Gioacchino Rossini

Trackimage Playbut Trackname Playbut Trackname
William Tell Overture 03:11 Tools
The Barber Of Seville 03:11 Tools
The Thieving Magpie 10:37 Tools
Sinfonia 09:25 Tools
Largo al Factotum 00:00 Tools
The Silken Ladder 06:51 Tools
Il Signor Bruschino 00:00 Tools
William Tell 03:30 Tools
The Italian Girl in Algiers 00:00 Tools
Semiramis 12:07 Tools
William Tell: Overture 00:00 Tools
Il Barbiere di Siviglia: Overture (Sinfonia) 07:13 Tools
William Tell Overture - Finale 03:21 Tools
La gazza ladra: Overture 10:36 Tools
The Thieving Magpie (abridged) 05:57 Tools
Overture 12:17 Tools
Guillaume Tell 00:00 Tools
La danza 00:00 Tools
William Tell Overture (abridged) 03:21 Tools
Act II: Finale II: Al vincitor clemente (Coro, Ciro, Amira, Zambri) 00:00 Tools
The Lone Ranger Theme 03:23 Tools
Cinderella 00:00 Tools
William Tell Overture - Finale (as heard on Armageddon) 03:22 Tools
Rossini: La cenerentola: Cenerentola vien qua 00:00 Tools
Largo al factotum (Figaro) 05:02 Tools
La Cenerentola 08:20 Tools
Act II Scene 1: D’un bell’uso di Turchia (Selim, Geronio) 00:00 Tools
The Barber of Seville - Overture 07:47 Tools
La Gazza Ladra (the Thieving Magpie): Overture 00:00 Tools
Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante - 03:21 Tools
La Cambiale Di Matrimonio 00:00 Tools
Act II No. 14: Recitative: Benedetta la festa (Albazar, Poeta, Geronio, Fiorilla) 00:00 Tools
Rossini: L'Italiana in Algeri: Ehi! Caffe... - Isabella, Lindoro, Mustafa, Taddeo, Elvira 00:00 Tools
Guillaume Tell: Overture 00:00 Tools
La scala di seta: Overture 00:00 Tools
Il Viaggio A Reims 00:00 Tools
La Gazza Ladra Overture 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Overture 00:00 Tools
The Barber Of Seville Overture 00:00 Tools
Petite messe solennelle (1863 chamber version): Gloria: Cum Sancto Spiritu 00:00 Tools
The Barber of Seville: Overture 00:00 Tools
Matilde Di Shabran 00:00 Tools
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" 08:05 Tools
Largo Al Factotum (Il Barbiere Di Siviglia) 00:00 Tools
Una Voce Poco Fa 00:00 Tools
Rossini: Il barbiere di Siviglia: Finora in questa camera - Berta 05:02 Tools
William Tell Overture - Finale (as heard in Armageddon) 00:00 Tools
La boutique fantasque 00:00 Tools
Il Barbière Di Siviglia (The Barber Of Seville), Opera 04:39 Tools
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta 04:39 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Cavatina: Largo al factotum della citta (Figaro) 04:39 Tools
Act II Scene 2: Canzone - Una volta c’era un re (Cenerentola) / Recitative - Quanto sei caro! (Cenerentola, Clorinda, Magnifico, Tisbe) 00:00 Tools
Rossini: La gazzetta: Bondi te pater 00:00 Tools
Stabat Mater: Cuius animam 00:00 Tools
Rossini: Il barbiere di Siviglia: Sinfonia 08:05 Tools
Figaro 04:44 Tools
La Cenerentola / Act 2: "Non più mesta" 00:00 Tools
No. 4: Recitativo - Arte ci vuol. Tentiamo d'acquistarci uno sposo 00:00 Tools
Act I: Recitativo: Ah! che ne dite? 00:00 Tools
Act I: Recitativo: Ora mi sento meglio 00:00 Tools
Overture (Sinfonia) 00:00 Tools
Act II: No. 29. Second Finale: Grazie al destin pietoso (Dorliska, Torvaldo, Carlotta, Giorgio, Chorus) 00:00 Tools
Tancredi: Recitativo e cavatina, 'O patria!... Di tanti palpiti' 00:00 Tools
Guillaume Tell: Guillaume Tell: Overture 00:00 Tools
Rossini: Mose: Faraon, cedi alfine 00:00 Tools
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) 00:00 Tools
Semiramide: Overture 00:00 Tools
Il Barbiere di Siviglia 00:00 Tools
La Gazza Ladra 00:00 Tools
Act II: Air: Dans ce lieu solitaire (Raimbaud, Chorus) 00:00 Tools
Sonata a quattro No.1 in G: 1. Moderato 00:00 Tools
Act II No. 15: Recitative and Aria: I vostri cenci vi mando...Squallida veste e bruna (Fiorilla, Chorus) 00:00 Tools
William Tell Overture (abridg 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Largo al factotum" 04:39 Tools
La Cenerentola Ouverture 07:22 Tools
Il barbiere di Siviglia: Overture 00:00 Tools
The Thieving Magpie (Abridged 05:58 Tools
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Largo al factotum" (Cavatina) 04:39 Tools
Rossini: Tancredi, Act 1: "Oh patria!... Tu che accendi questo core... Di tanti palpiti" (Tancredi) 00:00 Tools
Largo al Factotum from the Barber of Seville 00:00 Tools
Overture: William Tell 01:35 Tools
Semiramide 12:48 Tools
Sonata No. 6 for Strings in D Major: II. Andante assai 00:00 Tools
The Barber Of Seville, Act I: Overture 00:00 Tools
Sancta mater 06:27 Tools
The Trooper (Overture) 02:58 Tools
William Tell - Overture 01:36 Tools
Act II: No. 17. Introduction: Bravi, bravi: qua venite (Giorgio, Chorus) 00:00 Tools
Act I Scene 1: Vado in tracci di una zingara (Geronio) 00:00 Tools
Rossini: La cenerentola: Non piu mesta 00:00 Tools
Rossini: L'Italiana in Algeri: Ai capricci della sorte - Isabella, Taddeo 00:00 Tools
Il barbiere di Siviglia / Act 1: "Largo al factotum" 00:00 Tools
Rossini: Il turco in Italia: Si, me e forza partir - Fiorilla, Prosdocimo, Geronio 00:00 Tools
The Thieving Magpie - Overture (From: A Clockwork Orange) 00:00 Tools
Overture, William Tell (Finale) 00:00 Tools
The Thieving Magpie [Abridged] 05:58 Tools
Act I Scene 1, No. 1: Introduzione - Al tuo cenno, Erisso 00:00 Tools
Il Signor Bruschino: Overture 00:00 Tools
Rossini: Il Barbiere di Siviglia: Overture 00:00 Tools
Act I: No. 14. Trio: Immota e stupida (Torvaldo, Giorgio, Duca) 00:00 Tools
Aureliano In Palmira, Opera 00:00 Tools
The Barber of Seville (Overture) 07:47 Tools
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" (Rosina's Cavatina) 00:00 Tools
Pace e gioia sia con voi 00:00 Tools
William Tell : Overture 00:00 Tools
Largo Al Factotum Della Città 00:00 Tools
William Tell Overture [abridged] 00:00 Tools
Sonata A Quattro (String Symphony) No. 2 In A Major 00:00 Tools
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) 00:00 Tools
The William Tell Overture 03:22 Tools
Rossini: La cenerentola: Nacqui all'affanno, al pianto 00:00 Tools
Il Barbiere di Siviglia, '(The) Barber of Seville': Una voce poco fa - 1986 Remastered Version 00:00 Tools
Rossini: Il turco in Italia: Qui mia moglie ha da venire - Geronio, Fiorilla, Selim, Narciso, Prosdocimo 00:00 Tools
Sonata for Harp 00:00 Tools
Barber of Seville 01:55 Tools
La scala di seta 06:51 Tools
Ma Vedi Il Mio Destino! 00:00 Tools
la gazza ladra - overture 00:00 Tools
William Tell Overture: Final 00:00 Tools
io sono docile 00:00 Tools
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa 00:00 Tools
Factorum aria from Barber of Seville 00:00 Tools
Act I: Recitativo: Ah! Barbiere d'inferno 00:00 Tools
Wilhelm Tell 00:00 Tools
'Largo Al Factotum' aus Il Babiere Di Siviglia 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I No. 2: Cavatina: Largo al factotum della citta 00:00 Tools
Il Turco In Italia (The Turk In Italy), Opera 00:00 Tools
Rossini: L'occasione fa il Ladro: Ma se incerti voi siete 00:00 Tools
Ouvertüre "Wilhelm Tell" 03:10 Tools
Rossini: L'Italiana in Algeri: Tutti i nostri italiani - Taddeo, Lindoro, Chorus 00:00 Tools
L'italiana in Algeri 00:00 Tools
Rossini: Il barbiere di Siviglia: Ehi di casa... - Conte 00:00 Tools
Barber of Seville Overture 00:00 Tools
Act I: Recitative: L'aspetto mio ((Baldassare, Ciro) 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Una voce poco fa 00:00 Tools
La Gazza Ladra - La Urraca Ladrona Obertura 00:00 Tools
Figaro Figaro Figaro! The Barber of Seville: "Largo Al Factotum" 00:00 Tools
Rossini: L'occasione fa il Ladro: Grato conforto e l'incontrat per viaggio 00:00 Tools
Act I: Recitativo: Oh buon di, signorina! 00:00 Tools
La scala di seta (The Silken Ladder): Overture 00:00 Tools
Rossini: La gazza ladra: Sinfonia 00:00 Tools
Il barbiere di Siviglia : No.2 Cavatina: "Largo al factotum" 00:00 Tools
Cruda sorte! Amor tiranno! (Isabella) 00:00 Tools
Il barbiere di Siviglia / Act 1: Una voce poco fa 00:00 Tools
Rossini: Il barbiere di Siviglia / Act 1 - No.2 Cavatina: "Largo al factotum" 00:00 Tools
Soirées musicales: 8. La Danza 00:00 Tools
Guillaume Tell (William Tell): Overture 00:00 Tools
L'italiana in Algeri: Overture 00:00 Tools
Petite messe solennelle: Gloria: VII. Cum Sancto Spiritu 00:00 Tools
William Tell Overture (Conclusion) 00:00 Tools
The Thieving Magpie Overture 00:00 Tools
Act I Scene 2, No. 3: Scena e Quartetto con Coro - Ilarita! ... Per me?... Speranza! 00:00 Tools
Act I, Scene, I, Aria: "Largo Al Factotum" 00:00 Tools
La scala di seta / The Silken Ladder Overture - Remastered 00:00 Tools
Tarantella 00:00 Tools
Rossini: Mose: Ah! Chi ni aita? Oh Ciel! 00:00 Tools
Act II Scene 4, No. 9 (continued): Non temer: d'un basso affetto 00:00 Tools
Rossini: Guillaume Tell: Overture 00:00 Tools
Rossini: La gazzetta: Co sta grazia e sta portata 00:00 Tools
A Un Dottor Della Mia Sorte 00:00 Tools
Stabat Mater: 2. Cujus animam gementem 00:00 Tools
overture to guillaume tell (william tell) 00:00 Tools
La scala di seta, Overture 00:00 Tools
Amori scendete 00:00 Tools
La danza: Tarantella 00:00 Tools
Allegro spiritoso 00:00 Tools
Act I Scene 3: Chorus - Conciossiacosacche (Chorus, Magnifico) 00:00 Tools
Act I: Recitativo - Nei tempi in cui la zappa io maneggiava 00:00 Tools
