Golden Kids

Trackimage Playbut Trackname Playbut Trackname
časy se mění 00:00 Tools
Nestůj a pojď (u nás máme mejdan) 00:00 Tools
Charming Birds 00:00 Tools
Micro-Magic-Circus 00:00 Tools
Nautilus 00:00 Tools
Přítel Quinn 00:00 Tools
Červánky 02:01 Tools
Svět je místo k radování 00:00 Tools
Pohádka o cínovém vojáčkovi 00:00 Tools
Atlantis 00:00 Tools
Tý líný řeky proud 00:00 Tools
Jarmark ve Scarborough 00:00 Tools
Šlechtici 00:00 Tools
Proudy 00:00 Tools
Šel sen kolem nás 00:00 Tools
Jdi o dům dál 00:00 Tools
Horoskop 00:00 Tools
Tak dej se k nám a projdem svět 00:00 Tools
Vrba 00:00 Tools
Malé šípy 00:00 Tools
The Beat Goes On 00:00 Tools
Male Sipy 00:00 Tools
Oh, baby, baby 00:00 Tools
Bungalow Bill 00:00 Tools
Bam-Bam-Biri-Biri-Bam 00:00 Tools
Časy se mění (The Times Are A-Changing) 00:00 Tools
Carodej-Dobrodej 00:00 Tools
Proc me nikdo nema rad 00:00 Tools
Women's Day 00:00 Tools
Tak Dej Se K Nam A Projdem Svet 00:00 Tools
Strejček Charlie 00:00 Tools
Proč mě nikdo nemá rád 00:00 Tools
Nejsi Sam Kdo Doufa 00:00 Tools
Nejsi sám kdo doufá 00:00 Tools
Women´s Day 00:00 Tools
Peříčko holubí 00:00 Tools
Tajga blues 69 00:00 Tools
Women's Day (Prague - Bonton 710505-2 - 1997 [rec. 1969]) 00:00 Tools
Dest je plac 00:00 Tools
Nestuj a pojd (u nás máme mejdan) 00:00 Tools
Hej pane Zajici 00:00 Tools
Odejdu 00:00 Tools
Nestůj a pojď 00:00 Tools
Časy se mění (The Times They Are A-changing) 00:00 Tools
Micro - magic - circus 00:00 Tools
Carodej Dobrodej 00:00 Tools
No 00:00 Tools
Malý princi, co s tvou růží 00:00 Tools
Massachusetts 00:00 Tools
Déšť je pláč 00:00 Tools
Malý princi co s tou růží 00:00 Tools
Wo ist der Clown 00:00 Tools
Chci právo trubky mít 00:00 Tools
Hej pane zajíci 00:00 Tools
Tajga blues 00:00 Tools
Casy se mani 00:00 Tools
Čaroděj-Dobroděj 00:00 Tools
Nejsi sám, kdo doufá 00:00 Tools
Zlý dlouhý půst 00:00 Tools
Hej, pane zajíci 00:00 Tools
Malé šípy (Little Arrows) 00:00 Tools
Tys bejval mámin hodnej syn 00:00 Tools
hej, pane zajíci! 00:00 Tools
Was vorbei ist, das ist vorbei 00:00 Tools
Proudy (Prove It) 00:00 Tools
Přítel Quinn (Might Quinn) 00:00 Tools
Zly dlouhy pust 00:00 Tools
Malý princi, co s tou růží 00:00 Tools
Ring-o-ding 2004 00:00 Tools
Pericko holubi 00:00 Tools
Chci pravo trubky mit 00:00 Tools
Ring-o-ding 00:00 Tools
Červánky (It' s Not Unusual) 00:00 Tools
Časy se mění (Times They Are A-changin) 00:00 Tools
Časy se mění 2004 (The Times Are A-Changing) 00:00 Tools
Píseň pračlověka 00:00 Tools
Maly princi, co s tou ruzi 00:00 Tools
Oh,Baby,Baby 2004 00:00 Tools
Massachusetts 2004 00:00 Tools
Casy se meni 2004 00:00 Tools
Wir leben mit den Sonnenschein 00:00 Tools
Hej, pane zajici 00:00 Tools
Maly princi, co s tvou ruzi 00:00 Tools
Nestůj a pojd' 00:00 Tools
Vzdálený hlas 00:00 Tools
Čaroděj dobroděj 00:00 Tools
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Let's start with the probably best known funky Czech song, the soulful Tak dej se k nám a projdem svět (Join Us And We'll Travel The World). It's the song that makes Marta Kubišová's first - and for twenty years her only - solo album appear on so many funk collectors' want lists. Marta Kubišová, born 1942, was probably the most popular Czech female pop singer between 1965 and 1970. Written by the guitarist Otakar Petřina with lyrics from bass player Zdeněk Rytíř, the song literally kicks off with a funky drum break, most likely played by Petr Hejduk. Soon thereafter we'll get all pop ingredients that were "in" in late 1968 when the track was recorded: a funky bass line, a fuzzy guitar, a swirling organ, a swinging punchy horn section (probably played by members of the Czechoslovak Radio Prague Dance/Jazz Orchestra - TOČR/JOČR) and on top of it Marta's deep and urgent voice, indirectly reflecting the cheerless situation of the country occupied by Soviet tanks, while offering the listener a glimpse of hope. The album itself is slightly