Henry Du Mont

Trackimage Playbut Trackname Playbut Trackname
Allemande 00:00 Tools
O salutarius hostia 00:00 Tools
Pavane 00:00 Tools
Magnificat du premier Ton 00:00 Tools
Dialogus de anima 00:00 Tools
Ecce iste venit 00:00 Tools
Super flumina Babylonis - Pasaume CXXXVI 00:00 Tools
Allemande grave 00:00 Tools
Nisi Dominus (Psalm 115) 00:00 Tools
Super flumina Babylonis 00:00 Tools
Dialogus de anima: Choeur à 3 et récit de Basse 00:00 Tools
Benedic anima mea - Psaume CII 00:00 Tools
Memorare 00:00 Tools
Magnificat: Et exultavit 00:00 Tools
Dialogus de anima: Duo 00:00 Tools
Magnificat: Deposuit potentes 00:00 Tools
Super flumina Babylonis: Super flumina Babylonis 00:00 Tools
Dialogus de anima: Choeur à 3 voix 00:00 Tools
Nisi dominus 00:00 Tools
Pavane de Mr. Dumont 00:00 Tools
Dialogus de anima: Choeur à 5 00:00 Tools
II. Allemande 00:00 Tools
I. Pavanne 00:00 Tools
Super flumina Babylonis: Quia illic 00:00 Tools
Benedic anima mea (Psaume CII) 00:00 Tools
Allemande grave in C major [Bauyn Manuscript] 00:00 Tools
Magnificat: Magnificat 00:00 Tools
Adoro te 00:00 Tools
Magnificat: Suscepit Israel 00:00 Tools
Super flumina Babylonis: Quodmodo cantabimus 00:00 Tools
Allemande in C major [Bauyn Manuscript] 00:00 Tools
Dialogus de anima: Symphonie 00:00 Tools
III. Allemande 00:00 Tools
Magnificat 00:00 Tools
Quid commisisti 00:00 Tools
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Henri Dumont (also Henry Du Mont, originally Henry de Thier) (1610 - May 8, 1684) was a Franco-Belgian composer. Dumont was born to Henry de Thier and Elisabeth Orban in Looz (Borgloon). The family moved in 1613 to Maastricht, where Henri and his brother Lambert were choirboys at the church of Notre-Dame. In 1630 he was named organist and given a leave of two months to complete his education. In the principality of Liège (where he spend much of his time) he studied with Léonard de Hodémont (1575-1639), absorbing trends from Italy. On December 1, 1632, he resigned in favor of his brother. In 1639 he went to Paris to become organist at the important parish church of Saint-Paul. From this time he used the name Dumont or Du Mont in place of De Thier. From 1652 he was harpsichordist at the court of the Duke of Anjou (Philippe I, Duke of Orléans, a brother of Louis XIV), and in 1660 he obtained that post to the young queen Marie-Thérèse. In 1663 he became "maitre" of the Chapelle Royale in Versailles, in 1672 he became "Sous-maître de la musique du Roy" (with Pierre Robert) and 1673 became Master of the Queen's Music. Dumont was married (1653) to Mechthild Loyens, daughter of the mayor of Maastricht. As a widower he acquired the substantial benefice of the abbey of Silly near Lisieux in Normandy. In 1683 he resigned the last of his posts and died a year later in Paris. With the exception of a few songs and the instrumental pieces in the 1657 Meslanges, Dumont was a composer of religious music. His output includes nearly a hundred "Petits Motets", the principal French genre of his time; his illustrious successors were Jean-Baptiste Lully and François Couperin. Du Mont was the first to publish separate continuo partbooks in France. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.