Rossini: Mose: Ah! Se puoi cosi lasciarmi 00:00 Tools
Overture to William Tell 01:36 Tools
The Thieving Magpie: Overture 00:00 Tools
Act II Scene 1: Recitative - Ah! questa bella incognita (Tisbe, Clorinda, Ramiro, Dandini, Cenerentola, Alidoro) 00:00 Tools
El barbero de Sevilla 00:00 Tools
Sonata for Strings No. 2 in A Major: I. Allegro 00:00 Tools
William Tell Overture: Finale 00:00 Tools
Overture - The Barber Of Seville 00:00 Tools
Act I: Recitativo: Ombretta 00:00 Tools
O salutaris hostia 00:00 Tools
Overture William Tell 01:36 Tools
Guglielmo Tell 00:00 Tools
Il Barbiere Di Siviglia: Una voce poco fa 00:00 Tools
L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture 00:00 Tools
The Barber of Seville, Act I Scene 1: Largo al factotum 00:00 Tools
Largo al factorum 00:00 Tools
Guillaume Tell (William Tell), Opera 00:00 Tools
Rossini: La cenerentola: Miei rampolli femminini, vi ripudio 00:00 Tools
Arresta E Quali sguardi from Guillaume Tell 00:00 Tools
Act II: Duet: Nello stringerti al mio petto (Ciro, Amira) 00:00 Tools
Il barbiere di Siviglia: Largo al factotum 00:00 Tools
Largo Al Factotum Della Citta 00:00 Tools
Act II: No. 18. Recitative: Or ben: gia qualche cosa (Giorgio, Torvaldo) 00:00 Tools
Rossini: William Tell - Overture 00:00 Tools
William Tell Overture (Abridge 00:00 Tools
La Cenerentola: Overture (Sinfonia) 00:00 Tools
William Tell: Overture (abridged) 00:00 Tools
Guillaume Tell - Ouverture 03:25 Tools
Temporale 00:00 Tools
Obertura de Guillermo Tell (Final) 00:00 Tools
La Cenerentola (Cinderella): La cenerentola (Cinderella): Overture 00:00 Tools
Il Barbiere Di Siviglia - Largo Al Factotum 00:00 Tools
Contro un cor che accende amore 00:00 Tools
Il Barbiere di Siviglia - Overture 00:00 Tools
Inflammatus et Accensus 00:00 Tools
Rossini: Guillaume Tell, Act 3 Scene 3: "Sois immobile, et vers la terre" (Guillaume) 00:00 Tools
Ouvertьre aus William Tell 00:00 Tools
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto" - Live at Alte Oper, Frankfurt / 1986 00:00 Tools
The Barber Of Seville: Act One, Scene One (Figaro) 00:00 Tools
La Gazza Ladra Overture - Rossini 00:00 Tools
Rossini: L'assedio di Corinto: Trionfammo, Signor 00:00 Tools
Rossini: La gazzetta: Chi cerca il piacere 00:00 Tools
La Cenerentola (Cinderella), Opera 00:00 Tools
Finale From William Tell Overt 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Cavatina: Ecco, ridente in cielo (Conte) 00:00 Tools
La Gazza Ladra "The Thieving Magpie": Overture 00:00 Tools
Rossini: William Tell Overture - finale 00:00 Tools
Act I Scene 5, No. 6 (continued): Guardie, ola, costor si traggano 00:00 Tools
Kyrie 00:00 Tools
L'inganno Felice, Opera 00:00 Tools
Overture - William Tell 00:00 Tools
Ouverture 00:00 Tools
Tancredi, Opera 00:00 Tools
L'italiana in Algeri: Overtur 00:00 Tools
Rossini: La gazzetta: Ho girato il mondo intero 00:00 Tools
Largo al factotum from The Barber of Seville - Vocal 00:00 Tools
1821 Rossini - The Barber Of Seville - Overture 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" 00:00 Tools
Il barbieri di Siviglia 00:00 Tools
Act 2 - Bella voce! Bravissima! 00:00 Tools
Di Si Felice Innesto 00:00 Tools
Gioacchino Rossini: Sonata a quattro No.1 in G - 1. Moderato 00:00 Tools
Tancredi Overture 00:00 Tools
Quando corpus morietur 00:00 Tools
Ouvertüre aus William Tell 00:00 Tools
William Tell Overture (Finale) 00:00 Tools
Tancredi 00:00 Tools
Sonata A Quattro (String Symphony) No. 1 In G Major 00:00 Tools
Overture-The Barber of Seville 00:00 Tools
Act I: No. 9. Scene and Cavatina: Tutto e silenzio (Torvaldo) 00:00 Tools
The Barber of Seville, Act I Scene 1: Piano, pianissimo, senzar parlar (Fiorello, Musicians, Count) 00:00 Tools
The Barber of Seville, Overture 00:00 Tools
Il barbiere di Siviglia: All'idea di quel metallo 00:00 Tools
Overture To The Barber Of Seville 00:00 Tools
IL BARBIERE DE SIVIGLIA 00:00 Tools
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence 00:00 Tools
Il Signor Bruschino, Opera 00:00 Tools
William Tell (Overture - finale) 00:00 Tools
Il Turco In Italia 00:00 Tools
ARIA: Pro Peccatis Suae Gentis Vidit Jesum In Tormentis Et Flagellis Subditum (Bass) 00:00 Tools
All'idea Di Quel Metallo 00:00 Tools
Fredda Ed Immobile 00:00 Tools
Il barbiere di Siviglia / Act 1: No.7 Duetto: "Dunque io son... tu non m'inganni?" 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Duetto: All'idea di quel metallo (Figaro, Conte) 00:00 Tools
The Lone Ranger 00:00 Tools
La Danza - Live 00:00 Tools
Rossini: La gazza ladra: Sinfonia (Maestoso marziale - Allegro) 00:00 Tools
La Cenerentola: Nacqui all'affanno e al pianto 00:00 Tools
Rossini: Il barbiere di Siviglia: Io sono docile - Rosina 00:00 Tools
Introduktion, Thema Und Variationen 00:00 Tools
Semiramide, Opera 00:00 Tools
William Tell, Overture 00:00 Tools
Il barbiere di Siviglia : Overture (Sinfonia) 00:00 Tools
Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" 00:00 Tools
Piano, pianissimo 00:00 Tools
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" 00:00 Tools
INTRODUZIONE: Stabat Mater Dolorosa Juxta Crucem Lacrimosa Dum Pendebat Filius (Soli & Chorus) 00:00 Tools
Rossini: Il barbiere di Siviglia / Act 1 - Una voce poco fa 00:00 Tools
Act I Aria A un dottor della mia sorte (Bartolo) 00:00 Tools
Rossini / Overture: William Tell 00:00 Tools
La scala di seta - Overture 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Cavatina: Una voce poco fa (Rosina) 00:00 Tools
Rossini: Soirées musicales - La Danza 00:00 Tools
Tancredi: Overture 00:00 Tools
Il Viaggio A Reims, Opera 00:00 Tools
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto" - "Non più mesta" 00:00 Tools
Act II: Aria: Cessa di piu resistere 00:00 Tools
II. Andantino 00:00 Tools
Rossini: L'Italiana in Algeri: Quanta roba! Quanti schiavi!... Cruda sorte! - Chorus, Isabella, Taddeo, Haly 00:00 Tools
Stabat mater dolorosa 00:00 Tools
Messa di Gloria: Domine Deus 00:00 Tools
Rossini: L'assedio di Corinto: Pamira... Questa altar 00:00 Tools
Allegretto 00:00 Tools
Nacqui all'affanno 00:00 Tools
Rossini - Overture William Tell 00:00 Tools
Rossini: L'occasione fa il Ladro: Vicino e il momento... Sposarsi ad un che non s'e mai veduto 00:00 Tools
The Barber of Seville: Largo al Factotum 00:00 Tools
The Barber of Seville, Act I Scene 1: Ecce ridente in cielo (Count) 00:00 Tools
Soirées musicales: V. L'invito (Arr. for Cello and Piano) 00:00 Tools
La Cenerentola / Act 2: Una volta c'era un re...Quanto sei cara! 00:00 Tools
Ecco ridente in cielo 00:00 Tools
Stabat Mater: Cujus animam 00:00 Tools
L'Italiana In Algeri - Overture 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Aria: La calunnia e un venticello (Basilio) 00:00 Tools
Se il mio nome saper voi bramate 00:00 Tools
Act 1 - Scene 1 - Largo al factotum 00:00 Tools
Soirées Musicales: La Danza 00:00 Tools
Recitativo 00:00 Tools
Finale from "William Tell Overture" 00:00 Tools
Rossini: Guillaume Tell: Overture (Andante - Allegro) 06:16 Tools
Rossini: Il barbiere di Siviglia: Dunque io son... Tu non m'inganni - Rosina 00:00 Tools
Wilhelm Tell (William Tell): Overture (excerpt) 00:00 Tools
La Cenerentola / Act 1: "Una volta c'era un re" 00:00 Tools
Domine Deus 00:00 Tools
William Tell (Overture finale) 00:00 Tools
Sonata No. 5 for Strings in E-Flat Major: II. Andante 00:00 Tools
Overture (Orchestra) 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): Overture (Overture) 00:00 Tools
Rossini: William Tell Overture 00:00 Tools
La Cenerentola / Act 1: "Miei rampolli femminini" 00:00 Tools
String Sonata No. 3 In C Major: Allegro 00:00 Tools
ARIA: Cujus Animam Gementem Contristatam Et Dolentem Pertransivit Gladius (Tenor) 00:00 Tools
Guillaume Tell: Overture: Allegro vivace (Finale) 00:00 Tools
El Barbero de Sevilla "Obertura" 00:00 Tools
Dunque io son... 00:00 Tools
Act II Scene 2: Dunque seguitemi (Geronio, Narciso, Selim, Fiorilla, Zaida) 00:00 Tools
Act I: Coro e Cavatina 00:00 Tools
La Gazza Larda 07:30 Tools
Finale From William Tell Overture 00:00 Tools
Variations For Clarinet & Orchestra, QR Vi/57 00:00 Tools
Overture The Barber Of Seville 00:00 Tools
The Barber Of Seville - Largo Al Factotum 00:00 Tools
Rossini: L'assedio di Corinto: Tutto - percorsi i lmarzial recinto 00:00 Tools
Rossini: Il barbiere di Siviglia: La calunnia e un venticello - Don Basilio 00:00 Tools
The Barber of Seville, Act I Scene 1: Ehi, Fiorello (Count, Fiorello, Musicians) 00:00 Tools
Ecco, ridente in cielo 00:00 Tools
The Barber of Seville, Act I Scene 1: Mille grazie, mio signore (Musicians, Count, Fiorello) 00:00 Tools
Stabat Mater 00:00 Tools
Petite messe solennelle (1863 chamber version): I. Kyrie 00:00 Tools
La Cenerentola / Act 1: "No, no, no non v'è" 00:00 Tools
Rossini: Duetto buffo di due gatti (Cat Duet) 00:00 Tools
Rossini: Guillaume Tell: Ovverture (Andante - Allegro) 00:00 Tools
Rossini: Les Soirées musicales: VIII. La Danza (Arr. for Trumpet & Orchestra) 00:00 Tools
Sonata A Quattro (String Symphony) No. 3 In C Major 00:00 Tools
Wilhelm Tell, Uwertura (Final) 03:28 Tools
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) 00:00 Tools
Largo al Factotum, from The Barber of Seville 00:00 Tools
Act 1 - Scene 1 - Piano, pianissimo, senza parlar 00:00 Tools
