Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
16811608 | Play | Symphony No. 6: VI. Allegro | 01:54 Tools | |
16811553 | Play | Allegro con Fuoco | 11:34 Tools | |
16811577 | Play | Symphony No. 3, Op. 33: II. Andante tranquillo | 08:49 Tools | |
16811573 | Play | Merry Mount Suite: Love Duet | 05:44 Tools | |
16811899 | Play | Symphony No. 2, Op. 30, "Romantic": I. Adagio - Allegro moderato | 12:11 Tools | |
55623965 | Play | Dies natalis I: Finale: Poco a poco ritardando al tempo giusto | 11:00 Tools | |
55623889 | Play | The Lament for Beowulf | 02:08 Tools | |
16811831 | Play | Symphony No. 2, Op. 30, "Romantic": II. Andante con tenerezza | 06:40 Tools | |
55623864 | Play | Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio | 06:40 Tools | |
55623861 | Play | Symphony No. 7, "The Sea": I. Lo, the unbounded sea | 06:30 Tools | |
55623859 | Play | Symphony No. 6 III. Adagio | 05:44 Tools | |
55623877 | Play | Chorale and Alleluia, Op. 42 | 03:11 Tools | |
55623860 | Play | Concerto for Organ, Harp and Strings, Op. 22, No. 3 | 05:44 Tools | |
16811581 | Play | Symphony No. 6: III. Adagio | 04:58 Tools | |
55623898 | Play | Symphony No. 2, Op. 30 "Romantic": III. Allegro con brio | 02:30 Tools | |
55623863 | Play | Symphony No. 7, "The Sea": II. The untold want | 06:30 Tools | |
16811558 | Play | Sousa: The Stars and Stripes Forever | 03:19 Tools | |
16811569 | Play | Andante Teneramente, con Semplicita | 06:30 Tools | |
16811557 | Play | Slumber Song | 03:10 Tools | |
55623862 | Play | Symphony No. 3, Op. 33: Symphony No. 3, Op. 33: II. Andante tranquillo | 06:30 Tools | |
16811564 | Play | Symphony No. 1 In E Minor, Op. 21, "Nordic": II. Andante Teneramente, Con Semplicita | 06:32 Tools | |
55623865 | Play | Symphony No. 7, "The Sea": III. Joy, shipmate, joy! | 06:40 Tools | |
16811554 | Play | Mosaics | 11:56 Tools | |
55623866 | Play | Rhythmic Variations on Two Ancient Hymns | 06:40 Tools | |
16811571 | Play | Symphony No. 1 In E Minor, Op. 21, "Nordic": I. Andante Solenne - Allegro Con Forza | 13:44 Tools | |
16811568 | Play | Serenade, Op. 35 | 06:11 Tools | |
16811753 | Play | Lux aeterna, Op. 24 | 16:46 Tools | |
16811584 | Play | Merry Mount Suite, Op. 31: III. Love Duet | 05:46 Tools | |
16811561 | Play | Fantasy Variations on a Theme of Youth | 10:57 Tools | |
16811580 | Play | A Prayer for the Middle Ages | 03:50 Tools | |
16811844 | Play | Children's Dance | 01:49 Tools | |
55623880 | Play | Symphony No. 4, Op. 34, "The Requiem": I. Kyrie: Andante inquieto | 04:58 Tools | |
55623870 | Play | Symphony No. 2, Op. 30 "Romantic": II. Andante con tenerezza (From "Alien") | 10:57 Tools | |
55623867 | Play | Joy | 01:49 Tools | |
16811686 | Play | Merry Mount Suite, Op. 31: IV. Prelude to Act II and Maypole Dances | 06:38 Tools | |
16811870 | Play | Merry Mount Suite, Op. 31: I. Overture | 03:18 Tools | |
16811578 | Play | Song of Democracy | 12:03 Tools | |
16811560 | Play | Elegy in Memory of Serge Koussevitsky | 12:40 Tools | |
16811863 | Play | Andante solenne - Allegro con forza | 13:41 Tools | |
55623868 | Play | Overture | 13:41 Tools | |
55623869 | Play | III. Scherzo for Bassoon and Chamber Orchestra | 10:57 Tools | |
16811811 | Play | Symphony No. 6: I. Andante | 03:40 Tools | |
16811692 | Play | Merry Mount Suite, Op. 31: II. Children's Dance | 01:45 Tools | |
16811724 | Play | Kikimora | 01:11 Tools | |
87572874 | Play | For The First Time, For Piano | 00:46 Tools | |
16811936 | Play | Symphony No. 6: II. Allegro scherzando | 04:52 Tools | |
55623887 | Play | Symphony No. 4, Op. 34, "The Requiem": III. Dies irae: Presto | 00:39 Tools | |
16811741 | Play | Pan and Priest, Op. 26 | 13:08 Tools | |
16811618 | Play | Lullaby | 01:44 Tools | |
16811587 | Play | The Deserted House | 02:15 Tools | |
16811670 | Play | Symphony No. 6: V. Adagio | 02:54 Tools | |
16811739 | Play | Impromptu | 02:46 Tools | |
55623895 | Play | Symphony No. 2, Op. 30 "Romantic": II. Andante con tenerezza | 02:30 Tools | |
16811711 | Play | Symphony No. 6: IV. Allegro assai | 02:08 Tools | |
55623891 | Play | Symphony No. 4, Op. 34, "The Requiem": II. Requiescat: Largo | 00:46 Tools | |
55623892 | Play | Symphony No. 4, Op. 34, "The Requiem": IV. Lux aeterna: Largo pastorale | 00:46 Tools | |
