Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
83246419 | Play | Slow and Steady | 00:00 Tools | |
83246420 | Play | Cobble Hook | 00:00 Tools | |
83246421 | Play | To Be | 00:00 Tools | |
83246423 | Play | To Seventeen | 00:00 Tools | |
83246447 | Play | Hemlock | 00:00 Tools | |
83246422 | Play | September 1 | 00:00 Tools | |
83246425 | Play | Settled | 00:00 Tools | |
83246424 | Play | Rice and Fish / Liiti Liiti | 00:00 Tools | |
83246427 | Play | Halifax | 00:00 Tools | |
83246426 | Play | King of the Kutiriba | 00:00 Tools | |
83246439 | Play | Part 1 | 00:00 Tools | |
83246428 | Play | A Whole New Amount of Interactivity | 00:00 Tools | |
83246432 | Play | The Magician of Lublin | 00:00 Tools | |
83246429 | Play | Now Longer | 00:00 Tools | |
83246431 | Play | After Several Snowstorms | 00:00 Tools | |
83246430 | Play | N'daga / Coonu Aduna | 00:00 Tools | |
83246433 | Play | Don't Gild the Lilly | 00:00 Tools | |
83246434 | Play | Kategeeper | 00:00 Tools | |
83246435 | Play | Song for Sara | 00:00 Tools | |
83246436 | Play | To Eh | 00:00 Tools | |
83246438 | Play | And When To Come Back | 00:00 Tools | |
83246437 | Play | Song for Owen | 00:00 Tools | |
83246440 | Play | Keep Casting Rods | 00:00 Tools | |
83246441 | Play | Nosey Parker | 00:00 Tools | |
83246442 | Play | Shuttle off this Mortal Coil | 00:00 Tools | |
83246443 | Play | Every Day Is Canada Day | 00:00 Tools | |
83246444 | Play | September 2 | 00:00 Tools | |
83246446 | Play | Song for Owen [for Owen Eisenstadt] | 00:00 Tools | |
83246445 | Play | September 3 | 00:00 Tools | |
83246453 | Play | Larch | 00:00 Tools | |
83246459 | Play | Prologue | 00:00 Tools | |
83246448 | Play | September 4 | 00:00 Tools | |
83246450 | Play | Sometimes It's Hard to Get Dressed in the Morning | 00:00 Tools | |
83246449 | Play | Kaolak / N'Wolof | 00:00 Tools | |
83246451 | Play | After An Outdoor Batch | 00:00 Tools | |
83246452 | Play | September 5 | 00:00 Tools | |
83246455 | Play | Let's Say It Comes in Waves | 00:00 Tools | |
83246454 | Play | September 7 | 00:00 Tools | |
83246456 | Play | Life's Hurtling Passage Onward | 00:00 Tools | |
83246461 | Play | The Floating World | 00:00 Tools | |
83246457 | Play | What Can Be Set to the Side | 00:00 Tools | |
83246462 | Play | Pine | 00:00 Tools | |
83246458 | Play | Barambiye / Djarama | 00:00 Tools | |
90257254 | Play | Interlude (group 1) | 00:00 Tools | |
83246460 | Play | Ups and Down | 00:00 Tools | |
83246465 | Play | Dayourabine / Thiolena | 00:00 Tools | |
88583042 | Play | What's Equal to What | 00:00 Tools | |
83246466 | Play | Hasui, For Brass Trio | 00:00 Tools | |
83246463 | Play | September 6 | 00:00 Tools | |
83246479 | Play | Part 2 | 00:00 Tools | |
83246471 | Play | Redwood | 00:00 Tools | |
83246467 | Play | The Arrangement of Unequal Things | 00:00 Tools | |
83246469 | Play | After Jeff Wall | 00:00 Tools | |
83246483 | Play | Part 3 | 00:00 Tools | |
83246474 | Play | Spruce | 00:00 Tools | |
90257255 | Play | Interlude (quartet) | 00:00 Tools | |
83246468 | Play | Meli Melo | 00:00 Tools | |
83246475 | Play | Fir | 00:00 Tools | |
83246477 | Play | Cedar | 00:00 Tools | |
83246472 | Play | Hokusai | 00:00 Tools | |
83246470 | Play | To See / Tootie | 00:00 Tools | |
83246478 | Play | Andrew Hill | 00:00 Tools | |
83246480 | Play | Big Basin | 00:00 Tools | |
83246484 | Play | Part 4 | 00:00 Tools | |