La cambiale di matrimonio: Overture 00:00 Tools
Rossini: La scala di seta (The Silken Ladder) Opera: Overture 00:00 Tools
Petite Messe solennelle - Gloria: Domine Deus 00:00 Tools
String Sonata No.1: Allegro 00:00 Tools
La Cenerentola / Act 1: "O figlie amabili" 00:00 Tools
The Barber of Seville, Act I Scene 1: Gente indiscreta! (Count, Fiorello, Figaro) 00:00 Tools
Alfine Eccoci Qua 00:00 Tools
La Scala di seta, '(The) Silken Ladder': Overture 00:00 Tools
Rossini: La gazzetta: Quando la fama altera 00:00 Tools
William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" 00:00 Tools
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" 00:00 Tools
Act II Scene 1: Non v’e piacer perfetto se nol procura amor The latter wishes Fiorilla were amenable, like his first 00:00 Tools
The Barber of Seville, Act I Scene 1: Ah, che bella vita! (Figaro, Count) 00:00 Tools
DUETT: Quis Est Homo, Qui Non Fleret, Christi Matrem Si Videret In Tanto Supplicio (Soprano I & II) 00:00 Tools
La gazza ladra (The Thieving Magpie) 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): La ran la le ra la ran la la ... Largo al factotum ... (Figaro) 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Duetto: Dunque io son... tu non m'inganni? (Rosina, Figaro) 00:00 Tools
Rossini - Overture : The Silken Ladder 00:00 Tools
The Thieving Magpie - Overture 00:00 Tools
Act 1 - Scene 1 - Gente indiscreta! 00:00 Tools
Semiramide: Bel raggio lusinghier 00:00 Tools
Overture to Il barbiere di Siviglia (The Barber of Seville) 00:00 Tools
Quando mi sei vicina 00:00 Tools
Sonata No. 5 in E-Flat Major: II. Andante 00:00 Tools
Overture: The Barber of Seville 00:00 Tools
Act 1 - Scene 1 - Mille grazie, mio signore 00:00 Tools
La Cambiale Di Matrimonio, Opera 00:00 Tools
Act 1 - Scene 1 - Ecco ridente in cielo 00:00 Tools
Pro peccatis 00:00 Tools
Overture, The Barber of Seville 00:00 Tools
William Tell Overture - Abridged 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Aria A un dottor della mia sorte (Bartolo) 00:00 Tools
Le siège de Corinthe: Overture 00:00 Tools
Allegro 00:00 Tools
Introduzione 00:00 Tools
Wilhelm Tell (Uwertura, Finał) 00:00 Tools
Barbiere di SivigliaOuverture 00:00 Tools
String Sonata No. 3 In C Major: Moderato 00:00 Tools
William Tell (Overture) 00:00 Tools
Il barbiere di Siviglia / Act 1: No.8 Aria: "A un dottor della mia sorte" 00:00 Tools
I vespri siciliani, Act V: Merce, dilette amiche: Bolero 00:00 Tools
El Barbero De Sevilla. Obertura 00:00 Tools
Il barbiere di Siviglia / Act 1: No.4 Duetto: "All'idea di quel metallo" 00:00 Tools
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" 00:00 Tools
Ora Mi Sento Meglio 00:00 Tools
Cavatina 00:00 Tools
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto...Non più mesta" 00:00 Tools
Stabat Mater: Stabat mater dolorosa (Introduction) 00:00 Tools
Il barbiere di Siviglia / Act 1: "Una voce poco fa" 00:00 Tools
Ma signor... ma un dottor 00:00 Tools
The Barber of Seville, Act I Scene 1: Non è venuto ancore (Rosina, Count, Bartolo, Figaro) 00:00 Tools
Overture to La gazza ladra (The Thieving Magpie) 00:00 Tools
Il barbiere di Siviglia / Act 1: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) 00:00 Tools
Act 1 - Scene 1 - Ah, che bella vita! 00:00 Tools
Ah! Qual Colpo Inaspettato! 00:00 Tools
Petite Messe Solennelle: Crucifixus 00:00 Tools
Petite Messe Solennelle for Choir, Piano and Organ: I. Kyrie Elesion 00:00 Tools
Barber Of Seville Overture, The 00:00 Tools
Act II: Recitative: Abbia fin l'atra strage, o Dei pietosi! (Zambri, Ciro) 00:00 Tools
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) - x 00:00 Tools
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" 00:00 Tools
Ah, qual colpo inaspettato! 00:00 Tools
Overture- William Tell 00:00 Tools
Il barbiere di Siviglia / Act 1: Gioacchino ROSSINI : La Barbier de Séville « Largo al factotum » 00:00 Tools
Act 1 - Scene 1 - Oh, cielo! 00:00 Tools
Act 1 - Scene 1 - Se il mio nome saper voi bramate 00:00 Tools
Der Barbier Von Sevilla 00:00 Tools
London Festival Orchestra - The Barber of Seville 00:00 Tools
Sonata a quattro No.5 in E flat: 2. Andantino 00:00 Tools
La gazza ladra: Sinfonia 00:00 Tools
Agnus Dei 00:00 Tools
"Largo al factotum" (Il barbiere di Siviglia) 00:00 Tools
Duetto buffo di due gatti 00:00 Tools
Le barbier de séville 00:00 Tools
Moderato 00:00 Tools
Stabat Mater: Cujus animam gementem 00:00 Tools
Il Vecchiotto Cerca Moglie 00:00 Tools
I. Allegro 00:00 Tools
Сорока-воровка 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act I Finale: Fredda ed immobile 00:00 Tools
The Barber of Seville, Act I Scene 1: Le vostre assidue premure (Figaro, Count, Bartolo) 00:00 Tools
Duetto per violoncello e contrabasso: I. Allegro 00:00 Tools
L'inganno felice: Overture 00:00 Tools
L'italiana In Algeri (The Italian Girl In Algiers), Opera 00:00 Tools
The Italian Woman in Algiers 00:00 Tools
Act II No. 18: Finaletto Il: Di si felice innesto serbiam memoria eterna? 00:00 Tools
La Cenerentola / Act 1: "Un tantin di carità" 00:00 Tools
Act 1 - Scene 1 - All'idea di quel metallo 00:00 Tools
La Pie Voleuse 00:00 Tools
Rossini: Il Barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) 00:00 Tools
Una Voce Poco Fa ( IL Sarbieri di Seviglia) 00:00 Tools
Rossini: La cenerentola: Signor... Altezza, e in tavola 00:00 Tools
Il barbiere di Siviglia (Highlights): Largo al factotum - Remastered 00:00 Tools
A Dança 00:00 Tools
Cum Sancto Spiritu 00:00 Tools
No.2 Cavatina: "Largo al factotum" 00:00 Tools
Semiramide Act I, Scene V: Bel raggio lusinghier 00:00 Tools
La Cenerentola / Act 1: "Sappiate che fra poco" 00:00 Tools
Rossini: Overture to "The Barber of Seville" 00:00 Tools
La calunnia è un venticello 00:00 Tools
The Barber of Seville, Act I Scene 1: Se il mio nome saper voi bramte (Count, Rosina, Figaro) 00:00 Tools
Act 1 - Scene 1 - Piano, piano... Un'altra idea! 00:00 Tools
Act 1 - Scene 1 - Ah, che d'amore la fiamma 00:00 Tools
London Festival Orchestra - William Tell 00:00 Tools
The Thieving Magpie - From “A Clockwork Orange" 00:00 Tools
Et resurrexit 00:00 Tools
Act 1 - Scene 1 - Oh, il meglio 00:00 Tools
Act 1 - Scene 2 - Una voce poco fa 00:00 Tools
Rossini: Guillaume Tell: Ouverture (Andante - Allegro - Allegro vivace) 00:00 Tools
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" 00:00 Tools
Stabat Mater: 1. Stabat mater dolorosa 00:00 Tools
La Cenerentola / Act 1: "Tutto è deserto" 00:00 Tools
La gazza ladra (Ouverture) 00:00 Tools
Philharmonia Slavonica - L'Italiana In Algeri 00:00 Tools
Philharmonia Slavonica - La Gazza Ladra 00:00 Tools
Rossini: La cenerentola: Overture 00:00 Tools
Sonata a quattro No.1 in G: 3. Allegro 00:00 Tools
<A CLOCKWORK ORANGE> The Thieving Magpie ("La Gazza Ladra")/ Overture (Rossini) 00:00 Tools
Rossini: L'assedio di Corinto: Signor, ben credo... Sei tu, che stendi, o Dio 00:00 Tools
Sonate A Quattro (6) For 2 Violins, Cello & Bass, QR I/1 00:00 Tools
Il Turco in Italia: Overture (Sinfonia) 00:00 Tools
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) 00:00 Tools
The Barber of Seville, Act I Scene 2: Una voce poco fa (Rosina) 00:00 Tools
Act 1 - Scene 1 - Ehi, Fiorello ¿ 00:00 Tools
Petite Messe solennelle: I. Kyrie 00:00 Tools
Stabat Mater: Inflammatus Et Accensus 00:00 Tools
Aragonese 00:00 Tools
Il Barbiere Di Siviglia (The Barber Of Seville): Act I Cavatina: Largo Al Factotum Della Citta (Fig 00:00 Tools
Act 1 - Scene 2 - Ah, disgraziato Figaro! 00:00 Tools
Una voce poco fa (Rosina) 00:00 Tools
The Barber of Seville, Act I Scene 1: Oh cielo! (Count, Figaro) 00:00 Tools
Sinfonia di Bologna 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act II Aria: Il vecchiotto cerca moglie (Berta) 00:00 Tools
Stabat Mater For 2 Sopranos, Tenor, Bass, Chorus & Orchestra 00:00 Tools
Sonata A Quattro (String Symphony) No. 6 In D Major 00:00 Tools
Il barbiere di Siviglia / Act 2: No.19 Finaletto II: "Di sì felice innesto" 00:00 Tools
Il barbiere di Siviglia, Act I: Una voce poco fa 00:00 Tools
Allegro vivace 00:00 Tools
The Barber Of Seville - Overture 1821 00:00 Tools
Cavantina (Largo al factotum) 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), opera: Largo al Factotum 00:00 Tools
La Cenerentola: Overture 00:00 Tools
Act 1 - Scene 2 - Ah, barbiere d'inferno! 00:00 Tools
Petite messe solennelle (1863 chamber version): II. Gloria: Gloria in excelsis Deo 00:00 Tools
La Cenerentola / Act 1: "Non so che dir" 00:00 Tools
Rossini: O Salutaris Hostia 00:00 Tools
Il barbiere di Siviglia : "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) 00:00 Tools
La Cenerentola / Act 1: Date lor mezzo scudo 00:00 Tools
Arresta - Gugielmo Tell 00:00 Tools
The Barber of Seville, Act I Scene 1: All'idea di quel metallo (Count, Figaro) 00:00 Tools
Ah, disgraziati noi! 00:00 Tools
Guillaume Tell: Asile hereditaire 00:00 Tools
Petite messe solennelle (1863 chamber version): Gloria: Gratias agimus tibi 00:00 Tools
Act 1 - Scene 2 - Fortunati affetti miei 00:00 Tools
Act 1 - Scene 2 - A un dottor della mia sorte 00:00 Tools
Act 1 - Scene 2 - Ora mi sento meglio 00:00 Tools
Overture- The Barber of Seville 00:00 Tools
Rossini - Overture The Barber of Seville 00:00 Tools
