James Armstrong

Trackimage Playbut Trackname Playbut Trackname
Blues Been Good to Me 00:00 Tools
The Devil's Livin' There 04:50 Tools
Away From Home 04:02 Tools
Sleeping With a Stranger 03:07 Tools
Grandma's Got a New Friend 03:19 Tools
Change in the Weather 04:14 Tools
Blues Ain't Nothin' 03:19 Tools
Hard, Hard Blues 04:40 Tools
From Time to Time 03:19 Tools
Healing Time 03:43 Tools
Bank Of Love 04:21 Tools
Saturday Night Women 03:43 Tools
Wrong Address 03:40 Tools
Can't Get Off Your Love (Heaven Help Me) 03:20 Tools
Don't Kiss And Tell 04:47 Tools
Guitar Angels 03:43 Tools
Six Bar City 03:27 Tools
Take It to the Limit 03:43 Tools
Goodbye Kiss 03:01 Tools
That Kind Of Feeling 03:53 Tools
Midnight Again 03:43 Tools
Got It Goin' On 04:23 Tools
Devil's Moon 04:35 Tools
Moving to Nashville 00:00 Tools
Another Dream 05:24 Tools
Baby's Catwalkin' 04:00 Tools
Beat Up By Love 04:34 Tools
Dark Night 03:01 Tools
Runaway Train 04:14 Tools
Hard Hard Blues 00:00 Tools
Addicted To Love 00:00 Tools
Lucky Guy 04:16 Tools
Early Grave 04:16 Tools
Somebody Got To Pay 03:21 Tools
Second Time Around 04:27 Tools
Slender Man Blues 04:16 Tools
Shut My Eyes 03:56 Tools
Witchin' Moon 03:41 Tools
Love Will Make You Do Wrong 04:27 Tools
Pennies And Picks 04:22 Tools
2 Sides 03:46 Tools
Nothing Left To Say 03:32 Tools
Ain't Another Love Song 05:12 Tools
Likes Her Lovin' 03:16 Tools
Too Many Misses For Me 03:33 Tools
Old Man in the Morning (Young Man at Night) 03:33 Tools
Young Man With The Blues 05:52 Tools
Trouble On The Home Front 03:18 Tools
Guitar Angels (Radio Version) 04:04 Tools
Just In Case 03:38 Tools
Standing In Your Way 04:04 Tools
Shot Gun Wedding 03:57 Tools
What I Would Do (For Your Love) 03:58 Tools
Blues At The Border 05:12 Tools
I'll Learn Some Time 03:35 Tools
Mr. B's 03:28 Tools
How Sweet It Is to Be Loved by You 03:28 Tools
High Maintenance Woman 03:57 Tools
Here For The Music 03:53 Tools
Lil' James 00:00 Tools
Long Black Car 03:09 Tools
Baby Can You Hear Me 03:26 Tools
Devil's Candy 04:29 Tools
Love Can Make You Do Wrong 00:00 Tools
Every Thing Good To Ya (Ain't Always Good For Ya) 04:06 Tools
Guitr Angel (Radio Version) 03:57 Tools
Devil's Livin' There 03:57 Tools
Brand New Man 04:32 Tools
Mr B's 03:30 Tools
Baby Can You Hear Me? 00:00 Tools
Everything Good To Ya (Ain't Always Good For Ya) 04:06 Tools
Elena 00:00 Tools
Good Man Bad Thing 03:34 Tools
Bothers You 00:00 Tools
Good Man, Bad Thing 03:34 Tools
I'll Learn Sometime 00:00 Tools
Babe 00:00 Tools
Baby Come Back to Me 00:00 Tools
Keep Breathing 00:00 Tools
Angelica 00:00 Tools
Moment of Your Time 00:00 Tools
In Dreams 00:00 Tools
Hard Time Blues 00:00 Tools
Calypso 00:00 Tools
Busted 00:00 Tools
Kashmir 00:00 Tools
Angel 00:00 Tools
Clean 00:00 Tools
By a Star 00:00 Tools
Eye of the Tiger 00:00 Tools
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About JAMES ARMSTRONG Guitarist, singer and songwriter James Armstrong was born to play the blues. His mother was a blues singer. His father played jazz guitar. Born in Los Angeles, California, Armstrong formed his first band in the seventh grade and by the age of 17 he was touring the country. Today he travels the world and continues to infuse his voice and guitar playing with his unique personality and seasoned skills. In his twenties James was the youngest guitar player to play in Smokey Wilson's legendary band. James also helped form a band in Southern California called Mama Roo. That collaboration resulted in an album of the same name, and his first recording contract with Crescendo Records. In the early 90's James got plenty of exposure to his musical influences, including Albert Collins, who spent quality time with James and taught him a few tricks. Shortly after that he was discovered and signed by HighTone Records while playing in a Santa Monica bar, later immortalized in his song Mr.B's. Then, just as he was about to tour with his critically acclaimed first album Sleeping With A Stranger, tragedy struck. The events