16811622 | Play | Prelude to Act II and Maypole Dances | 07:08 Tools | |
55623884 | Play | Symphony No.2, Op.30 "Romantic": 1. Adagio - Allegro moderato | 04:52 Tools | |
55623874 | Play | Pastorale | 06:32 Tools | |
55623871 | Play | Triumphal Ode | 12:03 Tools | |
55623942 | Play | Symphony No. 2, Op. 30 "Romantic": I. Adagio - Allegro moderato | 04:50 Tools | |
55623872 | Play | March Carillon | 06:38 Tools | |
55623875 | Play | Fireworks | 06:32 Tools | |
55623894 | Play | Symphony No. 3, Op. 33: I. Andante lamentando - Agitato | 02:30 Tools | |
55623904 | Play | Symphony No. 5, Op. 43, "Sinfonia sacra" | 02:59 Tools | |
55623873 | Play | Reminiscence | 06:32 Tools | |
16811605 | Play | II. Andante con tenerezza | 07:21 Tools | |
55623883 | Play | Fantasy-Variations on a Theme of Youth, Op. 40 | 04:52 Tools | |
55623935 | Play | Symphony No. 1 in E Minor, Op. 21, "Nordic": III. Finale: Allegro con fuoco | 10:39 Tools | |
16811654 | Play | Poema Idillico | 03:11 Tools | |
16811552 | Play | The Stars and Stripes Forever | 03:19 Tools | |
55623876 | Play | Studio Melodico | 03:11 Tools | |
16811559 | Play | Poemes Erotiques, Op. 9: Peace | 03:05 Tools | |
87572875 | Play | String Quartet, Op. 23 | 01:58 Tools | |
16811687 | Play | Clowns | 00:57 Tools | |
16811854 | Play | The Eccentric Clock | 00:53 Tools | |
55623879 | Play | Mist | 03:04 Tools | |
55623878 | Play | Desire | 00:53 Tools | |
16811694 | Play | Enchanment | 01:17 Tools | |
16811619 | Play | Symphony No. 1 In E Minor, Op. 21, "Nordic": III. Allegro Con Fuoco | 11:37 Tools | |
16811825 | Play | Dreams | 03:04 Tools | |
55623906 | Play | Symphony No. 3, Op. 33: III. Tempo scherzando | 01:13 Tools | |
55623900 | Play | Symphony No. 2 "Romantic": II. Andante Con Tenerezza | 04:20 Tools | |
55623907 | Play | Symphony No.2, Op.30 "Romantic": 2. Andante con tenerezza | 12:03 Tools | |
16811583 | Play | III. Allegro con brio | 07:09 Tools | |
16811897 | Play | Symphony No. 2 "Romantic": III. Allegro Con Brio | 07:55 Tools | |
55623911 | Play | Symphony No. 3, Op. 33: IV. Largamente e pesante | 07:19 Tools | |
55623961 | Play | Dies natalis I: Introduction and Chorale: Maestoso | 13:40 Tools | |
55623962 | Play | Dies natalis I: Variation 3: Pesante | 04:27 Tools | |
16811780 | Play | Deep Forest | 02:29 Tools | |
16811781 | Play | Studio ritmico | 04:37 Tools | |
55623882 | Play | Dance | 03:04 Tools | |
16811599 | Play | Poemes Erotiques, Op. 9: Joy | 03:23 Tools | |
16811805 | Play | Chorale and Alleluia | 05:17 Tools | |
16811894 | Play | 2 Yuletide Pieces, Op. 19: March Carillon | 02:10 Tools | |
16811598 | Play | Peace | 03:04 Tools | |
55623881 | Play | Andante Espressivo | 03:04 Tools | |
16811887 | Play | IV. Epilog | 02:23 Tools | |
55623966 | Play | Dies natalis I: Variation 4: Andante calmo, nel modo Gregoriano | 11:00 Tools | |
16811593 | Play | 2 Yuletide Pieces, Op. 19: Impromptu | 02:47 Tools | |
87572876 | Play | Dies natalis I: Variation 5: Allegro feroce | 03:44 Tools | |
87572880 | Play | Concerto da camera, Op. 7 | 03:05 Tools | |
55623885 | Play | Bells | 02:45 Tools | |
87572877 | Play | Dies natalis I: Variation 2: Allegro | 01:46 Tools | |
55623913 | Play | Lumen in Christo: I. Largo | 04:38 Tools | |
16811818 | Play | Piano Sonata In A Minor, Op. 11: I. Andante Espressivo | 07:32 Tools | |
16811562 | Play | Summer Seascape II | 08:26 Tools | |
16811939 | Play | Dies natalis II | 14:34 Tools | |
16811563 | Play | Pastorale, Op. 38 | 06:17 Tools | |
55623899 | Play | Symphony No. 2 "Romantic": I. Adagio | 04:20 Tools | |
16811809 | Play | For The First Time: Deep Forest | 02:30 Tools | |
16811893 | Play | Symphony No. 2 ('Romantic') | 02:50 Tools | |
16811833 | Play | Serious Conversation | 01:09 Tools | |
16811740 | Play | Longing | 02:45 Tools | |
55623888 | Play | Tamara and Peter Bolshoi | 00:39 Tools | |
55623886 | Play | Elegie herbique | 01:09 Tools | |
16811606 | Play | Act II Scene 2: Hale her to the village, A prisoner… (Tewke, Bradford) | 00:39 Tools | |
16811614 | Play | Poemes Erotiques, Op. 9: Desire | 04:20 Tools | |
87572878 | Play | Dies natalis I: Variation 6: Larghetto semplice | 01:46 Tools | |
16811589 | Play | For The First Time: Dreams | 03:05 Tools | |
