Helge Rosvaenge

Trackimage Playbut Trackname Playbut Trackname
Der Barbier Von Bagdad: Ach Das Leid Hab Ich Getragen 00:00 Tools
Die Meistersinger von Nurnberg: Am Stillen Herd 00:00 Tools
Martha: Letzte Rose 00:00 Tools
Oberon: Seit Frühester Jugend Im Kampf Und Streit 00:00 Tools
Fidelio: Gott, Welch Dunkel Hier 00:00 Tools
Oberon: Du Der Diese Prüfung Schickt 00:00 Tools
Die Meistersinger von Nurnberg: Morgenlich Leuchtend: Prize Song Rehearsal 00:00 Tools
Der Freischutz: Nein, langer trag ich nicht die Qualen 00:00 Tools
Martha: Mag Der Himmel Euch Vergeben 00:00 Tools
Die Entführung Aus Dem Serail: Hier Soll Ich Dich Denn Sehen 00:00 Tools
Lohengrin: In Fernem Land 00:00 Tools
Lohengrin: Mein Lieber Schwan 00:00 Tools
Die Meistersinger von Nurnberg: Selig wie die Sonne 00:00 Tools
Die Zauberflöte: Dies Bildnis Ist Bezaubernd Schön 00:00 Tools
Martha: Ach So Fromm 00:00 Tools
Der Barbier Von Bagdad: O Holdes Bild In Engelsschöne 00:00 Tools
Immerzu singt mein Herz 00:00 Tools
Lohengrin: "In fernem Land" 00:00 Tools
Die Zauberflöte: Dies Bildnis ist bezaubernd schoen 00:00 Tools
Der Troubadour: Hab Erbarmen, O Herr, Mit Einer Seele 00:00 Tools
Euren König (Königsballade) 00:00 Tools
Nadja, arme süße Nadja (Iwan Tarassenko) 00:00 Tools
Der Postillon Von Lonjumeau: Freuude, Vernehmet Die Gescjichte 00:00 Tools
Die WeiBe Dame: Komm, O Holde Dame 00:00 Tools
Carmen: Hier An Dem Herzen Treu Geborgen 00:00 Tools
Frag Nicht, Warum Ich Gehe 00:00 Tools
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Helge Rosvaenge (Roswaenge, Rosvænge), Helge Anton Rosenvinge Hansen, (August 29, 1897 – June 17, 1972) was a famous Danish operatic tenor whose career was centred on Germany and Austria, before, during and after World War II. Rosvaenge was born in Copenhagen. He made his debut at Neustrelitz as Don Jose in Carmen in 1921. Engagements followed at Altenburg, Basle, Cologne (1927-30) and the Berlin State Opera, where he was leading tenor from 1930 to 1944, being especially distinguished in the Italian repertory. He sang regularly, too, at the Vienna State Opera (from 1936) and in Munich. Rosvaenge also appeared at the Salzburg Festival, making his debut there in Der Rosenkavalier. Other roles which he performed at Salzburg between 1933 and 1939 were Tamino in Die Zauberflöte, Huon in Oberon and Florestan in Fidelio. His London debut at the Royal Opera House, Covent Garden, occurred in 1938, as Florestan. Rosvaenge sang Parsifal at the Bayreuth Festival in 1934 and 1936 but otherwise avoided the Wagnerian repertory, except on recordings. After World War II Rosvaenge divided his time between Berlin and Vienna. He continued to sing until May 30, 1959 (when he gave what was billed as his farewell concert at Vienna's Great Musikvereinsaal), appearing as Calaf, Radames and Manrico. His voice showed little sign of age; it was still warm and sonorous throughout its range, and brilliant and lustrous in its upper register. Indeed, Rosvaenge, could deliver an easy and full-blooded high D during his vocal prime. Rosvaenge appeared in a wide spectrum of roles ranging from Mozart to Weber, from Verdi to Puccini. He sang with "a steely voice, brilliant high notes and insistent declamation throughout its scale" which was "brilliant and lustrous in its top register", according to Luiz Eduardo Goncalves Gabarra. Rosvaenge was equally impressive as Andrea Chénier and was also an acclaimed and exciting Radames and Otello: he was often heard in this latter role on German radio. Rosvaenge conducted a tour of the USA prior to his retirement. He died in Munich, aged 74. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.