Kate Royal

Trackimage Playbut Trackname Playbut Trackname
In Trutina (Carmina Burana) 00:00 Tools
Bailero 00:00 Tools
Bailero (Chants d'Auvergne, 1st series, no.2) 05:30 Tools
Scarborough fair 00:00 Tools
The Tempest, Act 1, Scene II: Oh father 00:00 Tools
Rusalka: Song to the Moon 00:00 Tools
The Tempest, Act 1, Scene II: Miranda - you are my care 00:00 Tools
The Tempest, Act 1, Scene II: What you hvae told me 00:00 Tools
Waitin 00:00 Tools
Scarborough fair (England) - arranged by Chris Hazell 00:00 Tools
In Trutina 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Duetto: Dolci chiodi, amate spine (Maddalena, Cleofe) 00:00 Tools
In Trutina (Orff) 00:00 Tools
Jemand Op.25 00:00 Tools
Ecce Cor Meum 00:00 Tools
Die Kleine "Zwischen Bergen, liebe Mutter" 00:00 Tools
Die Tote Stadt: Marietta's Lied 00:00 Tools
Peter Grimes: Embroidery Aria 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Aria: Ho un non so che nel cor (Maddalena) 00:00 Tools
Miss Julie: Midsummer Night 00:00 Tools
Come ye Sons of Art/ Ode: See nature rejoicing 00:00 Tools
Lieder: Es muss ein Wunderbares sein 00:00 Tools
Susannah: The trees on the Mountains 00:00 Tools
Danny Boy 00:00 Tools
Stella natalis: Lullay 00:00 Tools
Monsieur Beaucaire: Philomel 00:00 Tools
Apparition 00:00 Tools
Wuthering heights: I have dreamt 00:00 Tools
Mörike Lieder: Erstes liebeslied eines madchens 00:00 Tools
Pour un Baiser 00:00 Tools
L'Allegro, il Penseroso ed il Moderato (pastoral ode), III. Il Moderato: 39. Duet: As steals the Morn 00:00 Tools
Gretchen am Spinnrade D118 00:00 Tools
Les Filles de Cadix "Chanson Espagnole" 00:00 Tools
Troilus and Cressida: At the haunted end of the day 00:00 Tools
O war dein Haus 00:00 Tools
Stella natalis: Only heavenly music [In memoriam Christine Brown] 00:00 Tools
Vanessa: Do not utter a word 00:00 Tools
Rastlose Liebe Op.5 No.1 00:00 Tools
Bid the virtues 00:00 Tools
The Sprig of Thyme 00:00 Tools
L'Enfant Prodigue: "L'année, en vain chasse l'année": Air de Lia 00:00 Tools
Love went a riding 00:00 Tools
Tchut Tchut from Chants d'Auvergne 00:00 Tools
Ah, Love but a day! Op.44 No.2 00:00 Tools
Le Rossignol: Nightingale Aria 00:00 Tools
Chanson de la mariee 00:00 Tools
Vocalise en forme de habanera 00:00 Tools
Turn of the Screw: The Tower Scene 00:00 Tools
Del ciglio dolente (La Resurrezione) 00:00 Tools
Pastorale 00:00 Tools
Del ciglio dolente (Handel) 00:00 Tools
Heart we will forget him 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Aria: Del ciglio dolente (Maddalena) 00:00 Tools
Paul Bunyan: Tiny's Song 00:00 Tools
Die Lustige Witwe: Vilja 00:00 Tools
The Rake's Progress: Anne Truelove's aria (Scene III) 00:00 Tools
I will walk with my love 00:00 Tools
Ich wollt ein Sträusslein binden, Op.68, No.2 00:00 Tools
Rossignol (Messager) 00:00 Tools
Am Sonntag morgen 00:00 Tools
O waly Waly 00:00 Tools
The Rake's Progress: Recitative & Aria "No word from Tom" 00:00 Tools
My father! Can I desert him...I go, I go to him (The Rake's Progress) 00:00 Tools
Anonymous: Scarborough fair (England) - arranged by Chris Hazell 00:00 Tools
Wiegenlied, Op. 41/1 00:00 Tools
Malurous qu'o uno fenno (Chants d'Auvergne, 3rd series, no.5) 00:00 Tools
Extase 00:00 Tools
6 Lieder Op. 37: Hochzeitlich Lied 00:00 Tools
Morgen, Op. 27/4 00:00 Tools
Du Liebst mich Nicht 00:00 Tools
The Rake's Progress: Cabaletta "I go, I go to him" 00:00 Tools
Ecce Cor Meum: II Gratia 00:00 Tools
Schlafe, schlafe, holder, süßer Knabe 00:00 Tools
Verschling der Abgrund 00:00 Tools
Chants d'Auvergne: La Délaïssàdo (Series 2, No.4) 00:00 Tools
Joy to the World: O Jesus so sweet 00:00 Tools
Stella natalis: The Protector 00:00 Tools
Donc ce sera par un clair jour d'été 00:00 Tools
Bailero (Chants d'Auvergne) 00:00 Tools
Cuatro Madrigales Amatorios (for medium voice): 3. De dónde venis, amore? 00:00 Tools
Cuatro Madrigales Amatorios (for medium voice): 2. Vos me matásteis 00:00 Tools
The Tempest, Act 2: Scene IV: What was before 00:00 Tools
Sa maja ye el Ruisenor (The Lover & the Nightingale) from Goyescas 00:00 Tools
Les Filles de Cadix 00:00 Tools
My father! Can I desert him .. 00:00 Tools
Cuatro Madrigales Amatorios (for medium voice): 1. Con qué la laveré? 00:00 Tools
Stella natalis: Make we merry 00:00 Tools
Orff: In Trutina (Carmina Burana) 00:00 Tools
Lied der Brut I 00:00 Tools
Acis and Galatea HWV49b: Happy We 00:00 Tools
Oh father 00:00 Tools
Ecce Cor Meum: II Gratia 00:00 Tools
Lied der Brut II 00:00 Tools
4 Refrainlieder D866: Die Männer sind méchant 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Aria: Ferma l'ali (Maddalena) 00:00 Tools
