James & Lucky Peterson

Trackimage Playbut Trackname Playbut Trackname
Jacksonville 00:00 Tools
Don't Let The Devil Ride 00:00 Tools
Who Shot John? 00:00 Tools
Out of the Darkness 00:00 Tools
Death And Resurrection I 00:00 Tools
Ballet for Brawlers 00:00 Tools
A Great Fighter 00:00 Tools
Awaiting the News 00:00 Tools
I've Got A Problem 00:00 Tools
Why Mama Had To Cry 00:00 Tools
Silky Silk 00:00 Tools
Grease Monkey Prelude 00:00 Tools
Went Too Far, Stayed Too Long 00:00 Tools
Bills and Tears 00:00 Tools
Shoe On The Other Foot 00:00 Tools
Grease Monkey Brawl 00:00 Tools
Lost What I Had 00:00 Tools
The Attic 00:00 Tools
Jungle Rumble 00:00 Tools
Death and Resurrection II 00:00 Tools
Maria Cries 00:00 Tools
Calling All Gladiators 00:00 Tools
Prayer 00:00 Tools
Come Home To Eat 00:00 Tools
The Meeting 00:00 Tools
Tired Of Catchin' Hell 00:00 Tools
Women's Pet 00:00 Tools
A Not-So-Conjugal Visit 00:00 Tools
Ain't Got Enough Gas To Get Over The Line 00:00 Tools
Jazz Café 00:00 Tools
Boat Won't Float 00:00 Tools
I Need You At Home 00:00 Tools
Some Things A Man Shouldn't Have To Do 00:00 Tools
Bite My Hook 00:00 Tools
Children Gotta Eat 00:00 Tools
It's So Good 00:00 Tools
Moving Images Suite: The Sorcerer 00:00 Tools
Playin' The Game 00:00 Tools
Moving Images Suite: Americana 00:00 Tools
Up For Adoption 00:00 Tools
Moving Images Suite: Moving Images Fanfare 00:00 Tools
The Bottom Line 00:00 Tools
Moving Images Suite: A Quirky Machine 00:00 Tools
Fish Ain't Bitin' 00:00 Tools
Moving Images Suite: Pastorale 00:00 Tools
Bait Cost More Than the Fish 00:00 Tools
Moving Images Suite: Moonlit Desert Chase 00:00 Tools
Clothesline 00:00 Tools
Chicken Biddy 00:00 Tools
Sing The Blues Until I Die 00:00 Tools
Moving Images Suite: Transylvania: 1955 00:00 Tools
Long Handled Spoon 00:00 Tools
Slob on the Knob 00:00 Tools
Takin' Inventory 00:00 Tools
Flip Floppin' My Love 00:00 Tools
Moving Images Suite: Epilogue 00:00 Tools
All on Account of You 00:00 Tools
The Red Canvas - Death and Resurrection I 00:00 Tools
Too Many Knots 00:00 Tools
Fishin' 00:00 Tools
The Sorcerer 00:00 Tools
Moving Images Fanfare 00:00 Tools
Mind Is A Terrible Thing To Wa 00:00 Tools
The Red Canvas - A Great Fighter 00:00 Tools
Can't Teach An Old Dog New Tri 00:00 Tools
Blind Can't Lead The Blind 00:00 Tools
Every Goodbye Ain't Gone 00:00 Tools
Americana 00:00 Tools
A Quirky Machine 00:00 Tools
Moonlit Desert Chase 00:00 Tools
The Red Canvas - Bills and Tears 00:00 Tools
Call Before You Come Home 00:00 Tools
Pastorale 00:00 Tools
More Then One Way To Skin A Cat 00:00 Tools
I Fell In Love With A Prostitute 00:00 Tools
Transylvania: 1955 00:00 Tools
Epilogue 00:00 Tools
The Red Canvas - Moving Images Suite: Pastorale 00:00 Tools
Killer Rock 00:00 Tools
Jazz Cafe 00:00 Tools
Cripple Man 00:00 Tools
Red Canvas, The - Moving Images Suite: Pastorale (4:32) 00:00 Tools
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James Peterson Artist Biography by Richard Skelly Alabama-born and Florida-based guitarist, singer, and songwriter James Peterson played a gritty style of Southern-fried blues at times reminiscent of Howlin' Wolf and other times more along the lines of Freddie King. He formed his first band while he was living in Buffalo, New York and running the Governor's Inn House of Blues in the 1960s. He and his band would back up the traveling musicians who came through, including blues legends like Muddy Waters, Howlin' Wolf, Big Joe Turner, Freddie King, Lowell Fulson, and Koko Taylor. Peterson was born November 4, 1937 in Russell County, Alabama. Peterson was strongly influenced by gospel music in the rural area he grew up in, and he began singing in church as a child. Thanks to his father's juke joint, he was exposed to blues at an early age, and later followed in his footsteps in upstate New York. After leaving home at age 14, he headed to Gary, Indiana, where he sang with his friend John Scott. While still a teen, he began playing guitar, entirely self-taught. Peterson cited musicians like Muddy Waters, Howlin' Wolf (Chester Burnett), Jimmy Reed, and B.B. King as his early role models. After moving to Buffalo in 1955, he continued playing with various area blues bands, and ten years later he opened his own blues club. In 1970, Peterson recorded his first album, The Father, the