Habib Koité & Bamada

Trackimage Playbut Trackname Playbut Trackname
I Ka Barra (Your Work) 05:00 Tools
Din Din Wo (Little Child) 04:45 Tools
Kanawa 05:22 Tools
Woulaba 03:40 Tools
Baro 05:06 Tools
Takamba 05:40 Tools
Mali Ba 04:44 Tools
Sinama Denw 05:21 Tools
Africa 04:53 Tools
Sambara 04:18 Tools
Mali Sadio 04:01 Tools
Roma 04:12 Tools
Sin Djen Djen 05:06 Tools
N'tesse 00:00 Tools
Tere 00:00 Tools
N'ba 00:00 Tools
N'Teri 00:00 Tools
Fimani 00:00 Tools
Titati 00:00 Tools
Barra 03:47 Tools
Namania 04:11 Tools
Batoumambe 04:14 Tools
Nta Dima 03:03 Tools
Cigarette Abana 03:28 Tools
Wari 04:16 Tools
Wassiye 00:00 Tools
Massakè 03:54 Tools
Sirata 00:00 Tools
Kumbin 00:00 Tools
Fatma 06:15 Tools
Foro Bana 00:00 Tools
I Mada 00:00 Tools
Wassiyé 04:44 Tools
Ma Ya 05:30 Tools
Muso ko 04:33 Tools
I ka barra 00:00 Tools
Din din wo 00:00 Tools
Komine 00:00 Tools
Saramaya 00:00 Tools
Nimato 00:00 Tools
Mara Kaso 00:00 Tools
Sira Bulu 00:00 Tools
Pula Ku 00:00 Tools
Koulandian 00:00 Tools
Mansane Cisse 00:00 Tools
Den ko 05:09 Tools
Bitile 00:00 Tools
Kunfe Ta 04:52 Tools
Sarayama 00:00 Tools
Nanale 05:19 Tools
Bitilè 00:00 Tools
Saramaya (Live) 00:00 Tools
Nanalé 00:00 Tools
Imada 00:00 Tools
Cigarette a Bana (The Cigarette is Finished) 04:21 Tools
Muso Ko (Woman) 00:00 Tools
Massaké 00:00 Tools
Den Ko (Talking of Children) 00:00 Tools
Nanale (The Swallow) 00:00 Tools
Kunfe Ta (The Gutter) 00:00 Tools
Maya 00:00 Tools
Kunfeta 00:00 Tools
Bitilé 00:00 Tools
Nimato (If You Don't Stop) 00:00 Tools
Manssa Cise 00:00 Tools
Sinama Dehw 00:00 Tools
Mali Sadiro 00:00 Tools
Wassive 00:00 Tools
Wassiye (Mali) 00:00 Tools
Massakč 00:00 Tools
Din Din Wo (Little Child) STEREO 00:00 Tools
I Ka Barra (Your Work) STEREO 00:00 Tools
Ika Barra 00:00 Tools
Sirata (Live) 00:00 Tools
Cigaretta a Bana 00:00 Tools
Batoumambe performed 00:00 Tools
Cigarrete a Bana (The Cigarrete is Finished) 00:00 Tools
Sira Bulu [Kobalt Edition] 00:00 Tools
Batoumambe (Live) 00:00 Tools
Sinama Denw performed 00:00 Tools
Cigarette a Bana (The Cigarette Is... performed 00:00 Tools
kunte ta 00:00 Tools
Habib Koite - Baro 00:00 Tools
Habib Koite & Bamada 00:00 Tools
N’Teri 00:00 Tools
01_Track 01 00:00 Tools
Nanalé (The Swallow) 00:00 Tools
Wari performed 00:00 Tools
Kanawa (live) 00:00 Tools
Sin Djen Djen performed 00:00 Tools
Wassiye (Live) 00:00 Tools
Roma performed 00:00 Tools
Takemba 00:00 Tools
Cigarette Abana (live) 00:00 Tools
Fatma (Live) 00:00 Tools
Ma Ya (Live) 05:30 Tools
06_Track 06 00:00 Tools
Wari (live) 00:00 Tools
Cigarette Abana (The Cigarette Is Finished) 00:00 Tools
Mali Sadio performed 00:00 Tools
Takamba performed 00:00 Tools
Tere performed 00:00 Tools
07_Track 07 00:00 Tools
Kanawa performed 00:00 Tools
Baro performed 00:00 Tools
Woulaba performed 00:00 Tools
11_Track 11 00:00 Tools
Bitile (Live) 00:00 Tools
Sambara performed 04:18 Tools
Fatma (Habib Koité) 00:00 Tools
12_Track 12 00:00 Tools
03- Wari 00:00 Tools
09_Track 09 00:00 Tools
Kanawa (Habib Koité & Bamada) 00:00 Tools
N’ba 00:00 Tools
Nanale (live) 00:00 Tools
Syrata 00:00 Tools
08_Track 08 00:00 Tools
Komine (live) 05:01 Tools
Din Din Wo [Little Child] 00:00 Tools
I mada (Live) 00:00 Tools
09- Wassiye 00:00 Tools
Batoumanbe 00:00 Tools
Nimato (Live) 00:00 Tools
02- Kanawa 00:00 Tools
I Ka Barra [Your Work] 00:00 Tools
10_Track 10 00:00 Tools
Ka Barra 00:00 Tools
Wassiyå 00:00 Tools
Batoumambe (Habib Koité & Bamada) 00:00 Tools
Cigarette a Bana (The Cigarett 00:00 Tools
Sin Djen Djen (Habib Koité & Bamada) 00:00 Tools
Denko 00:00 Tools
Wassiy 00:00 Tools
02_Track 02 00:00 Tools
Sin Djen Djen (Live) 00:00 Tools