uneven as it contains some "fillers" which sound like being intended for the German schlager market, after all Kubišová always was a pop singer in the first place. However, the majority of the songs are simply great, although not necessarily funky. The album begins with a solid cover of Beatles' Hey Jude, which basically follows the original version except that it's sung in Czech just like the rest of the record. Another climax of the album is the intense psychedelic sitar folk song Balada o kornetovi a dívce (The Ballad Of The Cornette And The Girl). I own the 1990 LP reissue which obviously omits Zlý dlouhý půst (Bad Long Fasting) and Kdo ti radu dá (Who Gives You An Advice) (a song I have never heard yet) in favor of a re-arranged version of her biggest hit Modlitba pro Martu (A Prayer For Marta) and another Petřina/Rytíř-penned up-tempo soul-beat protest song Ne (No). It's likely that those two crucial songs had to be removed from the early 1970 pressing due to their political message; that used to happen quite often in that part of the world. However, I'm not sure if they were ever included on the original issue at all. Whatever, according to a recent online interview with Marta, Tak dej se k nám as well as Ne were her favorite songs from the album, while the single-only Tajga-Blues '69 is obviously her favorite song ever. (I might feature Tajga-Blues in a future post as it's quite a funky psychedelic beat song.) At the time when Songy a balady has been recorded and released, Kubišová was also a member of the Golden Kids, a vocal trio with Helena Vondráčková and Václav Neckář who were then already pop stars with their own solo albums, too. (Neckář was even starring in the main role in the 1968 Oscar winning movie Ostře sledované vlaky (Closely Watched Trains) directed by Jiří Menzel.) The Golden Kids were extremely popular in 1969 and they also performed in West Germany and in France. Many songs from Songy a balady were actually a part of the Golden Kids live show and both Vondráčková and Neckář sang background vocals on Marta's album. So watch out for a Golden Kids, a Neckář and a Vondráčková Funky Czech-In post, too. In 1969 Kubišová's future was looking very bright, she had signed a record contract with Polydor and a couple of her and Golden Kids singles were already released in West Germany. But obviously she went "too far" with her political engagement. In 1970 Marta's voice has been silenced by the "normalizator" Husák's regime and all records with her name on the label had to disappear from Czech record stores. You can read more details on a Marta Kubišová fan site in English, including a detailed although not complete discography and a lot of other trivia. Unlike Vondráčková and Neckář, she was not allowed to record or perform in public for almost 20 years, until her appearance at a huge demonstration against the communist regime in November 1989 where she sang the Czechoslovak national anthem and her "signature" song, the ballad Modlitba pro Martu (A Prayer For Marta) [external audio link]. I can remember that while I was listening to her performance live on the Czech AM radio that I had tears in my eyes. And this particular song still moves me, despite the "cheesy" organ sound on the album version (but hey, the original 1968 single version with the Václav Hybš orchestra sounds even cheesier). It's the message that counts. Marta Kubišová still - or rather: again - performs and records today, all of her recordings are available on CDs. Unlike the original, the 1990 vinyl reissue of Songy a balady isn't very hard to find in online auctions or in second hand record shops in Prague. If you're interested, I have four of her 7" singles from the sixties for sale (items no. 284, 963, 1068 and 1194). On cdmusic.cz you can also buy some CDs, search there for "kubisova". Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.