Group Doueh

Trackimage Playbut Trackname Playbut Trackname
Eid For Dakhla 03:45 Tools
Wazan Samat 03:22 Tools
Eid Al Arsh 05:23 Tools
Tirara 05:00 Tools
Cheyla Ya Haiuune 05:06 Tools
Fagu 06:10 Tools
Dun Dan 05:49 Tools
Sabah Lala 05:29 Tools
Beatte Harab 04:43 Tools
Min Binat Omum 05:52 Tools
Ragsa Jaguar 05:08 Tools
Zayna Jumma 04:31 Tools
Mawak Lakhaal 03:15 Tools
Tazit Kalifa 19:45 Tools
Nabi El Mohamed 07:37 Tools
Kar Wazan Abyad 04:27 Tools
Ishadlak Ya Khey 04:12 Tools
Badbada 03:27 Tools
Zaya Koum 03:25 Tools
Kar Lakhaal 03:28 Tools
Kar Labyad Doueh 04:44 Tools
Met-Ha 03:05 Tools
Jagwar Doueh 04:10 Tools
Aziza 03:35 Tools
Ana Lakweri 05:07 Tools
Waydana 03:01 Tools
Wazan Fagu Doueh 01:33 Tools
Lehi Teyilu 05:09 Tools
Wazan Doueh 06:04 Tools
Yadanat Lamayma 03:23 Tools
Wazzan Abyad Kar 02:21 Tools
waya waya 04:29 Tools
Bismi Lahi Lahi Namdah 04:29 Tools
Madam Jat Faabuni 04:29 Tools
Beyt Alayan 04:29 Tools
Nadi El Mohamed 57:54 Tools
Beyt Kar Labyad 57:54 Tools
Badbaba 57:54 Tools
Live @ Clubtransmediale Festsaal Kreuzberg Berlin 57:54 Tools
BORD DE MER 57:54 Tools
Zayna Jumma 2011 00:00 Tools
01_Eid_For_Dakhla 00:00 Tools
02_Ed_El_Arsh 00:00 Tools
  • 95,028
    plays
  • 7,394
    listners
  • 95028
    top track count

Group Doueh is part of a family entertainment business run by Salmou Baamar (aka Doueh), a native of Dakhla, Western Sahara. The rest of the group includes vocalists Halima Jakani (Baamar's wife) and Bashiri Touballi and keyboardist Jamaal Baamar (his son). Rhythm duties are shared between collective hand claps, Halima’s tbal (a hand drum), and the keyboard’s drum programs. As a youth, Baamar listened to cassettes of James Brown and Jimi Hendrix imported from Spain. His first experiences as a professional musician were playing at local parties coincided with Mauritania’s occupation of Dakhla. You can hear both Western rock influence and Mauritanian rhythms in his music, which he’s been performing and marketing on cassette for over a quarter century throughout the Western Sahara region. Doueh plays electric guitar and an instrument called the tinidit (or tidinit), a Moorish four-stringed lute; according to an article in Wire, Baamar favors a Fender guitar run through a few pedals. Doueh’s guitar playing has a complex rhythmic underpinning, close to the Master Musicians of Jajouka or flamenco, and adheres to traditional Mauritanian modes. Record label Sublime Frequencies's Hisham Mayet located Doueh at his cassette dubbing shop, after a search up and down Morocco to find the musician responsible for “Eid For Dakhla,” which became the first track on Group Doueh's Guitar Music from the Western Sahara, their first release with Sublime Frequencies in 2007. Sublime Frequencies had this to say about the album: "If you think you’ve heard all the great electric guitar styles in the world, think again. This Saharan sand-blizzard of fine-crushed glass will grind your face to a bloody pulp..." In spring of 2009 Sublime Frequencies put together a European tour for Group Doueh and labelmate Omar Souleyman, which occasioned the release of Treeg Salaam, Group Doueh's second LP, which translates to "Streets of Peace". Treeg Salaam, like its predecessor, was culled from Doueh’s massive cassette archive. Hisham Mayet selected music for the record that was recorded between 1989-1996, which makes some of the material on the album significantly older than material on the first LP. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.