Muso Ko (Live recording) 00:00 Tools
Cigarette Abana (Habib Koité & Bamada) 00:00 Tools
Woulaba (Habib Koité & Bamada) 00:00 Tools
Wari (Habib Koité & Bamada) 00:00 Tools
Kanawa (Please Don't Go) 00:00 Tools
Sinama Denw (Mali) 00:00 Tools
Baro (Habib Koité & Bamada) 00:00 Tools
Manssa Cisé 00:00 Tools
Wassiye (Habib Koite) 00:00 Tools
Wassiye (Habib Koite & Bamada) 00:00 Tools
07- Baro 00:00 Tools
12- Takamba 00:00 Tools
11- Mali Sadio 00:00 Tools
10- Tere 00:00 Tools
Yassive 00:00 Tools
Takamba (Live) 00:00 Tools
Sirata (Mali) 00:00 Tools
09- Roma 00:00 Tools
13- Sinama Denw 00:00 Tools
N´Teri 00:00 Tools
N’ba 00:00 Tools
Cigarette Abana (No More Cigarettes) 00:00 Tools
Kunfeta (Live) 00:00 Tools
Woulaba (Deep In The Bush) 00:00 Tools
Takamba (Habib Koité & Bamada) 00:00 Tools
09 Din Din Wo (Little Child) 00:00 Tools
Sambara (Habib Koité & Bamada) 00:00 Tools
Wari (Money) 00:00 Tools
Roma (Habib Koité & Bamada) 00:00 Tools
Koniya 00:00 Tools
Nanalй 00:00 Tools
Tere (Habib Koité & Bamada) 00:00 Tools
Kominé 00:00 Tools
Mali Sadio (Habib Koité & Bamada) 00:00 Tools
05- Cigarette Abana 04:21 Tools
05_Track 05 00:00 Tools
Habib Koite, Bamada - Wassiye 00:00 Tools
Wassy Ye 00:00 Tools
Baro (Chat) 05:06 Tools
Sin Djen Djen (He Can Flutter) 00:00 Tools
Sambara (Shoe) 00:00 Tools
Bolo mala 00:00 Tools
Sambara Bulaman 00:00 Tools
N`teri 00:00 Tools
Mansane Cissé 00:00 Tools
01 I Ka Barra (Your Work) 00:00 Tools
Muso Ko (Live) 00:00 Tools
Toumaro 00:00 Tools
Nipelekei Kwa Baba 00:00 Tools
Sinama Denw (Habib Koité & Bamada) 00:00 Tools
Sira / Bulu 00:00 Tools
Your Work 00:00 Tools
Massake' 00:00 Tools
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Malian guitarist Habib Koité is one of Africa's most popular and recognized musicians. Habib Koité was born in 1958 in Thiès, a Senegalese town situated on the railway line connecting Dakar to Niger, where his father worked on the construction of the tracks. Six months after his birth, the Koité family returned to the regional capital of west Mali, Kayes, and then to Bamako. Habib comes from a noble line of Khassonké griots, traditional troubadors who provide wit, wisdom and musical entertainment at social gatherings and special events. Habib grew up surrounded by seventeen brothers and sisters, and developed his unique guitar style accompanying his griot mother. He inherited his passion for music from his paternal grandfather who played the kamele n'goni, a traditional four-stringed instrument associated with hunters from the Wassolou region of Mali. "Nobody really taught me to sing or to play the guitar," explains Habib, "I watched my parents, and it washed off on me." Habib was headed for a career as an engineer, but on the insistence of his uncle, who recognized Habib's musical talent, he enrolled at the National Institute of Arts (INA) in Bamako, Mali. In 1978, after only six months, he was made conductor of INA Star, the school's prestigious band. He studied music for four years, graduating at the top of his class in 1982. (In fact his talent was so impressive, that upon graduation, the INA hired him as a guitar teacher). During his studies, Habib had the opportunity to perform and play with a series of recognized Malian artists, including Kélétigui Diabaté and Toumani Diabaté. He sang and played on Toumani Diabaté's 1991 release Shake the World (Sony), and Kélétigui Diabaté is now a full-time member of Habib's band. Habib takes some unique approaches to playing the guitar. He tunes his instrument to the pentatonic scale and plays on open strings as one would on a kamale n'goni. At other times Habib plays music