83246476 | Play | Judo with Tokyo Joe [for John Zorn] | 00:00 Tools | |
90257256 | Play | Interlude (group 2) | 00:00 Tools | |
83246486 | Play | Part 5 | 00:00 Tools | |
83246487 | Play | Epilogue | 00:00 Tools | |
83246489 | Play | Part 6 | 00:00 Tools | |
83246482 | Play | Hiroshige, For Woodwind Trio | 00:00 Tools | |
90257257 | Play | Interlude (Duo 2) | 00:00 Tools | |
83246485 | Play | Three Breaths | 00:00 Tools | |
83246491 | Play | To See/Tootie | 00:00 Tools | |
83246490 | Play | Ballad for 10.6.7 | 00:00 Tools | |
83246492 | Play | Seed (For Henryk Gorecki) | 00:00 Tools | |
83246494 | Play | A Kind of Resigned Indignation | 00:00 Tools | |
83246493 | Play | What Is A Straw Horse, Anyways? | 00:00 Tools | |
83246498 | Play | Don't Gild The Lily | 00:00 Tools | |
83246496 | Play | Seven in Six / A Particularity with a Universal Resonance | 00:00 Tools | |
83246500 | Play | After An Outdoor Bath | 00:00 Tools | |
83246497 | Play | Dogmatic in Any Case | 00:00 Tools | |
83246499 | Play | The Ombudsman 1 | 00:00 Tools | |
83246505 | Play | Ups And Downs | 00:00 Tools | |
83246501 | Play | Agency | 00:00 Tools | |
83246502 | Play | It Is Never Safe To Be | 00:00 Tools | |
83246503 | Play | The Evidence of Absence Is Not Necessarily the Absence of Evidence | 00:00 Tools | |
83246504 | Play | Gleaning | 00:00 Tools | |
83246506 | Play | Unless All The Evidence Is In | 00:00 Tools | |
83246508 | Play | Judo with Tokyo Joe | 00:00 Tools | |
83246507 | Play | Sandy | 00:00 Tools | |
83246511 | Play | Especially Preposterous Assertions | 00:00 Tools | |
83246509 | Play | Flabbergasted by the Unconventional | 00:00 Tools | |
83246510 | Play | The Ombudsman 2 | 00:00 Tools | |
83246512 | Play | The All Seeing Eye | 00:00 Tools | |
83246516 | Play | The Ombudsman 4 | 00:00 Tools | |
83246513 | Play | Genesis | 00:00 Tools | |
83246517 | Play | The Ombudsman 3 | 00:00 Tools | |
83246515 | Play | Chaos | 00:00 Tools | |
83246514 | Play | Mephistopheles | 00:00 Tools | |
83246518 | Play | Portrait of Holden Caulfield | 00:00 Tools | |
83246519 | Play | Kola #2 (Reduction) | 00:00 Tools | |
83246524 | Play | Interlude (duo 1) | 00:00 Tools | |
83246521 | Play | And a Hard Place | 00:00 Tools | |
83246520 | Play | N'daga / Coonu Aduna (Abdou Guite Seck) | 00:00 Tools | |
83246522 | Play | The Evidence of Absence | 00:00 Tools | |
83246523 | Play | Kaolak / N'Wolof (Orchestra Baobob) | 00:00 Tools | |
83246525 | Play | Dayourabine / Thiolena (Diamono) | 00:00 Tools | |
83246530 | Play | The Ombudsman Part 4 | 00:00 Tools | |
83246526 | Play | Barambiye / Djarama (Guelewar) | 00:00 Tools | |
83246527 | Play | Face Of The Deep | 00:00 Tools | |
83246528 | Play | Seed | 00:00 Tools | |
83246533 | Play | The Ombudsman Part 1 | 00:00 Tools | |
83246529 | Play | Holden Caulfield | 00:00 Tools | |
83246535 | Play | The Ombudsman Part 3 | 00:00 Tools | |
83246531 | Play | Rice and Fish / Liiti Liiti (Star Number One) | 00:00 Tools | |
83246532 | Play | Kola #2 | 00:00 Tools | |
83246537 | Play | Back and Forth | 00:00 Tools | |
83246539 | Play | The Ombudsman Part 2 | 00:00 Tools | |
83246534 | Play | A Hard Place | 00:00 Tools | |
90257258 | Play | Poschiavo 35 | 00:00 Tools | |
83246538 | Play | Posauno y Schlagwerk | 00:00 Tools | |
83246540 | Play | What We Were Told I | 00:00 Tools | |
83246536 | Play | Additives | 00:00 Tools | |
83246541 | Play | The Destructive Element | 00:00 Tools | |
