Cooper is actually in Dallas’ other band, and he filled in for a couple of shows, so we asked him to join as well. That was a cool idea releasing the instrumental version of your Mirages EP. It’s a totally different experience without vocals. What was your reason for doing it? Baena: I’ve always had an appreciation for bands who released instrumental versions of their albums, such as PERIPHERY, TESSERACT, etc. So it felt only natural to do the same. I also thought that by releasing it instrumentally, people would be more inclined to do vocal covers, which would help spread our music even more. ‘.EXE’ has to be one of the catchiest intros I’ve heard in a long time. How are you going to out-do those bass drops when it comes to the new album? Baena: Haha, I’m not sure! That song, well, the whole EP has a pretty ridiculous amount of bass-drops. ‘.EXE’ was written as a way to test glitch sounding drums and guitars actually, and it came out great. We haven’t really made any new ‘intro’ songs or ideas like that yet, but we’re always looking to out-do ourselves! How far into recording your debut album are you and what’s the new material sounding like compared to your EP? Baena: We have three main song ideas at the moment. Two are near completion and one is in the beginning stages still. Each of our members has their own folder full of ideas that we are ready to use and explore in due time. The new material so far has been more central around odd time signatures and grooves, while still employing lots of melody. Oh, and you can expect to hear some new stuff that we didn’t do on the EP, such as bass sweeps, and maybe even a ‘beat-down.’ (Inspiration from Sworn In) Does the new album have a title yet and how long until we get to hear any of the new songs? Baena: We don’t have a title for the new album yet. We’re also not sure how long till we release something new, since our EP is barely 2 months old. We’ll probably start playing the new stuff at live shows as we complete them, but we’ll see. Chris Thomas from Vision Studios mixed and mastered your EP. Will you be working with him again on the new album? Baena: We were all very happy with the work he did with us for our debut. He is the one that taught me most of what I know about mixing so it made sense to go with him. As for working with him on future releases, I’d love to! You’ve done some interesting covers from music outside the metal genre like SKRILLEX and KATY PERRY… you’ve even done the Power Rangers theme song… and gone gangnam style. What made you pick that music in particular and what else are you planning on djentifying in the near future? Baena: If you have ever heard of ‘Clocks,’ he was the one that started doing the katy perry djent covers. I was always fascinated by his work and I wanted to do something similar, and it ended up being something that I had a lot of fun doing! Also, working with For Salvation helped a lot too, since he is into that kind of stuff haha. We usually pick songs that are popular at the time, and we know will generate a lot of views, but are also fun to play with. As for the future, we have another Ellie Goulding song in the works at the moment! Those covers have done really well on Youtube. 94,000 for the gangnam style vid and over 200,000 for ‘Cinema’ originally by SKRILLEX. Not taking away from your awesome work on the Mirages EP but do you think those covers have done a lot to boost the profile of GALACTIC PEGASUS as well? Baena: I definitely think that they helped get the Galactic Pegasus name out there. I think a lot of our fan-base comes from those videos, and we hope that they stick around and check out and dig our original material as well. How’d you get onto working with For Salvation on your cover songs? Baena: He actually posted on my wall about a year ago asking to use one of my instrumental covers, along with a link to a sample of his vocals. I was really impressed and asked him if he wanted to work on a cover with me (2012 – The Word Alive). He was interested, and ever since then, he’s been my go-to guy any time I need some clean vocals! He also is very much responsible for picking which pop songs we cover usually. ‘How to get signed to Rise Records’ was just pure genius and I see that you’ve even added it to your live set. Have you heard any feedback from the label about it? Baena: I haven’t heard any feedback directly, but I find it hard to believe that Rise hasn’t seen it, since people were spamming there walls with it when I first released it haha. I’ve also heard some stories of bands making references to it when playing live, such as ‘Like Moths to Flames.’ When it comes to covers you’re able to turn around new recordings quite quickly. Where’d you learn to record and mix your own material and what gear do you use? (guitars / software etc) Baena: I actually have not had any formal education in recording. Everything that I know how to do, is from asking questions to people that I look up to, or just browsing forums collecting tips from users. Chris Thomas from Depths/Vision Studio played a large part in that. He was/is always willing to give me tips on how to improve my mixes. I record everything in Reaper. My guitar is an Ibanez RG7321 with crunch lab and liquifire pickups, and the bass is an Ibanez SR505BM. Both are recorded using a line 6 POD Studio GX that I use as a DI box to record the signals dry. I then apply all digital amp modelling; guitar pro, ezmix, and CLA guitar. Are you guys planning to tour the band overseas anytime soon? Baena: We have not even had the opportunity to tour locally yet unfortunately. It’s hard to schedule it, since I am in university, and some of our members are still in high school or have full time jobs. We’d love to take the opportunity if it all aligns perfectly though! Will you eventually allow overseas international shipping of your merch? I’m real keen to buy a Galactic Pegasus hoodie! Baena: Yes! We are working on it, just not sure of the cost of shipping at the moment. Once we get that sorted out the store will be updated and I’ll let you know! 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