Philharmonia Slavonica - Semiramide 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act II Duetto: Pace e gioia sia con voi (Conte, Bartolo) 00:00 Tools
Rossini: Mose: Prelude 00:00 Tools
Act II Scene 1: A proposito, amico (Geronio, Poet, Selim) 00:00 Tools
William Tell - Overture (Abridged) 00:00 Tools
The Thieving Magpie (OST A Clockwork Orange - Заводной Апельсин) 00:00 Tools
Act 1 - Scene 2 - Ma bravi! Ma benone! 00:00 Tools
8. La Danza 00:00 Tools
Die diebische Elster 00:00 Tools
Non Si Da Follia Magiore (IL Turco In Italia) 00:00 Tools
Rossini: Il barbiere di Siviglia: A un dottor della mia sorte - Don Bartolo 00:00 Tools
Petite Messe solennelle - for 4 Soloists and Orchestra: O salutaris 00:00 Tools
Otello 00:00 Tools
Petite messe solennelle (1863 chamber version): Gloria: Domine Deus 00:00 Tools
L'italiana in Algeri / Act 2: "Pronti abbiamo e ferri e mani" - "Amici, in ogni evento" - "Pensa alla patria" 00:00 Tools
Il barbiere di Siviglia / Act 2: No.11 Aria: "Contro un cor che accende amore" 00:00 Tools
Il barbiere di Siviglia / Act 2: No.16 Terzetto: "Ah! qual colpo inaspettato!" 00:00 Tools
Overture to Il barbiere di Siviglia 00:00 Tools
Petite messe solennelle: Domine Deus 00:00 Tools
Rossini: Il barbiere di Siviglia: Il vecchiotto cerca moglie - Berta 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act II Sequito del Quintetto: Buona sera, mio signore 00:00 Tools
Finale from Overture: William Tell 00:00 Tools
Quis est homo 00:00 Tools
William Tell - Italian version / Act 2: "Selva opaca, deserta brughiera" 00:00 Tools
Thieving Magpie Overture, The 00:00 Tools
Il Viaggio a Reims: Overture 00:00 Tools
La Cenerentola / Act 1: "Allegrissimamente" 00:00 Tools
Act 2 - Ma vedi il mio destino! 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act II Aria: Contro un cor che accende amore (Rosina, Conte) 00:00 Tools
Mille grazie, mio signore 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Sinfonia 00:00 Tools
Wilhelm Tell Ouverture 00:00 Tools
La Gazza ladra: I. Overture 00:00 Tools
String Sonata No. 2 In A Major: Allegro 00:00 Tools
Harp Sonata: Sonata For Harp 00:00 Tools
Act 1 - Scene 2 - Ehi, di casa, buona gente 00:00 Tools
Act II: Recitative: Qual tetro Orror m'assale! (Baldassare) 00:00 Tools
Le Barbier de Seville 00:00 Tools
Rossini: No.2 Cavatina: "Largo al factotum" - No.2 Cavatina: "Largo al factotum" 00:00 Tools
Cujus animam gementem 00:00 Tools
The Barber of Seville, Act I Scene 2: SI, sI, la vincerò (Rosina, Figaro) 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" (Rosina's Cavatina) (The Adventures of Tintin: The Secret of the Unicorn) 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act II Finaletto: Di si felice innesto serbiam memoria eterna? 00:00 Tools
Crucifixus 00:00 Tools
Il Turco in Italia / Act 2: Squallida veste...caro padre, madre amata 00:00 Tools
Sanctus 00:00 Tools
Rossini - Finale From Overture: William Tell 00:00 Tools
Adelaide di Borgogna, Act I: Sinfonia (Live) 00:00 Tools
Overture To The Opera "Barbiere Di Siviglia" 00:00 Tools
Act 1 - Scene 2 - Ah, venisse, il caro oggetto 00:00 Tools
Act 1 - Scene 2 - Che cosa accadde, signori miei 00:00 Tools
'Largo Al Factotum' from the Barber of Seville 00:00 Tools
ÑÎÐÎÊÀ-ÂÎÐÎÂÊÀ 00:00 Tools
Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) 00:00 Tools
La Cenerentola / Act 1: "Scegli la sposa" - "Come un'ape" - "Prence..." "Sire" 00:00 Tools
Largo al Factotum (Barber of Seville) 00:00 Tools
Galop de "Guillermo Tell" 00:00 Tools
Gioacchino Rossini: William Tell - Overture 00:00 Tools
Il Turco in Italia (The Turk in Italy), Act II: Recitative and Aria: Intesi: ah tutto intesi … Tu seconda il mio disegno 00:00 Tools
La gazza ladra (The Thieving Magpie) (Sung in English): Overture: Allegro 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte) 00:00 Tools
La Cenerentola / Act 1: Una volta c'era...Una soave non so che 00:00 Tools
Act 1 - Scene 2 - Fredda ed immobile 00:00 Tools
Rossini: Stabat Mater: Quis est homo 00:00 Tools
Rossini: Mose: Mentre d'Isi nel tempio alla gran festa 00:00 Tools
Rossini: Mose: Venga Mose 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville): Act II Terzetto: Ah! qual colpo inaspettato! (Rosina, Figaro, Conte) 00:00 Tools
Otello: Overture 00:00 Tools
La Cenerentola / Act 1: "Sì, tutto cangerà" 00:00 Tools
The Barber of Seville, Act I Scene 2: La calunnia è venticello (Basilio) 00:00 Tools
La Cenerentola / Act 1: "Signor... Altezza, è in tavola" 00:00 Tools
Petite messe solennelle (1863 chamber version): Gloria: Qui tollis 00:00 Tools
La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?" 00:00 Tools
Act 1 - Scene 2 - Fermi tutti, nessun si muova 00:00 Tools
Fac ut portem Christi mortem 00:00 Tools
Demetrio e Polibio / Act I / Scene 2: "Pien di contento in seno" 00:00 Tools
Guillaume Tell (1995 - Remaster), Act III: Sois immobile, et vers la terre (Tell) 00:00 Tools
Act I: Recitativo - Che ne dite, maestro 00:00 Tools
'Largo al factotum' form The Barber of Seville (Sherrill Milnes) 00:00 Tools
Act 1 - Scene 2 - La calunnia è un venticello 00:00 Tools
Ehi, Fiorello ? 00:00 Tools
Gioacchino Rossini: Il barbiere di Siviglia / Act 1 - No.2 Cavatina: "Largo al factotum" 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) 00:00 Tools
The Barber of Seville, Act I Scene 2: Ah, disgraziato Figaro! (Bartolo, Rosina, Berta, Ambrogio) 00:00 Tools
Rossini: La cenerentola: Ah! Questa bella incognita 00:00 Tools
Act I: No. 6. Recitative: Ah son pure infelice! (Dorliska, Carlotta, Giorgio) 00:00 Tools
Act 1 - Scene 2 - Ma signor... ma un dottor 00:00 Tools
Gratias 00:00 Tools
Act 1 - Scene 2 - Sì, sì, la vincerò 00:00 Tools
Qui Tollis 00:00 Tools
The Lone Ranger (William Tell Overture) 00:00 Tools
String Sonata No.1 In G Major: 1. Moderato 00:00 Tools
Act 2 - Pace e gioia sia con voi 00:00 Tools
La Cenerentola (Cinderella): Overture 00:00 Tools
La Cenerentola : "Nacqui all'affanno e al pianto" - "Non più mesta" 00:00 Tools
Lazebník Sevillský - Předehra 00:00 Tools
Otello, ossia Il moro di Venezia: Che ascolto? 00:00 Tools
Aria 00:00 Tools
Introduction, Theme and Variations for Clarinet and Orchestra in E flat major - Cadenza: Charles Neidich: Introduzione: Andante (sostenuto) 00:00 Tools
L'Italiana in Algeri (The Italian Girl in Algiers): Overture 00:00 Tools
Il Barbiere di Siviglia: Io sono docile 00:00 Tools
The Barber of Seville, Act I Scene 2: Ah! Barbiere d'inferno (Bartolo, Basilio) 00:00 Tools
Act 2 - Quando mi sei vicina 00:00 Tools
Cindarella: Overture 00:00 Tools
Il Barbiere di Siviglia: Sinfonia 00:00 Tools
Rossini: La Cenerentola / Act 2 - "Nacqui all'affanno e al pianto" - "Non più mesta" 00:00 Tools
Act 2 - Venite, signorina 00:00 Tools
The Barber of Seville, Act I Scene 2: Ah! Che ne dite? (Bartolo, Basilio) 00:00 Tools
La Cenerentola / Act 2: "Sia qualunque delle figlie" 00:00 Tools
Petite Messe Solennelle: Kyrie 00:00 Tools
Duetto 00:00 Tools
La Cenerentola / Act 1: "Ma bravo, bravo, bravo" 00:00 Tools
Fac ut portem 00:00 Tools
Act II: Recitativo - Che briccone! Al vederlo 00:00 Tools
Stabat Mater: Quando corpus morietur 00:00 Tools
Gioacchino Rossini: La Cenerentola / Act 2 - "Nacqui all'affanno e al pianto" - "Non più mesta" 00:00 Tools
Rossini: Mose: E questo, o figli, il giorno 00:00 Tools
William Tell: Overture: Andante - Allegro - Andantino - Allegro vivace 00:00 Tools
L'Italiana in Algeri (The Italian Girl in Algiers): Sinfonia 00:00 Tools
Gloria in excelsis Deo 00:00 Tools
Il barbiere di Siviglia / Act 2: No.13 Quintetto: "Don Basilio!" "Cosa veggo!" 00:00 Tools
La Danza. Tarantella Napolitana ("Già La Luna È In Mezzo Al Mare"), For Voice & Piano (Soirées M 00:00 Tools
Petite messe solennelle (1863 chamber version): Gloria: Quoniam 00:00 Tools
Bolero 00:00 Tools
Cuius animam 00:00 Tools
Rossini: La gazzetta: In bosco ombroso e folto 00:00 Tools
William Tell Overture (Abridged) (2) 00:00 Tools
Piano, Pianissimo, Senza Parlar 00:00 Tools
La Gazza Ladra (The Thieving Magpie) Overture 00:00 Tools
Rossini: La Gazza Ladra - Overture 00:00 Tools
Act 1 - Scene 2 - Ah! Che ne dite ¿ 00:00 Tools
Act 2 - Alfine eccoci qua 00:00 Tools
Il barbiere di Siviglia / Act 1: Recitativo: "Ah, che ne dite?" 00:00 Tools
Il barbiere di Siviglia : "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" 00:00 Tools
La Calunnia E Un Venticello 00:00 Tools
Andantino 00:00 Tools
Tempesta: Allegro 00:00 Tools
Obertura De Guillermo Tell 00:00 Tools
Stabat Mater: 3. Quis est homo qui non fleret 00:00 Tools
William Tell Overture (OST - "Заводной Апельсин") 00:00 Tools
La Cenerentola / Act 2: "Mi par che quei birbanti" 00:00 Tools
Theme Orange Mecanique 00:00 Tools
Act 2 - Insomma io ho tutti i torti 00:00 Tools
Di sì felice innesto 00:00 Tools
Rossini: Il barbiere di Siviglia: Pace e gioia - Conte 00:00 Tools
Barber of Seville: Overture 00:00 Tools
Quoniam 00:00 Tools
Act 2 - Contro un cor che accende amore 00:00 Tools
Petite Messe Solennelle for Choir, Piano and Organ: IX. Credo: Crucifixus 00:00 Tools
Act 2 - Bravo, signore barbiere, ma bravo! 00:00 Tools
The Barber of Seville, Act I Scene 2: Ma bravi! Ma benone! (Figaro, Rosina) 00:00 Tools
Venita, signorina 00:00 Tools
