Giovanni Paolo Cima

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Concerti ecclesiastici: Sonata a Tre 00:00 Tools
Sonata a 4 00:00 Tools
Violin Sonata 00:00 Tools
Sonata Seconda, for recorder and basso continuo 00:00 Tools
Sonata Prima, for recorder and basso continuo 00:00 Tools
Sonate in a 00:00 Tools
Sonata for Cornet and Trombone 00:00 Tools
Sonata for Violin and Cornet 00:00 Tools
Cima : Sonata 00:00 Tools
Sonata a due, Milano 1610 00:00 Tools
Sonata a tre 00:00 Tools
Sonata 00:00 Tools
Sonata in D minor 00:00 Tools
Canzon quarta: La Pace 00:00 Tools
Concerti ecclesiastici (1610): "Cantantibus organis" (Musica Figurata) 00:00 Tools
Sonata per il Violino, from "Concerti ecclesiastici" 00:00 Tools
Gustate et videte 00:00 Tools
Variation 8 00:00 Tools
Quam pulchra es 00:00 Tools
Sonata No. 3 00:00 Tools
Sonata, from "Concerti ecclesiastici" 00:00 Tools
O Sacrum in Eco 00:00 Tools
Concerti ecclesiastici (1610): "Laudate Dominum" (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): "Exaudi Domine" (Musica Figurata) 00:00 Tools
Variation 6 00:00 Tools
Surge propera, in eco 00:00 Tools
Concerti ecclesiastici (1610): "Gustate et videte" (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): "Adiuro vos filiae" (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): Duetto I (Musica Figurata) 00:00 Tools
Ne timeas Maria 00:00 Tools
Sonata a 4 in C Major 00:00 Tools
Ad te desiderat 00:00 Tools
Exaudi Domine 00:00 Tools
Canzona VI 00:00 Tools
Concerti ecclesiastici (1610): "Cor mundum" (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): "Mirabile mysterium" (Musica Figurata) 00:00 Tools
II. Et was lebhaf ter 00:00 Tools
La capriccio a 4 00:00 Tools
Sonata Per Il Violino 00:00 Tools
Cantantibus organis 00:00 Tools
Cor Mundum 00:00 Tools
Mirabile Mysterium 00:00 Tools
Concerti ecclesiastici (1610): Canzona VI (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): La Capriccio (Musica Figurata) 00:00 Tools
I. Sehr ruhig 00:00 Tools
Concerti ecclesiastic: Concerti ecclesiastici: Sonata a Tre 00:00 Tools
Confitemini Domino 00:00 Tools
Adiuro vos, filiae Hierusalem 00:00 Tools
Concerti ecclesiastici (1610): "Ad te desiderat" (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): "Surge propera", in eco (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): Sonata a 4 (Musica Figurata) 00:00 Tools
Gaudeamus omnes in Domino 00:00 Tools
Sonata in G minor 00:00 Tools
Cima : Violin Sonata in G Minor 00:00 Tools
Adiuro vos filiae 00:00 Tools
Duetto I 00:00 Tools
Concerti ecclesiastici (1610): "Confitemini Domino" (Musica Figurata) 00:00 Tools
Concerti ecclesiastici (1610): Sonata a tre per il violino, cornetto e violone (Musica Figurata) 00:00 Tools
Sonata per cornetto 00:00 Tools
Capriccio 00:00 Tools
Duetto II 00:00 Tools
Laudate Dominum 00:00 Tools
Concerti ecclesiastici (1610): Sonata per violino e violone (Musica Figurata) 00:00 Tools
Giovanni Paolo Cima: Canzon quarta: La Pace 00:00 Tools
III. Ruhig 00:00 Tools
Canzon la Capriccio 00:00 Tools
Concerti ecclesiastici (1610): Duetto II (Musica Figurata) 00:00 Tools
Cima : Violin Sonata in A minor 00:00 Tools
Concerti Ecclesiastici: Sonata à 2. Violino e Violone 00:00 Tools
Concerti ecclesiastici (1610): Sonate per cornetto e trombone (Musica Figurata) 00:00 Tools
O sacrum convivium, in echo 00:00 Tools
Sonata a Tre in A Minor 00:00 Tools
Sonata per cornetto (arr. for violin and theorbo) 00:00 Tools
Sonata á Tre 00:00 Tools
Concerti ecclesiastic: Sonata a tre 00:00 Tools
Sonata canto e basso 00:00 Tools
Concerti Ecclesiastici: Sonata a 3 00:00 Tools
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Giovanni Paolo Cima (c. 1570 – 1622) was an Italian composer and organist in the early Baroque era. He was a contemporary of Claudio Monteverdi and Girolamo Frescobaldi. Cima came from a family of musicians and was a leading musical figure in Milan. He was director of music and organist at tha Saint Marie chapel of Saint Celso in Milan in 1610. Cima's church music was generally conservative, but his instrumental works were more innovative. He was the first composer to publish trio sonatas and made use in them of the combination of two treble instruments and the basso continuo. Cima died in Milan at about the age of 52. In the early 17th century, Cima was nearly as respected as Monteverdi. But, owing largely to his legendary reluctance to publish his music, Cima is nearly forgotten today - his only remotely familiar works are two sonatas (one for violin and bass, the other for cornet, violin, and violone) that keep finding their way onto recordings of Monteverdi's Vespers of 1610. Giovanni Paolo Cima is not to be confused with the artist Giovanni Battista Cima, called Cima da Conegliano. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.