83246542 | Play | Song For Owen (for Owen Eisenstadt) | 00:00 Tools | |
83246544 | Play | Relief I | 00:00 Tools | |
83246543 | Play | Posauno y Schlagwerk > Between A Rock | 00:00 Tools | |
83246546 | Play | Without Roots I | 00:00 Tools | |
83246547 | Play | What We Were Told II | 00:00 Tools | |
83246562 | Play | Hasui (For Brass Trio) | 00:00 Tools | |
83246545 | Play | Swimming, Then Rained Out | 00:00 Tools | |
90257259 | Play | Poschiavo Four-Voice 3 | 00:00 Tools | |
83246548 | Play | Here Are the Samurai | 00:00 Tools | |
83246549 | Play | Without Roots 1 | 00:00 Tools | |
83246550 | Play | Judo with Tokyo Joe (for John Zorn) | 00:00 Tools | |
83246566 | Play | Hiroshige (For Woodwind Trio) | 00:00 Tools | |
83246551 | Play | Ordinary Weirdness | 00:00 Tools | |
83246552 | Play | Cascadia | 00:00 Tools | |
90257260 | Play | Poschiavo Four-Voice 1 | 00:00 Tools | |
83246553 | Play | What We Were Told III | 00:00 Tools | |
83246554 | Play | Non-Violence I | 00:00 Tools | |
83246555 | Play | Non-Violence II | 00:00 Tools | |
90257261 | Play | Poschiavo 36 | 00:00 Tools | |
90257262 | Play | Poschiavo Four-Voice 4 | 00:00 Tools | |
83246556 | Play | Posauno Y Schladwerk > Between a Rock) | 00:00 Tools | |
83246557 | Play | Relief IV | 00:00 Tools | |
83246558 | Play | Relief III | 00:00 Tools | |
83246559 | Play | Non-Violence III | 00:00 Tools | |
83246563 | Play | Larch (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
83246560 | Play | From Schoenberg, Pt. 1 | 00:00 Tools | |
83246561 | Play | Without Roots 2 | 00:00 Tools | |
83246569 | Play | Hemlock (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
83246570 | Play | Pine (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
90257263 | Play | Poschiavo 9 | 00:00 Tools | |
90257264 | Play | Poschiavo Four-Voice 2 | 00:00 Tools | |
90257265 | Play | Poschiavo 8 | 00:00 Tools | |
83246568 | Play | Pt. 1 | 00:00 Tools | |
83246564 | Play | Rise | 00:00 Tools | |
83246565 | Play | Dayourabine/Thiolena | 00:00 Tools | |
83246567 | Play | Relief II | 00:00 Tools | |
83246579 | Play | Spruce (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
83246580 | Play | Redwood (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
83246571 | Play | Without Roots II | 00:00 Tools | |
83246572 | Play | What We're Told 3 | 00:00 Tools | |
83246573 | Play | People Are Gonna Do What They're Gonna Do | 00:00 Tools | |
83246574 | Play | Without Roots 3 | 00:00 Tools | |
83246575 | Play | What We're Told 2 | 00:00 Tools | |
83246576 | Play | What We'reTtold 1 | 00:00 Tools | |
83246577 | Play | The Ombusdan 1 | 00:00 Tools | |
83246588 | Play | Fir (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
83246578 | Play | From Schoenberg, Pt. 2 | 00:00 Tools | |
83246589 | Play | Big Basin (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
83246581 | Play | Kaolak/N'Wolof | 00:00 Tools | |
83246590 | Play | N'daga/Coonu Aduna | 00:00 Tools | |
83246582 | Play | Rice and Fish/Liiti Liiti | 00:00 Tools | |
83246583 | Play | Without Roots III | 00:00 Tools | |
83246585 | Play | The Ombusdan 3 | 00:00 Tools | |
83246584 | Play | The Ombusdan 4 | 00:00 Tools | |
83246586 | Play | The Ombusdan 2 | 00:00 Tools | |
90257266 | Play | Interlude Group 1 | 00:00 Tools | |
90257267 | Play | Introduction | 00:00 Tools | |
90257268 | Play | Interlude Quartet | 00:00 Tools | |
90257269 | Play | Interlude Group 2 | 00:00 Tools | |
