Jakub Kosciuszko

Trackimage Playbut Trackname Playbut Trackname
J.S. Bach - Praeludium BWV 1008 03:24 Tools
J.K. Mertz - Liebeslied 03:34 Tools
J.K. Mertz - Unruhe 01:48 Tools
N. Paganini - Vairazioni sul "Carnavale di Venezia" 08:01 Tools
Hommage à Aleksander Tansman, I Nocturne funèbre 03:56 Tools
Threnody of The Victims of Bełżec 1941-42, V Romantico e molto cantabile 00:41 Tools
Threnody of The Victims of Bełżec 1941-42, VI Secco e molto regolare 00:50 Tools
The Fields in Polanówka 06:14 Tools
Hommage à Aleksander Tansman, V Fugato pathétique 04:15 Tools
Threnody of The Victims of Bełżec 1941-42, III Meno mosso poco rubato e romantico 00:50 Tools
Threnody of The Victims of Bełżec 1941-42, IV Con calma, quieto e vasto - Animato con passione e molto espressivo 04:15 Tools
Threnody of The Victims of Bełżec 1941-42, XIV Semplice, delicato quieto e vasto 02:44 Tools
Hommage à Aleksander Tansman, III Mazurka romanesque 02:52 Tools
Threnody of The Victims of Bełżec 1941-42, XI Cantabile – Brillante con fuoco, quasi cadenza 01:15 Tools
Threnody of The Victims of Bełżec 1941-42, X Molto espressivo e molto brillante, rubato 01:15 Tools
Threnody of The Victims of Bełżec 1941-42, IX Tranquillamente con spazioso – Meno mosso 01:15 Tools
Threnody of The Victims of Bełżec 1941-42, I Drammatico con forza e pesante 01:15 Tools
Threnody of The Victims of Bełżec 1941-42, VII Tranquillamente con spazioso 01:15 Tools
Threnody of The Victims of Bełżec 1941-42, II Secco e molto regolare 01:02 Tools
Threnody of The Victims of Bełżec 1941-42, XIII Molto marcato e pesante, perpetuo, piatto – Con forza - Marcato moltissimo e con fuoco 01:35 Tools
Threnody of The Victims of Bełżec 1941-42, XV ‘Hatikvah’ (‘The Hope’), maestoso e grandioso 01:35 Tools
Threnody of The Victims of Bełżec 1941-42, XVI Quasi cadenza, poco animato e brillante 01:02 Tools
Hommage à Aleksander Tansman, II Scherzando à la cracovienne 01:02 Tools
The Köln Concert - Part II C 05:33 Tools
Threnody of The Victims of Bełżec 1941-42, XII Pesante moltissimo 01:02 Tools
Hommage à Aleksander Tansman, IV Impromptu goualante (adaption de la chanson populaire ‘Cichy Zapada Zmrok’) 05:34 Tools
Felicidade (Arr. By R. Dyens) 01:02 Tools
N. Paganini - Variazioni sul "Carnavale di Venezia" 01:02 Tools
Sonata No. 2 in A Minor, BWV 1003: I Grave 01:30 Tools
Sonata No. 2 in A Minor, BWV 1003: II Fuga 08:14 Tools
Suite Contatos: I. Cadȇncia 08:14 Tools
A map of the world 08:14 Tools
Felicidade 08:14 Tools
Mazurka 08:14 Tools
Milonga Del Angel 08:14 Tools
Hommage à Aleksander Tansman, IV Impromptu goualante (adaption de la chanson populaire ‘Cichy Zapada Zmrok’) 08:14 Tools
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Jakub Kościuszko was born in 1985 in Szczecin, Poland. He started to learn to play the guitar at the age of 8. In the age of 16 his biography was placed in the Lexicon of Polish Guitarists. In 2004 he graduated with honors from the Music School in Szczecin, where he was a pupil of Piotr Palac. At the present, he studies under the direction of Piotr Zaleski at the “Karol Lipinski” Academy of Music in Wroclaw and maestro Zoran Dukic at the Royal Conservatoire in The Hague. He is a laureate of several competitions, including international guitar competitions in Krynica (2001) and Sanok (2005). He has also won the “Audience prize” in a competition during the Summer Guitar Courses in Krzyzowa (2004). He participated in master classes of such great guitarists as: Abel Carlevaro, Pavel Steidl, Carlo Marchione, Aniello Desiderio, Macin Dylla, Thomas Mueller-Pering. Jakub Kościuszko has performed recitals in Poland and Germany, being invited to festivals in Szczecin, Wroclaw, Lodz, Zielona Gora, to mention but a few. In October 2006 he had his debut with orchestra, playing “Fantasia para un Gentilhombre” by Joaquin Rodrigo. Since October 2005 he plays in an already highly acclaimed duo with violinist Jacek Ropski. He received grants and scholarships from the Municipality of Szczecin, Friends of Szczecin Society and the National Fund for Talented Children. http://www.jakubkosciuszko.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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