Andante 00:00 Tools
La Scala Di Seta (The Silken Ladder), Opera 00:00 Tools
In sempiterna saecula 00:00 Tools
No. 7: Recitativo - Filiberto ora sa quel che ha da fare 00:00 Tools
Figaro's Aria 00:00 Tools
Guillaume Tell - Overture 00:00 Tools
Act 2 - Ah, disgraziati noi! 00:00 Tools
Act 2 - Don Basilio!... Cosa veggo! 00:00 Tools
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] 00:00 Tools
Rossini: La gazza ladra, Act 2: "Deh, pensa che domani... E ben, per mia memoria " (Pippo, Ninetta) 00:00 Tools
La gazza ladra (The Thieving Magpie): Sinfonia 00:00 Tools
L'Assedio di Corinto 00:00 Tools
Stabat Mater: 4. Pro peccatis suae gentis 00:00 Tools
Act 1 - Scene 2 - Dunque io son ¿ 00:00 Tools
Rossini: Il barbiere di Siviglia - Overture (Sinfonia) 00:00 Tools
Act 2 - Ah, qual colpo inaspettato! 00:00 Tools
The Barber of Seville, Act I Scene 2: Dunque io son (Rosina, Figaro) 00:00 Tools
Demetrio e Polibio: Overture 00:00 Tools
La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto 00:00 Tools
Stabat Mater: 7. Fac ut portem Christi mortem 00:00 Tools
Act 2 - Buona sera, mio signore 00:00 Tools
Eja, mater, fons amoris 00:00 Tools
I. Moderato 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): All'idea di quel metallo (Conte/Figaro) 00:00 Tools
La Cenerentola / Act 1: "Zitto, zitto: piano, piano" 00:00 Tools
Act 2 - Zitti, zitti, piano, piano 00:00 Tools
Act 2 - Temporale 00:00 Tools
Petite Messe Solennelle: Agnus Dei 00:00 Tools
The Barber of Seville, Act I Scene 2: Ora mi sento meglio (Rosina, Bartolo) 00:00 Tools
The Barber of Seville, Act I Scene 2: A un dottor della mia sorte (Bartolo) 00:00 Tools
Sì, sì, la vincerò 00:00 Tools
Quis est homo from Stabat Mater 00:00 Tools
Messa di Gloria: Quoniam 00:00 Tools
Rossini: La gazzetta: Si, vada a incarrozzarsi 00:00 Tools
Semiramide / Act 1: Bel raggio lusinghier 00:00 Tools
Il barbiere di Siviglia / Act 1: "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" 00:00 Tools
Petite messe solennelle (1863 chamber version): Credo: Crucifixus 00:00 Tools
Coro 00:00 Tools
Rossini: L'Italiana in Algeri: Se inclinassi a prender moglie - Lindoro, Mustafa 00:00 Tools
Wilhelm Tell Overture 00:00 Tools
La Cenerentola / Act 2: "Un segreto d'importanza" 00:00 Tools
Act 2 - Il vecchiotto cerca moglie 00:00 Tools
The Barber of Seville, Act I, Scene 1: "Largo al factotum" 00:00 Tools
Act 2 - Orsu, signor Don Bartolo 00:00 Tools
Finale I: Ehi, di casa, maladetti! 00:00 Tools
Petite messe solennelle (1863 chamber version): Credo: Et resurrexit 00:00 Tools
Les soirées musicales: La danza (Già la luna è in mezzo al mare) 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): Una voce poco fà (Rosina) 00:00 Tools
La Cenerentola / Act 2: "Ah! questa bella incognita" 00:00 Tools
Act II Sequito del Quintetto: Buona sera, mio signore 00:00 Tools
Petite messe solennelle (1863 chamber version): III. Credo: Credo un unum Deum 00:00 Tools
Rossini: La Pie voleuse: Ouverture 00:00 Tools
Il barbiere di Siviglia: Sinfonia (Orchestra) 00:00 Tools
Rossini: Les soirées musicales: No. 8 La danza 00:00 Tools
CORO E REZITATIVO: Eja, Mater, Fons Amoris, Me Sentire Vim Doloris, Fac, Ut Tecum Lugeam (Bass & Ch 00:00 Tools
Il barbiere di Siviglia / Act 1: Recitativo: "Ora mi sento meglio" 00:00 Tools
Gioacchino Rossini: Il barbiere di Siviglia / Act 1 - Una voce poco fa 00:00 Tools
Messa di Gloria: Christe eleison 00:00 Tools
The Barber of Seville, Act I Scene 2: Finore in questa camera (Berta, Count) 00:00 Tools
Barber of Seville - Overture 00:00 Tools
Il barbiere di Siviglia / Act 1: No.9 Finale I: "Ehi, di casa!... buona gente!..." 00:00 Tools
La Boutique Fantasque : 4. Tarantella 00:00 Tools
Rossini: Guillaume Tell, Act 4: "Ne m'abandonne point... Asile héréditaire... Amis, amis secondez ma vengeance" (Arnold) 00:00 Tools
Act I: No. 1. Sinfonia 00:00 Tools
Act I: Recitativo: Dove mai si caccio? / Aria: Ombretto sdegnosa del Missipipi 00:00 Tools
La Cenerentola / Act 1: "Noi Don Magnifico..." 00:00 Tools
Stabat Mater: 5. Eja Mater fons amoris 00:00 Tools
La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" 00:00 Tools
La Cenerentola / Act 1: "Là del diel nell'arcano profondo" 00:00 Tools
La Cenerentola / Act 2: "Ma dunque io sono un ex" 00:00 Tools
Largo Al Factotum "The Barber Of Sevile" 00:00 Tools
La gazza ladra (The Thieving Magpie) (Sung in English): Overture: Maestoso marziale 00:00 Tools
Bravo, signor barbiere 00:00 Tools
Rossini: Beltà crudele 00:00 Tools
Finora in questa camera 00:00 Tools
Rossini: La Danza 00:00 Tools
ACT I - Scene I: Piano, Pianissimo, senza parlar 00:00 Tools
Canzone 00:00 Tools
Rossini: Il barbiere di Siviglia: Mille grazie, mio signore - Coro 00:00 Tools
William Tell: Overture - (Lone Ranger) 00:00 Tools
Stabat Mater: 8. Inflammatus et accensus 00:00 Tools
Rossini: L'Italiana in Algeri: Per lui che adoro - Isabella, Mustafa, Taddeo, Lindoro 00:00 Tools
Gloria 00:00 Tools
L'inganno felice 00:00 Tools
Overture to L'italiana in Algeri (The Italian Girl in Algiers) 00:00 Tools
Gente Indiscreta !... 00:00 Tools
III. Allegro 00:00 Tools
La Cenerentola / Act 1: "Principino, dove siete?" 00:00 Tools
Il barbiere di Siviglia / Act 1: Che cosa accadde 00:00 Tools
La Danza Tarantella 00:00 Tools
Act 1 - Scene 2 - Dunque, lei vuol battaglia ¿ 00:00 Tools
Messa di Gloria: Kyrie eleison 00:00 Tools
La Cenerentola - Overture 00:00 Tools
La calunnia e' un venticello 00:00 Tools
Guglielmo Tell - Ouverture 00:00 Tools
Rossini: Semiramide, Act 1: "Ah! quel giorno ognor rammento" (Arsace) 00:00 Tools
All' idea di quel metallo 00:00 Tools
La donna del lago: Mura felici... Elena! oh tu, che chiamo! (Malcolm) 00:00 Tools
La Promessa 00:00 Tools
Act I: No. 7. Scene: Ola! Ella...oh ciel! (Duca, Dorliska) 00:00 Tools
'Tempesta' 00:00 Tools
Stabat Mater: 10. Amen 00:00 Tools
Cyrulik sewilski 00:00 Tools
Tancredi / Act 1: Di tanti palpiti 00:00 Tools
Stabat Mater: 6. Sancta Mater istud agas 00:00 Tools
Gente indiscreta! 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), Act I: Una voce poco fa 00:00 Tools
Otello, ossia Il moro di Venezia, Act I: Sinfonia 00:00 Tools
Ah, Ah ! Che Bella Vita ! 00:00 Tools
Bianca e Falliero: Sinfonia 00:00 Tools
Torvaldo E Dorliska, Opera 00:00 Tools
Duetto per violoncello e contrabasso: II. Andante molto 00:00 Tools
Rossini: Il barbiere di Siviglia: Fermi tutti. Eccoli qua - Don Bartolo 00:00 Tools
Guillaume Tell: Ouverture 03:25 Tools
Semiramide Overture 00:00 Tools
String Sonata No.1 - 3rd mvt.: Allegro 00:00 Tools
Tancredi - Mélodrame in two Acts (Ferrara Finale) (Highlights): O patria!... Di tanti palpiti (No. 3 Recitativo e Cavatina) 00:00 Tools
Rossini: Petite Messe solennelle - Kyrie - Kyrie 00:00 Tools
"Non più mesta" 00:00 Tools
Sonata I G-Dur 00:00 Tools
Act II: Aria - Vedrai fra poco nascere 00:00 Tools
Il Signor Bruschino: Sinfonia 00:00 Tools
Wilhelm Tell - uwertura 00:00 Tools
Il barbiere di Siviglia : Una voce poco fa 00:00 Tools
Sonata A Quattro (String Symphony) No. 4 In B Flat Major 00:00 Tools
La Cenerentola / Act 1: "Ora sono da voi" 00:00 Tools
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto" 00:00 Tools
Una voce poco fa (Il barbiere di Siviglia) 00:00 Tools
Rossini: Il turco in Italia: Che Turca impertinente - Fiorilla 00:00 Tools
Rossini: La cenerentola: Una volta c'era un Re 00:00 Tools
Cyrulik sewilski (Uwertura) 00:00 Tools
Maometto II: Overture 00:00 Tools
Stabat Mater: 9. Quando corpus morietur 00:00 Tools
La Cenerentola / Act 2: Temporale 00:00 Tools
La Donna Del Lago (The Lady Of The Lake), Opera 00:00 Tools
Stabat Mater: Eja, Mater, fons amoris 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), opera: Una voce poco fa 00:00 Tools
Act I: Recitativo: Ah, ah! che bella vita! 00:00 Tools
The Theiving Magpie Overture (Sony Bravia TV Ad) 00:00 Tools
La Cenerentola / Act 1: Ah! se velata ancor..Sprezzo quei don..Parlar, pensar 00:00 Tools
La Cenerentola / Act 2: "Scusate, amici" 00:00 Tools
Semiramide / Act 1: Alle più calde immagini 00:00 Tools
The Barber of Seville, Act II Scene 1: Pace e gioia sia con voi! (Count, Bartolo) 00:00 Tools
Rossini - La Gazza Ladra Overture 00:00 Tools
Rossini 00:00 Tools
Rossini: L'Italiana in Algeri: Overture 00:00 Tools
Rossini: Mose: O tu che sei del Ciel Regina 00:00 Tools
Il Barbiere di Siviglia, ATTO PRIMO: Cavatina: La ran le lerea ... Largo al factotum (Figaro) 00:00 Tools
Guillermo Tell 00:00 Tools
Il Barbiere di Siviglia (2007 Digital Remaster), Act One, Scene One: La ran la le ra...Largo al factotum (Figaro) 00:00 Tools
Largo al factotum from "The Barber of Seville" - Rossini 00:00 Tools
Le Comte Ory / Act 2: "Ce téméraire" 00:00 Tools
Péchés de vieillesse, Vol. 13 "Musique anodine": No. 6, Mi lagnerò tacendo. Allegretto moderato 00:00 Tools
L'italiana in Algeri : Overture 00:00 Tools
CAVATINA: Fac, Ut Portem Christi Mortem, Passionis Fac Consortem, Et Plagas Recolere (Soprano II) 00:00 Tools
Rossini: L'assedio di Corinto: Ma qual mal suona funebre accento? 00:00 Tools
Rossini: La gazzetta: Presto, dico 00:00 Tools
Wilhelm Tell (Ouverture) 00:00 Tools
Rossini: The Thieving Magpie (Abridged) 00:00 Tools
Rossini: Guillaume Tell: Overture (Conclusion) 00:00 Tools