16811567 | Play | Symphony No. 2 ("Romantic"), Op. 30: 1. Adagio; allegro moderato | 13:58 Tools | |
16811913 | Play | For The First Time: Mist | 02:34 Tools | |
55623890 | Play | Act II Scene 2: Chorus of Mystic Voices | 08:26 Tools | |
16811575 | Play | For The First Time: Fireworks | 00:48 Tools | |
16811607 | Play | For The First Time: Tamara And Peter Bolshoi | 00:46 Tools | |
55623923 | Play | Lumen in Christo: II. Andante | 12:03 Tools | |
16811617 | Play | 3 Miniatures, Op. 12: Lullaby | 01:45 Tools | |
16811937 | Play | Piano Sonata in A minor, Op. 11: III. Triumphal Ode | 02:48 Tools | |
16811783 | Play | For The First Time: Bells | 01:58 Tools | |
16811794 | Play | Piano Sonata in A minor, Op. 11: II. Elegie herbique | 06:36 Tools | |
16811574 | Play | Symphony No. 2 ("Romantic"), Op. 30: 2. Andante con tenerezza | 06:36 Tools | |
16811684 | Play | 3 Miniatures, Op. 12: Reminiscence | 02:59 Tools | |
16811868 | Play | 3 Etudes, Op. 18: Studio Melodico | 03:44 Tools | |
16811879 | Play | For The First Time: Dance | 01:13 Tools | |
16811700 | Play | For The First Time: Kikimora | 01:12 Tools | |
55623893 | Play | Act II Scene 1: Prelude - I wind and I wind, My true love to find (Men and Women) | 02:30 Tools | |
16811940 | Play | For The First Time: Clowns | 00:58 Tools | |
55623944 | Play | Symphony No.2, Op.30 "Romantic": 3. Allegro con brio | 04:50 Tools | |
16811604 | Play | For The First Time: Serious Conversation | 01:10 Tools | |
55623903 | Play | Symphony No. 2 | 07:55 Tools | |
16811556 | Play | 3. Allegro con brio | 07:55 Tools | |
55623896 | Play | Act II Scene 3: Alleluia! Alleluia! (Bradford, Lucifer, Monsters, Witches and Demons) | 02:30 Tools | |
55623897 | Play | Act III Scene 2: Ay, even now thy lover frets at Hellgate - Death to the Witch (Bradford, Marigold, Ensemble) | 02:30 Tools | |
55623901 | Play | I. Prelude - II. Fantasy for Clarinet and Chamber Orchestra | 03:44 Tools | |
16811685 | Play | 3 Miniatures, Op. 12: Longing | 02:46 Tools | |
16811653 | Play | 3 Etudes, Op. 18: Studio Ritmico | 04:38 Tools | |
16811735 | Play | 3 Etudes, Op. 18: Poema Idillico | 03:12 Tools | |
16811788 | Play | For The First Time: The Eccentric Clock | 00:54 Tools | |
87572879 | Play | Dies natalis I: Variation 1: Poco più mosso | 05:44 Tools | |
87572882 | Play | Symphony No. 2, Op. 30 "Romantic" : 1. Adagio - Allegro moderato | 01:09 Tools | |
16811586 | Play | I. Adagio - Allegro moderato | 13:36 Tools | |
55623902 | Play | Act II Scene 3: Rise up, my love my fair one (Bradford, Astoreth) | 03:44 Tools | |
16811576 | Play | Symphony No. 2 ("Romantic"), Op. 30: 3. Allegro con brio | 07:19 Tools | |
16811636 | Play | Symphony No. 1 in E Minor, Op 22 "Nordic": 1. Andante solenne - Allegro con for | 11:32 Tools | |
16811713 | Play | Song of Democracy for chorus & orchestra, Op 44 | 12:03 Tools | |
16811570 | Play | Hanson: Symphony No 1, 'Nordic | 00:30 Tools | |
16811555 | Play | 2. Andante con tenerezza | 08:08 Tools | |
16811602 | Play | III. Adagio | 04:57 Tools | |
55623905 | Play | Prelude | 01:13 Tools | |
55623932 | Play | Enchantment | 01:09 Tools | |
16811823 | Play | Hanson: Song of Democracy | 12:03 Tools | |
16811612 | Play | Elegy in Memory of Serge Koussevitsky for orchestra, Op 44 | 12:47 Tools | |
16811699 | Play | Symphony No. 6: Adagio | 04:59 Tools | |
16811659 | Play | Allegro con Brio | 07:14 Tools | |
55623918 | Play | Andante con Tenerezza | 03:05 Tools | |
87572887 | Play | Dies natalis I | 12:42 Tools | |
16811603 | Play | The Winter's Passed (version for oboe and orchestra) | 05:16 Tools | |
16811615 | Play | Act III Scene 2: Woe, woe! Lost sheep are we (Puritans, Bradford, Myles Brodrib) | 01:46 Tools | |
55623908 | Play | Act II Scene 1: From forth the hill … I christen 'Merry Mount' - Maypole Dance (Lackland, Men and Women) | 01:46 Tools | |
55623909 | Play | Act III Scene 2: No witch am I; But one that long ago was happy (Marigold) | 01:46 Tools | |
55623910 | Play | Act I: Be as a lion, dread Jehovah… From plots of Hell and witcheries (Puritans, Bradford, Bridget, Plentiful, Myles Brodrib, Tewke, Desire) | 01:46 Tools | |
55623943 | Play | Symphony No.1 in E minor, Op.21 "Nordic": 3. Allegro con fuoco | 04:50 Tools | |
55623912 | Play | Serenade for flute, harp, & strings, Op. 35 | 12:47 Tools | |
