Juan de Anchieta

Trackimage Playbut Trackname Playbut Trackname
Ave Sanctissima Maria 00:00 Tools
Credo 00:00 Tools
Con amores, mi madre 00:00 Tools
Introitus: Salve Sancta Parens 00:00 Tools
Gloria in excelsis Deo 00:00 Tools
Salve Regina (Antiphon) 00:00 Tools
Con amores mi madre 00:00 Tools
Con amores, la mia madre 00:00 Tools
Dos ánades, madre 00:00 Tools
Con amores, la mi madre (arr. Bob Chilcott) 00:00 Tools
Virgo et mater 00:00 Tools
Musica, quid defles? 00:00 Tools
Missa quarti toni: Agnus Dei 00:00 Tools
Agnus Dei 00:00 Tools
Kyrie eleison - Christie eleision - Kyrie elesion 00:00 Tools
Ave sanctissima Maria: Ave Sanctissima Maria 00:00 Tools
Con Amores, La Mía Madre 00:00 Tools
Sanctus - Benedictus 00:00 Tools
Con Amores, La Mi Madre 00:00 Tools
Libera me, Domine 00:00 Tools
Missa Rex virginum: Kyrie 00:00 Tools
Domine Jesu Christe 00:00 Tools
Missa quarti toni: Credo 00:00 Tools
In passione Domini 00:00 Tools
Donsella madre de Dios 00:00 Tools
Missa quarti toni: Kyrie eleison - Christie eleision - Kyrie elesion 00:00 Tools
Missa quarti toni: Gloria in excelsis Deo 00:00 Tools
Missa quarti toni: Gloria 00:00 Tools
Missa L'Homme Arme: Kyrie 00:00 Tools
Missa quarti toni: Kyrie 00:00 Tools
Missa quarti toni: Sanctus 00:00 Tools
Dos anades, madre 00:00 Tools
Con Amores La Mi Madre 00:00 Tools
Missa L'Homme Arme: Sanctus 00:00 Tools
Sancta Mater Istud Agas, motet for 4 voices 00:00 Tools
Salve regina: Salve Regina (Antiphon) 00:00 Tools
Salve sancta facies 00:00 Tools
En Memoria D'Alixandre for 4 voices - Romance on the Fall of Baza 00:00 Tools
Doncella, Madre de Dios. Cancionero Municipal de Palacio, 404 00:00 Tools
En Memoria d'Alixandre 00:00 Tools
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Juan de Anchieta (1462 – 1523) was a Spanish composer of the Renaissance. Born into a leading Basque family, his mother was a great-aunt of Ignatius of Loyola, founder of the Society of Jesus.[1] In 1489 he was appointed to the chapel of Queen Isabella and in 1495 became maestro di capilla to Prince Don Juan, returning to the Queen's service after the Prince's death in 1497, and in 1504 to that of the new Queen, Joanna the Mad. He held various church benefices, from 1518 as Abbot of Arbs, spending his final years in a Franciscan convent he had founded in Azpeitia. Some thirty of Juan de Anchieta's compositions survive, among them two complete Masses, two Magnificats, a Salve Regina, four attributed Passion settings, with other sacred works and four compositions with Spanish texts. The two Masses and many motets which survive show extensive use of plainsong and much chordal writing. He was among the leading Spanish composers of his generation, writing music for the ample resources of the court chapel of the Catholic Kings. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.