Il barbiere di Siviglia / Act 2: No.15 Temporale (Thunderstorm) 00:00 Tools
Petite Messe Solennelle: Sanctus 00:00 Tools
Aureliano in Palmira: Sinfonia (Live) 00:00 Tools
Act 2 - Insomma, mio signore, chi è lei ¿ 00:00 Tools
Credo in unum Deum 00:00 Tools
Mi lagnerò tacendo, settings and album leaves for voice & piano: A major 00:00 Tools
Rossini: Il barbiere di Siviglia: Largo al factotum della citta - Figaro 00:00 Tools
Act I Scene 1: Recitative - Si, tutto cangera (Alidoro, Cenerentola) 00:00 Tools
Act I: No. 12 Recitative and Aria: Io non ne posso piu (Ormondo) 00:00 Tools
Act II Scene 1, No. 7: Introduzione - E follia sul fior degli anni 00:00 Tools
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie 00:00 Tools
Semiramide / Act 1: "Bel raggio lusinghier" 00:00 Tools
Guillaume Tell Overture 00:00 Tools
Overture to Guillaume Tell (William Tell): finale 00:00 Tools
02 The Thieving Magpie (Abridged) 00:00 Tools
Petite Messe solennelle / Gloria: Domine Deus 00:00 Tools
The Barber of Seville, Act I Scene 2: Ehi, di casa, buona gente (Count, Bartolo, Rosina, Berta, Basilio) 00:00 Tools
Le Nozze Di Figaro 00:00 Tools
La Gazza ladra (2004 Digital Remaster): Overture 00:00 Tools
The Barber of Seville, Act II Scene 1: Ma vedi il mio destino! (Bartolo) 00:00 Tools
Otello : Overture 00:00 Tools
II. Andante 00:00 Tools
Act II Scene 1: Recitative - La notte e omai vicina (Alidoro, Dandini, Magnifico) 00:00 Tools
Zitti zitti - Quicky, quickly 00:00 Tools
Rossini: Il turco in Italia: Serva... Servo - Fiorilla, Selim, Geronio, Narciso, Prosdocimo 00:00 Tools
Rossini: La gazzetta: Avete trovata mia figlia?... Caro Padre, perdonate 00:00 Tools
Ouvertüre zur Oper "La Cenerentola" 00:00 Tools
Overture to La scala di seta (The Silken Ladder) 00:00 Tools
Il barbiere di Siviglia : "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) 00:00 Tools
Il Barbiere di Siviglia, Act I, Scene One: Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) 00:00 Tools
Insomma, mio signore 00:00 Tools
Largo al factotum [Il Barbiere Di Siviglia]; C=Galliera P=Gobbi 00:00 Tools
Rossini: Il barbiere di Siviglia: Cara immagine ridente - Rosina 00:00 Tools
Laudamus Te 00:00 Tools
The Italian Girl In Algiers: Overture 00:00 Tools
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno 00:00 Tools
Il barbiere di Siviglia : No.4 Duetto: "All'idea di quel metallo" 00:00 Tools
Rossini: "Largo al factotum" (Il barbiere di Siviglia) 00:00 Tools
The Barber of Seville, Act II Scene 1: Insomma, mio signore, chi è lei? (Bartolo, Count) 00:00 Tools
Sinfonia in D major, "Bologna" 00:00 Tools
Act I Duetto: Dunque io son... tu non m'inganni? (Rosina, Figaro) 00:00 Tools
Act II Scene 7, No. 11: Gran Scena ed Aria - Alfin compiuta e un a meta 00:00 Tools
I. Allegro vivace 00:00 Tools
Cyrulik sewilski - uwertura 00:00 Tools
Petite Messe Solennelle: O salutaris hostia 00:00 Tools
Don Basilio! 00:00 Tools
Act 2 - Di sì felice innesto 00:00 Tools
The silken ladder, Overture 00:00 Tools
Il barbiere di Siviglia (The Barber of Seville), opera: Act I: Una voce poco fa 00:00 Tools
Rossini: Il barbiere di Siviglia / Act 1 - No.7 Duetto: "Dunque io son... tu non m'inganni?" 00:00 Tools
Rossini: Il barbiere di Siviglia / Act 1 - "Largo al factotum" 00:00 Tools
Rossini: Il Signor Bruschino - Overture 00:00 Tools
The Barber Of Seville - Overtu 00:00 Tools
Ouvertüre zur Oper "Il Barbiere di Siviglia" 00:00 Tools
Il barbiere di Siviglia / Act 1: "Una voce poco fa...Io sono docile" 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): Dunque io son (Figaro/Rosina) 00:00 Tools
Ah! Che Ne Dite? 00:00 Tools
The Barber of Seville, Act I Scene 2: Ma signor (Bartolo, Soldiers, Townspeople, Rosina, Basilio, Berta, Count, Figaro) 00:00 Tools
Rossini: Il barbiere di Siviglia / Act 1 - Recit: "Ebben, signor Figaro?" 00:00 Tools
Péchés de vieillesse, Book 11 (Miscellanée de musique vocale): À ma belle mère (To my mother) 00:00 Tools
Messa di Gloria: Gloria 00:00 Tools
Torvaldo e Dorliska 00:00 Tools
Wilhelm Tell: Ouverture 00:00 Tools
Ah, che bella vita! 00:00 Tools
L'esule ('Qui sempre ride in cielo'), for voice & piano (Péchés de vieillesse, book 3), QR iv/25 00:00 Tools
Act II: Recitativo - Avete fatto male 00:00 Tools
Act II: Chorus: Dunque in oggi i numi irati (Chorus) - Scene and Aria: Oh delle pene mie (Ciro) 00:00 Tools
Act II: Temporale 00:00 Tools
Act II: Aria: Pubblico fu l'oltraggio 00:00 Tools
Il Barbiere di Siviglia - Una voce poco fa 00:00 Tools
Péchés de vieillesse / Vol. I: La lontananza 00:00 Tools
Rossini: Guillaume Tell, Act 1 Scene 1: No. 1, Choeur, "Quel jour serein le ciel présage !" (Chorus) 00:00 Tools
Péchés de vieillesse, Vol. 14, Altri péchés de vieillesse: No. 12, Allegro agitato in A Minor (Reconstr. for Cello & Piano) 00:00 Tools
La gazza ladra, Overture 00:00 Tools
Oh Cielo !... 00:00 Tools
Le barbier de Seville: Ouverture 00:00 Tools
"Il Barbiere de Siviglia", Overture 00:00 Tools
Der Barbier von Sevilla (Largo al factotum) 00:00 Tools
The Barber of Seville, Act II Scene 1: Venite, signorina (Bartolo, Count) 00:00 Tools
William Tell: Overture (From "Armageddon") 00:00 Tools
Act II: Si bell'alma soccorrete (Chorus, Argene, Arbace) 00:00 Tools
Rossini: La cenerentola: Sia qualunque delle figlie 00:00 Tools
Rossini: Mose: Impaziente pel ritorno io sono 00:00 Tools
Act I: Recitativo: Signor Giocondo, io vedo 00:00 Tools
Act I: Finale I: Non serve a vil politica 00:00 Tools
La Gazza ladra (Overture) 00:00 Tools
William Tell Overture: Finale, "March Of The Swiss Soldiers" 00:00 Tools
Ricciardo e Zoraide: Overture 00:00 Tools
The Thieving Magpie (Overture) 00:00 Tools
Péchés de vieillesse / Vol. III: L'esule 00:00 Tools
Il Barbiere di Silviglia - La calunnia e un venticello (Basilio) 00:00 Tools
Gioacchino Rossini: Il barbiere di Siviglia - Overture (Sinfonia) 07:13 Tools
Gioacchino Rossini: Soirées musicales - La Danza 00:00 Tools
Le Siege De Corinthe Maometto II (II.Mehmet) 00:00 Tools
Rossini: L'assedio di Corinto: Tua figlia m'e promessa... Destin terrible 00:00 Tools
Rossini: Mose: Dal tuo stellato soglio [Prayer of Moses] 00:00 Tools
Rossini: L'occasione fa il Ladro: Miei signori, allegramente 00:00 Tools
Act II: Recitativo - Miralo. Rosalia, ei fugge 00:00 Tools
Overture from William Tell 00:00 Tools
Il Barbiere di Siviglia - Ouverture 00:00 Tools
The Barber of Seville, Act I Scene 2: Che cosa accadde, signori miei (Count, Bartolo, Rosina, Berta, Basilio, Figaro etc) 00:00 Tools
The Barber of Seville, Act I Scene 2: Fredda ed immobile (Rossina, Count, Barolo, Figaro, Basilio, Berta) 00:00 Tools
Buona Sera, Mio Signore 00:00 Tools
Il Barbiere di Siviglia Largo Al Factotum 00:00 Tools
Messa di Gloria: Qui tollis 00:00 Tools
Rossini: Mose: Padre!... Signor! 00:00 Tools
No. 3: Cavatina - Nel teatro del gran mondo 00:00 Tools
Act I: Recitativo: Ma che sestina 00:00 Tools
Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa 00:00 Tools
La Pastorella (The Little Shepherdess) from "Soirées Musicales" 00:00 Tools
Armida 00:00 Tools
Il barbiere di Siviglia / Act 1: Fredda ed immobile 00:00 Tools
Act I: Sinfonia 00:00 Tools
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) 00:00 Tools
Il Barbiere di Siviglia, Act I, Scene One: Mille grazie, mio signore (Conte/Fiorello/Coro) 00:00 Tools
Petite messe solennelle: II. Gloria. Gloria in exclesis Deo 00:00 Tools
Duetto per violoncello e contrabasso: III. Allegro 00:00 Tools
Rossini: Il barbiere di Siviglia: Ehi, Fiorello? - Conte 00:00 Tools
Amici, in ogni evento m'affido a voi…Pensa alla patria (Isabella) 00:00 Tools
Act I: Coro: Il Conte Asdrubale 00:00 Tools
String Sonata No. 1 In G Major: Moderato 00:00 Tools
OvertureThe Barber of Seville 00:00 Tools
Cruda sorte! amor tiranno! 00:00 Tools
Cinderella: Overture 00:00 Tools
Stabat Mater: Pro peccatis suae gentis 00:00 Tools
Stabat Mater: Sancta Mater, istud agas 00:00 Tools
Stabat Mater: III. Quis est homo (Duet) 00:00 Tools
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) 00:00 Tools
Guillaume Tell (William Tell): Overture (A Clockwork Orange) 00:00 Tools
William Tell Overture: Galop 00:00 Tools
Rossini: Mose: Celeste man placata! 00:00 Tools
Rossini: L'assedio di Corinto: Nube di sangue intrisa 00:00 Tools
Il barbièrie di siviglia 00:00 Tools
Ehi, Di Casa, Buona Gente 00:00 Tools
Wilhelm Tell (Uwertura) 00:00 Tools
Il barbiere di Siviglia / Act 1: Questa bestia di soldato 00:00 Tools
Act I No. 2: Cavatina: Largo al factotum della citta 00:00 Tools
Act I: Recitativo & Duetto: Perche? Perche vorrei che l'eco fosse 00:00 Tools
Rossini: L'assedio di Corinto: Sian tolti a lui quel ferri 00:00 Tools
Act I: Recitativo: Di me stupisce ognun 00:00 Tools
Rossini: L'Italiana in Algeri: Con tutta la sua boria - Haly, Taddeo, Lindoro, Mustafa 00:00 Tools
Rossini: L'assedio di Corinto: Signor, un sol tuo cenno 00:00 Tools
Petite Messe solennelle - Kyrie: Kyrie 00:00 Tools
William Tell Overature - Finale 00:00 Tools
Ouvertüre zur Oper "Semiramide" 00:00 Tools
La Cenerentola / Act 2: "Ma ve l'avevo detto..." 00:00 Tools
Gratias Agimus Tibi 00:00 Tools
Il Barbiere di Siviglia, Act I, Scene One: Recitativo:Gente indiscreta! (Conte/Fiorello/Figaro) 00:00 Tools