55623914 | Play | Scratch A Roundhead, Find A Rebel...Thrones Of The Earth Be Idle Things | 03:05 Tools | |
55623915 | Play | Hale Her To The Village, A Prisoner... | 04:57 Tools | |
55623916 | Play | No Witch Am I; But One That Long Ago Was Happy | 04:57 Tools | |
16811646 | Play | Act II Scene 2: O pity me! Thou alone of women Canst heal this tortured heart (Bradford, Marigold, Lackland, Tewke, Puritans) | 03:05 Tools | |
55623917 | Play | Act I: Right rev'rend priest, our holy joy … Respect the Sabbath day (Prence, Scrooby, Tewke, Bradford, Puritans, Cavaliers) | 03:05 Tools | |
87572883 | Play | Nymphs and Satyr: III. Scherzo for Bassoon and Chamber Orchestra | 06:36 Tools | |
16811652 | Play | Symphony No. 1 in E Minor, Op 22 "Nordic": 3. Allegro con fuoco | 09:24 Tools | |
55623956 | Play | Symphony No.1 in E minor, Op.21 "Nordic": 2. Andante teneramente, con semplicita | 13:40 Tools | |
16811914 | Play | Symphony No. 1 in E Minor, Op 22 "Nordic": 2. Andante teneramente, con semplici | 05:44 Tools | |
87572891 | Play | Piano Concerto in G Major, Op. 36: III. Andante molto espressione | 01:46 Tools | |
16811621 | Play | Savannah River Holiday | 08:43 Tools | |
16811845 | Play | Elegy, Op. 44 | 12:45 Tools | |
55623919 | Play | Lament for Beowulf for chorus & orchestra, Op. 25 | 03:05 Tools | |
55623964 | Play | Laude: Chorale, Variations And Metamorphoses: Chorale | 04:27 Tools | |
55623924 | Play | Symphony No. 2 ("Romantic"): 2nd Mvt. | 05:44 Tools | |
16811931 | Play | IV. Lux aeterna: Largo pastorale | 06:31 Tools | |
55623925 | Play | V. Adagio | 05:25 Tools | |
16811806 | Play | Act I: Plentiful Tewke hath catched the preacher! (Love, Bradford, Peregrine Brodrib, Prence, Children) | 04:47 Tools | |
55623920 | Play | The Willow Keep To Thatch Our Sleep | 04:47 Tools | |
55623921 | Play | Never More Shall Prayer Ravish These Lips!... | 04:47 Tools | |
16811784 | Play | Act II Scene 1: Methinks I see th'infernal rendezvous of Satan and his bond-slaves (Bradford, Men and Women, Morton, Tewke, Puritans) | 06:36 Tools | |
55623922 | Play | O Pity Me! Thou Alone Of Women Canst Heal This Tortured Heart | 06:36 Tools | |
89491625 | Play | Piano Concerto in G Major, Op. 36: IV. Allegro giocoso | 06:36 Tools | |
16811712 | Play | The Lament for Beowulf, Op. 25 | 19:16 Tools | |
87572896 | Play | Merry Mount Suite, Op. 31 (arr. J. Boyd): III. Love Duet | 13:40 Tools | |
16811634 | Play | Symphony No. 3: Andante tranquillo | 08:50 Tools | |
87572885 | Play | Merry Mount Suite, Op. 31 (arr. J. Boyd): IV. Prelude to Act II and Maypole Dances | 13:40 Tools | |
16811873 | Play | Symphony No. 6: Allegro assai | 02:08 Tools | |
16811738 | Play | Symphony No. 6: Allegro scherzando | 04:51 Tools | |
16811927 | Play | Symphony No. 6: Andante | 03:40 Tools | |
16811890 | Play | Mexican Rhapsody | 11:15 Tools | |
16811682 | Play | II. Andante teneramente, con semplicita | 05:25 Tools | |
16811762 | Play | VI. Allegro | 02:06 Tools | |
55623937 | Play | IV. Allegro assai | 02:06 Tools | |
55623926 | Play | Bold Island Suite | 05:25 Tools | |
55623927 | Play | Act I: Prelude | 05:25 Tools | |
55623928 | Play | Act II Scene 2: Almighty Father, My King and my God (Bradford, Mystic Voices) | 05:25 Tools | |
55623929 | Play | From Forth The Hill...I Christen 'Marry Mount' - Maypole Dance | 05:25 Tools | |
55623930 | Play | Act I: My son, Thou'rt over-ripe for marriage! (Tewke, Bradford) | 05:25 Tools | |
55623931 | Play | Almighty Father, My King And My God | 05:25 Tools | |
16811647 | Play | Symphony No. 2 ('Romantic'), Op. 30: 2. Andante con tenerezza | 06:36 Tools | |
16811751 | Play | II. Allegro scherzando | 04:50 Tools | |
89491626 | Play | I. Adagio | 04:50 Tools | |
16811671 | Play | Fanfare For The Signal Corps | 01:09 Tools | |
55623933 | Play | Symphony No.2 'Romantic' - Allegro con brio | 01:09 Tools | |
55623934 | Play | Gould: Spirituals - 1. Proclamation | 01:09 Tools | |
89491627 | Play | Merry Mount Suite, Op. 31 (arr. J. Boyd): I. Overture | 01:09 Tools | |
55623960 | Play | II. Andante tranquillo | 13:40 Tools | |
16811855 | Play | Symphony No. 6: Allegro | 02:05 Tools | |
55623945 | Play | Laude: Chorale, Variations and Metamorphoses: Variations 1-3 | 04:50 Tools | |
