Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
28423131 | Play | for maria | 05:39 Tools | |
28423133 | Play | BLUE | 04:28 Tools | |
28423132 | Play | sky riders | 04:05 Tools | |
28423134 | Play | Blue fish | 06:29 Tools | |
28423136 | Play | painful | 03:50 Tools | |
28423139 | Play | open your eyes | 04:13 Tools | |
28423137 | Play | Ida | 02:44 Tools | |
28423140 | Play | Untitled | 04:43 Tools | |
28423142 | Play | when attitudes become form | 04:21 Tools | |
28423135 | Play | our music | 04:40 Tools | |
28423138 | Play | one plus two | 02:44 Tools | |
28423143 | Play | Wht | 01:54 Tools | |
28423141 | Play | erosion | 05:41 Tools | |
28423145 | Play | 1'51 | 01:51 Tools | |
66712795 | Play | Chastening | 05:41 Tools | |
28423147 | Play | Piano Concerto No. 5 | 03:21 Tools | |
28423161 | Play | 5'51 | 05:55 Tools | |
28423153 | Play | 5'17 | 05:19 Tools | |
28423146 | Play | 5'32 | 05:37 Tools | |
28423151 | Play | 5'18 | 05:18 Tools | |
28423158 | Play | 4'12 | 04:16 Tools | |
28423149 | Play | angle passed | 08:34 Tools | |
28423154 | Play | 4'13 | 04:16 Tools | |
28423156 | Play | 4'37 | 04:41 Tools | |
28423165 | Play | Largo | 03:13 Tools | |
28423315 | Play | Er | 05:39 Tools | |
28423152 | Play | Angel Passed | 08:34 Tools | |
28423164 | Play | 5'08 | 05:03 Tools | |
28423144 | Play | Sacrifice Seiji “Fish on Land” Opening | 02:22 Tools | |
28423148 | Play | Raveling | 01:50 Tools | |
28423155 | Play | Act of Love | 02:13 Tools | |
28423150 | Play | 1'11+ | 01:28 Tools | |
28423171 | Play | logistic white haze_invisible film and machine | 04:38 Tools | |
28423175 | Play | Urgent | 01:01 Tools | |
28423179 | Play | CA_r18 | 03:19 Tools | |
28423160 | Play | A Fish on Land | 02:03 Tools | |
28423162 | Play | Reversing | 01:25 Tools | |
28423157 | Play | Storm | 02:02 Tools | |
28423163 | Play | Sacrifice Piano Solo Version Seiji “Fish on Land”Ending | 05:19 Tools | |
28423167 | Play | Forest | 03:20 Tools | |
28423159 | Play | Blue Guitar | 02:38 Tools | |
28423166 | Play | Chord | 01:59 Tools | |
28423168 | Play | 3'42 | 03:42 Tools | |
28423211 | Play | data logi / tm_vertical and diffusion | 03:00 Tools | |
28423215 | Play | Chapter 03 | 32:54 Tools | |
28423219 | Play | jet horizontal / variation of affression | 03:00 Tools | |
28423209 | Play | jet horizontal/variation of aggression | 03:00 Tools | |
28423169 | Play | 4'33+ | 04:34 Tools | |
28423204 | Play | 3'57 | 03:57 Tools | |
28423226 | Play | CA_r110 / guernica_war piece | 06:02 Tools | |
28423217 | Play | CA_r110/guernica_war piece | 06:02 Tools | |
28423210 | Play | 3'49 | 03:49 Tools | |
28423196 | Play | 2'39 | 02:39 Tools | |
28423213 | Play | 6'20 | 06:20 Tools | |
28423214 | Play | 10'30 | 10:36 Tools | |
28423212 | Play | data logi/tm_vertical and diffusion | 03:00 Tools | |
28423232 | Play | I Do It To Myself | 01:51 Tools | |
28423229 | Play | 4'04 | 04:12 Tools | |
28423178 | Play | Reversible Destiny (Main Theme) | 03:03 Tools | |
28423221 | Play | 1'17 | 01:26 Tools | |
28423218 | Play | 7'32 | 07:32 Tools | |
28423237 | Play | Sacrifice | 00:30 Tools | |
28423174 | Play | Architecture | 01:17 Tools | |