The Barber of Seville – Overture 00:00 Tools
Les soirees musicales: No. 8. La danza, "Tarantella napoletana" 00:00 Tools
Stabat Mater: Fac, ut portem Christi mortem 00:00 Tools
The Barber of Seville, Act II Scene 1: Contro un cor che accende amore (Rosina, Count) 00:00 Tools
Il Barbiere di Siviglia, Overture 00:00 Tools
String Quintet in E major, G. 275: III. Minuetto (The Ladykillers) 00:00 Tools
William Tell Overture (as made famous by Rossini) 00:00 Tools
Act II: Duetto - Vieni pur, a me t'accosta 00:00 Tools
Rossini: L'assedio di Corinto: Celeste providenza 00:00 Tools
Rossini: La gazzetta: Dunque seguitemi 00:00 Tools
Credo 00:00 Tools
O Sítio de Corinto 00:00 Tools
Largo Al Factotum (The Barber Of Saville) 00:00 Tools
Il barbiere di Siviglia / Act 2: Recitativo: "Insomma, mio signore" 00:00 Tools
Contro un cor 00:00 Tools
Rossini: William Tell - Overture (Abridged) 00:00 Tools
Overture Matilde Di Shabran 00:00 Tools
Duetto buffo di due gatti (The Cats' Duet) 00:00 Tools
Rossini: Il barbiere di Siviglia: Una voce poco fa - Rosina 00:00 Tools
Act I Scene 1, No. 2: Coro di Donne - Restate, amici 00:00 Tools
Rossini: La cenerentola: Della fortuna instabile 00:00 Tools
Rossini: Il barbiere di Siviglia: Che cosa accade, signori miei? - Figaro 00:00 Tools
No. 6: Recitativo - No, no. S'anche si stampa diran che non e vera 00:00 Tools
Petite messe solennelle (1863 chamber version): VII. Agnus Dei 00:00 Tools
Guillaume Tell : Ouverture 00:00 Tools
Beltà crudele 00:00 Tools
06 William Tell Overture (Abridged) 00:00 Tools
Petite messe solennelle (1863 chamber version): IV. Preludio religioso 00:00 Tools
La Cenerentola / Act 2: "Son qui" 00:00 Tools
Overture 'The Barber of Seville' 00:00 Tools
Il Barbiere di Siviglia (1996 Digital Remaster): A un dottor della mia sorte (Bartolo) 00:00 Tools
Il barbiere di Siviglia / The Barber of Seville Overture - Remastered 00:00 Tools
Bianca e Faliero: Overture 00:00 Tools
Evviva Il Mio Padrone ! 00:00 Tools
ARIA E CORO: Inflammatus Et Accensus Per Te, Virgo, Sim Defensus In Die Judicii (Soprano I & Chorus 00:00 Tools
Soirées musicales, song collection for voices & piano: La danza (tarantella napoletana) 00:00 Tools
Rossini: William Tell - Overture: Andante - Allegro - Andantino - Allegro vivace 00:00 Tools
Rossini: Il turco in Italia: Overture 00:00 Tools
Act I No. 4: Recitative: Ola, tosto il caffe 00:00 Tools
Rossini: Il barbiere di Siviglia: Don Basilio! - Rosina 00:00 Tools
No. 8: Finale - Ebben, ragion, dovere vi diero alfin consiglio 00:00 Tools
William Tell Overture Finale 00:00 Tools
"Preghiera" aus der Oper "Mosè in Egitto" 00:00 Tools
Venite, Signorina 00:00 Tools
Il barbiere di Siviglia / Act 1: "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) 00:00 Tools
Se il mio nome 00:00 Tools
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Gioachino Antonio Rossini (February 29, 1792 – November 13, 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. His best known operatic works include Il barbiere di Siviglia (The Barber of Seville), La Cenerentola, La gazza ladra (The Thieving Magpie) and Guillaume Tell (William Tell). A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart." Until his retirement in 1829, Rossini had been the most popular opera composer in history. Gioachino Antonio Rossini was born into a family of musicians in Pesaro, a town on the Adriatic coast of Italy. His father, Giuseppe, was a horn player and inspector of slaughterhouses. His mother, Anna, was a singer and a baker's daughter. Rossini's parents began his musical training early, and by the age of six he was playing the triangle in his father's musical group. Rossini's father was sympathetic to the French Revolution and welcomed Napoleon Bonaparte's troops when they arrived in northern Italy. When Austria restored the old regime in 1796, Rossini's father was sent to prison and his mother took him to Bologna, making a living as a leading singer at various theatres of the Romagna region. Her husband would ultimately join her in Bologna. During this time, Rossini was frequently left in the care of his aging grandmother, who had difficulty supervising the boy. He remained at Bologna in the care of a pork butcher while his father played the horn in the orchestras of the theatres at which his wife sang. The boy had three years of instruction in the playing of the harpsichord from Giuseppe Prinetti, originally from Novara, who played the scale with two fingers only; Prinetti also owned a business selling beer and had a propensity to fall asleep while standing. These qualities made him a subject for ridicule in the eyes of the young Rossini. He was eventually taken from Prinetti and apprenticed to a blacksmith. In Angelo Tesei, he found a congenial music master, and learned to sight-read, play accompaniments on the piano and sing well enough to take solo parts in the church when he was ten years of age. Important from this period are six sonate a quattro, or string sonatas, composed in three days, unusually scored for two violins, cello and double bass. The original scores were found in the Library of Congress in Washington DC after World War II, dated from 1804 when the composer was twelve. Often transcribed for string orchestra, these sonatas reveal the young composer's affinity for Haydn and Mozart, already showing signs of operatic tendencies, punctuated by frequent rhythmic changes and dominated by clear, songlike melodies. In 1805 he appeared at the theatre of the Commune in Ferdinando Paer's Camilla, his only public appearance as a singer. He was also a capable horn player, treading in the footsteps of his father. Around this time, he composed individual numbers to a libretto by Vincenza Mombelli called Demetrio e Polibio, which was handed to the boy in pieces. Though it was Rossini's first opera, written when he was thirteen or fourteen, the work was not staged until the composer was twenty years old, premiering as his sixth official opera. In 1806 Rossini became a cello student under Cavedagni at the Conservatorio di Bologna. The following year he was admitted to the counterpoint class of Padre Stanislao Mattei (1750–1825). He learned to play the cello with ease, but the pedantic severity of Mattei's views on counterpoint only served to drive the young composer's views toward a freer school of composition. His insight into orchestral resources is generally ascribed not to the strict compositional rules that he learned from Mattei, but to knowledge gained independently while scoring the quartets and symphonies of Haydn and Mozart. At Bologna, he was known as "il Tedeschino" ("the Little German") on account of his devotion to Mozart. Through the friendly interposition of the Marquis Cavalli, his first opera, La cambiale di matrimonio (The Marriage Contract), was produced at Venice when he was a youth of 18 years. But two years before this he had already received the prize at the Conservatorio of Bologna for his cantata Il pianto d'Armonia sulla morte d’Orfeo. Between 1810 and 1813 at Bologna, Rome, Venice and Milan, Rossini produced operas of varying success, most notably La pietra del paragone and Il Signor Bruschino, with its brilliant and unique overture. In 1813, Tancredi and L'Italiana in Algeri were even bigger successes, and catapulted the 20-year-old composer to international fame. The libretto for Tancredi was an arrangement by Gaetano Rossi of Voltaire's tragedy Tancrède. Traces of Ferdinando Paer and Giovanni Paisiello were undeniably present in fragments of the music. But any critical feeling on the part of the public was drowned by appreciation of such melodies as "Di tanti palpiti... Mi rivedrai, ti rivedrò", which became so popular that the Italians would sing it in crowds at the law courts until called upon by the judge to desist. By his 21st birthday Rossini had established himself as the idol of the Italian opera public. He continued to write operas for Venice and Milan during the next few years, but their reception was tame and in some cases unsatisfactory after the success of Tancredi. In 1815 he retired to his home in Bologna, where Domenico Barbaia, the impresario of the Naples theatre, contracted an agreement that made him musical director of the Teatro San Carlo and the Teatro Del Fondo at Naples. He would compose one opera a year for each. His payment was to be 200 ducats per month; he was also to receive a share from the gambling tables set in the theatre's "ridotto", amounting to about 1000 ducats per annum. This was an extraordinarily lucrative arrangement for any professional musician at that time. He visited the Naples conservatory, and, although less than four years senior to Mercadante, he said to the Director Niccolò Zingarelli, "My compliments Maestro - your young pupil Mercadante begins where we finish." Some older composers in Naples, notably Zingarelli and Paisiello, were inclined to intrigue against the success of the youthful composer, but all hostility was rendered futile by the enthusiasm that greeted the court performance of his Elisabetta, regina d'Inghilterra, in which Isabella Colbran, who