89491628 | Play | Merry Mount Suite, Op. 31 (arr. J. Boyd): II. Children's Dance | 04:50 Tools | |
16811857 | Play | Symphony No. 3: Andante lamentando-agitato | 10:39 Tools | |
16811609 | Play | Hanson: Merry Mount Suite: Overture | 02:45 Tools | |
16811930 | Play | Enchantment: Enchanment | 01:17 Tools | |
55623949 | Play | II. Allegro molto ritmico | 12:42 Tools | |
55623936 | Play | Rhythmic Variations On 2 Ancient Hymns: Rhythmic Variations On Two Ancient Hymns | 01:17 Tools | |
55623938 | Play | Long Live The Lady | 02:06 Tools | |
55623939 | Play | Gi' You Good Night, Sir... | 02:06 Tools | |
16811727 | Play | Act II Scene 1: Marigold! When the morning stars together sang (Lackland, Marigold, Men and Women) | 04:23 Tools | |
55623940 | Play | Marigold! Lady!...Lets Us Be Lions Of Jehovah | 04:23 Tools | |
55623941 | Play | Prelude - I Wind And I Wind, My True Love To Find | 04:23 Tools | |
16811915 | Play | Sinfonía Nº 2 "The Romantic" (extracto) | 02:48 Tools | |
16811859 | Play | Symphony No. 2 ('Romantic'), Op. 30: 1. Adagio; Allegro moderato | 13:40 Tools | |
87572890 | Play | Piano Concerto in G Major, Op. 36: I. Lento molto e molto tranquillo - Allegro deciso | 01:46 Tools | |
89491629 | Play | Nymphs and Satyr: I. Prelude - II. Fantasy for Clarinet and Chamber Orchestra | 01:46 Tools | |
89491630 | Play | Nymphs and Satyr: IV. Epilog | 01:46 Tools | |
87572888 | Play | Merry Mount Suite: Overture | 01:46 Tools | |
89491631 | Play | Symphony No.3: 2. Andante tranquillo | 01:46 Tools | |
89491632 | Play | Merry Mount Suite: 2. Children's Dance | 01:46 Tools | |
87572892 | Play | Merry Mount Suite: 1. Overture | 01:46 Tools | |
89491633 | Play | Nymphs and Satyr - scherzo for orchestra | 01:46 Tools | |
55623959 | Play | Symphony No. 2, Op. 30 "Romantic": I. Adagio; allegro moderato | 13:40 Tools | |
87572884 | Play | Hanson: For the First Time: 12. Dreams | 13:40 Tools | |
87572898 | Play | Symphony #1 in e: I. Andante solenne - Allegro con forza | 13:40 Tools | |
16811661 | Play | Hanson: Merry Mount Suite: Love Duet | 04:27 Tools | |
16811892 | Play | 2. Requiescat (Largo) | 05:42 Tools | |
87572899 | Play | Robert McBride - Mexican Rhapsody | 13:40 Tools | |
55623963 | Play | Laude: Chorale, Variations and Metamorphoses: Variation 7 | 04:27 Tools | |
87572900 | Play | Hanson: For the First Time: 2. TAmara and Peter Bolshoi | 13:40 Tools | |
87572886 | Play | Hanson: Merry Mount Suite: Children's Dance | 04:27 Tools | |
16811856 | Play | Symphony No. 3: Tempo scherzando | 05:37 Tools | |
87572901 | Play | Lyndol Mitchell - Kentucky Mountain Portraits - Cindy | 11:00 Tools | |
87572903 | Play | Ron Nelson - Savannah River Holiday | 11:00 Tools | |
87572904 | Play | Lyndol Mitchell - Kentucky Mountain Portraits - Ballad | 11:00 Tools | |
55623968 | Play | Laude: Chorale, Variations and Metamorphoses: Variations 4-5 | 05:42 Tools | |
16811946 | Play | 4. Lux aeterna (Largo pastorale) | 07:44 Tools | |
89491634 | Play | Symphony no. 2 Op.30 (Romantic) | 07:44 Tools | |
55623970 | Play | Hanson: For the First Time - 1. Bells | 07:44 Tools | |
55623946 | Play | Act II Scene 2: Let them strike twice, And I will come to thee! (Marigold) | 05:37 Tools | |
55623947 | Play | Hanson: For the First Time - 8. Serious Conversations | 05:37 Tools | |
89491635 | Play | Symphony No. 2, Op. 30 "Romantic" | 05:37 Tools | |
55623977 | Play | Hanson: For the First Time - 4. Eccentric Clock | 03:34 Tools | |
16811616 | Play | I. Andante solenne - Allegro con forza | 12:42 Tools | |
55623948 | Play | Be As A Lion, Dread Jehovah... From Plots Of Hell And Witcheries | 12:42 Tools | |
55623950 | Play | III. Finale: Allegro con fuoco | 12:42 Tools | |
55623951 | Play | Piston - The Incredible Flutist (Ballet Suite) - II. Entrance of the Vendors | 12:42 Tools | |
55623952 | Play | Barber - Capricorn Concerto Op. 21 - I. Allegro ma non troppo | 12:42 Tools | |
55623953 | Play | Act I: Marigold! Lady! … Let us be lions of Jehovah (Bradford, Marigold, Lackland, Myles Brodrib, Tewke, Puritans, Cavaliers) | 12:42 Tools | |
16811929 | Play | Act II Scene 3: Now thou art mine (Lucifer, Monsters, Witches and Demons, Bradford) | 01:46 Tools | |
55623954 | Play | Let Them Strike Twice, And I Will Come to Thee! | 01:46 Tools | |