Son, the Blues on the Perception/Today label. While he ran his blues club at night, he supplemented his income by running a used-car lot during the day. Peterson's debut album was produced and co-written with Willie Dixon, and it featured a then-five-year-old Lucky Peterson on keyboards. Peterson followed it up with Tryin' to Keep the Blues Alive a few years later. Peterson's other albums included Rough and Ready and Too Many Knots for the Kingsnake and Ichiban labels in 1990 and 1991, respectively. The album that put Peterson back on the road as a national touring act was 1995's Don't Let the Devil Ride for the Jackson, Mississippi-based Waldoxy Records. Throughout the '90s and up to the mid-2000s, Peterson was also an active live presence on the Tampa, Florida blues scene, and the 2000s also saw Peterson record another duo album with son Lucky, 2004's If You Can't Fix It on the JSP label. Peterson returned to Alabama in the mid-2000s, and died of a heart attack there on December 12, 2010. A master showman who learned from the best and knew how to work an audience, James Peterson left a legacy not only as an accomplished blues guitarist, but also as a crafty songwriter endowed with a deep, gospel-drenched singing style. Lucky Peterson Lucky Peterson (born Judge Kenneth Peterson, December 13, 1964, Buffalo, New York) is an American musician who plays contemporary blues, fusing soul, R&B, gospel and rock and roll. He plays guitar and keyboards. Music journalist Tony Russell, in his book The Blues - From Robert Johnson to Robert Cray has said, "he may be the only blues musician to have had national television exposure in short pants." Peterson's father, bluesman James Peterson, owned a nightclub in Buffalo called The Governor's Inn. The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson's words, "Took me under his wing." Months later, Peterson performed on The Tonight Show, The Ed Sullivan Show and What's My Line?. Millions of people watched Peterson sing "1-2-3-4", a cover version of "Please, Please, Please" by James Brown. At the time, Peterson said "his father wrote it". Around this time he recorded his first album, Our Future: 5 Year Old Lucky Peterson, for Today/Perception Records and appeared on the public television show, Soul!. As a teen, Peterson studied at the Buffalo Academy for Visual and Performing Arts, where he played the French horn with the school symphony. Soon, he was playing backup guitar and keyboards for Etta James, Bobby "Blue" Bland, and Little Milton. The 1990s were a prolific period for Peterson. Two solo Bob Greenlee produced albums for the Chicago-based Alligator Records (1989's Lucky Strikes! and the following year's Triple Play) remain his finest recorded offerings. He then released four more for the record label, Verve Records (I'm Ready, Beyond Cool, Lifetime and Move). While with Verve, Peterson collaborated with Mavis Staples on a tribute to gospel singer Mahalia Jackson, called Spirituals & Gospel. Peterson played electric organ behind Staples' singing. More albums from Peterson came after 2000. He recorded two for Blue Thumb Records (Lucky Peterson and Double Dealin'), and one for Disques Dreyfus entitled, Black Midnight Sun. In 2007, he released Tete a Tete on JSP Records. In 2013, the Blackbird Music/55 Arts Club DVD of Live At The 55 Arts Club Berlin was nominated for a Blues Music Award. Album: If You Can't Fix It A rare new release from the folk and blues reissue specialist label JSP, James & Lucky Peterson's If You Can't Fix It is the first full-length collaboration by the father and son bluesmen. Neither man overshadows the other, as they take turns showcasing their own songs and each man's uniformly fine guitar playing. The best track by far is James' fiery "Cripple Man," one of his most passionate and driven performances in years, on a song that has the potential to become a modern Chicago-style blues standard. Lucky's standout is the epic "Too Young to Die," which evolves into an extended guitar duel between father and son. In a rather unusual turn for traditional electric blues recordings, If You Can't Fix It was released in the nascent SACD (Super Audio CD) format before it was available as a standard compact disc. ~Review by Stewart Mason Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.