90257270 | Play | Interlude Duo 2 | 00:00 Tools | |
83246587 | Play | Cedar (feat. Jeb Bishop, Tony Malaby & Jason Roebke) | 00:00 Tools | |
83246591 | Play | Trouble Here, Fly There | 00:00 Tools | |
83246592 | Play | Barambiye/Djarama | 00:00 Tools |
Drummer/percussionist/composer Harris Eisenstadt has performed in a variety of settings, including jazz, creative improvised, and African music ensembles. Born in 1975 in Toronto, Ontario, Canada, he followed in the footsteps of his drummer father, but was athletically inclined, playing baseball and hockey. Though his parents administered a public relations agency, Eisenstadt gravitated toward music, playing the drum kit in the basement of the Upper Canada College at age ten, where he also graduated some years later. His early influences were Led Zeppelin's John Bonham, and jazz drummers Tony Williams, Elvin Jones, Tony Oxley, and John Stevens. As an advanced student, he took lessons with Toronto composer David Mott, moved to New York City where he was tutored by Barry Altschul, worked with the Knitting Factory, earned his B.A. cum laude in literature and music from Maine's Colby College in 1988, and received his Masters in Fine Arts via African-American improvisational music on scholarship from the California Institute of the Arts in 2001. While in Los Angeles, he worked with KOLA — the Kreative Orchestra of Los Angeles, collaborated with Adam Rudolph, and teamed with Rudolph and Sam Rivers for the CD Vista. He has worked with a startling array of top-notch musicians, including Yusef Lateef, Vinny Golia, Elton Dean, James Newton, Tony Malaby, Bennie Maupin, Wayne Horvitz, Nels Cline, Marty Ehrlich, Urban Bushwomen, and many more. Eisenstadt lived in Gambia for a few months, has since performed with traditional West African dance troupes from 1999-2003, and in Northern California accompanied poet laureate Al Young alongside the Ralph Jones/Kenn Cox combo. In the theater world, he has been an accompanist to Macbeth, a one-man adaptation of Shakespeare's tragedy starring Tony award-winner Stephen Dillane, and performed in the 2005 world premiere of Anne LeBaron's opera Wet in Los Angeles Eisenstadt has received many awards and commissions including a Meet the Composer Global Connections Grant in 2006, American Composers Forum Subito Grants in 2004 & 2005, and the Durfee Foundation Grant in 2004. He was SOCAN composer-in-residence for the Sonic Courage Festival — June 2006 — in Halifax, Canada. Working with Wadada Leo Smith at Cal Arts, he was in ensembles with musicians from Bali, Gambia, Ghana, Morocco, Iran, and Senegal, and contributed to movie scores for major and independent motion pictures such as Perfect Film, Work, The Wedding Crashers, The Hebrew Hammer, and Dahmer. Eisenstadt moved to Jersey City, NJ, then to Brooklyn, N.Y. where his career has taken off. His recordings include Fight or Flight from the New Sonic label in 2002. He was with the Ahisma Orchestra for their Nine Winds release in 2004, as well as his own projects Jalolu from the CIMP label and The Soul and Gone featuring improvised music from the 482 label. The All Seeing Eye on the Poo-Bah label was issued in 2007, followed by Guewel playing creative adaptations of African pop tunes, and his opus to his native land Canada Day, both issued on Clean Feed records in 2009. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.