89491636 | Play | Symphony No. 2 ('Romantic'), Op. 30: 3. Allegro con brio | 01:46 Tools | |
55623955 | Play | Hanson: Symphony No. 2, Op. 30 "Romantic": I. Adagio; allegro moderato | 01:46 Tools | |
89491637 | Play | Merry Mount Suite: Children's Dance | 01:46 Tools | |
89491638 | Play | Merry Mount Suite: 3. Love Duet | 01:46 Tools | |
55623957 | Play | Symphony No. 2, Op. 20 | 13:40 Tools | |
89491639 | Play | For the First Time: 1. Bells | 13:40 Tools | |
87572893 | Play | For the First Time: 4. Eccentric Clock | 13:40 Tools | |
87572894 | Play | For the First Time: 7. Dance | 13:40 Tools | |
89491640 | Play | Symphony No. 1 in E Minor, Op 22 'Nordic'': 1. Andante solenne; Allegro con forza | 13:40 Tools | |
55623958 | Play | Symphony No. 2 'The Romantic' 3rd movement | 13:40 Tools | |
87572895 | Play | For the First Time: 6. Clowns | 13:40 Tools | |
89491641 | Play | For the First Time: 11. Fireworks | 13:40 Tools | |
87572897 | Play | Pastorale for Oboe and Piano | 13:40 Tools | |
89491642 | Play | Symphony No.3: 1. Andante lamentando | 13:40 Tools | |
89491643 | Play | 3. Dies irae (Presto) | 13:40 Tools | |
89491644 | Play | Hanson: For the First Time: 5. Deep Forest | 13:40 Tools | |
89491645 | Play | Hanson: For the First Time: 6. Clowns | 13:40 Tools | |
16811836 | Play | Symphony No. 3: Largamente e pesante | 11:00 Tools | |
89491646 | Play | Hanson: For the First Time: 4. Eccentric Clock | 11:00 Tools | |
89491647 | Play | Hanson: For the First Time: 7. Dance | 11:00 Tools | |
89491648 | Play | Hanson: For the First Time - 3. Deserted House | 11:00 Tools | |
55623969 | Play | Suite from Merry Mount | 05:42 Tools | |
89491649 | Play | Symphony #1 in e: II. Andante teneramente, con semplicita | 05:42 Tools | |
55623971 | Play | Symphony No. 2 (Romantic) | 07:44 Tools | |
87572907 | Play | III. Love Duet | 07:44 Tools | |
55623972 | Play | IV. Prelude to Act II and Maypole Dances | 07:44 Tools | |
55623973 | Play | Dies Natalis | 07:44 Tools | |
89491650 | Play | Symphony #1 in e: III. Allegro con fuoco | 07:44 Tools | |
89491651 | Play | Hanson: For the First Time - 3. Deserted House | 07:44 Tools | |
87572908 | Play | Symphony #2: II. Andante con tenerezza | 07:44 Tools | |
55623974 | Play | Hanson: For the First Time - 10. Mist | 07:44 Tools | |
16811582 | Play | Joe Clark Steps Out | 03:34 Tools | |
55623975 | Play | Hanson: For the First Time - 5. Deep Forest | 03:34 Tools | |
55623976 | Play | Hanson: For the First Time - 11. Fireworks | 03:34 Tools | |
89491652 | Play | Symphony No. 2 "Romantic", Op. 30: III. Allegro con brio | 03:34 Tools | |
87572909 | Play | Music For Quiet Listening - Gymnopedie (4:12) | 03:34 Tools | |
55623978 | Play | McCauley - Five Miniatures for Flute and Strings - III. Dextrous | 08:16 Tools | |
55623979 | Play | Piston - The Incredible Flutist (Ballet Suite) - I. Introduction - Siesta in ... | 08:16 Tools | |
55623980 | Play | Barber - Capricorn Concerto Op. 21 - III. Allegro con brio | 08:16 Tools | |
55623981 | Play | Barber - Capricorn Concerto Op. 21 - II. Allegretto | 08:16 Tools | |
55623982 | Play | Piston - The Incredible Flutist (Ballet Suite) - VI. Circus March | 08:16 Tools | |
55623983 | Play | Piston - The Incredible Flutist (Ballet Suite) - IV. Tango of the Merchant's ... | 08:16 Tools | |
55623984 | Play | Piston - The Incredible Flutist (Ballet Suite) - VIII. Minuet | 08:16 Tools | |
55623985 | Play | Piston - The Incredible Flutist (Ballet Suite) - VII. The Flutist | 08:16 Tools | |
55623986 | Play | Merry Mount Suite | 08:16 Tools | |
16811807 | Play | Act III Scene 2: Gird you with Sackcloth (Tewke, Puritans) | 02:56 Tools | |
55623987 | Play | Gird You With Sackcloth | 02:56 Tools |
Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator, music theorist, and ardent champion of American classical music. Hanson was born in Wahoo, Nebraska to Swedish parents, Hans and Hilma (Eckstrom) Hanson. In his infancy he studied music with his mother. Later, he studied at Luther College in Wahoo, receiving a diploma in 1911, then at the Institute of Musical Art in New York City, where he studied with the composer and music theorist Percy Goetschius in 1914. Afterwards he attended Northwestern University, where Hanson studied composition with church music expert Peter Lutkin and Arne Oldberg in Chicago. Throughout his education, Hanson studied piano, cello and trombone. Hanson received his BA degree in music from Northwestern University in 1916, where he began his teaching career as a teacher's assistant. That same year, Hanson got his first full-time position as a music theory and composition teacher at the College of the Pacific in California, and only three years later, the college appointed him Dean of the Conservatory of Fine Arts in 1919. In 1920 Hanson composed The California Forest Play, his earliest work to receive national attention. Hanson also wrote a number of orchestral and chamber works during his years in California, including Concerto da Camera, Symphonic Legend, Symphonic Rhapsody, various solo piano works, such as Two Yuletide Pieces, and the Scandinavian Suite, which celebrated his Lutheran and Scandinavian heritage. Hanson was the first recipient of the American Academy's Prix de Rome, awarded by the American Academy in Rome, in 1921, for both The California Forest Play and his symphonic poem Before the Dawn. Thanks to the award, Hanson lived in Italy for three years. During his time in Italy, Hanson wrote a Quartet in One Movement, Lux aeterna, The Lament for Beowulf (orchestration Bernhard Kaun), and his Symphony No. 1, "Nordic", the premiere of which he conducted with the Augusteo Orchestra on May 30, 1923. It has been incorrectly stated that Hanson studied composition and/or orchestration with Ottorino Respighi, who studied orchestration with Nikolay Rimsky-Korsakov. Hanson's unpublished autobiography refutes the statement, attributed to Ruth Watanabe, that he had studied with Respighi. Upon returning from Rome, Hanson's conducting career took off, making his premiere conducting the New York Symphony Orchestra in his tone poem North and West. In Rochester, New York in 1924, he conducted his Symphony No. 1, and this brought him to the attention of George Eastman, inventor of the Kodak camera and roll film, who chose Hanson to be director of the Eastman School of Music. Hanson held that position for forty years, turning the institution into one of the most prestigious music schools in America. He accomplished this by improving the curriculum, bringing in better teachers and refining the school's orchestras. Also, he balanced the school's faculty between American and European teachers, even when this meant passing up Béla Bartók. Hanson offered a position to Bartok teaching composition at Eastman, a position that Bartok declined as Bartok did not believe that one could teach composition. Bartok placed Hanson in a difficult position as he wished to teach piano at Eastman - Eastman had a full staff of piano instuctors at the time. In 1925, Hanson established the American Composers Orchestral Concerts. Later, he founded the Eastman-Rochester Symphony Orchestra, which consisted of first chair players from the Rochester Philharmonic Orchestra and selected students from the Eastman School, and then The Festivals of American Music followed. Hanson made many recordings with the Eastman-Rochester Symphony Orchestra, not only his own works, but also those of other American composers such as John Alden Carpenter, Charles Tomlinson Griffes, John Knowles Paine, Walter Piston, William Grant Still, and other, lesser known, composers. Hanson estimated that over 2000 works by over 500 American composers were premiered during his tenure at Eastman. To celebrate the fiftieth anniversary of the Boston Symphony Orchestra, Serge Koussevitzky commissioned Hanson's Symphony No. 2, the "Romantic", and premiered it on November 28, 1930. This work was to become Hanson's best known. It accompanied several exterior sequences and the end credits in the original release of the famous sci-fi movie Alien. Its primary melody is performed at the conclusion of all concerts at the Interlochen Center for the Arts. Known as the "Interlochen Theme," it is conducted by a student concertmaster after the conductor has left the stage. There is to be no applause after its performance. Hanson's opera Merry Mount is credited as the first American opera, since it was written by an American composer and an American librettist on an American