28423207 | Play | Memories Of Origin | 04:07 Tools | |
28423309 | Play | our music live 09.12.26 | 05:12 Tools | |
28423267 | Play | 3'29 | 03:29 Tools | |
28423231 | Play | Sorry My Bad English | 05:55 Tools | |
28423230 | Play | Shibuya Tango | 05:18 Tools | |
28423172 | Play | Timeless | 03:48 Tools | |
28423183 | Play | Lightning Fields | 02:37 Tools | |
28423186 | Play | In Memory Of Helen Keller | 04:03 Tools | |
28423173 | Play | Five Elements | 01:33 Tools | |
28423192 | Play | Architectural Body | 03:26 Tools | |
28423180 | Play | Study | 01:00 Tools | |
28423182 | Play | Untitled 8 | 05:38 Tools | |
28423357 | Play | Nagasaki Nightmare | 04:16 Tools | |
28423185 | Play | Empty Garden | 03:53 Tools | |
28423189 | Play | Lightning Fields2 / W.H.F Talbot | 04:22 Tools | |
28423199 | Play | Children Who Won't Die | 04:44 Tools | |
66712797 | Play | Aria for Death (Aria) | 04:29 Tools | |
28423184 | Play | Dreaming | 01:34 Tools | |
28423188 | Play | Requiem For Not To Die | 06:35 Tools | |
28423259 | Play | Guinness Book Of Records | 05:38 Tools | |
66712798 | Play | Overture | 07:35 Tools | |
28423177 | Play | Mathematical Models | 02:11 Tools | |
28423170 | Play | Life | 02:32 Tools | |
28423263 | Play | Doctor Police In Hiroshima | 04:16 Tools | |
28423241 | Play | Filmachine Phonics | 20:00 Tools | |
28423216 | Play | SPEC - Main Theme - | 05:00 Tools | |
28423181 | Play | Theaters | 03:33 Tools | |
28423190 | Play | Reversible Destiny (Rhodes Piano Version) | 02:30 Tools | |
28423197 | Play | Drill 4 | 02:14 Tools | |
28423194 | Play | Mistake (With Madeline Gins) | 06:59 Tools | |
28423205 | Play | Limitless | 04:29 Tools | |
28423208 | Play | Where Our Life Came From? | 08:15 Tools | |
28423191 | Play | Another Texture 1 | 02:54 Tools | |
28423242 | Play | Calling For Your Juicy | 05:18 Tools | |
28423187 | Play | The Mechanism Of Meaning (With Madeline Gins) | 04:37 Tools | |
28423176 | Play | The Day After | 02:51 Tools | |
28423203 | Play | Appropriate Proportion | 07:35 Tools | |
28423202 | Play | Shadow Boxing | 00:57 Tools | |
28423206 | Play | Seascapes | 02:58 Tools | |
28423195 | Play | Another Texture 2 | 03:48 Tools | |
28423198 | Play | Bioscleave House | 05:13 Tools | |
28423193 | Play | Reversible Destiny (Piano Solo Version) | 02:41 Tools | |
28423277 | Play | Pop Music Records | 04:41 Tools | |
28423200 | Play | Numbers | 06:07 Tools | |
28423294 | Play | Godzilla Blues | 05:08 Tools | |
28423201 | Play | Landing Sites | 10:24 Tools | |
28423352 | Play | 5'52 | 06:00 Tools | |
28423361 | Play | 5'30 | 05:35 Tools | |
66712801 | Play | Aria for Time and Space (Aria) | 05:41 Tools | |
66712802 | Play | Aria for the End (Aria) | 03:07 Tools | |
66712804 | Play | Miku and Animal (Recitative) | 02:59 Tools | |
66712803 | Play | What'd You Come Here For? (Recitative) | 02:59 Tools | |
66712808 | Play | The Cave (Recitative) | 02:59 Tools | |
28423325 | Play | CA_ r18 | 03:19 Tools | |
66712805 | Play | Because I Am Imperfect (Arioso) | 02:59 Tools | |
66712809 | Play | Theme of Superanimal (Recitative) | 05:34 Tools | |