that sounds closer to the blues or flamenco, two styles he studied under Khalilou Traoré a veteran of the legendary Afro-Cuban band Maravillas du Mali. Unlike the griots, his singing style is restrained and intimate with varying cadenced rhythms and melodies. Mali has rich and diverse musical traditions, which have many regional variations and styles that are particular to the local cultures. Habib is unique because he brings together different styles, creating a new pan-Malian approach that reflects his open-minded interest in all types of music. The predominant style played by Habib is based on the danssa, a popular rhythm from his native city of Keyes. He calls his version danssa doso, a Bambara term he coined that combines the name of the popular rhythm with the word for hunter's music (doso), one of Mali's most powerful and ancient musical traditions. "I put these two words together to symbolize the music of all ethnic groups in Mali. I'm curious about all the music in the world, but I make music from Mali. In my country, we have so many beautiful rhythms and melodies. Many villages and communities have their own kind of music. Usually, Malian musicians play only their own ethnic music, but me, I go everywhere. My job is to take all these traditions and to make something with them, to use them in my music." In 1988, Habib formed his own group, Bamada (a nickname for residents of Bamako that roughly translates "in the mouth of the crocodile"), with young Malian musicians who had been friends since childhood. In 1991, Habib won first prize at the Voxpole Festival in Perpignan, France, which earned him enough money to finance the production of two songs. One of those tracks, "Cigarette A Bana (The Cigarette is Finished)" was a hit throughout West Africa. After the release of another successful single entitled, "Nanalé (The Swallow)," Habib received the prestigious Radio France International (RFI) Discoveries prize. This award made it possible for the group to undertake their first tour outside of Africa during the summer of 1994. In January 1995, Habib met his current manager, Belgian Michel De Bock, who, along with his partner Geneviève Bruyndonckx, are the directors of the management and production company Contre-Jour. Working together, they recorded his first album Muso Ko. Upon its release the album quickly reached #2 in the European World Music Charts. From that point forward, Habib became a fixture on the European festival circuit and began to spread his infectious music and high energy shows around the world. Habib has played at most of Europe's major venues and festivals, including the Montreaux Jazz Festival, WOMAD, and the World Roots Festival. In the spring 2000, he even toured Europe and Turkey as an invited guest with the legendary avant-garde jazz group, the Art Ensemble of Chicago. Habib's second album, Ma Ya, was released in Europe in 1998 to widespread acclaim. It spent an amazing three months at the top spot on the World Charts Europe. A subtle production which revealed a more acoustic, introspective side of Habib's music, Ma Ya was released in North America by Putumayo World Music in early 1999 and quickly helped establish Habib as one of world music's most exciting new figures. Ma Ya spent 20 weeks in the top 20 of the College Music Journal New World music chart, and broke new ground at AAA rock radio, spending several months in regular rotation on commercial stations across the country. The album held the number one spot on the World Charts Europe for an amazing three months. Ma Ya has sold over 60,000 units in North America and