story, and it was premiered with a mostly American cast at the Metropolitan Opera in New York, in 1934. The Opera received fifty curtain calls at its Met premiere, a record that still stands. The opening theme of his Third Symphony's second movement is one of the most haunting and memorable passages in American music. The Third was written 1936-38 and first played by the NBC Symphony Orchestra. Hanson was elected as a member of the National Institute of Arts and Letters in 1935, President of the Music Teachers' National Association from 1929 to 1930, and President of the National Association of Schools of Music from 1935 to 1939. Hanson and Walter Piston were part of the committee that awarded the 1941 Prix de Rome to Harold Shapero. After he composed the Hymn of the Pioneers to celebrate the 300th anniversary of the first Swedish settlement in Delaware, Hanson was selected as a Fellow of the Royal Swedish Academy in 1938. In 1944 Hanson was awarded the Pulitzer Prize for Symphony No. 4, subtitled Requiem. In 1945 he became the first recipient of the Ditson Conductor's Award for commitment to American music. Hanson met Margaret Elizabeth Nelson at her parents' summer home on Lake Chautauqua in the Chautauqua Institution in New York. Hanson dedicated the Serenade for Flute, Harp, and Strings, to her; the piece was his musical request to marry her as he could not find the spoken words to ask her to marry him. They married on July 24, 1946 at her parents' summer home in Chautauqua Institution. In 1946, Hanson was awarded the George Foster Peabody Award "for outstanding entertainment programming" for a series he presented on the Rochester, New York radio station WHAM in 1945. From 1946 to 1962 Hanson was active in United Nations Educational, Scientific and Cultural Organization (UNESCO) . UNESCO commissioned Hanson's Pastorale for Oboe and Piano, and Pastorale for Oboe, Strings, and Harp, for the 1949 Paris conference of the world body. In 1953 Hanson helped to establish the Edward B. Benjamin Prize "for calming and uplifting music" written by Eastman students. Each submitted score was read by Hanson and the Eastman Orchestra. Winners of the Benjamin Prize appeared on Hanson's recording Music for Quiet Listening. Frederick Fennell, conductor of the Eastman Wind Ensemble, described Hanson's first band composition, the 1954 Chorale and Alleluia as "the most awaited piece of music to be written for the wind band in my twenty years as a conductor in this field". Chorale and Alleluia is still a required competition piece for high school bands in the New York State School Music Association's repertoire list and is one of Hanson's most frequently recorded works. In 1960 Hanson published Harmonic Materials of Modern Music: Resources of the Tempered Scale, a book that would lay the foundation for musical set theory. Among the many notions considered was what Hanson called the isomeric relationship, now usually termed Z-relationship. Hanson took the Eastman Philharmonia, a student ensemble, on a European tour from 1961 to 1962, which passed through Paris, Cairo, Moscow, and Vienna, among other cities. The Tour showcased the growth of serious American music in Europe and the Middle East. Hanson was on the Board of Directors of the Music Educators National Conference from 1960 to 1964. Even after his retirement from Eastman in 1964, Hanson continued his association with the School. Hanson's Song of Democracy, on a Walt Whitman text, was also performed at the inaugural concert for incoming U.S. President Richard Nixon in 1969, an event Hanson proudly described as the first inaugural concert featuring only American music. The Eastman Kodak company, in recognition of Hanson's achievements, donated $100,000 worth of stock to the school in 1976. Hanson stipulated that the gift be used to fund the Institute of American Music at Eastman. Hanson continued conducting, composing and writing in his eighties, up to his death in Rochester, New York. Hanson was cremated and his ashes were scattered on Bold Island; his island that lies off the coast of Stonington, Maine. It was on this Island that Hanson composed the Bold Island Suite and many of his other compositions. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.