subsequently became the composer's wife, took a leading part. The libretto of this opera by Giovanni Schmidt was in many of its incidents an anticipation of those presented to the world a few years later in Sir Walter Scott's Kenilworth. The opera was the first in which Rossini wrote out the ornaments of the airs instead of leaving them to the fancy of the singers, and also the first in which the recitativo secco was replaced by a recitative accompanied by a string quartet. Rossini's most famous opera was produced on February 20, 1816, at the Teatro Argentina in Rome. The libretto, a version of Pierre Beaumarchais' stage play Le Barbier de Séville, was newly written by Cesare Sterbini and not the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how quickly Rossini's opera was written, scholarship generally agreeing upon two or three weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello's admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage. Later in 1822, a 30-year-old Rossini succeeded in meeting Ludwig van Beethoven, who was then aged 51, deaf, cantankerous and in failing health. Communicating in writing, Beethoven noted: “Ah, Rossini. So you’re the composer of The Barber of Seville. I congratulate you. It will be played as long as Italian opera exists. Never try to write anything else but opera buffa; any other style would do violence to your nature.”[ Between 1815 and 1823 Rossini produced 20 operas. Of these Otello formed the climax to his reform of serious opera, and offers a suggestive contrast with the treatment of the same subject at a similar point of artistic development by the composer Giuseppe Verdi. In Rossini's time the tragic close was so distasteful to the public of Rome that it was necessary to invent a happy conclusion to Otello. Conditions of stage production in 1817 are illustrated by Rossini's acceptance of the subject of Cinderella for a libretto only on the condition that the supernatural element should be omitted. The opera La Cenerentola was as successful as Barbiere. The absence of a similar precaution in construction of his Mosè in Egitto led to disaster in the scene depicting the passage of the Israelites through the Red Sea, when the defects in stage contrivance always raised a laugh, so that the composer was at length compelled to introduce the chorus "Dal tuo stellato soglio" to divert attention from the dividing waves. In 1822, four years after the production of this work, Rossini married the renowned opera singer Isabella Colbran. In the same year, he moved from Italy to Vienna where his operas were the rage of the audiences. He directed his Cenerentola in Vienna, where Zelmira was also performed. After this he returned to Bologna, but an invitation from Prince Metternich to come to Verona and "assist in the general re-establishment of harmony" was too tempting to refuse, and he arrived at the Congress in time for its opening on October 20, 1822. Here he made friends with Chateaubriand and Dorothea Lieven. In 1823, at the suggestion of the manager of the King's Theatre, London, he came to England, being much fêted on his way through Paris. In England he was given a generous welcome, which included an introduction to King George IV and the receipt of £7000 after a residence of five months. The next year he became musical director of the Théâtre des Italiens in Paris at a salary of £800 per annum. Rossini’s popularity in Paris was so great that Charles X gave him a contract to write five new operas a year, and at the expiration of the contract he was to receive a generous pension for life. During his Paris years, between 1824 and 1829, Rossini created the comic opera Le Comte Ory and Guillaume Tell (William Tell). The production of his Guillaume Tell in 1829 brought his career as a writer of opera to a close. He was thirty-eight years old and had already composed thirty-eight operas. Guillaume Tell was a political epic adapted from Schiller’s play (1804) about the thirteenth century Swiss patriot who rallied his country against the Austrians. The libretto was by Étienne Jouy and Hippolyte Bis, but their version was revised by Armand Marrast. The music is remarkable for its freedom from the conventions discovered and utilized by Rossini in his earlier works, and marks a transitional stage in the history of opera, the overture serving as a model for romantic overtures throughout the 19th century. Though an excellent opera, it is rarely heard uncut today, as the original score runs more than four hours in performance. The overture is one of the most famous and frequently recorded works in the classical repertoire. In 1829 he returned to Bologna. His mother had died in 1827, and he was anxious to be with his father. Arrangements for his subsequent return to Paris on a new agreement were temporarily upset by the abdication of Charles X and the July Revolution of 1830. Rossini, who had been considering the subject of Faust for a new opera, did return, however, to Paris in November of that year. Six movements of his Stabat Mater were written in 1832 by Rossini himself and the other six by Giovanni Tadolini, a good musician who was asked by Rossini to complete the work. However, Rossini composed the rest of the score in 1841. The success of the work bears comparison with his achievements in opera, but his comparative silence during the period from 1832 to his death in 1868 makes his biography appear almost like the narrative of two lives—the life of swift triumph and the long life of seclusion, of which biographers give us pictures in stories of the composer's cynical wit, his speculations in fish culture, his mask of humility and indifference. His first wife died in 1845, and on August 16, 1846, he married Olympe Pélissier, who had sat for Vernet for his picture of Judith and Holofernes. Political disturbances compelled Rossini to leave Bologna in 1848. After living for a time in Florence, he settled in Paris in 1855, where his house was a centre of artistic society. Rossini had been a well-known gourmand and an excellent amateur chef his entire life, but he indulged these two passions fully once he retired from composing, and today there are a number of dishes with the appendage "alla Rossini" to their names that were either created by him or specifically for him. Probably the most famous of these is Tournedos Rossini, still served by many restaurants today. In the meantime, after years of various physical and mental illnesses, he had slowly returned to music, composing obscure little trifles intended for private performance. These Péchés de vieillesse ("Sins of Old Age") are grouped into 14 volumes, mostly for solo piano, occasionally for voice and various chamber ensembles. Often whimsical, these pieces display Rossini’s natural ease of composition and gift for melody, showing obvious influences of Beethoven and Chopin, with many flashes of the composer’s long buried desire for serious, academic composition. He died at his country house at Passy on Friday, November 13, 1868. He was 76 years old. He was buried in Père Lachaise cemetery in Paris, France. In 1887, his remains were moved to the Basilica di Santa Croce di Firenze, in Florence, at the request of the Italian government. Rossini was a foreign associate of the institute, grand officer of the Legion of Honour and recipient of innumerable orders. Immediately after Rossini's death, Giuseppe Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini," to be performed on the first anniversary of his death, conducted by Angelo Mariani. The music was written, but the performance was abandoned shortly before its scheduled premiere. Verdi re-used the Libera me, Domine he had written for the Rossini Requiem in his 1872 Requiem for Manzoni. In 1989 the conductor Helmuth Rilling recorded the original "Requiem for Rossini" in its world premiere. In his compositions, Rossini plagiarized freely from himself, a common practice among deadline-pressed opera composers of the time. Few of his operas are without such admixtures, frankly introduced in the form of arias or overtures. For example, in Il Barbiere there is an aria for the Count (often omitted) 'Cessa di più resistere', which Rossini used (with minor changes) in the cantata Le Nozze di Teti e di Peleo and in La Cenerentola (the cabaletta for Angelina's Rondo is almost unchanged). Moreover, four of his best known overtures, namely those of (La cambiale di matrimonio, Tancredi, La Cenerentola and The Barber of Seville), share operas apart from those with which they are most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, creating "tempests in teapots by beginning in a whisper and rising to a flashing, glittering storm", earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his demise; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "bel canto revival." According to Herbert Weinstock's 1968 biography (see below), the composer's estate was valued at 2.5 million francs upon his death in 1868, the equivalent of about 1.4 million US dollars. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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