66712806 | Play | Aria for Voices and Words (Aria) | 02:59 Tools | |
66712807 | Play | The Gas Mask And The Gas (Recitative) | 02:59 Tools | |
28423222 | Play | Ballad | 03:25 Tools | |
66712810 | Play | I Missed You (Recitative) | 06:02 Tools | |
66712796 | Play | data logi/ tm_vertical and diffusion | 02:32 Tools | |
28423288 | Play | _/|~ | 10:36 Tools | |
66712812 | Play | I Have to Take Care of You (Recitative) | 03:18 Tools | |
28423244 | Play | SPEC - frozen with electronics - | 04:00 Tools | |
66712811 | Play | Interlude 1; Typerwriter | 04:38 Tools | |
66712800 | Play | 10'00 | 10:36 Tools | |
66712799 | Play | ATAK010 filmachine phonics connected | 07:35 Tools | |
28423340 | Play | ..._ | 04:12 Tools | |
66712813 | Play | Interlude 2; Mutation | 03:18 Tools | |
28423239 | Play | SPEC - Strings version - | 05:41 Tools | |
28423223 | Play | SPEC - Suffering - | 02:49 Tools | |
28423220 | Play | SPEC - symphonic - | 03:07 Tools | |
28423286 | Play | data Logi/tm_vertical and Diffusion (headphone Only) | 02:59 Tools | |
87975287 | Play | "Fish on Land" Opening | 03:00 Tools | |
87975288 | Play | 1'07 | 03:00 Tools | |
28423238 | Play | jet Horizontal/variation of Aggression (headphone Only) | 02:59 Tools | |
28423254 | Play | パルティータ 第4番 アルマンド | 05:34 Tools | |
66712818 | Play | AVALON | 03:00 Tools | |
87975292 | Play | 2'20 | 06:11 Tools | |
28423271 | Play | CA_r110_guernica_war Piece (headphone Only) | 06:02 Tools | |
28423343 | Play | logistic White Haze_invisible Film and Machine (headphone Only) | 04:38 Tools | |
89766704 | Play | 2'46 | 04:38 Tools | |
28423246 | Play | トラック 02 | 06:12 Tools | |
28423298 | Play | CA_r18 (headphone Only) | 03:18 Tools | |
89766705 | Play | 1'15 | 03:18 Tools | |
89766706 | Play | 03 5'17 | 03:18 Tools | |
89766707 | Play | Sacrifice Seiji "Fish on Land" Opening | 03:18 Tools | |
66712814 | Play | Mother Song | 03:18 Tools | |
28423243 | Play | トラック 01 | 01:56 Tools | |
28423248 | Play | Sacrifice piano+vocal version | 06:29 Tools | |
28423252 | Play | logi/tm_vertical and diffusion | 03:00 Tools | |
28423347 | Play | トラック 06 | 06:18 Tools | |
28423240 | Play | トラック 10 | 04:33 Tools | |
28423287 | Play | トラック 05 | 00:50 Tools | |
66712815 | Play | Heavenly Puss | 00:50 Tools | |
28423224 | Play | aria for the end | 05:48 Tools | |
28423304 | Play | r18 | 03:19 Tools | |
28423313 | Play | piece | 06:03 Tools | |
87975291 | Play | 10'04 | 06:11 Tools | |
89766708 | Play | 5'23 | 06:11 Tools | |
87975293 | Play | 4'25 | 06:11 Tools | |
28423337 | Play | トラック 03 | 00:58 Tools | |
28423265 | Play | トラック 09 | 07:55 Tools | |
28423262 | Play | トラック 07 | 02:34 Tools | |
28423285 | Play | トラック 04 | 02:00 Tools | |
66712822 | Play | ATAK015 for Maria - Our Music | 06:11 Tools | |
89766709 | Play | 5'39 | 06:11 Tools | |
28423247 | Play | トラック 08 | 06:03 Tools | |
66712816 | Play | Untitled 4 | 06:03 Tools | |
66712819 | Play | Limitless other version | 04:25 Tools | |
28423341 | Play | Sacrifice dubmix version | 06:11 Tools | |
28423320 | Play | horizontal/variation of aggression | 03:00 Tools | |
66712820 | Play | 5:18 | 06:11 Tools | |