surrounding a home invasion left Armstrong without the use of his left hand and arm, including permanent nerve damage. This threatened to end his career forever. But, thanks to the support of friends, fans and the blues community Armstrong came back two years later with a second album, Dark Night. What Armstrong lost in the tragedy he gained in "a whole new respect for the music itself, the power in slow blues, how the silences between the notes are as important as the notes". Armstrong also turned his efforts to perfecting his songwriting, vocal and slide guitar skills, all the while developing his gift for turning hardship into song. The results were a third album, Got It Goin' On. The CD garnered two WC Handy award nominations for best blues guitarist and for best song of the year with Pennies and Picks. The CD, Got It Goin' On, with its new grooves and surprises, was praised by critics for its part in redefining the blues and keeping the genre alive. Over the years Armstrong has performed in many countries including North America, Europe, Scandinavia, Asia and the Middle East. He has worked beside Albert Collins, Keb Mo, Coco Montoya, Tommy Castro, Roy Brown, Shemekia Copeland, Chaka Khan, Charlie Musselwhite, Ricky Lee Jones, Joe Louis Walker, Mitch Michell (Jimi Hendrix's drummer), Peter Tork (The Monkees), Jan & Dean, just to name a few. James skill as a performer has not gone unnoticed by filmmakers. Several of his songs have been chosen for movie soundtracks. Bank of Love was used in Hear No Evil, with Martin Sheen and Marlie Matlin. Two Sides to Every Story is featured in Speechles with Micheal Keaton and Geena Davis also in The Florentine with Jeremy Davies and Luke Perry. Armstrong's latest release Blues at the Border, recorded in New York and Texas for his new label, Cat Food Records, manages to honor the sound of traditional blues while giving it the contemporary grit his fans have grown accustomed to hearing from James. Instead of buckling under the pressures of being a touring bluesman in the 21st century, he's made them the topic of many of the songs on his much awaited new album. While economic hard times and a climate of fear after 9-11 have ended many careers in the industry, James is not a stranger to hardship. "As a survivor of a violent home invasion, I've always known that life is not about how many times you fall but how many times you get back up. I wanted to make an album to reflect how much the world has changed." Producers Michael Ross, Bob Trenchard, and Armstrong went with Blues at the Border as the title cut to illustrate James' point. The song reflects a 21st century frustration when crossing borders. Young Man with the Blues is his most autobiographical song to date. It pays tribute to James' father, a musician himself who gave James the gift of music, a love of the road and, despite the absence of a mother, a happy childhood. "Young Man With The Blues surely has to be the best original blues song written this year... an absolute gem!" —Amazon.com By drawing on his rock, country and folk influences as well as his deep blues roots, Blues At the Border manages to transcend the constraints of tight musical boundaries. "The blues is evolving like every other genre" he says. "You can be authentic and contemporary at the same time. It's all about balance" It is evident that James' years of heavy touring have honed his skill and unique style. Jim DeKoster of Living Blues Magazine states, "Likely one of the year's best, and not to be missed". Seen live, Armstrong has a confident stage presence that combines grace with mischief. Few blues artists know how to play the crowd as James can, shifting dynamics from a whisper to a growl. Wherever he travels around the world his magnetism continues to hush a noisy rabble or entice a crowd to follow him out into the street or down the length of a beach. Little wonder he's been dubbed: The Ambassador of the Blues Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.