James "Bla" Pahinui

Trackimage Playbut Trackname Playbut Trackname
Gabby Kai 00:00 Tools
Gaby Kai 00:00 Tools
Maori Brown Eyes 03:48 Tools
O Come All Ye Faithful 00:00 Tools
Maori Brown Eyes - Instrumental 00:00 Tools
Maori Brown Eyes (Instrumental) 00:00 Tools
Gaby Kai (Hawaii) 00:00 Tools
Kaua'i Beauty 00:00 Tools
Gabby Kai (Instrumental) 00:00 Tools
Waimanalo Blues 00:00 Tools
No Ke Ano Ahiahi 00:00 Tools
Maori Brown Eyes [Instrumental] 00:00 Tools
'50s Medley - Silhouettes On The Shade & Goodnight My Love & Can't Help Falling In Love With You 00:00 Tools
Ho' Oheno Keia No Beauty 00:00 Tools
Ua (Rain) 00:00 Tools
Away In A Manger 00:00 Tools
E Pili Mai 00:00 Tools
Gabby Kai (Hawaii) 00:00 Tools
Isa Lei 00:00 Tools
Incoming 00:00 Tools
Maori Brown Eyes (1997) 00:00 Tools
Aloha Ka Manini 00:00 Tools
Ka'ena 00:00 Tools
Ku'u Ipo 00:00 Tools
Meleana E 00:00 Tools
Makapu'u Beach 00:00 Tools
May God Bless You (You'll Never Meet Another Kanaka Like Me) 00:00 Tools
Waimanalo Country Boy 00:00 Tools
Sanoe 00:00 Tools
Wai O Ke Aniani/_E Nihi Ka Hele Wai O Ke Aniani E Nihi Ka Hele 00:00 Tools
Moonlight Lady 00:00 Tools
E Aloha Ē 00:00 Tools
Gabby's Song 00:00 Tools
Memories of Gabby 00:00 Tools
Pauoa Liko Ka Lehua 00:00 Tools
Meleana Ē 00:00 Tools
Pua Tuberose 00:00 Tools
Away In A Manger (Instrumental) 00:00 Tools
Away In A Manger - Instrumental 00:00 Tools
If I Give My Heart To You 00:00 Tools
Hi'ilawe 00:00 Tools
James Pahnui - Gabby Kai 00:00 Tools
Maori Brown Eyes (James "Bla" Pahinui 00:00 Tools
Waimānalo Blues 00:00 Tools
Introduction 00:00 Tools
Hawaiian- A Putumayo Blend Mus 00:00 Tools
ワイマナロ・ブルース Waimanalo Blues 00:00 Tools
10- Gaby Kai (Hawaii) 00:00 Tools
Island Style 00:00 Tools
E Aloha E 00:00 Tools
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James 'Bla' Pahinui, the second oldest son of influential slack key guitarist Gabby Pahinui, has followed in his father's footsteps. An innovative slack key guitarist, in his own right, Pahinui is known for his distinctive phrasing. As he explained in a mid-'90s interview, "I like to stretch notes and take the melodies into new directions." Born in Honolulu and raised in Waimanolo, O'ahu, Pahinui was exposed to music from his earliest memory. As a youngster, he often attended the nightly jam sessions that his father hosted in the family home. Building his first instrument at the age of ten, he received a more professional Martin tenor ukulele the following year. Switching to guitar in his early teens, the left-handed Pahinui turned his instrument upside down and backwards in order to play. As he continued to evolve on the guitar, he developed his own style by picking the bass strings with his index finger while playing the other strings with his thumb. Meeting Latin and R&B musicians in the late '50s, Pahinui formed a multi-cultural electric band, the Playboys. The group remained together until the early '60s when Pahinui returned to his acoustic, Hawaiian roots. Together with Peter Moon, a ukulele virtuoso that he met in 1962, Pahinui continued to explore the music of his Hawaiian heritage. In 1966, the two musicians joined with vocalist Palani Vaughn, bass player Albert Kalima, Jr., and guitarist Cyril Pahinui to record an album, Meet Palani Vaughn & the Sunday Manoa. Although Vaughn and Cyril Pahinui enlisted in the United States Army, following the album's release, the band recorded a second album, Hawaiian Time. In the early '70s, Pahinui and his brothers joined their father to tour and record an album, Gabby Pahinui Hawaiian Band, Vol. 1 in 1975. During the 1990s, Pahinui recorded two solo albums: Windward Heart: Live Solo and Mana for George Winston's label Dancing Cat. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.