66712817 | Play | ATAK Dance Hall (unreleased cut) | 03:00 Tools | |
89766710 | Play | unformed02 | 03:00 Tools | |
28423299 | Play | トラック 11 | 04:25 Tools | |
87975289 | Play | Aria For Death | 04:25 Tools | |
89766711 | Play | 天命反転のテーマ | 04:25 Tools | |
89766712 | Play | ヘレン・ケラーのために | 04:25 Tools | |
89766713 | Play | 建築する身体 | 04:25 Tools | |
66712821 | Play | Elektra | 06:11 Tools | |
87975290 | Play | 1:51 | 06:11 Tools | |
66712823 | Play | ☆ | 06:11 Tools | |
89766714 | Play | 1'54 | 06:11 Tools | |
89766715 | Play | 1'20 | 06:11 Tools |
Keiichiro Shibuya is a Japanese artist and musician who produces some of the most progressive electronic sound in Japan. Born in Tokyo, 1973. He graduated with a degree in composition from Tokyo National University of Fine Arts and Music. In 2002, he established ATAK, which functions not only as a music label, releasing CDs of domestic and overseas cutting-edge electroacoustic works, but also embraces creators in various fields such as design, network technology and so on, as well as being a kind of "platform" to develop dynamic new work. Later, in 2002, Keiichiro Shibuya was involved in the commemoration CD of founding of Mori Art Museum. In 2003, he released a CD ATAK002 Keiichiro Shibuya + Yuji Takahashi in collaboration with Yuji Takahashi, a Japanese composer and pianist. Later in2003 ATAK made a domestic concert tour with Icelandic Stilluppsteypa. In2004, he released his first solo album ATAK000 Keiichiro Shibuya. His dense composition in that he drastically focused in sound material (color) and rhythm, was described as "a perfect work that rules over the history of electronic music" (Atsushi Sasaki). Shibuya has been continuing collaboration with Yuji Takahashi (composer / pianist), Takashi Ikegami (complex system researcher/ associate professor at Tokyo University). In 2005 Shibuya and Ikegami started their collaboration as they exhibited a sound installation work at ICC (Inter Communication Center of Tokyo Oprera City) and made a concert-style presentation to unveil the The Third Term Music, a music theory of sound variation and the motion dynamics based on nonlinear sciences. He also appears as pianist on Seigen Ono' album Who Is She? Me? in 1999. Last year he worked for a pedestrian crossing signal music project as an electroacoustic specialist as well as working as a musician for International Association of Traffic and Safety Sciences; for the project he composed music from the viewpoint of urban design in place of the previously-used melody "Toryanse". His album ATAK010 filmachine phonics (2007) and the 3-dimensional installation filmachine (2006), made together with Takashi Ikegami, were awarded honorary mention in the digital music division at Ars Electronica in 2007. The installation was shown at the club transmediale. 08 also there was a partner event at Tesla / Podewil'sches Palais. Moreover, the presentation of filmachine in Tokyo is already decided for March 2008. Currently, he works as an adjunct professor at the Tokyo National University of Fine Arts and Music. http://www.atak.jp Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.