Rossignol 00:00 Tools
Bailero - Canteloube 00:00 Tools
Cuatro Madrigales Amatorios (for medium voice): 4. De los álamos vengo, madre 00:00 Tools
The Tempest, Act 3, Scene IV: How good they are 00:00 Tools
De los alamos vengo, madre 00:00 Tools
Acis and Galatea, HWV 49b: Happy We 00:00 Tools
Auf Flügeln des Gesanges (On Wings of Song) op.34 no.2 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Recitativo: Notte, notte funesta (Maddalena) 00:00 Tools
Das Lands Desacheins: Flirten 00:00 Tools
Joy to the World: The first Noel 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Recitativo: Se Maria dunque spera (Maddalena) 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Recitativo: Ahi, dolce mio signore (Maddalena, Cleofe) 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Recitativo: Concedi, o Maddalena (Cleofe, Maddalena) 00:00 Tools
Gratia 00:00 Tools
The Tempest, Act 1: Scene VI: As i sat weeping 00:00 Tools
Come ye Sons of Art/ Ode: Bid the virtues 00:00 Tools
Vos me matasteis 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Coro: Diasi lode in cielo, in terra (Maddalena, Cleofe, Coro) 00:00 Tools
Air de Lia 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Recitativo: Amica, troppo tardo fu il nostro piè (Maddalena, Cleofe) 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Recitativo: Mio Gesù, mio Signore (Maddalena) 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Aria: Per me già di morire (Maddalena) 00:00 Tools
Love's Goddess sure was blind: As much as we below shall mourn 00:00 Tools
Morgen! 00:00 Tools
Malurous qu'o uno fenno 00:00 Tools
No word from Tom 00:00 Tools
Rusalka: Lied aan de maan 00:00 Tools
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Aria: Se impassibile, immortale (Maddalena) 00:00 Tools
My Father! Can I Desert Him...I Go, I Go To Him 00:00 Tools
Leid ber Braut I 00:00 Tools
Ich wollt' ein Strauslein binden 00:00 Tools
Quejas, o la maja y el ruisenor 00:00 Tools
Con que la lavare? 00:00 Tools
Stravinsky - The Nightingale's Aria 00:00 Tools
What you hvae told me 00:00 Tools
Leid der Braut II 00:00 Tools
Orff: Carmina Burana: In Trutina 00:00 Tools
Wiegenlied 00:00 Tools
Baïlèro 00:00 Tools
La delaissado 00:00 Tools
De donde venis, amore? 00:00 Tools
I go, I go to him 00:00 Tools
Messager: Rossignol (Monsieur Beaucaire) 00:00 Tools
Alwyn: Midsummer Night (Miss Julie) 00:00 Tools
WAITIN POUR SOPRANO ET PIANO 00:00 Tools
Wiegenlied, D.498 - Arranged By Catrin Finch: Schlafe, schlafe, holder, süßer Knabe 00:00 Tools
Miranda - you are my care 00:00 Tools
My father! Can I desert him ... I go, I go to him 00:00 Tools
The Tempest, Act 3, Scene III: Father 00:00 Tools
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Born in London, Kate Royal studied at the Guildhall School of Music and Drama and the National Opera Studio. Her many awards include the 2004 Kathleen Ferrier Award and the 2004 John Christie Award. Concert performances include Wagner’s Das Rheingold with Sir Simon Rattle (BBC Proms and Festspielhaus Baden-Baden), Mendelssohn’s Der Onkel aus Boston with the Bach Akademie Stuttgart under Helmut Rilling (also recorded), Mozart’s Zaide under Sir Charles Mackerras at the Edinburgh Festival and she made her US debut with the National Symphony Orchestra (Washington) under Helmuth Rilling (Bach’s St Matthew Passion). She appears in recital in London, Edinburgh, Amsterdam, Barcelona, Brussels and Cologne and at the BBC Proms. She has recorded Mahler’s Symphony No. 4 with the Manchester Camerata and Schumann’s Liederkreis (for Hyperion) with Graham Johnson. In October 2006 Kate Royal signed an exclusive contract with EMI Classics. In opera she has sung Pamina (Die Zauberflöte) for the Glyndebourne Festival, Countess (Le nozze di Figaro) and Governess (The Turn of the Screw) for Glyndebourne on Tour and Helena (A Midsummer Night’s Dream) for both the Teatro Real, Madrid and the Glyndebourne Festival. Future concert engagements include the Orchestra of the Age of Enlightenment and Rattle and the Berlin Philharmonic and Christie. Her future operatic engagements include Micaela (Carmen) for the Glyndebourne Festival, Countess Almaviva in new productions for both the Aix-en-Provence Festival and La Monnaie Brussels, the title-role in “The Coronation of Poppea” for English National Opera, Handel’s “L’Allegro” for the Paris Opera and both Miranda (Ades’ The Tempest) and Pamina for the Royal Opera, Covent Garden. [ Taken from www.emiclassics.com] Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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