over 100,000 worldwide, which is a tremendous success for a new world music artist. The critical and commercial response to Ma Ya was tremendous. Habib was featured in hundreds of newspapers and magazines including People Magazine, Rolling Stone, Le Monde, Songlines, De Standaard, Le Soir and the cover of Global Rhythm magazine, to name a few. In the years since, he has also been featured in the US on National Public Radio's All Things Considered, WXPN's World Café, PRI's The World, the House of Blues Radio Hour "Mali to Memphis" special, prestigious international programs such as CNN WorldBeat, and in June 2007 was the subject of a two-page photo spread in Vanity Fair magazine. In 2001, Habib Koité and Bamada became one the few African artists to appear on Late Night with David Letterman one of America's most popular television variety shows. Habib's artistry and powerful personality earned him the adoration of fans such as Jackson Browne and Bonnie Raitt, both of whom ended up visiting Habib in Mali. They have both done a great deal to support Habib's music, by promoting private events designed to attract new audiences and even performing live with Habib on stage. Habib and his band even made a guest appearance on Bonnie Raitt's 2002 album Silver Lining, in which Bonnie and Habib performed a duet on the co-written song "Back Around." Habib Koite & Bamada released their third album, Baro, in 2001 on Putumayo. The recording was also a huge success, selling more than 100,000 copies worldwide and further expanding Habib's global audience. One of the keys to Habib's success has been his dedication to touring. A true road warrior, Habib Koite & Bamada have performed nearly 1000 shows since 1994 and appeared on some of the world's most prestigious concert stages. Habib has also participated in a number of memorable theme tours alongside other artists. In February 1999, Habib and American bluesman Eric Bibb toured in support of the Putumayo compilation Mali to Memphis, which highlighted the connections between Malian and American blues music. In the fall of 2000, Habib participated in the "Voices of Mali" tour with Oumou Sangare, one of West Africa's most renowned artists. Habib has also taken part in the Desert Blues project with fellow Malians Tartit and Afel Boucoum and the Putumayo Presents Acoustic Africa tour with South African troubadour Vusi Mahlasela and the rising young star Dobet Gnahoré from the Ivory Coast. Habib Koite & Bamada's transfixing performances have endeared them to an ever-growing audience, and in 2003 they released Fôly! , a double CD of live material. Devoted fans have waited a long time for Habib to return to the recording studio. As with many craftsmen, Habib is a perfectionist, and spends a great deal of time composing and arranging his material. Recorded in Mali, Belgium and Vermont, Afriki finds Habib exploring new musical directions. The overarching theme of Afriki, which means "Africa" in the Malian Bambara language, is about the strengths and challenges of the African continent. "People here in Africa are willing to risk death trying to leave for Europe or the USA, but they are not willing to take that risk staying to develop something here in Africa," says Habib. "Life can be really good or really bad wherever you live. People need to understand that. Even though Mali is poor, we still have good quality of life: You can walk outside and smile and someone will smile back. I have thought about it a lot, and I am not sure if poor countries have a worse quality of life." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.